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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB91F8 it is the complementary color #146E07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB91F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB91F8 shade: #F091F3, #FFA3FF, #FFB5FF, #FFC7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB91F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB91F8 shade: #EB91F8, #DA7FE5, #C96DD2, #B85BBF and #A749AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB91F8 shade: #EB91F8, #F891E9, #F891CD, #F891B1 and #F89196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB91F8 shade: #EB91F8, #CF91F8, #B391F8, #9791F8 and #9191F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB91F8 shade matches the following richer shades: #EB91F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB91F8 shade: #EB91F8, #E49AEE, #DDA4E5, #D6ADDB and #CFB7D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB91F8 shade: #B391F8, #CF91F8, #EA91F8, #F891EA and #F891CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB91F8 shade: #DD43F3, #E46AF5, #EB91F8, #F2B8FA and #F9DEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB91F8 shade: #EB91F8, #F89891 and #91F8C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB91F8 shade: #EB91F8, #F8EA91 and #91F8EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB91F8 shade: #EB91F8, #F89891, #9FF891 and #91F1F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB91F8 shade: #EB91F8, #F8B791, #9FF891 and #91D2F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

Complementary color

CMYK 82 / 0 / 94 / 57

HEX #146E07

RGB 20 110 7

HSL 112.43, 0.88%, 0.23%

LAB 40.11, -43.84, 43.32

 

CMYK 1 / 40 / 0 / 5

HEX #F091F3

RGB 240 145 243

HSL 298.16, 0.8%, 0.76%

LAB 73.05, 50.33, -34.33

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 5 / 45 / 0 / 10

HEX #DA7FE5

RGB 218 127 229

HSL 293.53, 0.66%, 0.7%

LAB 66.32, 50.52, -37.29

 

CMYK 4 / 48 / 0 / 18

HEX #C96DD2

RGB 201 109 210

HSL 294.65, 0.53%, 0.63%

LAB 59.9, 51.23, -36.86

 

CMYK 4 / 52 / 0 / 25

HEX #B85BBF

RGB 184 91 191

HSL 295.8, 0.44%, 0.55%

LAB 53.42, 51.88, -36.33

 

CMYK 3 / 58 / 0 / 33

HEX #A749AC

RGB 167 73 172

HSL 296.97, 0.4%, 0.48%

LAB 46.92, 52.38, -35.65

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 0 / 42 / 6 / 3

HEX #F891E9

RGB 248 145 233

HSL 308.74, 0.88%, 0.77%

LAB 73.6, 50.98, -27.94

 

CMYK 0 / 42 / 17 / 3

HEX #F891CD

RGB 248 145 205

HSL 325.05, 0.88%, 0.77%

LAB 72.64, 46.52, -14.02

 

CMYK 0 / 42 / 29 / 3

HEX #F891B1

RGB 248 145 177

HSL 341.36, 0.88%, 0.77%

LAB 71.81, 42.58, 0.28

 

CMYK 0 / 42 / 40 / 3

HEX #F89196

RGB 248 145 150

HSL 357.09, 0.88%, 0.77%

LAB 71.15, 39.33, 14.34

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 17 / 42 / 0 / 3

HEX #CF91F8

RGB 207 145 248

HSL 276.12, 0.88%, 0.77%

LAB 69.68, 41.73, -42.58

 

CMYK 28 / 42 / 0 / 3

HEX #B391F8

RGB 179 145 248

HSL 259.81, 0.88%, 0.77%

LAB 66.98, 33.9, -47

 

CMYK 39 / 42 / 0 / 3

HEX #9791F8

RGB 151 145 248

HSL 243.5, 0.88%, 0.77%

LAB 64.65, 26.54, -50.84

 

CMYK 42 / 42 / 0 / 3

HEX #9191F8

RGB 145 145 248

HSL 240, 0.88%, 0.77%

LAB 64.2, 25.05, -51.58

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 4 / 35 / 0 / 7

HEX #E49AEE

RGB 228 154 238

HSL 292.86, 0.71%, 0.77%

LAB 73.4, 41.13, -31.17

 

CMYK 3 / 28 / 0 / 10

HEX #DDA4E5

RGB 221 164 229

HSL 292.62, 0.56%, 0.77%

LAB 74.56, 31.89, -24.56

 

