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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB92C5 it is the complementary color #146D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB92C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB92C5 shade: #F092C0, #FFA4D3, #FFB6E6, #FFC8F9 and #FFDAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB92C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB92C5 shade: #EB92C5, #DA80B2, #C96E9F, #B85C8C and #A74A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB92C5 shade: #EB93C5, #EB93AD, #EB9396 and #EB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB92C5 shade: #EB93C5, #EB93DD, #E193EB, #C993EB and #B193EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB92C5 shade matches the following richer shades: #EB93C5 and #F588C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB92C5 shade: #EB93C5, #E09DC4, #D6A7C2, #CCB2C1 and #C1BCBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB92C5 shade: #E093EB, #EB93DE, #EB93C6, #EB93AF and #EB9397

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB92C5 shade: #DE4DA0, #E470B3, #EB93C5, #F1B6D8 and #F8D8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB92C5 shade: #EB92C5, #EBC993 and #93E9EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB92C5 shade: #EB92C5, #C6EB93 and #93C6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB92C5 shade: #EB92C5, #EBC993, #93EBB7 and #93B4EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB92C5 shade: #EB92C5, #EBE393, #93EBB7 and #939AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 16 / 8

HEX #EB92C5

RGB 235 146 197

HSL 325.62, 0.69%, 0.75%

LAB 71.04, 40.5, -12.14

 

Complementary color

CMYK 82 / 0 / 47 / 57

HEX #146D3A

RGB 20 109 58

HSL 145.62, 0.69%, 0.25%

LAB 40.23, -37.69, 21.45

 

CMYK 0 / 39 / 20 / 6

HEX #F092C0

RGB 240 146 192

HSL 330.64, 0.76%, 0.76%

LAB 71.48, 41.42, -8.66

 

CMYK 0 / 36 / 17 / 0

HEX #FFA4D3

RGB 255 164 211

HSL 329.01, 1%, 0.82%

LAB 77.59, 39.98, -9.82

 

CMYK 0 / 29 / 10 / 0

HEX #FFB6E6

RGB 255 182 230

HSL 320.55, 1%, 0.86%

LAB 82.07, 33.6, -13.4

 

CMYK 0 / 22 / 2 / 0

HEX #FFC8F9

RGB 255 200 249

HSL 306.55, 1%, 0.89%

LAB 86.71, 27.4, -16.58

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 38 / 16 / 8

HEX #EB92C5

RGB 235 146 197

HSL 325.62, 0.69%, 0.75%

LAB 71.04, 40.5, -12.14

 

CMYK 0 / 41 / 18 / 15

HEX #DA80B2

RGB 218 128 178

HSL 326.67, 0.55%, 0.68%

LAB 64.61, 41.28, -11.35

 

CMYK 0 / 45 / 21 / 21

HEX #C96E9F

RGB 201 110 159

HSL 327.69, 0.46%, 0.61%

LAB 58.11, 42.08, -10.45

 

CMYK 0 / 50 / 24 / 28

HEX #B85C8C

RGB 184 92 140

HSL 328.7, 0.39%, 0.54%

LAB 51.54, 42.87, -9.4

 

CMYK 0 / 56 / 28 / 35

HEX #A74A79

RGB 167 74 121

HSL 329.68, 0.39%, 0.47%

LAB 44.93, 43.59, -8.13

 

CMYK 0 / 37 / 16 / 8

HEX #EB93C5

RGB 235 147 197

HSL 325.91, 0.69%, 0.75%

LAB 71.26, 39.98, -11.83

 

CMYK 0 / 37 / 26 / 8

HEX #EB93AD

RGB 235 147 173

HSL 342.27, 0.69%, 0.75%

LAB 70.56, 36.47, 0.48

 

CMYK 0 / 37 / 36 / 8

HEX #EB9396

RGB 235 147 150

HSL 357.95, 0.69%, 0.75%

LAB 69.99, 33.53, 12.47

 

CMYK 0 / 37 / 37 / 8

HEX #EB9393

RGB 235 147 147

HSL 0, 0.69%, 0.75%

LAB 69.92, 33.18, 14.05

 

CMYK 0 / 37 / 16 / 8

HEX #EB93C5

RGB 235 147 197

HSL 325.91, 0.69%, 0.75%

LAB 71.26, 39.98, -11.83

 

CMYK 0 / 37 / 6 / 8

HEX #EB93DD

RGB 235 147 221

HSL 309.55, 0.69%, 0.75%

LAB 72.06, 43.9, -23.86

 

CMYK 4 / 37 / 0 / 8

HEX #E193EB

RGB 225 147 235

HSL 293.18, 0.69%, 0.75%

LAB 71.47, 43.34, -32.55

 

CMYK 14 / 37 / 0 / 8

HEX #C993EB

RGB 201 147 235

HSL 276.82, 0.69%, 0.75%

LAB 68.96, 36.13, -36.64

 

CMYK 25 / 37 / 0 / 8

HEX #B193EB

RGB 177 147 235

HSL 260.45, 0.69%, 0.75%

LAB 66.68, 29.11, -40.36

 

CMYK 0 / 37 / 16 / 8

HEX #EB93C5

RGB 235 147 197

HSL 325.91, 0.69%, 0.75%

LAB 71.26, 39.98, -11.83

 

CMYK 0 / 44 / 19 / 4

HEX #F588C7

RGB 245 136 199

HSL 325.32, 0.84%, 0.75%

LAB 70.28, 49.19, -14.28

 

CMYK 0 / 37 / 16 / 8

HEX #EB93C5

RGB 235 147 197

HSL 325.91, 0.69%, 0.75%

LAB 71.26, 39.98, -11.83

 

