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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8FF2 it is the complementary color #14700D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8FF2 shade: #F08FED, #FFA1FF, #FFB3FF, #FFC5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8FF2 shade: #EB8FF2, #DA7DDF, #C96BCC, #B859B9 and #A747A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8FF2 shade: #EA8DF2, #F28DDE, #F28DC2, #F28DA7 and #F28D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8FF2 shade: #EA8DF2, #CF8DF2, #B48DF2, #998DF2 and #8D8DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8FF2 shade matches the following richer shades: #EA8DF2 and #F383FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8FF2 shade: #EA8DF2, #E297E7, #D9A2DD, #D0ACD3 and #C7B6C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8FF2 shade: #B38DF2, #CE8DF2, #E98DF2, #F28DDF and #F28DC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8FF2 shade: #DD43E9, #E468ED, #EA8DF2, #F1B2F6 and #F8D7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8FF2 shade: #EB8FF2, #F2998D and #8DF2C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8FF2 shade: #EB8FF2, #F2E98D and #8DF2E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8FF2 shade: #EB8FF2, #F2998D, #95F28D and #8DE6F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8FF2 shade: #EB8FF2, #F2B78D, #95F28D and #8DC8F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 41 / 0 / 5

HEX #EB8FF2

RGB 235 143 242

HSL 295.76, 0.79%, 0.75%

LAB 72.04, 49.7, -35.4

 

Complementary color

CMYK 82 / 0 / 88 / 56

HEX #14700D

RGB 20 112 13

HSL 115.76, 0.79%, 0.25%

LAB 40.84, -44.22, 42.5

 

CMYK 0 / 40 / 1 / 6

HEX #F08FED

RGB 240 143 237

HSL 301.86, 0.76%, 0.75%

LAB 72.42, 50.28, -32.03

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 3 / 41 / 0 / 5

HEX #EB8FF2

RGB 235 143 242

HSL 295.76, 0.79%, 0.75%

LAB 72.04, 49.7, -35.4

 

CMYK 2 / 44 / 0 / 13

HEX #DA7DDF

RGB 218 125 223

HSL 296.94, 0.6%, 0.68%

LAB 65.67, 50.43, -34.98

 

CMYK 1 / 48 / 0 / 20

HEX #C96BCC

RGB 201 107 204

HSL 298.14, 0.49%, 0.61%

LAB 59.24, 51.13, -34.49

 

CMYK 1 / 52 / 0 / 27

HEX #B859B9

RGB 184 89 185

HSL 299.38, 0.41%, 0.54%

LAB 52.77, 51.76, -33.89

 

CMYK 0 / 57 / 1 / 35

HEX #A747A6

RGB 167 71 166

HSL 300.63, 0.4%, 0.47%

LAB 46.28, 52.23, -33.12

 

CMYK 3 / 42 / 0 / 5

HEX #EA8DF2

RGB 234 141 242

HSL 295.25, 0.8%, 0.75%

LAB 71.52, 50.43, -36.21

 

CMYK 0 / 42 / 8 / 5

HEX #F28DDE

RGB 242 141 222

HSL 311.88, 0.8%, 0.75%

LAB 71.69, 49.33, -24.9

 

CMYK 0 / 42 / 20 / 5

HEX #F28DC2

RGB 242 141 194

HSL 328.51, 0.8%, 0.75%

LAB 70.75, 44.95, -10.83

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 42 / 42 / 5

HEX #F28D8D

RGB 242 141 141

HSL 0, 0.8%, 0.75%

LAB 69.36, 38.23, 16.74

 

CMYK 3 / 42 / 0 / 5

HEX #EA8DF2

RGB 234 141 242

HSL 295.25, 0.8%, 0.75%

LAB 71.52, 50.43, -36.21

 

CMYK 14 / 42 / 0 / 5

HEX #CF8DF2

RGB 207 141 242

HSL 279.21, 0.8%, 0.75%

LAB 68.55, 42.6, -41.06

 

CMYK 26 / 42 / 0 / 5

HEX #B48DF2

RGB 180 141 242

HSL 263.17, 0.8%, 0.75%

LAB 65.88, 34.97, -45.45

 

CMYK 37 / 42 / 0 / 5

HEX #998DF2

RGB 153 141 242

HSL 247.13, 0.8%, 0.75%

LAB 63.53, 27.73, -49.3

 

CMYK 42 / 42 / 0 / 5

HEX #8D8DF2

RGB 141 141 242

HSL 240, 0.8%, 0.75%

LAB 62.61, 24.71, -50.82

 

CMYK 3 / 42 / 0 / 5

HEX #EA8DF2

RGB 234 141 242

HSL 295.25, 0.8%, 0.75%

LAB 71.52, 50.43, -36.21

 

CMYK 4 / 48 / 0 / 1

HEX #F383FC

RGB 243 131 252

HSL 295.54, 0.95%, 0.75%

LAB 71.09, 59.76, -42.27

 

CMYK 3 / 42 / 0 / 5

HEX #EA8DF2

RGB 234 141 242

HSL 295.25, 0.8%, 0.75%

LAB 71.52, 50.43, -36.21

 

CMYK 2 / 35 / 0 / 9

HEX #E297E7

RGB 226 151 231

HSL 296.25, 0.63%, 0.75%

LAB 72.28, 40.79, -29.1

 

