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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8F76CE it is the complementary color #147089CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8F76CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8F76CE shade: #F08F71CE, #FFA184CE, #FFB397CE, #FFC5AACE and #FFD7BDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8F76CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8F76CE shade: #EB8F76CE, #DA7D63CE, #C96B50CE, #B8593DCE and #A7472ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8F76CE shade: #EB8E75 and #EB7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8F76CE shade: #EB8E75, #EBAE75, #EBCE75, #E9EB75 and #C9EB75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8F76CE shade matches the following richer shades: #EB8E75 and #F88768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8F76CE shade: #EB8E75, #DE9581, #D29D8E, #C5A49B and #B8ABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8F76CE shade: #EB759C, #EB757D, #EB8C75, #EBAC75 and #EBCC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8F76CE shade: #E1532C, #E67151, #EB8E75, #F0AB99 and #F6C9BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8F76CE shade: #EB8F76, #BCEB75 and #758CEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8F76CE shade: #EB8F76, #75EB8C and #8C75EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8F76CE shade: #EB8F76, #BCEB75, #75D4EB and #A475EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8F76CE shade: #EB8F76, #98EB75, #75D4EB and #C875EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 40 / 6

HEX #EB8F76CE

RGBA 235 143 118 0.81

HSLA 12.82, 0.75%, 0.69%, 0.81

LABA 68.47, 32.27, 28.11, 0.81

 

Complementary color

CMYK 69 / 15 / 0 / 37

HEX #147089CE

RGBA 20 112 137 0.81

HSLA 192.82, 0.75%, 0.31%, 0.81

LABA 43.57, -16.11, -20.93, 0.81

 

CMYK 0 / 33 / 43 / 5

HEX #F08F71CE

RGBA 240 143 113 0.81

HSLA 14.17, 0.81%, 0.69%, 0.81

LABA 69.01, 33.77, 31.66, 0.81

 

CMYK 0 / 30 / 39 / 0

HEX #FFA184CE

RGBA 255 161 132 0.81

HSLA 14.15, 1%, 0.76%, 0.81

LABA 75.09, 31.85, 29.7, 0.81

 

CMYK 0 / 24 / 33 / 0

HEX #FFB397CE

RGBA 255 179 151 0.81

HSLA 16.15, 1%, 0.8%, 0.81

LABA 79.46, 24.35, 25.38, 0.81

 

CMYK 0 / 18 / 27 / 0

HEX #FFC5AACE

RGBA 255 197 170 0.81

HSLA 19.06, 1%, 0.83%, 0.81

LABA 84.02, 17.1, 21.51, 0.81

 

CMYK 0 / 13 / 21 / 0

HEX #FFD7BDCE

RGBA 255 215 189 0.81

HSLA 23.64, 1%, 0.87%, 0.81

LABA 88.7, 10.17, 18.02, 0.81

 

CMYK 0 / 32 / 40 / 6

HEX #EB8F76CE

RGBA 235 143 118 0.81

HSLA 12.82, 0.75%, 0.69%, 0.81

LABA 68.47, 32.27, 28.11, 0.81

 

CMYK 0 / 35 / 44 / 12

HEX #DA7D63CE

RGBA 218 125 99 0.81

HSLA 13.11, 0.62%, 0.62%, 0.81

LABA 62.06, 33.48, 29.81, 0.81

 

CMYK 0 / 38 / 49 / 17

HEX #C96B50CE

RGBA 201 107 80 0.81

HSLA 13.39, 0.53%, 0.55%, 0.81

LABA 55.6, 34.8, 31.71, 0.81

 

CMYK 0 / 42 / 54 / 23

HEX #B8593DCE

RGBA 184 89 61 0.81

HSLA 13.66, 0.5%, 0.48%, 0.81

LABA 49.1, 36.24, 33.86, 0.81

 

