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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8EDC it is the complementary color #147123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8EDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8EDC shade: #F08ED7, #FFA0EA, #FFB2FD, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8EDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8EDC shade: #EB8EDC, #DA7CC9, #C96AB6, #B858A3 and #A74690

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8EDC shade: #EB8EDC, #EB8EC3, #EB8EAA, #EB8E91 and #EB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8EDC shade: #EB8EDC, #E18EEB, #C88EEB, #AE8EEB and #958EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8EDC shade matches the following richer shades: #EB8EDC and #F583E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8EDC shade: #EB8EDC, #E099D4, #D5A3CD, #CAAEC6 and #C0B9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8EDC shade: #C78EEB, #E08EEB, #EB8EDD, #EB8EC4 and #EB8EAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8EDC shade: #DE48C6, #E46BD1, #EB8EDC, #F1B1E6 and #F7D4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8EDC shade: #EB8EDC, #EBAE8E and #8EEBD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8EDC shade: #EB8EDC, #DDEB8E and #8EDDEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8EDC shade: #EB8EDC, #EBAE8E, #8EEB9C and #8ECAEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8EDC shade: #EB8EDC, #EBCA8E, #8EEB9C and #8EAEEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

Complementary color

CMYK 82 / 0 / 69 / 56

HEX #147123

RGB 20 113 35

HSL 129.68, 0.7%, 0.26%

LAB 41.34, -42.73, 34.8

 

CMYK 0 / 41 / 10 / 6

HEX #F08ED7

RGB 240 142 215

HSL 315.31, 0.77%, 0.75%

LAB 71.4, 47.05, -21.5

 

CMYK 0 / 37 / 8 / 0

HEX #FFA0EA

RGB 255 160 234

HSL 313.26, 1%, 0.81%

LAB 77.48, 45.69, -22.49

 

CMYK 0 / 30 / 1 / 0

HEX #FFB2FD

RGB 255 178 253

HSL 301.56, 1%, 0.85%

LAB 81.94, 39.64, -25.93

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 43 / 8 / 15

HEX #DA7CC9

RGB 218 124 201

HSL 310.85, 0.56%, 0.67%

LAB 64.59, 47.05, -24.35

 

CMYK 0 / 47 / 9 / 21

HEX #C96AB6

RGB 201 106 182

HSL 312, 0.47%, 0.6%

LAB 58.13, 47.78, -23.66

 

CMYK 0 / 52 / 11 / 28

HEX #B858A3

RGB 184 88 163

HSL 313.13, 0.4%, 0.53%

LAB 51.63, 48.44, -22.84

 

CMYK 0 / 58 / 14 / 35

HEX #A74690

RGB 167 70 144

HSL 314.23, 0.41%, 0.46%

LAB 45.09, 48.96, -21.82

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 40 / 17 / 8

HEX #EB8EC3

RGB 235 142 195

HSL 325.81, 0.7%, 0.74%

LAB 70.14, 42.27, -12.39

 

CMYK 0 / 40 / 28 / 8

HEX #EB8EAA

RGB 235 142 170

HSL 341.94, 0.7%, 0.74%

LAB 69.41, 38.68, 0.48

 

CMYK 0 / 40 / 38 / 8

HEX #EB8E91

RGB 235 142 145

HSL 358.06, 0.7%, 0.74%

LAB 68.79, 35.57, 13.58

 

CMYK 0 / 40 / 40 / 8

HEX #EB8E8E

RGB 235 142 142

HSL 0, 0.7%, 0.74%

LAB 68.72, 35.23, 15.16

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 4 / 40 / 0 / 8

HEX #E18EEB

RGB 225 142 235

HSL 293.55, 0.7%, 0.74%

LAB 70.42, 45.96, -34.17

 

CMYK 15 / 40 / 0 / 8

HEX #C88EEB

RGB 200 142 235

HSL 277.42, 0.7%, 0.74%

LAB 67.74, 38.56, -38.54

 

CMYK 26 / 40 / 0 / 8

HEX #AE8EEB

RGB 174 142 235

HSL 260.65, 0.7%, 0.74%

LAB 65.23, 31.07, -42.65

 

CMYK 37 / 40 / 0 / 8

HEX #958EEB

RGB 149 142 235

HSL 244.52, 0.7%, 0.74%

LAB 63.12, 24.25, -46.11

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 47 / 7 / 4

HEX #F583E3

RGB 245 131 227

HSL 309.47, 0.85%, 0.74%

LAB 70.31, 56.03, -29.75

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 32 / 5 / 12

HEX #E099D4

RGB 224 153 212

HSL 310.14, 0.53%, 0.74%

LAB 71.81, 35.65, -19.39

 

