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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB96FC it is the complementary color #146903. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB96FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB96FC shade: #F096F7, #FFA8FF, #FFBAFF, #FFCCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB96FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB96FC shade: #EB96FC, #DA84E9, #C972D6, #B860C3 and #A74EB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB96FC shade: #EB97FB, #FB97F1, #FB97D6, #FB97BB and #FB979F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB96FC shade: #EB97FB, #CF97FB, #B497FB, #9997FB and #9797FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB96FC shade matches the following richer shades: #EB97FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB96FC shade: #EB97FB, #E59FF3, #DFA8EA, #D9B1E1 and #D3B9D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB96FC shade: #B597FB, #D097FB, #EB97FB, #FB97F1 and #FB97D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB96FC shade: #DB47F9, #E36FFA, #EB97FB, #F2BFFD and #FAE7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB96FC shade: #EB96FC, #FB9A97 and #97FBC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB96FC shade: #EB96FC, #FBEB97 and #97FBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB96FC shade: #EB96FC, #FB9A97, #A7FB97 and #97F8FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB96FC shade: #EB96FC, #FBB897, #A7FB97 and #97DAFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 40 / 0 / 1

HEX #EB96FC

RGB 235 150 252

HSL 290, 0.94%, 0.79%

LAB 73.87, 47.97, -38

 

Complementary color

CMYK 81 / 0 / 97 / 59

HEX #146903

RGB 20 105 3

HSL 110, 0.94%, 0.21%

LAB 38.3, -42.36, 42.83

 

CMYK 3 / 39 / 0 / 3

HEX #F096F7

RGB 240 150 247

HSL 295.67, 0.86%, 0.78%

LAB 74.22, 48.5, -34.69

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 7 / 40 / 0 / 1

HEX #EB96FC

RGB 235 150 252

HSL 290, 0.94%, 0.79%

LAB 73.87, 47.97, -38

 

CMYK 6 / 43 / 0 / 9

HEX #DA84E9

RGB 218 132 233

HSL 291.09, 0.7%, 0.72%

LAB 67.49, 48.71, -37.68

 

CMYK 6 / 47 / 0 / 16

HEX #C972D6

RGB 201 114 214

HSL 292.2, 0.55%, 0.64%

LAB 61.05, 49.45, -37.31

 

CMYK 6 / 51 / 0 / 24

HEX #B860C3

RGB 184 96 195

HSL 293.33, 0.45%, 0.57%

LAB 54.55, 50.15, -36.86

 

CMYK 5 / 56 / 0 / 31

HEX #A74EB0

RGB 167 78 176

HSL 294.49, 0.39%, 0.5%

LAB 48.01, 50.74, -36.29

 

CMYK 6 / 40 / 0 / 2

HEX #EB97FB

RGB 235 151 251

HSL 290.4, 0.93%, 0.79%

LAB 74.04, 47.26, -37.2

 

CMYK 0 / 40 / 4 / 2

HEX #FB97F1

RGB 251 151 241

HSL 306, 0.93%, 0.79%

LAB 75.45, 50.22, -29.44

 

CMYK 0 / 40 / 15 / 2

HEX #FB97D6

RGB 251 151 214

HSL 322.2, 0.93%, 0.79%

LAB 74.51, 45.81, -16.13

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BB

RGB 251 151 187

HSL 338.4, 0.93%, 0.79%

LAB 73.69, 41.87, -2.47

 

CMYK 0 / 40 / 37 / 2

HEX #FB979F

RGB 251 151 159

HSL 355.2, 0.93%, 0.79%

LAB 72.99, 38.35, 11.99

 

CMYK 6 / 40 / 0 / 2

HEX #EB97FB

RGB 235 151 251

HSL 290.4, 0.93%, 0.79%

LAB 74.04, 47.26, -37.2

 

CMYK 18 / 40 / 0 / 2

HEX #CF97FB

RGB 207 151 251

HSL 273.6, 0.93%, 0.79%

LAB 71.12, 39.13, -41.96

 

CMYK 28 / 40 / 0 / 2

HEX #B497FB

RGB 180 151 251

HSL 257.4, 0.93%, 0.79%

LAB 68.61, 31.55, -46.08

 

CMYK 39 / 40 / 0 / 2

HEX #9997FB

RGB 153 151 251

HSL 241.2, 0.93%, 0.79%

LAB 66.42, 24.41, -49.67

 

CMYK 40 / 40 / 0 / 2

HEX #9797FB

RGB 151 151 251

HSL 240, 0.93%, 0.79%

LAB 66.27, 23.91, -49.92

 

CMYK 6 / 40 / 0 / 2

HEX #EB97FB

RGB 235 151 251

HSL 290.4, 0.93%, 0.79%

LAB 74.04, 47.26, -37.2

 

CMYK 6 / 40 / 0 / 2

HEX #EB97FB

RGB 235 151 251

HSL 290.4, 0.93%, 0.79%

LAB 74.04, 47.26, -37.2

 

CMYK 6 / 35 / 0 / 5

HEX #E59FF3

RGB 229 159 243

HSL 290, 0.78%, 0.79%

LAB 74.78, 39.74, -31.76

 

CMYK 5 / 28 / 0 / 8

HEX #DFA8EA

RGB 223 168 234

HSL 290, 0.61%, 0.79%

LAB 75.84, 31.33, -25.29

 