CMYK 0 / 47 / 61 / 28

HEX #A7472ACE

RGBA 167 71 42 0.81

HSLA 13.92, 0.6%, 0.41%, 0.81

LABA 42.6, 37.76, 36.26, 0.81

 

CMYK 0 / 40 / 50 / 8

HEX #EB8E75

RGB 235 142 117

HSL 12.71, 0.75%, 0.69%

LAB 68.24, 32.71, 28.35

 

CMYK 0 / 50 / 50 / 8

HEX #EB7575

RGB 235 117 117

HSL 0, 0.75%, 0.69%

LAB 63.07, 45.49, 21.45

 

CMYK 0 / 40 / 50 / 8

HEX #EB8E75

RGB 235 142 117

HSL 12.71, 0.75%, 0.69%

LAB 68.24, 32.71, 28.35

 

CMYK 0 / 26 / 50 / 8

HEX #EBAE75

RGB 235 174 117

HSL 28.98, 0.75%, 0.69%

LAB 75.59, 15.75, 37.84

 

CMYK 0 / 12 / 50 / 8

HEX #EBCE75

RGB 235 206 117

HSL 45.25, 0.75%, 0.69%

LAB 83.49, -1.01, 47.66

 

CMYK 1 / 0 / 50 / 8

HEX #E9EB75

RGB 233 235 117

HSL 61.02, 0.75%, 0.69%

LAB 90.79, -16.38, 56.36

 

CMYK 14 / 0 / 50 / 8

HEX #C9EB75

RGB 201 235 117

HSL 77.29, 0.75%, 0.69%

LAB 88.5, -28.79, 53.09

 

CMYK 0 / 40 / 50 / 8

HEX #EB8E75

RGB 235 142 117

HSL 12.71, 0.75%, 0.69%

LAB 68.24, 32.71, 28.35

 

CMYK 0 / 46 / 58 / 3

HEX #F88768

RGB 248 135 104

HSL 12.92, 0.91%, 0.69%

LAB 68.23, 40.23, 35.75

 

CMYK 0 / 40 / 50 / 8

HEX #EB8E75

RGB 235 142 117

HSL 12.71, 0.75%, 0.69%

LAB 68.24, 32.71, 28.35

 

CMYK 0 / 33 / 42 / 13

HEX #DE9581

RGB 222 149 129

HSL 12.9, 0.58%, 0.69%

LAB 68.47, 25.13, 21.78

 

CMYK 0 / 25 / 32 / 18

HEX #D29D8E

RGB 210 157 142

HSL 13.24, 0.43%, 0.69%

LAB 69.3, 17.68, 15.54

 

CMYK 0 / 17 / 21 / 23

HEX #C5A49B

RGB 197 164 155

HSL 12.86, 0.27%, 0.69%

LAB 70.03, 10.69, 9.19

 

CMYK 0 / 7 / 9 / 28

HEX #B8ABA8

RGB 184 171 168

HSL 11.25, 0.1%, 0.69%

LAB 70.97, 4.14, 3.21

 

CMYK 0 / 50 / 34 / 8

HEX #EB759C

RGB 235 117 156

HSL 340.17, 0.75%, 0.69%

LAB 63.99, 49.56, 0.48

 

CMYK 0 / 50 / 47 / 8

HEX #EB757D

RGB 235 117 125

HSL 355.93, 0.75%, 0.69%

LAB 63.23, 46.22, 17.12

 

CMYK 0 / 40 / 50 / 8

HEX #EB8C75

RGB 235 140 117

HSL 11.69, 0.75%, 0.69%

LAB 67.8, 33.76, 27.77

 

CMYK 0 / 27 / 50 / 8

HEX #EBAC75

RGB 235 172 117

HSL 27.97, 0.75%, 0.69%

LAB 75.11, 16.82, 37.24

 

CMYK 0 / 13 / 50 / 8

HEX #EBCC75

RGB 235 204 117

HSL 44.24, 0.75%, 0.69%

LAB 82.98, 0.02, 47.05

 

