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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8FE0 it is the complementary color #14701F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8FE0 shade: #F08FDB, #FFA1EE, #FFB3FF, #FFC5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8FE0 shade: #EB8FE0, #DA7DCD, #C96BBA, #B859A7 and #A74794

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8FE0 shade: #EB8EE0, #EB8EC6, #EB8EAD, #EB8E94 and #EB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8FE0 shade: #EB8EE0, #DD8EEB, #C48EEB, #AB8EEB and #928EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8FE0 shade matches the following richer shades: #EB8EE0 and #F583E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8FE0 shade: #EB8EE0, #E099D7, #D5A3CF, #CAAEC7 and #C0B9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8FE0 shade: #C48EEB, #DD8EEB, #EB8EE0, #EB8EC7 and #EB8EAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8FE0 shade: #DE48CC, #E46BD6, #EB8EE0, #F1B1E9 and #F7D4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8FE0 shade: #EB8FE0, #EBAB8E and #8EEBD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8FE0 shade: #EB8FE0, #E0EB8E and #8EE0EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8FE0 shade: #EB8FE0, #EBAB8E, #8EEB99 and #8ECDEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8FE0 shade: #EB8FE0, #EBC78E, #8EEB99 and #8EB1EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 5 / 8

HEX #EB8FE0

RGB 235 143 224

HSL 307.17, 0.7%, 0.74%

LAB 71.34, 46.49, -26.61

 

Complementary color

CMYK 82 / 0 / 72 / 56

HEX #14701F

RGB 20 112 31

HSL 127.17, 0.7%, 0.26%

LAB 40.95, -42.82, 36.17

 

CMYK 0 / 40 / 9 / 6

HEX #F08FDB

RGB 240 143 219

HSL 312.99, 0.76%, 0.75%

LAB 71.75, 47.2, -23.18

 

CMYK 0 / 37 / 7 / 0

HEX #FFA1EE

RGB 255 161 238

HSL 310.85, 1%, 0.82%

LAB 77.83, 45.84, -24.13

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 39 / 5 / 8

HEX #EB8FE0

RGB 235 143 224

HSL 307.17, 0.7%, 0.74%

LAB 71.34, 46.49, -26.61

 

CMYK 0 / 43 / 6 / 15

HEX #DA7DCD

RGB 218 125 205

HSL 308.39, 0.56%, 0.67%

LAB 64.95, 47.22, -26.05

 

CMYK 0 / 47 / 7 / 21

HEX #C96BBA

RGB 201 107 186

HSL 309.57, 0.47%, 0.6%

LAB 58.49, 47.94, -25.41

 

CMYK 0 / 52 / 9 / 28

HEX #B859A7

RGB 184 89 167

HSL 310.74, 0.4%, 0.54%

LAB 51.98, 48.61, -24.64

 

CMYK 0 / 57 / 11 / 35

HEX #A74794

RGB 167 71 148

HSL 311.88, 0.4%, 0.47%

LAB 45.44, 49.14, -23.69

 

CMYK 0 / 40 / 5 / 8

HEX #EB8EE0

RGB 235 142 224

HSL 307.1, 0.7%, 0.74%

LAB 71.14, 47, -26.92

 

CMYK 0 / 40 / 16 / 8

HEX #EB8EC6

RGB 235 142 198

HSL 323.87, 0.7%, 0.74%

LAB 70.24, 42.73, -13.91

 

CMYK 0 / 40 / 26 / 8

HEX #EB8EAD

RGB 235 142 173

HSL 340, 0.7%, 0.74%

LAB 69.49, 39.08, -1.08

 

CMYK 0 / 40 / 37 / 8

HEX #EB8E94

RGB 235 142 148

HSL 356.13, 0.7%, 0.74%

LAB 68.86, 35.92, 12

 

CMYK 0 / 40 / 40 / 8

HEX #EB8E8E

RGB 235 142 142

HSL 0, 0.7%, 0.74%

LAB 68.72, 35.23, 15.16

 

CMYK 0 / 40 / 5 / 8

HEX #EB8EE0

RGB 235 142 224

HSL 307.1, 0.7%, 0.74%

LAB 71.14, 47, -26.92

 

CMYK 6 / 40 / 0 / 8

HEX #DD8EEB

RGB 221 142 235

HSL 290.97, 0.7%, 0.74%

LAB 69.98, 44.77, -34.89

 

CMYK 17 / 40 / 0 / 8

HEX #C48EEB

RGB 196 142 235

HSL 274.84, 0.7%, 0.74%

LAB 67.34, 37.39, -39.2

 

CMYK 27 / 40 / 0 / 8

HEX #AB8EEB

RGB 171 142 235

HSL 258.71, 0.7%, 0.74%

LAB 64.96, 30.22, -43.09

 

CMYK 38 / 40 / 0 / 8

HEX #928EEB

RGB 146 142 235

HSL 242.58, 0.7%, 0.74%

LAB 62.89, 23.46, -46.49

 

CMYK 0 / 40 / 5 / 8

HEX #EB8EE0

RGB 235 142 224

HSL 307.1, 0.7%, 0.74%

LAB 71.14, 47, -26.92

 

CMYK 0 / 47 / 5 / 4

HEX #F583E8

RGB 245 131 232

HSL 306.84, 0.85%, 0.74%

LAB 70.5, 56.86, -32.2

 

CMYK 0 / 40 / 5 / 8

HEX #EB8EE0

RGB 235 142 224

HSL 307.1, 0.7%, 0.74%

LAB 71.14, 47, -26.92

 

