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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB98EC it is the complementary color #146713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB98EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB98EC shade: #F098E7, #FFAAFA, #FFBCFF, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB98EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB98EC shade: #EB98EC, #DA86D9, #C974C6, #B862B3 and #A750A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB98EC shade: #EB98EC, #EC98D6, #EC98BF, #EC98A9 and #EC9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB98EC shade: #EB98EC, #D498EC, #BD98EC, #A798EC and #9898EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB98EC shade matches the following richer shades: #EB98EC and #F58EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB98EC shade: #EB98EC, #E1A1E2, #D8ABD8, #CEB5CE and #C4BFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB98EC shade: #BE98EC, #D498EC, #EB98EC, #EC98D7 and #EC98C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB98EC shade: #DE52DF, #E475E6, #EB98EC, #F2BAF2 and #F8DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB98EC shade: #EB98EC, #ECA798 and #98ECC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB98EC shade: #EB98EC, #ECEB98 and #98ECEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB98EC shade: #EB98EC, #ECA798, #99EC98 and #98DDEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB98EC shade: #EB98EC, #ECC098, #99EC98 and #98C3EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

Complementary color

CMYK 81 / 0 / 82 / 60

HEX #146713

RGB 20 103 19

HSL 119.29, 0.69%, 0.24%

LAB 37.66, -40.78, 37.63

 

CMYK 0 / 37 / 4 / 6

HEX #F098E7

RGB 240 152 231

HSL 306.14, 0.75%, 0.77%

LAB 74.03, 44.61, -26.28

 

CMYK 0 / 33 / 2 / 0

HEX #FFAAFA

RGB 255 170 250

HSL 303.53, 1%, 0.83%

LAB 80.13, 43.27, -27.09

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 39 / 0 / 15

HEX #DA86D9

RGB 218 134 217

HSL 300.71, 0.53%, 0.69%

LAB 67.25, 44.69, -29.2

 

CMYK 0 / 42 / 1 / 21

HEX #C974C6

RGB 201 116 198

HSL 302.12, 0.44%, 0.62%

LAB 60.77, 45.43, -28.72

 

CMYK 0 / 47 / 3 / 28

HEX #B862B3

RGB 184 98 179

HSL 303.49, 0.38%, 0.55%

LAB 54.22, 46.15, -28.16

 

CMYK 0 / 52 / 4 / 35

HEX #A750A0

RGB 167 80 160

HSL 304.83, 0.35%, 0.48%

LAB 47.61, 46.81, -27.48

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 36 / 9 / 7

HEX #EC98D6

RGB 236 152 214

HSL 315.71, 0.69%, 0.76%

LAB 72.99, 40.43, -18.59

 

CMYK 0 / 36 / 19 / 7

HEX #EC98BF

RGB 236 152 191

HSL 332.14, 0.69%, 0.76%

LAB 72.26, 36.78, -6.99

 

CMYK 0 / 36 / 28 / 7

HEX #EC98A9

RGB 236 152 169

HSL 347.86, 0.69%, 0.76%

LAB 71.66, 33.65, 4.32

 

CMYK 0 / 36 / 36 / 7

HEX #EC9898

RGB 236 152 152

HSL 0, 0.69%, 0.76%

LAB 71.25, 31.5, 13.16

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 10 / 36 / 0 / 7

HEX #D498EC

RGB 212 152 236

HSL 282.86, 0.69%, 0.76%

LAB 71.22, 36.93, -33.59

 

CMYK 20 / 36 / 0 / 7

HEX #BD98EC

RGB 189 152 236

HSL 266.43, 0.69%, 0.76%

LAB 68.99, 30.04, -37.22

 

CMYK 29 / 36 / 0 / 7

HEX #A798EC

RGB 167 152 236

HSL 250.71, 0.69%, 0.76%

LAB 67.07, 23.69, -40.36

 

CMYK 36 / 36 / 0 / 7

HEX #9898EC

RGB 152 152 236

HSL 240, 0.69%, 0.76%

LAB 65.89, 19.56, -42.29

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 42 / 0 / 4

HEX #F58EF6

RGB 245 142 246

HSL 299.42, 0.85%, 0.76%

LAB 73.16, 53.84, -35.75

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 29 / 0 / 11

HEX #E1A1E2

RGB 225 161 226

HSL 299.08, 0.53%, 0.76%

LAB 74.18, 34.22, -23.46

 

