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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8F85 it is the complementary color #14707A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8F85 shade: #F08F80, #FFA193, #FFB3A6, #FFC5B9 and #FFD7CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8F85 shade: #EB8F85, #DA7D72, #C96B5F, #B8594C and #A74739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8F85 shade: #EB8E84 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8F85 shade: #EB8E84, #EBAA84, #EBC684, #EBE184 and #D9EB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8F85 shade matches the following richer shades: #EB8E84 and #F78579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8F85 shade: #EB8E84, #DF9890, #D4A19B, #C8AAA7 and #BDB3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8F85 shade: #EB84B2, #EB8497, #EB8D84, #EBA884 and #EBC484

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8F85 shade: #DF4D3D, #E56E61, #EB8E84, #F1AFA8 and #F7CFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8F85 shade: #EB8F85, #CEEB84 and #84A5EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8F85 shade: #EB8F85, #84EB8D and #8D84EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8F85 shade: #EB8F85, #CEEB84, #84E2EB and #A184EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8F85 shade: #EB8F85, #AFEB84, #84E2EB and #C084EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 43 / 8

HEX #EB8F85

RGB 235 143 133

HSL 5.88, 0.72%, 0.72%

LAB 68.75, 33.74, 20.21

 

Complementary color

CMYK 84 / 8 / 0 / 52

HEX #14707A

RGB 20 112 122

HSL 185.88, 0.72%, 0.28%

LAB 42.98, -21.39, -12.84

 

CMYK 0 / 40 / 47 / 6

HEX #F08F80

RGB 240 143 128

HSL 8.04, 0.79%, 0.72%

LAB 69.28, 35.13, 23.79

 

CMYK 0 / 37 / 42 / 0

HEX #FFA193

RGB 255 161 147

HSL 7.78, 1%, 0.79%

LAB 75.36, 33.33, 21.95

 

CMYK 0 / 30 / 35 / 0

HEX #FFB3A6

RGB 255 179 166

HSL 8.76, 1%, 0.83%

LAB 79.76, 26.05, 17.74

 

CMYK 0 / 23 / 27 / 0

HEX #FFC5B9

RGB 255 197 185

HSL 10.29, 1%, 0.86%

LAB 84.33, 19.01, 13.99

 

CMYK 0 / 16 / 20 / 0

HEX #FFD7CC

RGB 255 215 204

HSL 12.94, 1%, 0.9%

LAB 89.03, 12.27, 10.61

 

CMYK 0 / 39 / 43 / 8

HEX #EB8F85

RGB 235 143 133

HSL 5.88, 0.72%, 0.72%

LAB 68.75, 33.74, 20.21

 

CMYK 0 / 43 / 48 / 15

HEX #DA7D72

RGB 218 125 114

HSL 6.35, 0.58%, 0.65%

LAB 62.33, 34.83, 21.75

 

CMYK 0 / 47 / 53 / 21

HEX #C96B5F

RGB 201 107 95

HSL 6.79, 0.5%, 0.58%

LAB 55.85, 36.01, 23.51

 

CMYK 0 / 52 / 59 / 28

HEX #B8594C

RGB 184 89 76

HSL 7.22, 0.43%, 0.51%

LAB 49.32, 37.27, 25.55

 

CMYK 0 / 57 / 66 / 35

HEX #A74739

RGB 167 71 57

HSL 7.64, 0.49%, 0.44%

LAB 42.79, 38.58, 27.94

 

CMYK 0 / 40 / 44 / 8

HEX #EB8E84

RGB 235 142 132

HSL 5.83, 0.72%, 0.72%

LAB 68.51, 34.16, 20.44

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 40 / 44 / 8

HEX #EB8E84

RGB 235 142 132

HSL 5.83, 0.72%, 0.72%

LAB 68.51, 34.16, 20.44

 

CMYK 0 / 28 / 44 / 8

HEX #EBAA84

RGB 235 170 132

HSL 22.14, 0.72%, 0.72%

LAB 74.87, 19.33, 29

 

CMYK 0 / 16 / 44 / 8

HEX #EBC684

RGB 235 198 132

HSL 38.45, 0.72%, 0.72%

LAB 81.68, 4.55, 37.89

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 8 / 0 / 44 / 8

HEX #D9EB84

RGB 217 235 132

HSL 70.49, 0.72%, 0.72%

LAB 89.78, -21.19, 47.81

 

CMYK 0 / 40 / 44 / 8

HEX #EB8E84

RGB 235 142 132

HSL 5.83, 0.72%, 0.72%

LAB 68.51, 34.16, 20.44

 

CMYK 0 / 46 / 51 / 3

HEX #F78579

RGB 247 133 121

HSL 5.71, 0.89%, 0.72%

LAB 67.97, 42.22, 26.07

 

CMYK 0 / 40 / 44 / 8

HEX #EB8E84

RGB 235 142 132

HSL 5.83, 0.72%, 0.72%

LAB 68.51, 34.16, 20.44

 

CMYK 0 / 32 / 35 / 13

HEX #DF9890

RGB 223 152 144

HSL 6.08, 0.55%, 0.72%

LAB 69.58, 25.64, 15.03

 

CMYK 0 / 24 / 27 / 17

HEX #D4A19B

RGB 212 161 155

HSL 6.32, 0.4%, 0.72%

LAB 70.77, 18.02, 10.45

 

