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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB94F0 it is the complementary color #146B0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB94F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB94F0 shade: #F094EB, #FFA6FE, #FFB8FF, #FFCAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB94F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB94F0 shade: #EB94F0, #DA82DD, #C970CA, #B85EB7 and #A74CA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB94F0 shade: #EB94F0, #F094DC, #F094C3, #F094AA and #F09494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB94F0 shade: #EB94F0, #D294F0, #B994F0, #A094F0 and #9494F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB94F0 shade matches the following richer shades: #EB94F0 and #F48AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB94F0 shade: #EB94F0, #E29EE6, #D9A8DC, #D0B2D2 and #C7BCC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB94F0 shade: #B994F0, #D194F0, #EA94F0, #F094DD and #F094C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB94F0 shade: #DD4CE5, #E470EB, #EB94F0, #F2B8F5 and #F8DCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB94F0 shade: #EB94F0, #F0A094 and #94F0C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB94F0 shade: #EB94F0, #F0EA94 and #94F0EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB94F0 shade: #EB94F0, #F0A094, #9AF094 and #94E3F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB94F0 shade: #EB94F0, #F0BC94, #9AF094 and #94C8F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

Complementary color

CMYK 81 / 0 / 86 / 58

HEX #146B0F

RGB 20 107 15

HSL 116.74, 0.75%, 0.24%

LAB 39.07, -42.43, 40.31

 

CMYK 0 / 38 / 2 / 6

HEX #F094EB

RGB 240 148 235

HSL 303.26, 0.75%, 0.76%

LAB 73.35, 47.37, -29.5

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FE

RGB 255 166 254

HSL 300.67, 1%, 0.83%

LAB 79.44, 46.04, -30.3

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 1 / 41 / 0 / 13

HEX #DA82DD

RGB 218 130 221

HSL 298.02, 0.57%, 0.69%

LAB 66.59, 47.5, -32.44

 

CMYK 0 / 45 / 0 / 21

HEX #C970CA

RGB 201 112 202

HSL 299.33, 0.46%, 0.62%

LAB 60.13, 48.22, -31.97

 

CMYK 0 / 49 / 1 / 28

HEX #B85EB7

RGB 184 94 183

HSL 300.67, 0.39%, 0.55%

LAB 53.62, 48.91, -31.41

 

CMYK 0 / 54 / 2 / 35

HEX #A74CA4

RGB 167 76 164

HSL 301.98, 0.37%, 0.48%

LAB 47.06, 49.5, -30.71

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 0 / 38 / 8 / 6

HEX #F094DC

RGB 240 148 220

HSL 313.04, 0.75%, 0.76%

LAB 72.81, 44.8, -22.12

 

CMYK 0 / 38 / 19 / 6

HEX #F094C3

RGB 240 148 195

HSL 329.35, 0.75%, 0.76%

LAB 71.99, 40.83, -9.56

 

CMYK 0 / 38 / 29 / 6

HEX #F094AA

RGB 240 148 170

HSL 345.65, 0.75%, 0.76%

LAB 71.29, 37.31, 3.29

 

CMYK 0 / 38 / 38 / 6

HEX #F09494

RGB 240 148 148

HSL 0, 0.75%, 0.76%

LAB 70.76, 34.62, 14.76

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 13 / 38 / 0 / 6

HEX #D294F0

RGB 210 148 240

HSL 280.43, 0.75%, 0.76%

LAB 70.3, 39.31, -37.22

 

CMYK 23 / 38 / 0 / 6

HEX #B994F0

RGB 185 148 240

HSL 264.13, 0.75%, 0.76%

LAB 67.86, 32.01, -41.2

 

CMYK 33 / 38 / 0 / 6

HEX #A094F0

RGB 160 148 240

HSL 247.83, 0.75%, 0.76%

LAB 65.71, 25.04, -44.74

 

CMYK 38 / 38 / 0 / 6

HEX #9494F0

RGB 148 148 240

HSL 240, 0.75%, 0.76%

LAB 64.78, 21.87, -46.26

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 2 / 45 / 0 / 2

HEX #F48AFA

RGB 244 138 250

HSL 296.79, 0.92%, 0.76%

LAB 72.44, 56.26, -39.06

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 2 / 31 / 0 / 10

HEX #E29EE6

RGB 226 158 230

HSL 296.67, 0.59%, 0.76%

LAB 73.76, 36.88, -26.27

 

CMYK 1 / 24 / 0 / 14

HEX #D9A8DC

RGB 217 168 220

HSL 296.54, 0.43%, 0.76%

LAB 74.78, 26.73, -19.36

 