CMYK 0 / 21 / 0 / 15

HEX #D8ABD8

RGB 216 171 216

HSL 300, 0.37%, 0.76%

LAB 75.25, 24.02, -16.46

 

CMYK 0 / 12 / 0 / 19

HEX #CEB5CE

RGB 206 181 206

HSL 300, 0.2%, 0.76%

LAB 76.45, 13.35, -9.32

 

CMYK 0 / 3 / 0 / 23

HEX #C4BFC4

RGB 196 191 196

HSL 300, 0.04%, 0.76%

LAB 77.86, 2.66, -1.9

 

CMYK 19 / 36 / 0 / 7

HEX #BE98EC

RGB 190 152 236

HSL 267.14, 0.69%, 0.76%

LAB 69.08, 30.34, -37.07

 

CMYK 10 / 36 / 0 / 7

HEX #D498EC

RGB 212 152 236

HSL 282.86, 0.69%, 0.76%

LAB 71.22, 36.93, -33.59

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 36 / 9 / 7

HEX #EC98D7

RGB 236 152 215

HSL 315, 0.69%, 0.76%

LAB 73.02, 40.6, -19.09

 

CMYK 0 / 36 / 19 / 7

HEX #EC98C0

RGB 236 152 192

HSL 331.43, 0.69%, 0.76%

LAB 72.29, 36.93, -7.5

 

CMYK 0 / 63 / 0 / 13

HEX #DE52DF

RGB 222 82 223

HSL 299.57, 0.69%, 0.6%

LAB 58.87, 71.14, -45.59

 

CMYK 1 / 49 / 0 / 10

HEX #E475E6

RGB 228 117 230

HSL 298.94, 0.69%, 0.68%

LAB 65.69, 58.48, -38.74

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 23 / 0 / 5

HEX #F2BAF2

RGB 242 186 242

HSL 300, 0.68%, 0.84%

LAB 82.06, 29.31, -19.99

 

CMYK 0 / 11 / 0 / 2

HEX #F8DDF9

RGB 248 221 249

HSL 297.86, 0.7%, 0.92%

LAB 91.01, 14.08, -10.21

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 29 / 36 / 7

HEX #ECA798

RGB 236 167 152

HSL 10.71, 0.69%, 0.76%

LAB 74.66, 23.54, 17.92

 

CMYK 36 / 0 / 15 / 7

HEX #98ECC9

RGB 152 236 201

HSL 155, 0.69%, 0.76%

LAB 87.43, -33.01, 8.96

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 0 / 36 / 7

HEX #ECEB98

RGB 236 235 152

HSL 59.29, 0.69%, 0.76%

LAB 91.47, -11.76, 40.44

 

CMYK 36 / 0 / 0 / 7

HEX #98ECEB

RGB 152 236 235

HSL 179.29, 0.69%, 0.76%

LAB 88.29, -25.56, -7.59

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 29 / 36 / 7

HEX #ECA798

RGB 236 167 152

HSL 10.71, 0.69%, 0.76%

LAB 74.66, 23.54, 17.92

 

CMYK 35 / 0 / 36 / 7

HEX #99EC98

RGB 153 236 152

HSL 119.29, 0.69%, 0.76%

LAB 86.52, -41.52, 32.97

 

CMYK 36 / 6 / 0 / 7

HEX #98DDEC

RGB 152 221 236

HSL 190.71, 0.69%, 0.76%

LAB 84.2, -17.91, -14.21

 

CMYK 0 / 36 / 0 / 7

HEX #EB98EC

RGB 235 152 236

HSL 299.29, 0.69%, 0.76%

LAB 73.66, 43.95, -29.62

 

CMYK 0 / 19 / 36 / 7

HEX #ECC098

RGB 236 192 152

HSL 28.57, 0.69%, 0.76%

LAB 80.63, 10.29, 26.1

 

CMYK 35 / 0 / 36 / 7

HEX #99EC98

RGB 153 236 152

HSL 119.29, 0.69%, 0.76%

LAB 86.52, -41.52, 32.97

 

CMYK 36 / 17 / 0 / 7

HEX #98C3EC

RGB 152 195 236

HSL 209.29, 0.69%, 0.76%

LAB 77.14, -4.38, -24.89

 

Description

Color code: HEX #EB98EC | qconv.com Color code: HEX #EB98EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 152 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 152 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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