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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8D19 it is the complementary color #1472E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8D19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8D19 shade: #F08D14, #FF9F27, #FFB13A, #FFC34D and #FFD560

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8D19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8D19 shade: #EB8D19, #DA7B06, #C96900, #B85700 and #A74500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8D19 shade: #EB8D19, #EB5419, #EB1C19 and #EB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8D19 shade: #EB8D19, #EBC619, #D8EB19, #9FEB19 and #67EB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8D19 shade matches the following richer shades: #EB8D19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8D19 shade: #EB8D19, #D78B2D, #C38942, #AE8756 and #9A856A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8D19 shade: #EB1D19, #EB5519, #EB8D19, #EBC519 and #DAEB19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8D19 shade: #A3610E, #C97712, #EB8D19, #EEA03F and #F2B365

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8D19 shade: #EB8D19, #4EEB19 and #3919EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8D19 shade: #EB8D19, #19EB8D and #8D19EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8D19 shade: #EB8D19, #4EEB19, #1978EB and #B719EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8D19 shade: #EB8D19, #19EB24, #1978EB and #EB19E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

Complementary color

CMYK 91 / 50 / 0 / 10

HEX #1472E6

RGB 20 114 230

HSL 213.14, 0.84%, 0.49%

LAB 49.37, 18.52, -65.66

 

CMYK 0 / 41 / 92 / 6

HEX #F08D14

RGB 240 141 20

HSL 33, 0.88%, 0.51%

LAB 67.74, 30.42, 70.36

 

CMYK 0 / 38 / 85 / 0

HEX #FF9F27

RGB 255 159 39

HSL 33.33, 1%, 0.58%

LAB 73.68, 27.59, 70.88

 

CMYK 0 / 31 / 77 / 0

HEX #FFB13A

RGB 255 177 58

HSL 36.24, 1%, 0.61%

LAB 77.88, 18.77, 68.18

 

CMYK 0 / 24 / 70 / 0

HEX #FFC34D

RGB 255 195 77

HSL 39.78, 1%, 0.65%

LAB 82.29, 10.21, 65.05

 

CMYK 0 / 16 / 62 / 0

HEX #FFD560

RGB 255 213 96

HSL 44.15, 1%, 0.69%

LAB 86.85, 2.01, 61.8

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 44 / 97 / 15

HEX #DA7B06

RGB 218 123 6

HSL 33.11, 0.95%, 0.44%

LAB 60.86, 30.59, 66.66

 

CMYK 0 / 48 / 100 / 21

HEX #C96900

RGB 201 105 0

HSL 31.34, 1%, 0.39%

LAB 54.58, 32.94, 62.57

 

CMYK 0 / 53 / 100 / 28

HEX #B85700

RGB 184 87 0

HSL 28.37, 1%, 0.36%

LAB 48.27, 35.35, 57.51

 

CMYK 0 / 59 / 100 / 35

HEX #A74500

RGB 167 69 0

HSL 24.79, 1%, 0.33%

LAB 41.96, 37.66, 52.46

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 64 / 89 / 8

HEX #EB5419

RGB 235 84 25

HSL 16.86, 0.84%, 0.51%

LAB 56.16, 56.03, 60.32

 

CMYK 0 / 88 / 89 / 8

HEX #EB1C19

RGB 235 28 25

HSL 0.86, 0.84%, 0.51%

LAB 50.17, 72.65, 56.01

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 16 / 89 / 8

HEX #EBC619

RGB 235 198 25

HSL 49.43, 0.84%, 0.51%

LAB 80.81, -1.54, 78.96

 

CMYK 8 / 0 / 89 / 8

HEX #D8EB19

RGB 216 235 25

HSL 65.43, 0.84%, 0.51%

LAB 88.96, -27.83, 84.68

 

CMYK 32 / 0 / 89 / 8

HEX #9FEB19

RGB 159 235 25

HSL 81.71, 0.84%, 0.51%

LAB 85.43, -49.89, 80.36

 

CMYK 56 / 0 / 89 / 8

HEX #67EB19

RGB 103 235 25

HSL 97.71, 0.84%, 0.51%

LAB 83.11, -67.19, 77.48

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 35 / 79 / 16

HEX #D78B2D

RGB 215 139 45

HSL 33.18, 0.68%, 0.51%

LAB 64.24, 21.59, 58.68

 