CMYK 0 / 32 / 4 / 12

HEX #E099D7

RGB 224 153 215

HSL 307.61, 0.53%, 0.74%

LAB 71.92, 36.18, -20.89

 

CMYK 0 / 23 / 3 / 16

HEX #D5A3CF

RGB 213 163 207

HSL 307.2, 0.37%, 0.74%

LAB 72.79, 25.7, -15.28

 

CMYK 0 / 14 / 1 / 21

HEX #CAAEC7

RGB 202 174 199

HSL 306.43, 0.21%, 0.74%

LAB 74.16, 14.48, -8.95

 

CMYK 0 / 4 / 1 / 25

HEX #C0B9BF

RGB 192 185 191

HSL 308.57, 0.05%, 0.74%

LAB 75.86, 3.56, -2.16

 

CMYK 17 / 40 / 0 / 8

HEX #C48EEB

RGB 196 142 235

HSL 274.84, 0.7%, 0.74%

LAB 67.34, 37.39, -39.2

 

CMYK 6 / 40 / 0 / 8

HEX #DD8EEB

RGB 221 142 235

HSL 290.97, 0.7%, 0.74%

LAB 69.98, 44.77, -34.89

 

CMYK 0 / 40 / 5 / 8

HEX #EB8EE0

RGB 235 142 224

HSL 307.1, 0.7%, 0.74%

LAB 71.14, 47, -26.92

 

CMYK 0 / 40 / 15 / 8

HEX #EB8EC7

RGB 235 142 199

HSL 323.23, 0.7%, 0.74%

LAB 70.27, 42.89, -14.42

 

CMYK 0 / 40 / 26 / 8

HEX #EB8EAE

RGB 235 142 174

HSL 339.35, 0.7%, 0.74%

LAB 69.52, 39.22, -1.6

 

CMYK 0 / 68 / 8 / 13

HEX #DE48CC

RGB 222 72 204

HSL 307.2, 0.69%, 0.58%

LAB 56.61, 71.88, -38.39

 

CMYK 0 / 53 / 6 / 11

HEX #E46BD6

RGB 228 107 214

HSL 306.94, 0.69%, 0.66%

LAB 63.23, 60.47, -33.65

 

CMYK 0 / 40 / 5 / 8

HEX #EB8EE0

RGB 235 142 224

HSL 307.1, 0.7%, 0.74%

LAB 71.14, 47, -26.92

 

CMYK 0 / 27 / 3 / 5

HEX #F1B1E9

RGB 241 177 233

HSL 307.5, 0.7%, 0.82%

LAB 79.63, 32.14, -18.83

 

CMYK 0 / 14 / 2 / 3

HEX #F7D4F3

RGB 247 212 243

HSL 306.86, 0.69%, 0.9%

LAB 88.61, 17.39, -10.64

 

CMYK 0 / 39 / 5 / 8

HEX #EB8FE0

RGB 235 143 224

HSL 307.17, 0.7%, 0.74%

LAB 71.34, 46.49, -26.61

 

CMYK 0 / 27 / 40 / 8

HEX #EBAB8E

RGB 235 171 142

HSL 18.71, 0.7%, 0.74%

LAB 75.29, 19.87, 24.19

 

CMYK 40 / 0 / 11 / 8

HEX #8EEBD0

RGB 142 235 208

HSL 162.58, 0.7%, 0.74%

LAB 86.86, -33.77, 4.42

 

CMYK 0 / 39 / 5 / 8

HEX #EB8FE0

RGB 235 143 224

HSL 307.17, 0.7%, 0.74%

LAB 71.34, 46.49, -26.61

 

CMYK 5 / 0 / 40 / 8

HEX #E0EB8E

RGB 224 235 142

HSL 67.1, 0.7%, 0.74%

LAB 90.42, -17.45, 43.85

 

CMYK 40 / 5 / 0 / 8

HEX #8EE0EB

RGB 142 224 235

HSL 187.1, 0.7%, 0.74%

LAB 84.51, -22.21, -13.26

 

CMYK 0 / 39 / 5 / 8

HEX #EB8FE0

RGB 235 143 224

HSL 307.17, 0.7%, 0.74%

LAB 71.34, 46.49, -26.61

 

CMYK 0 / 27 / 40 / 8

HEX #EBAB8E

RGB 235 171 142

HSL 18.71, 0.7%, 0.74%

LAB 75.29, 19.87, 24.19

 

CMYK 40 / 0 / 35 / 8

HEX #8EEB99

RGB 142 235 153

HSL 127.1, 0.7%, 0.74%

LAB 85.74, -44.23, 31.34

 

CMYK 40 / 13 / 0 / 8

HEX #8ECDEB

RGB 142 205 235

HSL 199.35, 0.7%, 0.74%

LAB 79.28, -12.56, -21.15

 

CMYK 0 / 39 / 5 / 8

HEX #EB8FE0

RGB 235 143 224

HSL 307.17, 0.7%, 0.74%

LAB 71.34, 46.49, -26.61

 

CMYK 0 / 15 / 40 / 8

HEX #EBC78E

RGB 235 199 142

HSL 36.77, 0.7%, 0.74%

LAB 82.09, 5.09, 33.27

 

CMYK 40 / 0 / 35 / 8

HEX #8EEB99

RGB 142 235 153

HSL 127.1, 0.7%, 0.74%

LAB 85.74, -44.23, 31.34

 

CMYK 40 / 25 / 0 / 8

HEX #8EB1EB

RGB 142 177 235

HSL 217.42, 0.7%, 0.74%

LAB 71.69, 2.5, -32.78

 

Description

Color code: HEX #EB8FE0 | qconv.com Color code: HEX #EB8FE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 143 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 143 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 5 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 5% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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