CMYK 0 / 30 / 13 / 12

HEX #E09DC4

RGB 224 157 196

HSL 325.07, 0.52%, 0.75%

LAB 72.19, 30.78, -10

 

CMYK 0 / 22 / 9 / 16

HEX #D6A7C2

RGB 214 167 194

HSL 325.53, 0.36%, 0.75%

LAB 73.43, 21.57, -7.16

 

CMYK 0 / 13 / 5 / 20

HEX #CCB2C1

RGB 204 178 193

HSL 325.38, 0.2%, 0.75%

LAB 75.16, 11.91, -4.17

 

CMYK 0 / 3 / 1 / 24

HEX #C1BCBF

RGB 193 188 191

HSL 324, 0.04%, 0.75%

LAB 76.72, 2.3, -0.9

 

CMYK 5 / 37 / 0 / 8

HEX #E093EB

RGB 224 147 235

HSL 292.5, 0.69%, 0.75%

LAB 71.36, 43.04, -32.72

 

CMYK 0 / 37 / 6 / 8

HEX #EB93DE

RGB 235 147 222

HSL 308.86, 0.69%, 0.75%

LAB 72.1, 44.08, -24.35

 

CMYK 0 / 37 / 16 / 8

HEX #EB93C6

RGB 235 147 198

HSL 325.23, 0.69%, 0.75%

LAB 71.29, 40.13, -12.33

 

CMYK 0 / 37 / 26 / 8

HEX #EB93AF

RGB 235 147 175

HSL 340.91, 0.69%, 0.75%

LAB 70.61, 36.74, -0.55

 

CMYK 0 / 37 / 36 / 8

HEX #EB9397

RGB 235 147 151

HSL 357.27, 0.69%, 0.75%

LAB 70.01, 33.65, 11.95

 

CMYK 0 / 65 / 28 / 13

HEX #DE4DA0

RGB 222 77 160

HSL 325.66, 0.69%, 0.59%

LAB 55.46, 63.93, -14.72

 

CMYK 0 / 51 / 21 / 11

HEX #E470B3

RGB 228 112 179

HSL 325.34, 0.68%, 0.67%

LAB 62.79, 52.74, -14.52

 

CMYK 0 / 37 / 16 / 8

HEX #EB93C5

RGB 235 147 197

HSL 325.91, 0.69%, 0.75%

LAB 71.26, 39.98, -11.83

 

CMYK 0 / 24 / 10 / 5

HEX #F1B6D8

RGB 241 182 216

HSL 325.42, 0.68%, 0.83%

LAB 80.24, 26.57, -8.74

 

CMYK 0 / 13 / 6 / 3

HEX #F8D8EA

RGB 248 216 234

HSL 326.25, 0.7%, 0.91%

LAB 89.4, 14.06, -4.72

 

CMYK 0 / 38 / 16 / 8

HEX #EB92C5

RGB 235 146 197

HSL 325.62, 0.69%, 0.75%

LAB 71.04, 40.5, -12.14

 

CMYK 0 / 14 / 37 / 8

HEX #EBC993

RGB 235 201 147

HSL 36.82, 0.69%, 0.75%

LAB 82.67, 4.6, 31.44

 

CMYK 37 / 1 / 0 / 8

HEX #93E9EB

RGB 147 233 235

HSL 181.36, 0.69%, 0.75%

LAB 87.23, -25.38, -9.18

 

CMYK 0 / 38 / 16 / 8

HEX #EB92C5

RGB 235 146 197

HSL 325.62, 0.69%, 0.75%

LAB 71.04, 40.5, -12.14

 

CMYK 16 / 0 / 37 / 8

HEX #C6EB93

RGB 198 235 147

HSL 85.23, 0.69%, 0.75%

LAB 88.7, -26.55, 38.81

 

CMYK 37 / 16 / 0 / 8

HEX #93C6EB

RGB 147 198 235

HSL 205.23, 0.69%, 0.75%

LAB 77.63, -7.58, -23.63

 

CMYK 0 / 38 / 16 / 8

HEX #EB92C5

RGB 235 146 197

HSL 325.62, 0.69%, 0.75%

LAB 71.04, 40.5, -12.14

 

CMYK 0 / 14 / 37 / 8

HEX #EBC993

RGB 235 201 147

HSL 36.82, 0.69%, 0.75%

LAB 82.67, 4.6, 31.44

 

CMYK 37 / 0 / 22 / 8

HEX #93EBB7

RGB 147 235 183

HSL 144.55, 0.69%, 0.75%

LAB 86.52, -37.51, 17.03

 

CMYK 37 / 23 / 0 / 8

HEX #93B4EB

RGB 147 180 235

HSL 217.5, 0.69%, 0.75%

LAB 72.79, 2.16, -31.05

 

CMYK 0 / 38 / 16 / 8

HEX #EB92C5

RGB 235 146 197

HSL 325.62, 0.69%, 0.75%

LAB 71.04, 40.5, -12.14

 

CMYK 0 / 3 / 37 / 8

HEX #EBE393

RGB 235 227 147

HSL 54.55, 0.69%, 0.75%

LAB 89.26, -8.71, 40.06

 

CMYK 37 / 0 / 22 / 8

HEX #93EBB7

RGB 147 235 183

HSL 144.55, 0.69%, 0.75%

LAB 86.52, -37.51, 17.03

 

CMYK 37 / 34 / 0 / 8

HEX #939AEB

RGB 147 154 235

HSL 235.23, 0.69%, 0.75%

LAB 65.99, 16.81, -41.61

 

Description

Color code: HEX #EB92C5 | qconv.com Color code: HEX #EB92C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 146 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 146 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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