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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9218 it is the complementary color #146DE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9218 shade: #F09213, #FFA426, #FFB639, #FFC84C and #FFDA5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9218 shade: #EB9218, #DA8005, #C96E00, #B85C00 and #A74A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9218 shade: #EB9219, #EB5919, #EB2119 and #EB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9218 shade: #EB9219, #EBCB19, #D2EB19, #99EB19 and #61EB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9218 shade matches the following richer shades: #EB9219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9218 shade: #EB9219, #D68F2D, #C28C41, #AE8855 and #9A8569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9218 shade: #EB2019, #EB5819, #EB9019, #EBC819 and #D6EB19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9218 shade: #A3640E, #C97B11, #EB9219, #EEA43F and #F1B665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9218 shade: #EB9218, #4AEB19 and #3C19EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9218 shade: #EB9218, #19EB90 and #9019EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9218 shade: #EB9218, #4AEB19, #1974EB and #BA19EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9218 shade: #EB9218, #19EB27, #1974EB and #EB19DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 90 / 8

HEX #EB9218

RGB 235 146 24

HSL 34.69, 0.84%, 0.51%

LAB 68.23, 25.78, 69.55

 

Complementary color

CMYK 91 / 53 / 0 / 9

HEX #146DE7

RGB 20 109 231

HSL 214.69, 0.84%, 0.49%

LAB 48.08, 22.09, -68.32

 

CMYK 0 / 39 / 92 / 6

HEX #F09213

RGB 240 146 19

HSL 34.48, 0.88%, 0.51%

LAB 68.85, 27.79, 71.35

 

CMYK 0 / 36 / 85 / 0

HEX #FFA426

RGB 255 164 38

HSL 34.84, 1%, 0.57%

LAB 74.79, 24.96, 72.09

 

CMYK 0 / 29 / 78 / 0

HEX #FFB639

RGB 255 182 57

HSL 37.88, 1%, 0.61%

LAB 79.05, 16.12, 69.63

 

CMYK 0 / 22 / 70 / 0

HEX #FFC84C

RGB 255 200 76

HSL 41.56, 1%, 0.65%

LAB 83.49, 7.57, 66.69

 

CMYK 0 / 15 / 63 / 0

HEX #FFDA5F

RGB 255 218 95

HSL 46.13, 1%, 0.69%

LAB 88.08, -0.6, 63.59

 

CMYK 0 / 38 / 90 / 8

HEX #EB9218

RGB 235 146 24

HSL 34.69, 0.84%, 0.51%

LAB 68.23, 25.78, 69.55

 

CMYK 0 / 41 / 98 / 15

HEX #DA8005

RGB 218 128 5

HSL 34.65, 0.96%, 0.44%

LAB 61.96, 27.93, 67.54

 

CMYK 0 / 45 / 100 / 21

HEX #C96E00

RGB 201 110 0

HSL 32.84, 1%, 0.39%

LAB 55.65, 30.3, 63.23

 

CMYK 0 / 50 / 100 / 28

HEX #B85C00

RGB 184 92 0

HSL 30, 1%, 0.36%

LAB 49.31, 32.74, 58.12

 

CMYK 0 / 56 / 100 / 35

HEX #A74A00

RGB 167 74 0

HSL 26.59, 1%, 0.33%

LAB 42.93, 35.14, 53.01

 

CMYK 0 / 38 / 89 / 8

HEX #EB9219

RGB 235 146 25

HSL 34.57, 0.84%, 0.51%

LAB 68.23, 25.8, 69.32

 

CMYK 0 / 62 / 89 / 8

HEX #EB5919

RGB 235 89 25

HSL 18.29, 0.84%, 0.51%

LAB 56.96, 53.91, 60.9

 

CMYK 0 / 86 / 89 / 8

HEX #EB2119

RGB 235 33 25

HSL 2.29, 0.84%, 0.51%

LAB 50.48, 71.78, 56.23

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 38 / 89 / 8

HEX #EB9219

RGB 235 146 25

HSL 34.57, 0.84%, 0.51%

LAB 68.23, 25.8, 69.32

 

CMYK 0 / 14 / 89 / 8

HEX #EBCB19

RGB 235 203 25

HSL 50.86, 0.84%, 0.51%

LAB 82.08, -4.11, 79.94

 

CMYK 11 / 0 / 89 / 8

HEX #D2EB19

RGB 210 235 25

HSL 67.14, 0.84%, 0.51%

LAB 88.54, -30.28, 84.16

 

CMYK 35 / 0 / 89 / 8

HEX #99EB19

RGB 153 235 25

HSL 83.43, 0.84%, 0.51%

LAB 85.13, -52, 79.98

 

CMYK 59 / 0 / 89 / 8

HEX #61EB19

RGB 97 235 25

HSL 99.43, 0.84%, 0.51%

LAB 82.93, -68.67, 77.26

 

CMYK 0 / 38 / 89 / 8

HEX #EB9219

RGB 235 146 25

HSL 34.57, 0.84%, 0.51%

LAB 68.23, 25.8, 69.32

 

CMYK 0 / 38 / 89 / 8

HEX #EB9219

RGB 235 146 25

HSL 34.57, 0.84%, 0.51%

LAB 68.23, 25.8, 69.32

 

CMYK 0 / 33 / 79 / 16

HEX #D68F2D

RGB 214 143 45

HSL 34.79, 0.67%, 0.51%

LAB 65.07, 19.01, 59.4

 

