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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8D37 it is the complementary color #1472C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8D37 shade: #F08D32, #FF9F45, #FFB158, #FFC36B and #FFD57E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8D37 shade: #EB8D37, #DA7B24, #C96911, #B85700 and #A74500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8D37 shade: #EB8D37, #EB5C37 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8D37 shade: #EB8D37, #EBBD37, #E8EB37, #B7EB37 and #87EB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8D37 shade matches the following richer shades: #EB8D37 and #FD8C25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8D37 shade: #EB8D37, #D98E49, #C78E5A, #B68F6C and #A4907E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8D37 shade: #EB3743, #EB5B37, #EB8B37, #EBBB37 and #EBEB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8D37 shade: #BD6412, #E27816, #EB8D37, #EEA25C and #F2B882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8D37 shade: #EB8D37, #73EB37 and #4337EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8D37 shade: #EB8D37, #37EB8B and #8B37EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8D37 shade: #EB8D37, #73EB37, #3797EB and #AF37EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8D37 shade: #EB8D37, #3DEB37, #3797EB and #E537EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

Complementary color

CMYK 90 / 43 / 0 / 22

HEX #1472C8

RGB 20 114 200

HSL 208.67, 0.82%, 0.43%

LAB 47.43, 6.79, -51.74

 

CMYK 0 / 41 / 79 / 6

HEX #F08D32

RGB 240 141 50

HSL 28.74, 0.86%, 0.57%

LAB 67.88, 31.13, 61.24

 

CMYK 0 / 38 / 73 / 0

HEX #FF9F45

RGB 255 159 69

HSL 29.03, 1%, 0.64%

LAB 73.86, 28.6, 59.79

 

CMYK 0 / 31 / 65 / 0

HEX #FFB158

RGB 255 177 88

HSL 31.98, 1%, 0.67%

LAB 78.12, 20.18, 55.76

 

CMYK 0 / 24 / 58 / 0

HEX #FFC36B

RGB 255 195 107

HSL 35.68, 1%, 0.71%

LAB 82.57, 12.03, 51.86

 

CMYK 0 / 16 / 51 / 0

HEX #FFD57E

RGB 255 213 126

HSL 40.47, 1%, 0.75%

LAB 87.17, 4.24, 48.18

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 0 / 44 / 83 / 15

HEX #DA7B24

RGB 218 123 36

HSL 28.68, 0.72%, 0.5%

LAB 60.96, 31.11, 59.24

 

CMYK 0 / 48 / 92 / 21

HEX #C96911

RGB 201 105 17

HSL 28.7, 0.84%, 0.43%

LAB 54.62, 33.15, 59.12

 

CMYK 0 / 53 / 100 / 28

HEX #B85700

RGB 184 87 0

HSL 28.37, 1%, 0.36%

LAB 48.27, 35.35, 57.51

 

CMYK 0 / 59 / 100 / 35

HEX #A74500

RGB 167 69 0

HSL 24.79, 1%, 0.33%

LAB 41.96, 37.66, 52.46

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 0 / 61 / 77 / 8

HEX #EB5C37

RGB 235 92 55

HSL 12.33, 0.82%, 0.57%

LAB 57.65, 53.39, 48.77

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 0 / 20 / 77 / 8

HEX #EBBD37

RGB 235 189 55

HSL 44.67, 0.82%, 0.57%

LAB 78.66, 3.93, 69.21

 

CMYK 1 / 0 / 77 / 8

HEX #E8EB37

RGB 232 235 55

HSL 61, 0.82%, 0.57%

LAB 90.25, -20.48, 79.69

 

CMYK 22 / 0 / 77 / 8

HEX #B7EB37

RGB 183 235 55

HSL 77.33, 0.82%, 0.57%

LAB 86.88, -40.01, 75.37

 

CMYK 43 / 0 / 77 / 8

HEX #87EB37

RGB 135 235 55

HSL 93.33, 0.82%, 0.57%

LAB 84.4, -56.86, 72.16

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 0 / 45 / 85 / 1

HEX #FD8C25

RGB 253 140 37

HSL 28.61, 0.98%, 0.57%

LAB 69.31, 36.52, 67.81

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 0 / 35 / 66 / 15

HEX #D98E49

RGB 217 142 73

HSL 28.75, 0.65%, 0.57%

LAB 65.42, 22.15, 47.52

 