CMYK 4 / 21 / 0 / 12

HEX #D9B1E1

RGB 217 177 225

HSL 290, 0.44%, 0.79%

LAB 77.06, 22.8, -18.62

 

CMYK 3 / 15 / 0 / 15

HEX #D3B9D9

RGB 211 185 217

HSL 288.75, 0.3%, 0.79%

LAB 78.2, 14.95, -12.62

 

CMYK 28 / 40 / 0 / 2

HEX #B597FB

RGB 181 151 251

HSL 258, 0.93%, 0.79%

LAB 68.69, 31.82, -45.94

 

CMYK 17 / 40 / 0 / 2

HEX #D097FB

RGB 208 151 251

HSL 274.2, 0.93%, 0.79%

LAB 71.22, 39.42, -41.8

 

CMYK 6 / 40 / 0 / 2

HEX #EB97FB

RGB 235 151 251

HSL 290.4, 0.93%, 0.79%

LAB 74.04, 47.26, -37.2

 

CMYK 0 / 40 / 4 / 2

HEX #FB97F1

RGB 251 151 241

HSL 306, 0.93%, 0.79%

LAB 75.45, 50.22, -29.44

 

CMYK 0 / 40 / 15 / 2

HEX #FB97D6

RGB 251 151 214

HSL 322.2, 0.93%, 0.79%

LAB 74.51, 45.81, -16.13

 

CMYK 12 / 71 / 0 / 2

HEX #DB47F9

RGB 219 71 249

HSL 289.89, 0.94%, 0.63%

LAB 58.42, 78.95, -60.88

 

CMYK 9 / 56 / 0 / 2

HEX #E36FFA

RGB 227 111 250

HSL 290.07, 0.93%, 0.71%

LAB 65.44, 64.67, -50.19

 

CMYK 6 / 40 / 0 / 2

HEX #EB97FB

RGB 235 151 251

HSL 290.4, 0.93%, 0.79%

LAB 74.04, 47.26, -37.2

 

CMYK 4 / 25 / 0 / 1

HEX #F2BFFD

RGB 242 191 253

HSL 289.35, 0.94%, 0.87%

LAB 83.56, 28.7, -23.58

 

CMYK 2 / 9 / 0 / 0

HEX #FAE7FE

RGB 250 231 254

HSL 289.57, 0.92%, 0.95%

LAB 93.72, 10.45, -8.77

 

CMYK 7 / 40 / 0 / 1

HEX #EB96FC

RGB 235 150 252

HSL 290, 0.94%, 0.79%

LAB 73.87, 47.97, -38

 

CMYK 0 / 39 / 40 / 2

HEX #FB9A97

RGB 251 154 151

HSL 1.8, 0.93%, 0.79%

LAB 73.45, 35.9, 17.05

 

CMYK 40 / 0 / 23 / 2

HEX #97FBC2

RGB 151 251 194

HSL 145.8, 0.93%, 0.79%

LAB 91.45, -41.49, 18.27

 

CMYK 7 / 40 / 0 / 1

HEX #EB96FC

RGB 235 150 252

HSL 290, 0.94%, 0.79%

LAB 73.87, 47.97, -38

 

CMYK 0 / 6 / 40 / 2

HEX #FBEB97

RGB 251 235 151

HSL 50.4, 0.93%, 0.79%

LAB 92.65, -6.1, 42.69

 

CMYK 40 / 0 / 6 / 2

HEX #97FBEB

RGB 151 251 235

HSL 170.4, 0.93%, 0.79%

LAB 92.39, -32.95, -1.56

 

CMYK 7 / 40 / 0 / 1

HEX #EB96FC

RGB 235 150 252

HSL 290, 0.94%, 0.79%

LAB 73.87, 47.97, -38

 

CMYK 0 / 39 / 40 / 2

HEX #FB9A97

RGB 251 154 151

HSL 1.8, 0.93%, 0.79%

LAB 73.45, 35.9, 17.05

 

CMYK 33 / 0 / 40 / 2

HEX #A7FB97

RGB 167 251 151

HSL 110.4, 0.93%, 0.79%

LAB 91.43, -43.87, 40.04

 

CMYK 40 / 1 / 0 / 2

HEX #97F8FB

RGB 151 248 251

HSL 181.8, 0.93%, 0.79%

LAB 91.99, -27.81, -10.45

 

CMYK 7 / 40 / 0 / 1

HEX #EB96FC

RGB 235 150 252

HSL 290, 0.94%, 0.79%

LAB 73.87, 47.97, -38

 

CMYK 0 / 27 / 40 / 2

HEX #FBB897

RGB 251 184 151

HSL 19.8, 0.93%, 0.79%

LAB 80.19, 20.19, 26.3

 

CMYK 33 / 0 / 40 / 2

HEX #A7FB97

RGB 167 251 151

HSL 110.4, 0.93%, 0.79%

LAB 91.43, -43.87, 40.04

 

CMYK 40 / 13 / 0 / 2

HEX #97DAFB

RGB 151 218 251

HSL 199.8, 0.93%, 0.79%

LAB 83.8, -12.91, -22.75

 

Description

Color code: HEX #EB96FC | qconv.com Color code: HEX #EB96FC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 150 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 150 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 40 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 40% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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