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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9959 it is the complementary color #1466A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EB9959: #F09954, #FFAB67, #FFBD7A, #FFCF8D and #FFE1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EB9959: #EB9959, #DA8746, #C97533, #B86320 and #A7510D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

Complementary color

CMYK 88 / 39 / 0 / 35

HEX #1466A6

RGB 20 102 166

HSL 206.3, 0.78%, 0.36%

LAB 41.85, 0.93, -40.87

 

CMYK 0 / 36 / 65 / 6

HEX #F09954

RGB 240 153 84

HSL 26.54, 0.84%, 0.64%

LAB 70.83, 26.43, 49

 

CMYK 0 / 33 / 60 / 0

HEX #FFAB67

RGB 255 171 103

HSL 26.84, 1%, 0.7%

LAB 76.9, 24.28, 47.1

 

CMYK 0 / 26 / 52 / 0

HEX #FFBD7A

RGB 255 189 122

HSL 30.23, 1%, 0.74%

LAB 81.32, 16.33, 42.94

 

CMYK 0 / 19 / 45 / 0

HEX #FFCF8D

RGB 255 207 141

HSL 34.74, 1%, 0.78%

LAB 85.91, 8.71, 39.12

 

CMYK 0 / 12 / 37 / 0

HEX #FFE1A0

RGB 255 225 160

HSL 41.05, 1%, 0.81%

LAB 90.62, 1.46, 35.61

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 0 / 38 / 68 / 15

HEX #DA8746

RGB 218 135 70

HSL 26.35, 0.67%, 0.56%

LAB 63.9, 26.15, 47.33

 

CMYK 0 / 42 / 75 / 21

HEX #C97533

RGB 201 117 51

HSL 26.4, 0.6%, 0.49%

LAB 57.44, 27.78, 48.89

 

CMYK 0 / 46 / 83 / 28

HEX #B86320

RGB 184 99 32

HSL 26.45, 0.7%, 0.42%

LAB 50.94, 29.62, 50.14

 

CMYK 0 / 51 / 92 / 35

HEX #A7510D

RGB 167 81 13

HSL 26.49, 0.86%, 0.35%

LAB 44.42, 31.68, 50.46

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 0 / 24 / 61 / 8

HEX #EAB15B

RGB 234 177 91

HSL 36.08, 0.77%, 0.64%

LAB 75.88, 11.7, 51.2

 

CMYK 0 / 14 / 61 / 8

HEX #EAC95B

RGB 234 201 91

HSL 46.15, 0.77%, 0.64%

LAB 81.85, -0.84, 57.95

 

CMYK 0 / 4 / 61 / 8

HEX #EAE15B

RGB 234 225 91

HSL 56.22, 0.77%, 0.64%

LAB 88.02, -12.98, 64.7

 

CMYK 6 / 0 / 61 / 8

HEX #DCEA5B

RGB 220 234 91

HSL 65.87, 0.77%, 0.64%

LAB 89.31, -23.03, 65.77

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 0 / 35 / 61 / 88

HEX #1F140C

RGB 31 20 12

HSL 25.26, 0.44%, 0.08%

LAB 7.39, 4.23, 6.17

 

CMYK 0 / 35 / 62 / 68

HEX #52351F

RGB 82 53 31

HSL 25.88, 0.45%, 0.22%

LAB 25.07, 10.31, 19.03

 

CMYK 0 / 35 / 62 / 48

HEX #855732

RGB 133 87 50

HSL 26.75, 0.45%, 0.36%

LAB 41.27, 15.03, 28.98

 

CMYK 0 / 35 / 62 / 28

HEX #B87846

RGB 184 120 70

HSL 26.32, 0.45%, 0.5%

LAB 56.15, 20.05, 37.33

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 38 / 0 / 61 / 8

HEX #90EA5B

RGB 144 234 91

HSL 97.76, 0.77%, 0.64%

LAB 84.76, -51.02, 59.48

 

CMYK 59 / 61 / 0 / 8

HEX #605BEA

RGB 96 91 234

HSL 242.1, 0.77%, 0.64%

LAB 46.86, 42.52, -71.86

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 61 / 0 / 35 / 8

HEX #5BEA99

RGB 91 234 153

HSL 146.01, 0.77%, 0.64%

LAB 83.64, -56.38, 28.21

 

CMYK 35 / 61 / 0 / 8

HEX #995BEA

RGB 153 91 234

HSL 266.01, 0.77%, 0.64%

LAB 52.06, 53.5, -63.18

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 38 / 0 / 61 / 8

HEX #90EA5B

RGB 144 234 91

HSL 97.76, 0.77%, 0.64%

LAB 84.76, -51.02, 59.48

 

CMYK 61 / 26 / 0 / 8

HEX #5BACEA

RGB 91 172 234

HSL 206.01, 0.77%, 0.64%

LAB 67.78, -6.45, -38.5

 

CMYK 22 / 61 / 0 / 8

HEX #B65BEA

RGB 182 91 234

HSL 278.18, 0.77%, 0.64%

LAB 55.45, 60, -57.55

 

CMYK 0 / 35 / 62 / 8

HEX #EB9959

RGB 235 153 89

HSL 26.3, 0.78%, 0.64%

LAB 70.29, 24.71, 45.73

 

CMYK 57 / 0 / 61 / 8

HEX #65EA5B

RGB 101 234 91

HSL 115.8, 0.77%, 0.64%

LAB 83.11, -63.17, 57.18

 

CMYK 61 / 26 / 0 / 8

HEX #5BACEA

RGB 91 172 234

HSL 206.01, 0.77%, 0.64%

LAB 67.78, -6.45, -38.5

 

CMYK 4 / 61 / 0 / 8

HEX #E15BEA

RGB 225 91 234

HSL 296.22, 0.77%, 0.64%

LAB 61.16, 70.08, -48.12

 

Description

Color code: HEX #EB9959 | qconv.com Color code: HEX #EB9959 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 153 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 153 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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