CMYK 0 / 23 / 4 / 16

HEX #D5A3CD

RGB 213 163 205

HSL 309.6, 0.37%, 0.74%

LAB 72.73, 25.34, -14.28

 

CMYK 0 / 14 / 2 / 21

HEX #CAAEC6

RGB 202 174 198

HSL 308.57, 0.21%, 0.74%

LAB 74.13, 14.29, -8.45

 

CMYK 0 / 4 / 1 / 25

HEX #C0B9BF

RGB 192 185 191

HSL 308.57, 0.05%, 0.74%

LAB 75.86, 3.56, -2.16

 

CMYK 15 / 40 / 0 / 8

HEX #C78EEB

RGB 199 142 235

HSL 276.77, 0.7%, 0.74%

LAB 67.64, 38.27, -38.71

 

CMYK 5 / 40 / 0 / 8

HEX #E08EEB

RGB 224 142 235

HSL 292.9, 0.7%, 0.74%

LAB 70.31, 45.66, -34.35

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDD

RGB 235 142 221

HSL 309.03, 0.7%, 0.74%

LAB 71.03, 46.49, -25.44

 

CMYK 0 / 40 / 17 / 8

HEX #EB8EC4

RGB 235 142 196

HSL 325.16, 0.7%, 0.74%

LAB 70.17, 42.43, -12.9

 

CMYK 0 / 40 / 27 / 8

HEX #EB8EAB

RGB 235 142 171

HSL 341.29, 0.7%, 0.74%

LAB 69.43, 38.81, -0.04

 

CMYK 0 / 68 / 11 / 13

HEX #DE48C6

RGB 222 72 198

HSL 309.6, 0.69%, 0.58%

LAB 56.33, 70.98, -35.4

 

CMYK 0 / 53 / 8 / 11

HEX #E46BD1

RGB 228 107 209

HSL 309.42, 0.69%, 0.66%

LAB 63.02, 59.66, -31.16

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 27 / 5 / 5

HEX #F1B1E6

RGB 241 177 230

HSL 310.31, 0.7%, 0.82%

LAB 79.53, 31.61, -17.36

 

CMYK 0 / 14 / 2 / 3

HEX #F7D4F1

RGB 247 212 241

HSL 310.29, 0.69%, 0.9%

LAB 88.55, 17.03, -9.67

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 26 / 40 / 8

HEX #EBAE8E

RGB 235 174 142

HSL 20.65, 0.7%, 0.74%

LAB 76, 18.28, 25.15

 

CMYK 40 / 0 / 10 / 8

HEX #8EEBD3

RGB 142 235 211

HSL 164.52, 0.7%, 0.74%

LAB 86.93, -33.12, 2.95

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 40 / 6 / 0 / 8

HEX #8EDDEB

RGB 142 221 235

HSL 189.03, 0.7%, 0.74%

LAB 83.68, -20.72, -14.5

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 26 / 40 / 8

HEX #EBAE8E

RGB 235 174 142

HSL 20.65, 0.7%, 0.74%

LAB 76, 18.28, 25.15

 

CMYK 40 / 0 / 34 / 8

HEX #8EEB9C

RGB 142 235 156

HSL 129.03, 0.7%, 0.74%

LAB 85.79, -43.74, 29.88

 

CMYK 40 / 14 / 0 / 8

HEX #8ECAEB

RGB 142 202 235

HSL 201.29, 0.7%, 0.74%

LAB 78.46, -10.99, -22.4

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDC

RGB 235 142 220

HSL 309.68, 0.7%, 0.74%

LAB 70.99, 46.32, -24.94

 

CMYK 0 / 14 / 40 / 8

HEX #EBCA8E

RGB 235 202 142

HSL 38.71, 0.7%, 0.74%

LAB 82.84, 3.52, 34.25

 

CMYK 40 / 0 / 34 / 8

HEX #8EEB9C

RGB 142 235 156

HSL 129.03, 0.7%, 0.74%

LAB 85.79, -43.74, 29.88

 

CMYK 40 / 26 / 0 / 8

HEX #8EAEEB

RGB 142 174 235

HSL 219.35, 0.7%, 0.74%

LAB 70.89, 4.16, -34.01

 

Description

Color code: HEX #EB8EDC | qconv.com Color code: HEX #EB8EDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 142 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 142 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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