CMYK 0 / 29 / 55 / 22

HEX #C78E5A

RGB 199 142 90

HSL 28.62, 0.49%, 0.57%

LAB 63.53, 15.83, 36.07

 

CMYK 0 / 21 / 41 / 29

HEX #B68F6C

RGB 182 143 108

HSL 28.38, 0.34%, 0.57%

LAB 62.23, 9.98, 24.25

 

CMYK 0 / 12 / 23 / 36

HEX #A4907E

RGB 164 144 126

HSL 28.42, 0.17%, 0.57%

LAB 61.09, 4.53, 12.31

 

CMYK 0 / 77 / 71 / 8

HEX #EB3743

RGB 235 55 67

HSL 356, 0.82%, 0.57%

LAB 52.73, 67.65, 36.9

 

CMYK 0 / 61 / 77 / 8

HEX #EB5B37

RGB 235 91 55

HSL 12, 0.82%, 0.57%

LAB 57.48, 53.83, 48.6

 

CMYK 0 / 41 / 77 / 8

HEX #EB8B37

RGB 235 139 55

HSL 28, 0.82%, 0.57%

LAB 66.83, 30.31, 57.96

 

CMYK 0 / 20 / 77 / 8

HEX #EBBB37

RGB 235 187 55

HSL 44, 0.82%, 0.57%

LAB 78.16, 4.97, 68.75

 

CMYK 0 / 0 / 77 / 8

HEX #EBEB37

RGB 235 235 55

HSL 60, 0.82%, 0.57%

LAB 90.48, -19.24, 79.99

 

CMYK 0 / 47 / 90 / 26

HEX #BD6412

RGB 189 100 18

HSL 28.77, 0.83%, 0.41%

LAB 51.81, 30.83, 56

 

CMYK 0 / 47 / 90 / 11

HEX #E27816

RGB 226 120 22

HSL 28.82, 0.82%, 0.49%

LAB 61.36, 35.62, 64.39

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 0 / 32 / 61 / 7

HEX #EEA25C

RGB 238 162 92

HSL 28.77, 0.81%, 0.65%

LAB 72.75, 21.37, 47.2

 

CMYK 0 / 24 / 46 / 5

HEX #F2B882

RGB 242 184 130

HSL 28.93, 0.81%, 0.73%

LAB 78.91, 14.49, 35.48

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 51 / 0 / 77 / 8

HEX #73EB37

RGB 115 235 55

HSL 100, 0.82%, 0.57%

LAB 83.62, -62.78, 71.14

 

CMYK 71 / 77 / 0 / 8

HEX #4337EB

RGB 67 55 235

HSL 244, 0.82%, 0.57%

LAB 37.71, 59.2, -87.52

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 77 / 0 / 41 / 8

HEX #37EB8B

RGB 55 235 139

HSL 148, 0.82%, 0.57%

LAB 82.96, -64.99, 34.26

 

CMYK 41 / 77 / 0 / 8

HEX #8B37EB

RGB 139 55 235

HSL 268, 0.82%, 0.57%

LAB 44.55, 67.75, -76.02

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 51 / 0 / 77 / 8

HEX #73EB37

RGB 115 235 55

HSL 100, 0.82%, 0.57%

LAB 83.62, -62.78, 71.14

 

CMYK 77 / 36 / 0 / 8

HEX #3797EB

RGB 55 151 235

HSL 208, 0.82%, 0.57%

LAB 60.73, 0.51, -50.2

 

CMYK 26 / 77 / 0 / 8

HEX #AF37EB

RGB 175 55 235

HSL 280, 0.82%, 0.57%

LAB 49.31, 73.58, -68.06

 

CMYK 0 / 40 / 77 / 8

HEX #EB8D37

RGB 235 141 55

HSL 28.67, 0.82%, 0.57%

LAB 67.27, 29.26, 58.39

 

CMYK 74 / 0 / 77 / 8

HEX #3DEB37

RGB 61 235 55

HSL 118, 0.82%, 0.57%

LAB 82.21, -74.31, 69.29

 

CMYK 77 / 36 / 0 / 8

HEX #3797EB

RGB 55 151 235

HSL 208, 0.82%, 0.57%

LAB 60.73, 0.51, -50.2

 

CMYK 3 / 77 / 0 / 8

HEX #E537EB

RGB 229 55 235

HSL 298, 0.82%, 0.57%

LAB 57.45, 83.43, -54.53

 

Description

Color code: HEX #EB8D37 | qconv.com Color code: HEX #EB8D37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 141 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 141 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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