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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8AF9 it is the complementary color #147506. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8AF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8AF9 shade: #F08AF4, #FF9CFF, #FFAEFF, #FFC0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8AF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8AF9 shade: #EB8AF9, #DA78E6, #C966D3, #B854C0 and #A742AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8AF9 shade: #EA8AF8, #F88AE9, #F88ACB, #F88AAD and #F88A8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8AF9 shade: #EA8AF8, #CD8AF8, #AF8AF8, #918AF8 and #8A8AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8AF9 shade matches the following richer shades: #EA8AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8AF9 shade: #EA8AF8, #E394EE, #DC9EE5, #D4A8DB and #CDB2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8AF9 shade: #AF8AF8, #CC8AF8, #EA8AF8, #F88AEA and #F88ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8AF9 shade: #DD3CF4, #E463F6, #EA8AF8, #F1B1FA and #F8D9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8AF9 shade: #EB8AF9, #F8928A and #8AF8BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8AF9 shade: #EB8AF9, #F8EA8A and #8AF8EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8AF9 shade: #EB8AF9, #F8928A, #99F88A and #8AF1F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8AF9 shade: #EB8AF9, #F8B38A, #99F88A and #8AD0F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 45 / 0 / 2

HEX #EB8AF9

RGB 235 138 249

HSL 292.43, 0.9%, 0.76%

LAB 71.34, 53.53, -40.31

 

Complementary color

CMYK 83 / 0 / 95 / 54

HEX #147506

RGB 20 117 6

HSL 112.43, 0.9%, 0.24%

LAB 42.59, -46.17, 45.67

 

CMYK 2 / 43 / 0 / 4

HEX #F08AF4

RGB 240 138 244

HSL 297.74, 0.83%, 0.75%

LAB 71.71, 54.04, -36.95

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 6 / 45 / 0 / 2

HEX #EB8AF9

RGB 235 138 249

HSL 292.43, 0.9%, 0.76%

LAB 71.34, 53.53, -40.31

 

CMYK 5 / 48 / 0 / 10

HEX #DA78E6

RGB 218 120 230

HSL 293.45, 0.69%, 0.69%

LAB 65, 54.24, -39.91

 

CMYK 5 / 52 / 0 / 17

HEX #C966D3

RGB 201 102 211

HSL 294.5, 0.55%, 0.61%

LAB 58.62, 54.89, -39.42

 

CMYK 4 / 56 / 0 / 25

HEX #B854C0

RGB 184 84 192

HSL 295.56, 0.46%, 0.54%

LAB 52.22, 55.43, -38.8

 

CMYK 3 / 62 / 0 / 32

HEX #A742AD

RGB 167 66 173

HSL 296.64, 0.45%, 0.47%

LAB 45.81, 55.75, -37.99

 

CMYK 6 / 44 / 0 / 3

HEX #EA8AF8

RGB 234 138 248

HSL 292.36, 0.89%, 0.76%

LAB 71.18, 53.06, -40.02

 

CMYK 0 / 44 / 6 / 3

HEX #F88AE9

RGB 248 138 233

HSL 308.18, 0.89%, 0.76%

LAB 72.24, 54.47, -30.04

 

CMYK 0 / 44 / 18 / 3

HEX #F88ACB

RGB 248 138 203

HSL 324.55, 0.89%, 0.76%

LAB 71.18, 49.74, -15.11

 

CMYK 0 / 44 / 30 / 3

HEX #F88AAD

RGB 248 138 173

HSL 340.91, 0.89%, 0.76%

LAB 70.28, 45.62, 0.27

 

CMYK 0 / 44 / 42 / 3

HEX #F88A8F

RGB 248 138 143

HSL 357.27, 0.89%, 0.76%

LAB 69.55, 42.16, 16

 

CMYK 6 / 44 / 0 / 3

HEX #EA8AF8

RGB 234 138 248

HSL 292.36, 0.89%, 0.76%

LAB 71.18, 53.06, -40.02

 

CMYK 17 / 44 / 0 / 3

HEX #CD8AF8

RGB 205 138 248

HSL 276.55, 0.89%, 0.76%

LAB 67.97, 44.91, -45.27

 

CMYK 29 / 44 / 0 / 3

HEX #AF8AF8

RGB 175 138 248

HSL 260.18, 0.89%, 0.76%

LAB 65.02, 36.73, -50.13

 

CMYK 42 / 44 / 0 / 3

HEX #918AF8

RGB 145 138 248

HSL 243.82, 0.89%, 0.76%

LAB 62.49, 29.1, -54.3

 

CMYK 44 / 44 / 0 / 3

HEX #8A8AF8

RGB 138 138 248

HSL 240, 0.89%, 0.76%

LAB 61.96, 27.43, -55.17

 

CMYK 6 / 44 / 0 / 3

HEX #EA8AF8

RGB 234 138 248

HSL 292.36, 0.89%, 0.76%

LAB 71.18, 53.06, -40.02

 

CMYK 6 / 44 / 0 / 3

HEX #EA8AF8

RGB 234 138 248

HSL 292.36, 0.89%, 0.76%

LAB 71.18, 53.06, -40.02

 

CMYK 5 / 38 / 0 / 7

HEX #E394EE

RGB 227 148 238

HSL 292.67, 0.73%, 0.76%

LAB 72.02, 43.99, -33.32

 

