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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB90FC00 it is the complementary color #146F0300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB90FC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB90FC00 shade: #F090F700, #FFA2FF00, #FFB4FF00, #FFC6FF00 and #FFD8FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB90FC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB90FC00 shade: #EB90FC00, #DA7EE900, #C96CD600, #B85AC300 and #A748B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB90FC00 shade: #EB92FC, #FC92F0, #FC92D3, #FC92B7 and #FC929A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB90FC00 shade: #EB92FC, #CF92FC, #B292FC, #9592FC and #9292FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB90FC00 shade matches the following richer shades: #EB92FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB90FC00 shade: #EB92FC, #E59BF3, #DFA4EA, #D9ADE1 and #D3B6D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB90FC00 shade: #B292FC, #CE92FC, #EA92FC, #FC92F2 and #FC92D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB90FC00 shade: #DD41FA, #E469FB, #EB92FC, #F3BAFD and #FAE2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB90FC00 shade: #EB90FC, #FC9592 and #92FCC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB90FC00 shade: #EB90FC, #FCEA92 and #92FCEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB90FC00 shade: #EB90FC, #FC9592, #A3FC92 and #92F9FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB90FC00 shade: #EB90FC, #FCB592, #A3FC92 and #92D9FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #EB90FC00

RGBA 235 144 252 0

HSLA 290.56, 0.95%, 0.78%, 0

LABA 72.65, 51.05, -39.89, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #146F0300

RGBA 20 111 3 0

HSLA 110.56, 0.95%, 0.22%, 0

LABA 40.45, -44.35, 44.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F090F700

RGBA 240 144 247 0

HSLA 295.92, 0.87%, 0.77%, 0

LABA 73.01, 51.57, -36.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA2FF00

RGBA 255 162 255 0

HSLA 300, 1%, 0.82%, 0

LABA 78.65, 48.27, -32.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4FF00

RGBA 255 180 255 0

HSLA 300, 1%, 0.85%, 0

LABA 82.44, 38.96, -26.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6FF00

RGBA 255 198 255 0

HSLA 300, 1%, 0.89%, 0

LABA 86.44, 29.52, -20.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8FF00

RGBA 255 216 255 0

HSLA 300, 1%, 0.92%, 0

LABA 90.59, 20.08, -13.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EB90FC00

RGBA 235 144 252 0

HSLA 290.56, 0.95%, 0.78%, 0

LABA 72.65, 51.05, -39.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DA7EE900

RGBA 218 126 233 0

HSLA 291.59, 0.71%, 0.7%, 0

LABA 66.3, 51.79, -39.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C96CD600

RGBA 201 108 214 0

HSLA 292.64, 0.56%, 0.63%, 0

LABA 59.89, 52.49, -39.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B85AC300

RGBA 184 90 195 0

HSLA 293.71, 0.47%, 0.56%, 0

LABA 53.43, 53.12, -38.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A748B000

RGBA 167 72 176 0

HSLA 294.81, 0.42%, 0.49%, 0

LABA 46.95, 53.59, -37.95, 0

 

CMYK 7 / 42 / 0 / 1

HEX #EB92FC

RGB 235 146 252

HSL 290.38, 0.95%, 0.78%

LAB 73.06, 50.03, -39.27

 

CMYK 0 / 42 / 5 / 1

HEX #FC92F0

RGB 252 146 240

HSL 306.79, 0.95%, 0.78%

LAB 74.54, 52.86, -30.29

 

CMYK 0 / 42 / 16 / 1

HEX #FC92D3

RGB 252 146 211

HSL 323.21, 0.95%, 0.78%

LAB 73.52, 48.2, -15.96

 

CMYK 0 / 42 / 27 / 1

HEX #FC92B7

RGB 252 146 183

HSL 339.06, 0.95%, 0.78%

LAB 72.68, 44.23, -1.73

 

CMYK 0 / 42 / 39 / 1

HEX #FC929A

RGB 252 146 154

HSL 355.47, 0.95%, 0.78%

LAB 71.95, 40.71, 13.32

 

CMYK 7 / 42 / 0 / 1

HEX #EB92FC

RGB 235 146 252

HSL 290.38, 0.95%, 0.78%

LAB 73.06, 50.03, -39.27

 

CMYK 18 / 42 / 0 / 1

HEX #CF92FC

RGB 207 146 252

HSL 274.53, 0.95%, 0.78%

LAB 70.07, 42.04, -44.15

 

CMYK 29 / 42 / 0 / 1

HEX #B292FC

RGB 178 146 252

HSL 258.11, 0.95%, 0.78%

LAB 67.32, 34.04, -48.67

 

CMYK 41 / 42 / 0 / 1

HEX #9592FC

RGB 149 146 252

HSL 241.7, 0.95%, 0.78%

LAB 64.94, 26.56, -52.58

 

CMYK 42 / 42 / 0 / 1

HEX #9292FC

RGB 146 146 252

HSL 240, 0.95%, 0.78%

LAB 64.72, 25.83, -52.94

 

CMYK 7 / 42 / 0 / 1

HEX #EB92FC

RGB 235 146 252

HSL 290.38, 0.95%, 0.78%

LAB 73.06, 50.03, -39.27

 

CMYK 7 / 42 / 0 / 1

HEX #EB92FC

RGB 235 146 252

HSL 290.38, 0.95%, 0.78%

LAB 73.06, 50.03, -39.27

 

CMYK 6 / 36 / 0 / 5

HEX #E59BF3

RGB 229 155 243

HSL 290.45, 0.79%, 0.78%

LAB 73.92, 41.86, -33.09

 