CMYK 0 / 15 / 17 / 22

HEX #C8AAA7

RGB 200 170 167

HSL 5.45, 0.23%, 0.72%

LAB 72.11, 10.41, 5.59

 

CMYK 0 / 5 / 6 / 26

HEX #BDB3B2

RGB 189 179 178

HSL 5.45, 0.08%, 0.72%

LAB 73.72, 3.37, 1.77

 

CMYK 0 / 44 / 24 / 8

HEX #EB84B2

RGB 235 132 178

HSL 333.2, 0.72%, 0.72%

LAB 67.56, 44.92, -6.73

 

CMYK 0 / 44 / 36 / 8

HEX #EB8497

RGB 235 132 151

HSL 348.93, 0.72%, 0.72%

LAB 66.82, 41.44, 7.42

 

CMYK 0 / 40 / 44 / 8

HEX #EB8D84

RGB 235 141 132

HSL 5.24, 0.72%, 0.72%

LAB 68.3, 34.68, 20.14

 

CMYK 0 / 29 / 44 / 8

HEX #EBA884

RGB 235 168 132

HSL 20.97, 0.72%, 0.72%

LAB 74.4, 20.39, 28.38

 

CMYK 0 / 17 / 44 / 8

HEX #EBC484

RGB 235 196 132

HSL 37.28, 0.72%, 0.72%

LAB 81.19, 5.6, 37.25

 

CMYK 0 / 65 / 73 / 13

HEX #DF4D3D

RGB 223 77 61

HSL 5.93, 0.72%, 0.56%

LAB 53.31, 55.93, 40.37

 

CMYK 0 / 52 / 58 / 10

HEX #E56E61

RGB 229 110 97

HSL 5.91, 0.72%, 0.64%

LAB 60.49, 45.13, 29.21

 

CMYK 0 / 40 / 44 / 8

HEX #EB8E84

RGB 235 142 132

HSL 5.83, 0.72%, 0.72%

LAB 68.51, 34.16, 20.44

 

CMYK 0 / 27 / 30 / 5

HEX #F1AFA8

RGB 241 175 168

HSL 5.75, 0.72%, 0.8%

LAB 77.39, 23.18, 13.13

 

CMYK 0 / 16 / 18 / 3

HEX #F7CFCB

RGB 247 207 203

HSL 5.45, 0.73%, 0.88%

LAB 86.36, 13.42, 7.23

 

CMYK 0 / 39 / 43 / 8

HEX #EB8F85

RGB 235 143 133

HSL 5.88, 0.72%, 0.72%

LAB 68.75, 33.74, 20.21

 

CMYK 12 / 0 / 44 / 8

HEX #CEEB84

RGB 206 235 132

HSL 76.89, 0.72%, 0.72%

LAB 89.02, -25.36, 46.69

 

CMYK 44 / 30 / 0 / 8

HEX #84A5EB

RGB 132 165 235

HSL 220.78, 0.72%, 0.72%

LAB 67.88, 6.67, -38.73

 

CMYK 0 / 39 / 43 / 8

HEX #EB8F85

RGB 235 143 133

HSL 5.88, 0.72%, 0.72%

LAB 68.75, 33.74, 20.21

 

CMYK 44 / 0 / 40 / 8

HEX #84EB8D

RGB 132 235 141

HSL 125.24, 0.72%, 0.72%

LAB 85.12, -48.99, 36.48

 

CMYK 40 / 44 / 0 / 8

HEX #8D84EB

RGB 141 132 235

HSL 245.24, 0.72%, 0.72%

LAB 60.04, 28, -51.03

 

CMYK 0 / 39 / 43 / 8

HEX #EB8F85

RGB 235 143 133

HSL 5.88, 0.72%, 0.72%

LAB 68.75, 33.74, 20.21

 

CMYK 12 / 0 / 44 / 8

HEX #CEEB84

RGB 206 235 132

HSL 76.89, 0.72%, 0.72%

LAB 89.02, -25.36, 46.69

 

CMYK 44 / 4 / 0 / 8

HEX #84E2EB

RGB 132 226 235

HSL 185.24, 0.72%, 0.72%

LAB 84.64, -25.61, -13.12

 

CMYK 31 / 44 / 0 / 8

HEX #A184EB

RGB 161 132 235

HSL 256.89, 0.72%, 0.72%

LAB 61.72, 33.16, -48.26

 

CMYK 0 / 39 / 43 / 8

HEX #EB8F85

RGB 235 143 133

HSL 5.88, 0.72%, 0.72%

LAB 68.75, 33.74, 20.21

 

CMYK 26 / 0 / 44 / 8

HEX #AFEB84

RGB 175 235 132

HSL 94.95, 0.72%, 0.72%

LAB 87.09, -36.61, 43.86

 

CMYK 44 / 4 / 0 / 8

HEX #84E2EB

RGB 132 226 235

HSL 185.24, 0.72%, 0.72%

LAB 84.64, -25.61, -13.12

 

CMYK 18 / 44 / 0 / 8

HEX #C084EB

RGB 192 132 235

HSL 274.95, 0.72%, 0.72%

LAB 64.73, 41.68, -43.31

 

Description

Color code: HEX #EB8F85 | qconv.com Color code: HEX #EB8F85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 143 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 143 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 43% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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