CMYK 0 / 30 / 66 / 24

HEX #C38942

RGB 195 137 66

HSL 33.02, 0.52%, 0.51%

LAB 61.56, 15.11, 45.91

 

CMYK 0 / 22 / 51 / 32

HEX #AE8756

RGB 174 135 86

HSL 33.41, 0.35%, 0.51%

LAB 58.97, 8.74, 31.93

 

CMYK 0 / 14 / 31 / 40

HEX #9A856A

RGB 154 133 106

HSL 33.75, 0.19%, 0.51%

LAB 56.77, 3.75, 17.52

 

CMYK 0 / 88 / 89 / 8

HEX #EB1D19

RGB 235 29 25

HSL 1.14, 0.84%, 0.51%

LAB 50.23, 72.49, 56.06

 

CMYK 0 / 64 / 89 / 8

HEX #EB5519

RGB 235 85 25

HSL 17.14, 0.84%, 0.51%

LAB 56.32, 55.61, 60.43

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 16 / 89 / 8

HEX #EBC519

RGB 235 197 25

HSL 49.14, 0.84%, 0.51%

LAB 80.55, -1.03, 78.76

 

CMYK 7 / 0 / 89 / 8

HEX #DAEB19

RGB 218 235 25

HSL 64.86, 0.84%, 0.51%

LAB 89.11, -27.02, 84.85

 

CMYK 0 / 40 / 91 / 36

HEX #A3610E

RGB 163 97 14

HSL 33.42, 0.84%, 0.35%

LAB 47.45, 21.18, 52.19

 

CMYK 0 / 41 / 91 / 21

HEX #C97712

RGB 201 119 18

HSL 33.11, 0.84%, 0.43%

LAB 57.71, 25.7, 61.15

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 0 / 33 / 74 / 7

HEX #EEA03F

RGB 238 160 63

HSL 33.26, 0.84%, 0.59%

LAB 72.01, 20.81, 59.84

 

CMYK 0 / 26 / 58 / 5

HEX #F2B365

RGB 242 179 101

HSL 33.19, 0.84%, 0.67%

LAB 77.31, 14.66, 48.24

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 67 / 0 / 89 / 8

HEX #4EEB19

RGB 78 235 25

HSL 104.86, 0.84%, 0.51%

LAB 82.44, -72.78, 76.64

 

CMYK 76 / 89 / 0 / 8

HEX #3919EB

RGB 57 25 235

HSL 249.14, 0.84%, 0.51%

LAB 33.06, 70.43, -95.26

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 89 / 0 / 40 / 8

HEX #19EB8D

RGB 25 235 141

HSL 153.14, 0.84%, 0.51%

LAB 82.67, -67.21, 32.81

 

CMYK 40 / 89 / 0 / 8

HEX #8D19EB

RGB 141 25 235

HSL 273.14, 0.84%, 0.51%

LAB 41.78, 76.89, -80.55

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 67 / 0 / 89 / 8

HEX #4EEB19

RGB 78 235 25

HSL 104.86, 0.84%, 0.51%

LAB 82.44, -72.78, 76.64

 

CMYK 89 / 49 / 0 / 8

HEX #1978EB

RGB 25 120 235

HSL 212.86, 0.84%, 0.51%

LAB 51.43, 16.89, -65.13

 

CMYK 22 / 89 / 0 / 8

HEX #B719EB

RGB 183 25 235

HSL 285.14, 0.84%, 0.51%

LAB 47.96, 82.27, -70.2

 

CMYK 0 / 40 / 89 / 8

HEX #EB8D19

RGB 235 141 25

HSL 33.14, 0.84%, 0.51%

LAB 67.11, 28.43, 68.47

 

CMYK 89 / 0 / 85 / 8

HEX #19EB24

RGB 25 235 36

HSL 123.14, 0.84%, 0.51%

LAB 81.7, -79.09, 73.65

 

CMYK 89 / 49 / 0 / 8

HEX #1978EB

RGB 25 120 235

HSL 212.86, 0.84%, 0.51%

LAB 51.43, 16.89, -65.13

 

CMYK 0 / 89 / 4 / 8

HEX #EB19E1

RGB 235 25 225

HSL 302.86, 0.84%, 0.51%

LAB 55.88, 88.89, -51.34

 

Description

Color code: HEX #EB8D19 | qconv.com Color code: HEX #EB8D19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 141 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 141 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 89 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 89% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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