CMYK 5 / 30 / 0 / 8

HEX #DFA4EA

RGB 223 164 234

HSL 290.57, 0.63%, 0.78%

LAB 74.94, 33.48, -26.68

 

CMYK 4 / 23 / 0 / 12

HEX #D9ADE1

RGB 217 173 225

HSL 290.77, 0.46%, 0.78%

LAB 76.12, 24.97, -20.05

 

CMYK 2 / 16 / 0 / 15

HEX #D3B6D8

RGB 211 182 216

HSL 291.18, 0.3%, 0.78%

LAB 77.44, 16.38, -13.23

 

CMYK 29 / 42 / 0 / 1

HEX #B292FC

RGB 178 146 252

HSL 258.11, 0.95%, 0.78%

LAB 67.32, 34.04, -48.67

 

CMYK 18 / 42 / 0 / 1

HEX #CE92FC

RGB 206 146 252

HSL 273.96, 0.95%, 0.78%

LAB 69.97, 41.76, -44.31

 

CMYK 7 / 42 / 0 / 1

HEX #EA92FC

RGB 234 146 252

HSL 289.81, 0.95%, 0.78%

LAB 72.94, 49.74, -39.45

 

CMYK 0 / 42 / 4 / 1

HEX #FC92F2

RGB 252 146 242

HSL 305.66, 0.95%, 0.78%

LAB 74.61, 53.2, -31.26

 

CMYK 0 / 42 / 15 / 1

HEX #FC92D5

RGB 252 146 213

HSL 322.08, 0.95%, 0.78%

LAB 73.58, 48.51, -16.96

 

CMYK 12 / 74 / 0 / 2

HEX #DD41FA

RGB 221 65 250

HSL 290.59, 0.95%, 0.62%

LAB 58.09, 81.47, -61.95

 

CMYK 9 / 58 / 0 / 2

HEX #E469FB

RGB 228 105 251

HSL 290.55, 0.95%, 0.7%

LAB 64.61, 67.81, -52.04

 

CMYK 7 / 42 / 0 / 1

HEX #EB92FC

RGB 235 146 252

HSL 290.38, 0.95%, 0.78%

LAB 73.06, 50.03, -39.27

 

CMYK 4 / 26 / 0 / 1

HEX #F3BAFD

RGB 243 186 253

HSL 291.04, 0.94%, 0.86%

LAB 82.52, 31.66, -25.15

 

CMYK 2 / 11 / 0 / 0

HEX #FAE2FE

RGB 250 226 254

HSL 291.43, 0.93%, 0.94%

LAB 92.52, 13.04, -10.56

 

CMYK 7 / 43 / 0 / 1

HEX #EB90FC

RGB 235 144 252

HSL 290.56, 0.95%, 0.78%

LAB 72.65, 51.05, -39.89

 

CMYK 0 / 41 / 42 / 1

HEX #FC9592

RGB 252 149 146

HSL 1.7, 0.95%, 0.78%

LAB 72.41, 38.31, 18.38

 

CMYK 42 / 0 / 24 / 1

HEX #92FCC0

RGB 146 252 192

HSL 146.04, 0.95%, 0.78%

LAB 91.48, -43.65, 19.3

 

CMYK 7 / 43 / 0 / 1

HEX #EB90FC

RGB 235 144 252

HSL 290.56, 0.95%, 0.78%

LAB 72.65, 51.05, -39.89

 

CMYK 0 / 7 / 42 / 1

HEX #FCEA92

RGB 252 234 146

HSL 49.81, 0.95%, 0.78%

LAB 92.41, -5.73, 44.86

 

CMYK 42 / 0 / 7 / 1

HEX #92FCEA

RGB 146 252 234

HSL 169.81, 0.95%, 0.78%

LAB 92.43, -34.87, -1

 

CMYK 7 / 43 / 0 / 1

HEX #EB90FC

RGB 235 144 252

HSL 290.56, 0.95%, 0.78%

LAB 72.65, 51.05, -39.89

 

CMYK 0 / 41 / 42 / 1

HEX #FC9592

RGB 252 149 146

HSL 1.7, 0.95%, 0.78%

LAB 72.41, 38.31, 18.38

 

CMYK 35 / 0 / 42 / 1

HEX #A3FC92

RGB 163 252 146

HSL 110.38, 0.95%, 0.78%

LAB 91.45, -46.24, 42.46

 

CMYK 42 / 1 / 0 / 1

HEX #92F9FC

RGB 146 249 252

HSL 181.7, 0.95%, 0.78%

LAB 92.08, -29.23, -10.85

 

CMYK 7 / 43 / 0 / 1

HEX #EB90FC

RGB 235 144 252

HSL 290.56, 0.95%, 0.78%

LAB 72.65, 51.05, -39.89

 

CMYK 0 / 28 / 42 / 1

HEX #FCB592

RGB 252 181 146

HSL 19.81, 0.95%, 0.78%

LAB 79.51, 21.62, 28.05

 

CMYK 35 / 0 / 42 / 1

HEX #A3FC92

RGB 163 252 146

HSL 110.38, 0.95%, 0.78%

LAB 91.45, -46.24, 42.46

 

CMYK 42 / 14 / 0 / 1

HEX #92D9FC

RGB 146 217 252

HSL 199.81, 0.95%, 0.78%

LAB 83.32, -13.37, -24.04

 

Description

Color code: HEX #EB90FC00 | qconv.com Color code: HEX #EB90FC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 144 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 144 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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