CMYK 1 / 15 / 0 / 18

HEX #D0B2D2

RGB 208 178 210

HSL 296.25, 0.26%, 0.76%

LAB 76.01, 16.41, -12.13

 

CMYK 0 / 6 / 0 / 22

HEX #C7BCC8

RGB 199 188 200

HSL 295, 0.1%, 0.76%

LAB 77.45, 6.05, -4.65

 

CMYK 23 / 38 / 0 / 6

HEX #B994F0

RGB 185 148 240

HSL 264.13, 0.75%, 0.76%

LAB 67.86, 32.01, -41.2

 

CMYK 13 / 38 / 0 / 6

HEX #D194F0

RGB 209 148 240

HSL 279.78, 0.75%, 0.76%

LAB 70.19, 39.01, -37.39

 

CMYK 3 / 38 / 0 / 6

HEX #EA94F0

RGB 234 148 240

HSL 296.09, 0.75%, 0.76%

LAB 72.87, 46.46, -33.03

 

CMYK 0 / 38 / 8 / 6

HEX #F094DD

RGB 240 148 221

HSL 312.39, 0.75%, 0.76%

LAB 72.84, 44.96, -22.61

 

CMYK 0 / 38 / 18 / 6

HEX #F094C5

RGB 240 148 197

HSL 328.04, 0.75%, 0.76%

LAB 72.05, 41.13, -10.57

 

CMYK 3 / 67 / 0 / 10

HEX #DD4CE5

RGB 221 76 229

HSL 296.86, 0.75%, 0.6%

LAB 58.22, 74.18, -50.01

 

CMYK 3 / 52 / 0 / 8

HEX #E470EB

RGB 228 112 235

HSL 296.59, 0.75%, 0.68%

LAB 65.03, 61.73, -42.55

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 1 / 25 / 0 / 4

HEX #F2B8F5

RGB 242 184 245

HSL 297.05, 0.75%, 0.84%

LAB 81.7, 30.92, -22.13

 

CMYK 1 / 12 / 0 / 2

HEX #F8DCFA

RGB 248 220 250

HSL 296, 0.75%, 0.92%

LAB 90.8, 14.79, -11.05

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 0 / 33 / 38 / 6

HEX #F0A094

RGB 240 160 148

HSL 7.83, 0.75%, 0.76%

LAB 73.42, 28.31, 18.46

 

CMYK 38 / 0 / 18 / 6

HEX #94F0C5

RGB 148 240 197

HSL 151.96, 0.75%, 0.76%

LAB 88.28, -36.77, 12.23

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 0 / 3 / 38 / 6

HEX #F0EA94

RGB 240 234 148

HSL 56.09, 0.75%, 0.76%

LAB 91.46, -10.17, 42.48

 

CMYK 38 / 0 / 3 / 6

HEX #94F0EA

RGB 148 240 234

HSL 176.09, 0.75%, 0.76%

LAB 89.18, -28.74, -5.76

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 0 / 33 / 38 / 6

HEX #F0A094

RGB 240 160 148

HSL 7.83, 0.75%, 0.76%

LAB 73.42, 28.31, 18.46

 

CMYK 36 / 0 / 38 / 6

HEX #9AF094

RGB 154 240 148

HSL 116.09, 0.75%, 0.76%

LAB 87.64, -43.57, 36.47

 

CMYK 38 / 5 / 0 / 6

HEX #94E3F0

RGB 148 227 240

HSL 188.48, 0.75%, 0.76%

LAB 85.77, -20.97, -13.99

 

CMYK 2 / 38 / 0 / 6

HEX #EB94F0

RGB 235 148 240

HSL 296.74, 0.75%, 0.76%

LAB 72.98, 46.76, -32.85

 

CMYK 0 / 22 / 38 / 6

HEX #F0BC94

RGB 240 188 148

HSL 26.09, 0.75%, 0.76%

LAB 79.97, 13.49, 27.4

 

CMYK 36 / 0 / 38 / 6

HEX #9AF094

RGB 154 240 148

HSL 116.09, 0.75%, 0.76%

LAB 87.64, -43.57, 36.47

 

CMYK 38 / 17 / 0 / 6

HEX #94C8F0

RGB 148 200 240

HSL 206.09, 0.75%, 0.76%

LAB 78.4, -7.09, -25.13

 

Description

Color code: HEX #EB94F0 | qconv.com Color code: HEX #EB94F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 148 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 148 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 38 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 38% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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