CMYK 4 / 31 / 0 / 10

HEX #DC9EE5

RGB 220 158 229

HSL 292.39, 0.58%, 0.76%

LAB 73.11, 34.8, -26.79

 

CMYK 3 / 23 / 0 / 14

HEX #D4A8DB

RGB 212 168 219

HSL 291.76, 0.41%, 0.76%

LAB 74.26, 24.89, -19.63

 

CMYK 2 / 15 / 0 / 18

HEX #CDB2D1

RGB 205 178 209

HSL 292.26, 0.25%, 0.76%

LAB 75.71, 15.2, -12.06

 

CMYK 29 / 44 / 0 / 3

HEX #AF8AF8

RGB 175 138 248

HSL 260.18, 0.89%, 0.76%

LAB 65.02, 36.73, -50.13

 

CMYK 18 / 44 / 0 / 3

HEX #CC8AF8

RGB 204 138 248

HSL 276, 0.89%, 0.76%

LAB 67.87, 44.63, -45.45

 

CMYK 6 / 44 / 0 / 3

HEX #EA8AF8

RGB 234 138 248

HSL 292.36, 0.89%, 0.76%

LAB 71.18, 53.06, -40.02

 

CMYK 0 / 44 / 6 / 3

HEX #F88AEA

RGB 248 138 234

HSL 307.64, 0.89%, 0.76%

LAB 72.28, 54.64, -30.53

 

CMYK 0 / 44 / 18 / 3

HEX #F88ACC

RGB 248 138 204

HSL 324, 0.89%, 0.76%

LAB 71.21, 49.89, -15.62

 

CMYK 9 / 75 / 0 / 4

HEX #DD3CF4

RGB 221 60 244

HSL 292.5, 0.89%, 0.6%

LAB 57.21, 81.97, -60.02

 

CMYK 7 / 60 / 0 / 4

HEX #E463F6

RGB 228 99 246

HSL 292.65, 0.89%, 0.68%

LAB 63.4, 69.53, -51.2

 

CMYK 6 / 44 / 0 / 3

HEX #EA8AF8

RGB 234 138 248

HSL 292.36, 0.89%, 0.76%

LAB 71.18, 53.06, -40.02

 

CMYK 4 / 29 / 0 / 2

HEX #F1B1FA

RGB 241 177 250

HSL 292.6, 0.88%, 0.84%

LAB 80.21, 35.24, -27.1

 

CMYK 2 / 14 / 0 / 1

HEX #F8D9FD

RGB 248 217 253

HSL 291.67, 0.9%, 0.92%

LAB 90.17, 16.9, -13.56

 

CMYK 6 / 45 / 0 / 2

HEX #EB8AF9

RGB 235 138 249

HSL 292.43, 0.9%, 0.76%

LAB 71.34, 53.53, -40.31

 

CMYK 0 / 41 / 44 / 3

HEX #F8928A

RGB 248 146 138

HSL 4.36, 0.89%, 0.76%

LAB 71.11, 37.56, 20.93

 

CMYK 44 / 0 / 23 / 3

HEX #8AF8BE

RGB 138 248 190

HSL 148.36, 0.89%, 0.76%

LAB 89.98, -44.37, 18.19

 

CMYK 6 / 45 / 0 / 2

HEX #EB8AF9

RGB 235 138 249

HSL 292.43, 0.9%, 0.76%

LAB 71.34, 53.53, -40.31

 

CMYK 0 / 6 / 44 / 3

HEX #F8EA8A

RGB 248 234 138

HSL 52.36, 0.89%, 0.76%

LAB 91.97, -8.08, 48.15

 

CMYK 44 / 0 / 6 / 3

HEX #8AF8EA

RGB 138 248 234

HSL 172.36, 0.89%, 0.76%

LAB 91, -34.92, -3.14

 

CMYK 6 / 45 / 0 / 2

HEX #EB8AF9

RGB 235 138 249

HSL 292.43, 0.9%, 0.76%

LAB 71.34, 53.53, -40.31

 

CMYK 0 / 41 / 44 / 3

HEX #F8928A

RGB 248 146 138

HSL 4.36, 0.89%, 0.76%

LAB 71.11, 37.56, 20.93

 

CMYK 38 / 0 / 44 / 3

HEX #99F88A

RGB 153 248 138

HSL 111.82, 0.89%, 0.76%

LAB 89.74, -48.7, 44.06

 

CMYK 44 / 3 / 0 / 3

HEX #8AF1F8

RGB 138 241 248

HSL 183.82, 0.89%, 0.76%

LAB 89.44, -28.23, -12.75

 

CMYK 6 / 45 / 0 / 2

HEX #EB8AF9

RGB 235 138 249

HSL 292.43, 0.9%, 0.76%

LAB 71.34, 53.53, -40.31

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38A

RGB 248 179 138

HSL 22.36, 0.89%, 0.76%

LAB 78.48, 20.29, 30.84

 

CMYK 38 / 0 / 44 / 3

HEX #99F88A

RGB 153 248 138

HSL 111.82, 0.89%, 0.76%

LAB 89.74, -48.7, 44.06

 

CMYK 44 / 16 / 0 / 3

HEX #8AD0F8

RGB 138 208 248

HSL 201.82, 0.89%, 0.76%

LAB 80.34, -11.7, -26.49

 

Description

Color code: HEX #EB8AF9 | qconv.com Color code: HEX #EB8AF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 138 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 138 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 45 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 45% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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