CMYK 2 / 21 / 0 / 14

HEX #D6ADDB

RGB 214 173 219

HSL 293.48, 0.39%, 0.77%

LAB 75.64, 22.83, -17.54

 

CMYK 1 / 13 / 0 / 18

HEX #CFB7D2

RGB 207 183 210

HSL 293.33, 0.23%, 0.77%

LAB 77.15, 13.36, -10.44

 

CMYK 28 / 42 / 0 / 3

HEX #B391F8

RGB 179 145 248

HSL 259.81, 0.88%, 0.77%

LAB 66.98, 33.9, -47

 

CMYK 17 / 42 / 0 / 3

HEX #CF91F8

RGB 207 145 248

HSL 276.12, 0.88%, 0.77%

LAB 69.68, 41.73, -42.58

 

CMYK 6 / 42 / 0 / 3

HEX #EA91F8

RGB 234 145 248

HSL 291.84, 0.88%, 0.77%

LAB 72.58, 49.5, -37.85

 

CMYK 0 / 42 / 6 / 3

HEX #F891EA

RGB 248 145 234

HSL 308.16, 0.88%, 0.77%

LAB 73.64, 51.15, -28.43

 

CMYK 0 / 42 / 17 / 3

HEX #F891CF

RGB 248 145 207

HSL 323.88, 0.88%, 0.77%

LAB 72.7, 46.82, -15.03

 

CMYK 9 / 72 / 0 / 5

HEX #DD43F3

RGB 221 67 243

HSL 292.5, 0.88%, 0.61%

LAB 57.9, 79.64, -58.35

 

CMYK 7 / 57 / 0 / 4

HEX #E46AF5

RGB 228 106 245

HSL 292.66, 0.87%, 0.69%

LAB 64.48, 66.28, -48.94

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 3 / 26 / 0 / 2

HEX #F2B8FA

RGB 242 184 250

HSL 292.73, 0.87%, 0.85%

LAB 81.87, 31.85, -24.55

 

CMYK 2 / 12 / 0 / 1

HEX #F9DEFD

RGB 249 222 253

HSL 292.26, 0.89%, 0.93%

LAB 91.45, 14.62, -11.64

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 0 / 39 / 42 / 3

HEX #F89891

RGB 248 152 145

HSL 4.08, 0.88%, 0.77%

LAB 72.53, 35.18, 19.03

 

CMYK 42 / 0 / 22 / 3

HEX #91F8C1

RGB 145 248 193

HSL 147.96, 0.88%, 0.77%

LAB 90.32, -41.96, 17.17

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 0 / 6 / 42 / 3

HEX #F8EA91

RGB 248 234 145

HSL 51.84, 0.88%, 0.77%

LAB 92.06, -7.38, 44.85

 

CMYK 42 / 0 / 6 / 3

HEX #91F8EA

RGB 145 248 234

HSL 171.84, 0.88%, 0.77%

LAB 91.28, -33.26, -2.7

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 0 / 39 / 42 / 3

HEX #F89891

RGB 248 152 145

HSL 4.08, 0.88%, 0.77%

LAB 72.53, 35.18, 19.03

 

CMYK 36 / 0 / 42 / 3

HEX #9FF891

RGB 159 248 145

HSL 111.84, 0.88%, 0.77%

LAB 90.11, -45.91, 41.2

 

CMYK 42 / 3 / 0 / 3

HEX #91F1F8

RGB 145 241 248

HSL 184.08, 0.88%, 0.77%

LAB 89.72, -26.61, -12.29

 

CMYK 5 / 42 / 0 / 3

HEX #EB91F8

RGB 235 145 248

HSL 292.43, 0.88%, 0.77%

LAB 72.69, 49.79, -37.66

 

CMYK 0 / 26 / 42 / 3

HEX #F8B791

RGB 248 183 145

HSL 22.14, 0.88%, 0.77%

LAB 79.54, 18.91, 28.55

 

CMYK 36 / 0 / 42 / 3

HEX #9FF891

RGB 159 248 145

HSL 111.84, 0.88%, 0.77%

LAB 90.11, -45.91, 41.2

 

CMYK 42 / 15 / 0 / 3

HEX #91D2F8

RGB 145 210 248

HSL 202.14, 0.88%, 0.77%

LAB 81.23, -11.04, -25.1

 

Description

Color code: HEX #EB91F8 | qconv.com Color code: HEX #EB91F8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 145 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 145 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 42 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 42% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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