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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB93A3 it is the complementary color #146C5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB93A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EB93A3: #F0939E, #FFA5B1, #FFB7C4, #FFC9D7 and #FFDBEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB93A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EB93A3: #EB93A3, #DA8190, #C96F7D, #B85D6A and #A74B57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

Complementary color

CMYK 81 / 0 / 15 / 58

HEX #146C5C

RGB 20 108 92

HSL 169.09, 0.69%, 0.25%

LAB 40.65, -28.93, 1.85

 

CMYK 0 / 39 / 34 / 6

HEX #F0939E

RGB 240 147 158

HSL 352.9, 0.76%, 0.76%

LAB 70.78, 36.32, 9.22

 

CMYK 0 / 35 / 31 / 0

HEX #FFA5B1

RGB 255 165 177

HSL 352, 1%, 0.82%

LAB 76.89, 34.72, 7.72

 

CMYK 0 / 28 / 23 / 0

HEX #FFB7C4

RGB 255 183 196

HSL 349.17, 1%, 0.86%

LAB 81.35, 27.87, 3.84

 

CMYK 0 / 21 / 16 / 0

HEX #FFC9D7

RGB 255 201 215

HSL 344.44, 1%, 0.89%

LAB 85.98, 21.23, 0.39

 

CMYK 0 / 14 / 8 / 0

HEX #FFDBEA

RGB 255 219 234

HSL 335, 1%, 0.93%

LAB 90.72, 14.88, -2.71

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 0 / 41 / 34 / 15

HEX #DA8190

RGB 218 129 144

HSL 349.89, 0.55%, 0.68%

LAB 63.85, 36.04, 6.84

 

CMYK 0 / 45 / 38 / 21

HEX #C96F7D

RGB 201 111 125

HSL 350.67, 0.45%, 0.61%

LAB 57.33, 37, 8.17

 

CMYK 0 / 49 / 42 / 28

HEX #B85D6A

RGB 184 93 106

HSL 351.43, 0.39%, 0.54%

LAB 50.76, 38, 9.71

 

CMYK 0 / 55 / 48 / 35

HEX #A74B57

RGB 167 75 87

HSL 352.17, 0.38%, 0.47%

LAB 44.14, 39.02, 11.56

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 0 / 37 / 37 / 8

HEX #EB9394

RGB 235 147 148

HSL 359.32, 0.69%, 0.75%

LAB 69.94, 33.29, 13.52

 

CMYK 0 / 32 / 37 / 8

HEX #EBA093

RGB 235 160 147

HSL 8.86, 0.69%, 0.75%

LAB 72.83, 26.3, 18.11

 

CMYK 0 / 26 / 37 / 8

HEX #EBAF93

RGB 235 175 147

HSL 19.09, 0.69%, 0.75%

LAB 76.33, 18.31, 22.92

 

CMYK 0 / 20 / 37 / 8

HEX #EBBD93

RGB 235 189 147

HSL 28.64, 0.69%, 0.75%

LAB 79.71, 10.9, 27.49

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 0 / 39 / 29 / 88

HEX #1F1316

RGB 31 19 22

HSL 345, 0.24%, 0.1%

LAB 7.36, 6.73, 0.3

 

CMYK 0 / 38 / 30 / 68

HEX #523339

RGB 82 51 57

HSL 348.39, 0.23%, 0.26%

LAB 25.13, 14.96, 2.04

 

CMYK 0 / 38 / 31 / 48

HEX #85535C

RGB 133 83 92

HSL 349.2, 0.23%, 0.42%

LAB 41.13, 22.13, 3.53

 

CMYK 0 / 38 / 30 / 28

HEX #B87380

RGB 184 115 128

HSL 348.7, 0.33%, 0.59%

LAB 56.1, 28.88, 4.36

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 1 / 0 / 37 / 8

HEX #E9EB93

RGB 233 235 147

HSL 61.36, 0.69%, 0.75%

LAB 91.16, -13.46, 42.48

 

CMYK 37 / 16 / 0 / 8

HEX #93C6EB

RGB 147 198 235

HSL 205.23, 0.69%, 0.75%

LAB 77.63, -7.58, -23.63

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 31 / 0 / 37 / 8

HEX #A3EB93

RGB 163 235 147

HSL 109.09, 0.69%, 0.75%

LAB 86.66, -38.65, 35.76

 

CMYK 37 / 31 / 0 / 8

HEX #93A3EB

RGB 147 163 235

HSL 229.09, 0.69%, 0.75%

LAB 68.31, 11.67, -37.99

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 1 / 0 / 37 / 8

HEX #E9EB93

RGB 233 235 147

HSL 61.36, 0.69%, 0.75%

LAB 91.16, -13.46, 42.48

 

CMYK 37 / 0 / 7 / 8

HEX #93EBDB

RGB 147 235 219

HSL 169.09, 0.69%, 0.75%

LAB 87.36, -30.04, -0.6

 

CMYK 37 / 37 / 0 / 8

HEX #9493EB

RGB 148 147 235

HSL 240.68, 0.69%, 0.75%

LAB 64.29, 21.1, -44.28

 

CMYK 0 / 37 / 31 / 8

HEX #EB93A3

RGB 235 147 163

HSL 349.09, 0.69%, 0.75%

LAB 70.3, 35.14, 5.68

 

CMYK 12 / 0 / 37 / 8

HEX #CFEB93

RGB 207 235 147

HSL 79.09, 0.69%, 0.75%

LAB 89.29, -23.26, 39.7

 

CMYK 37 / 0 / 7 / 8

HEX #93EBDB

RGB 147 235 219

HSL 169.09, 0.69%, 0.75%

LAB 87.36, -30.04, -0.6

 

CMYK 26 / 37 / 0 / 8

HEX #AF93EB

RGB 175 147 235

HSL 259.09, 0.69%, 0.75%

LAB 66.5, 28.54, -40.65

 

Description

Color code: HEX #EB93A3 | qconv.com Color code: HEX #EB93A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 147 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 147 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 31 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 31% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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