CMYK 2 / 27 / 0 / 13

HEX #D9A2DD

RGB 217 162 221

HSL 295.93, 0.46%, 0.75%

LAB 73.42, 30.16, -21.96

 

CMYK 1 / 18 / 0 / 17

HEX #D0ACD3

RGB 208 172 211

HSL 295.38, 0.31%, 0.75%

LAB 74.58, 19.86, -14.82

 

CMYK 0 / 9 / 0 / 22

HEX #C7B6C8

RGB 199 182 200

HSL 296.67, 0.14%, 0.75%

LAB 75.93, 9.28, -6.9

 

CMYK 26 / 42 / 0 / 5

HEX #B38DF2

RGB 179 141 242

HSL 262.57, 0.8%, 0.75%

LAB 65.78, 34.69, -45.6

 

CMYK 15 / 42 / 0 / 5

HEX #CE8DF2

RGB 206 141 242

HSL 278.61, 0.8%, 0.75%

LAB 68.45, 42.32, -41.23

 

CMYK 4 / 42 / 0 / 5

HEX #E98DF2

RGB 233 141 242

HSL 294.65, 0.8%, 0.75%

LAB 71.41, 50.14, -36.4

 

CMYK 0 / 42 / 8 / 5

HEX #F28DDF

RGB 242 141 223

HSL 311.29, 0.8%, 0.75%

LAB 71.73, 49.5, -25.4

 

CMYK 0 / 42 / 19 / 5

HEX #F28DC4

RGB 242 141 196

HSL 327.33, 0.8%, 0.75%

LAB 70.81, 45.25, -11.85

 

CMYK 5 / 71 / 0 / 9

HEX #DD43E9

RGB 221 67 233

HSL 295.66, 0.79%, 0.59%

LAB 57.34, 77.97, -53.66

 

CMYK 4 / 56 / 0 / 7

HEX #E468ED

RGB 228 104 237

HSL 295.94, 0.79%, 0.67%

LAB 63.76, 65.75, -45.65

 

CMYK 3 / 42 / 0 / 5

HEX #EA8DF2

RGB 234 141 242

HSL 295.25, 0.8%, 0.75%

LAB 71.52, 50.43, -36.21

 

CMYK 2 / 28 / 0 / 4

HEX #F1B2F6

RGB 241 178 246

HSL 295.59, 0.79%, 0.83%

LAB 80.29, 33.96, -24.83

 

CMYK 1 / 14 / 0 / 2

HEX #F8D7FA

RGB 248 215 250

HSL 296.57, 0.78%, 0.91%

LAB 89.61, 17.4, -12.83

 

CMYK 3 / 41 / 0 / 5

HEX #EB8FF2

RGB 235 143 242

HSL 295.76, 0.79%, 0.75%

LAB 72.04, 49.7, -35.4

 

CMYK 0 / 37 / 42 / 5

HEX #F2998D

RGB 242 153 141

HSL 7.13, 0.8%, 0.75%

LAB 71.95, 31.98, 20.31

 

CMYK 42 / 0 / 20 / 5

HEX #8DF2C1

RGB 141 242 193

HSL 150.89, 0.8%, 0.75%

LAB 88.46, -40.35, 14.52

 

CMYK 3 / 41 / 0 / 5

HEX #EB8FF2

RGB 235 143 242

HSL 295.76, 0.79%, 0.75%

LAB 72.04, 49.7, -35.4

 

CMYK 0 / 4 / 42 / 5

HEX #F2E98D

RGB 242 233 141

HSL 54.65, 0.8%, 0.75%

LAB 91.27, -9.63, 45.71

 

CMYK 42 / 0 / 4 / 5

HEX #8DF2E9

RGB 141 242 233

HSL 174.65, 0.8%, 0.75%

LAB 89.42, -31.64, -4.93

 

CMYK 3 / 41 / 0 / 5

HEX #EB8FF2

RGB 235 143 242

HSL 295.76, 0.79%, 0.75%

LAB 72.04, 49.7, -35.4

 

CMYK 0 / 37 / 42 / 5

HEX #F2998D

RGB 242 153 141

HSL 7.13, 0.8%, 0.75%

LAB 71.95, 31.98, 20.31

 

CMYK 38 / 0 / 42 / 5

HEX #95F28D

RGB 149 242 141

HSL 115.25, 0.8%, 0.75%

LAB 87.88, -46.97, 40.19

 

CMYK 42 / 5 / 0 / 5

HEX #8DE6F2

RGB 141 230 242

HSL 187.13, 0.8%, 0.75%

LAB 86.34, -23.68, -14.22

 

CMYK 3 / 41 / 0 / 5

HEX #EB8FF2

RGB 235 143 242

HSL 295.76, 0.79%, 0.75%

LAB 72.04, 49.7, -35.4

 

CMYK 0 / 24 / 42 / 5

HEX #F2B78D

RGB 242 183 141

HSL 24.95, 0.8%, 0.75%

LAB 78.85, 16.14, 29.63

 

CMYK 38 / 0 / 42 / 5

HEX #95F28D

RGB 149 242 141

HSL 115.25, 0.8%, 0.75%

LAB 87.88, -46.97, 40.19

 

CMYK 42 / 17 / 0 / 5

HEX #8DC8F2

RGB 141 200 242

HSL 204.95, 0.8%, 0.75%

LAB 78.1, -8.36, -26.7

 

Description

Color code: HEX #EB8FF2 | qconv.com Color code: HEX #EB8FF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 143 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 143 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 41 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 41% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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