CMYK 0 / 28 / 66 / 24

HEX #C28C41

RGB 194 140 65

HSL 34.88, 0.51%, 0.51%

LAB 62.17, 12.97, 47.05

 

CMYK 0 / 22 / 51 / 32

HEX #AE8855

RGB 174 136 85

HSL 34.38, 0.35%, 0.51%

LAB 59.22, 8.08, 32.78

 

CMYK 0 / 14 / 32 / 40

HEX #9A8569

RGB 154 133 105

HSL 34.29, 0.2%, 0.51%

LAB 56.75, 3.62, 18.06

 

CMYK 0 / 86 / 89 / 8

HEX #EB2019

RGB 235 32 25

HSL 2, 0.84%, 0.51%

LAB 50.41, 71.96, 56.18

 

CMYK 0 / 63 / 89 / 8

HEX #EB5819

RGB 235 88 25

HSL 18, 0.84%, 0.51%

LAB 56.79, 54.34, 60.78

 

CMYK 0 / 39 / 89 / 8

HEX #EB9019

RGB 235 144 25

HSL 34, 0.84%, 0.51%

LAB 67.78, 26.85, 68.98

 

CMYK 0 / 15 / 89 / 8

HEX #EBC819

RGB 235 200 25

HSL 50, 0.84%, 0.51%

LAB 81.31, -2.57, 79.35

 

CMYK 9 / 0 / 89 / 8

HEX #D6EB19

RGB 214 235 25

HSL 66, 0.84%, 0.51%

LAB 88.82, -28.65, 84.5

 

CMYK 0 / 39 / 91 / 36

HEX #A3640E

RGB 163 100 14

HSL 34.63, 0.84%, 0.35%

LAB 48.17, 19.49, 52.74

 

CMYK 0 / 39 / 92 / 21

HEX #C97B11

RGB 201 123 17

HSL 34.57, 0.84%, 0.43%

LAB 58.62, 23.52, 62.06

 

CMYK 0 / 38 / 89 / 8

HEX #EB9219

RGB 235 146 25

HSL 34.57, 0.84%, 0.51%

LAB 68.23, 25.8, 69.32

 

CMYK 0 / 31 / 74 / 7

HEX #EEA43F

RGB 238 164 63

HSL 34.63, 0.84%, 0.59%

LAB 72.95, 18.69, 60.78

 

CMYK 0 / 24 / 58 / 5

HEX #F1B665

RGB 241 182 101

HSL 34.71, 0.83%, 0.67%

LAB 77.93, 12.67, 48.94

 

CMYK 0 / 38 / 90 / 8

HEX #EB9218

RGB 235 146 24

HSL 34.69, 0.84%, 0.51%

LAB 68.23, 25.78, 69.55

 

CMYK 69 / 0 / 89 / 8

HEX #4AEB19

RGB 74 235 25

HSL 106, 0.84%, 0.51%

LAB 82.35, -73.53, 76.53

 

CMYK 74 / 89 / 0 / 8

HEX #3C19EB

RGB 60 25 235

HSL 250, 0.84%, 0.51%

LAB 33.25, 70.56, -94.93

 

CMYK 0 / 38 / 90 / 8

HEX #EB9218

RGB 235 146 24

HSL 34.69, 0.84%, 0.51%

LAB 68.23, 25.78, 69.55

 

CMYK 89 / 0 / 39 / 8

HEX #19EB90

RGB 25 235 144

HSL 154, 0.84%, 0.51%

LAB 82.72, -66.65, 31.36

 

CMYK 39 / 89 / 0 / 8

HEX #9019EB

RGB 144 25 235

HSL 274, 0.84%, 0.51%

LAB 42.19, 77.24, -79.86

 

CMYK 0 / 38 / 90 / 8

HEX #EB9218

RGB 235 146 24

HSL 34.69, 0.84%, 0.51%

LAB 68.23, 25.78, 69.55

 

CMYK 69 / 0 / 89 / 8

HEX #4AEB19

RGB 74 235 25

HSL 106, 0.84%, 0.51%

LAB 82.35, -73.53, 76.53

 

CMYK 89 / 51 / 0 / 8

HEX #1974EB

RGB 25 116 235

HSL 214, 0.84%, 0.51%

LAB 50.33, 19.42, -66.91

 

CMYK 21 / 89 / 0 / 8

HEX #BA19EB

RGB 186 25 235

HSL 286, 0.84%, 0.51%

LAB 48.43, 82.69, -69.41

 

CMYK 0 / 38 / 90 / 8

HEX #EB9218

RGB 235 146 24

HSL 34.69, 0.84%, 0.51%

LAB 68.23, 25.78, 69.55

 

CMYK 89 / 0 / 83 / 8

HEX #19EB27

RGB 25 235 39

HSL 124, 0.84%, 0.51%

LAB 81.71, -78.95, 72.98

 

CMYK 89 / 51 / 0 / 8

HEX #1974EB

RGB 25 116 235

HSL 214, 0.84%, 0.51%

LAB 50.33, 19.42, -66.91

 

CMYK 0 / 89 / 6 / 8

HEX #EB19DD

RGB 235 25 221

HSL 304, 0.84%, 0.51%

LAB 55.66, 88.34, -49.42

 

Description

Color code: HEX #EB9218 | qconv.com Color code: HEX #EB9218 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 146 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 146 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 90 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 90% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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