CMYK 0 / 63 / 80 / 12

HEX #E1532C

RGB 225 83 44

HSL 12.93, 0.75%, 0.53%

LAB 54.42, 53.46, 50.39

 

CMYK 0 / 51 / 65 / 10

HEX #E67151

RGB 230 113 81

HSL 12.89, 0.75%, 0.61%

LAB 60.98, 42.95, 38.69

 

CMYK 0 / 40 / 50 / 8

HEX #EB8E75

RGB 235 142 117

HSL 12.71, 0.75%, 0.69%

LAB 68.24, 32.71, 28.35

 

CMYK 0 / 29 / 36 / 6

HEX #F0AB99

RGB 240 171 153

HSL 12.41, 0.74%, 0.77%

LAB 76.04, 23.06, 19.36

 

CMYK 0 / 18 / 23 / 4

HEX #F6C9BD

RGB 246 201 189

HSL 12.63, 0.76%, 0.85%

LAB 84.5, 14.15, 11.99

 

CMYK 0 / 39 / 50 / 8

HEX #EB8F76

RGB 235 143 118

HSL 12.82, 0.75%, 0.69%

LAB 68.47, 32.27, 28.11

 

CMYK 20 / 0 / 50 / 8

HEX #BCEB75

RGB 188 235 117

HSL 83.9, 0.75%, 0.69%

LAB 87.68, -33.64, 51.9

 

CMYK 50 / 40 / 0 / 8

HEX #758CEB

RGB 117 140 235

HSL 228.31, 0.75%, 0.69%

LAB 60.37, 17.6, -50.61

 

CMYK 0 / 39 / 50 / 8

HEX #EB8F76

RGB 235 143 118

HSL 12.82, 0.75%, 0.69%

LAB 68.47, 32.27, 28.11

 

CMYK 50 / 0 / 40 / 8

HEX #75EB8C

RGB 117 235 140

HSL 131.69, 0.75%, 0.69%

LAB 84.53, -53.16, 36.1

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EB

RGB 140 117 235

HSL 251.69, 0.75%, 0.69%

LAB 56.38, 36.46, -56.86

 

CMYK 0 / 39 / 50 / 8

HEX #EB8F76

RGB 235 143 118

HSL 12.82, 0.75%, 0.69%

LAB 68.47, 32.27, 28.11

 

CMYK 20 / 0 / 50 / 8

HEX #BCEB75

RGB 188 235 117

HSL 83.9, 0.75%, 0.69%

LAB 87.68, -33.64, 51.9

 

CMYK 50 / 10 / 0 / 8

HEX #75D4EB

RGB 117 212 235

HSL 191.69, 0.75%, 0.69%

LAB 80.1, -22.04, -20

 

CMYK 30 / 50 / 0 / 8

HEX #A475EB

RGB 164 117 235

HSL 263.9, 0.75%, 0.69%

LAB 58.61, 42.37, -53.17

 

CMYK 0 / 39 / 50 / 8

HEX #EB8F76

RGB 235 143 118

HSL 12.82, 0.75%, 0.69%

LAB 68.47, 32.27, 28.11

 

CMYK 35 / 0 / 50 / 8

HEX #98EB75

RGB 152 235 117

HSL 102.2, 0.75%, 0.69%

LAB 85.69, -46.15, 49.04

 

CMYK 50 / 10 / 0 / 8

HEX #75D4EB

RGB 117 212 235

HSL 191.69, 0.75%, 0.69%

LAB 80.1, -22.04, -20

 

CMYK 15 / 50 / 0 / 8

HEX #C875EB

RGB 200 117 235

HSL 282.2, 0.75%, 0.69%

LAB 62.51, 51.81, -46.75

 

Description

Color code: HEX #EB8F76CE | qconv.com Color code: HEX #EB8F76CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 143 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 143 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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