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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB882F it is the complementary color #1477D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB882F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB882F shade: #F0882A, #FF9A3D, #FFAC50, #FFBE63 and #FFD076

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB882F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB882F shade: #EB882F, #DA761C, #C96409, #B85200 and #A74000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB882F shade: #EA872E, #EA542E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB882F shade: #EA872E, #EABA2E, #E8EA2E, #B5EA2E and #82EA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB882F shade matches the following richer shades: #EA872E and #FD861C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB882F shade: #EA872E, #D88841, #C58953, #B38A66 and #A08B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB882F shade: #EA2E3B, #EA542E, #EA862E, #EAB82E and #EAEA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB882F shade: #B45F12, #DA7216, #EA872E, #EE9D54 and #F2B279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB882F shade: #EB882F, #6DEA2E and #3B2EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB882F shade: #EB882F, #2EEA86 and #862EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB882F shade: #EB882F, #6DEA2E, #2E93EA and #AC2EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB882F shade: #EB882F, #34EA2E, #2E93EA and #E42EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 80 / 8

HEX #EB882F

RGB 235 136 47

HSL 28.4, 0.82%, 0.55%

LAB 66.12, 31.6, 60.56

 

Complementary color

CMYK 90 / 43 / 0 / 18

HEX #1477D0

RGB 20 119 208

HSL 208.4, 0.82%, 0.45%

LAB 49.37, 6.79, -53.21

 

CMYK 0 / 43 / 83 / 6

HEX #F0882A

RGB 240 136 42

HSL 28.48, 0.87%, 0.55%

LAB 66.75, 33.47, 63.25

 

CMYK 0 / 40 / 76 / 0

HEX #FF9A3D

RGB 255 154 61

HSL 28.76, 1%, 0.62%

LAB 72.7, 30.86, 62.05

 

CMYK 0 / 33 / 69 / 0

HEX #FFAC50

RGB 255 172 80

HSL 31.54, 1%, 0.66%

LAB 76.89, 22.35, 58.08

 

CMYK 0 / 25 / 61 / 0

HEX #FFBE63

RGB 255 190 99

HSL 35, 1%, 0.69%

LAB 81.28, 14.08, 54.18

 

CMYK 0 / 18 / 54 / 0

HEX #FFD076

RGB 255 208 118

HSL 39.42, 1%, 0.73%

LAB 85.85, 6.14, 50.46

 

CMYK 0 / 42 / 80 / 8

HEX #EB882F

RGB 235 136 47

HSL 28.4, 0.82%, 0.55%

LAB 66.12, 31.6, 60.56

 

CMYK 0 / 46 / 87 / 15

HEX #DA761C

RGB 218 118 28

HSL 28.42, 0.77%, 0.48%

LAB 59.84, 33.53, 61.02

 

CMYK 0 / 50 / 96 / 21

HEX #C96409

RGB 201 100 9

HSL 28.44, 0.91%, 0.41%

LAB 53.55, 35.64, 60.14

 

CMYK 0 / 55 / 100 / 28

HEX #B85200

RGB 184 82 0

HSL 26.74, 1%, 0.36%

LAB 47.27, 37.89, 56.93

 

CMYK 0 / 62 / 100 / 35

HEX #A74000

RGB 167 64 0

HSL 22.99, 1%, 0.33%

LAB 41.03, 40.09, 51.96

 

CMYK 0 / 42 / 80 / 8

HEX #EA872E

RGB 234 135 46

HSL 28.4, 0.82%, 0.55%

LAB 65.76, 31.68, 60.57

 

CMYK 0 / 64 / 80 / 8

HEX #EA542E

RGB 234 84 46

HSL 12.13, 0.82%, 0.55%

LAB 56.12, 56.18, 51.59

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 42 / 80 / 8

HEX #EA872E

RGB 234 135 46

HSL 28.4, 0.82%, 0.55%

LAB 65.76, 31.68, 60.57

 

CMYK 0 / 21 / 80 / 8

HEX #EABA2E

RGB 234 186 46

HSL 44.68, 0.82%, 0.55%

LAB 77.76, 4.75, 71.31

 

CMYK 1 / 0 / 80 / 8

HEX #E8EA2E

RGB 232 234 46

HSL 60.64, 0.82%, 0.55%

LAB 89.95, -20.29, 81.82

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 44 / 0 / 80 / 8

HEX #82EA2E

RGB 130 234 46

HSL 93.19, 0.82%, 0.55%

LAB 83.86, -58.48, 74.1

 

CMYK 0 / 42 / 80 / 8

HEX #EA872E

RGB 234 135 46

HSL 28.4, 0.82%, 0.55%

LAB 65.76, 31.68, 60.57

 

CMYK 0 / 47 / 89 / 1

HEX #FD861C

RGB 253 134 28

HSL 28.27, 0.98%, 0.55%

LAB 68.03, 39.37, 69.45

 

CMYK 0 / 42 / 80 / 8

HEX #EA872E

RGB 234 135 46

HSL 28.4, 0.82%, 0.55%

LAB 65.76, 31.68, 60.57

 

CMYK 0 / 37 / 70 / 15

HEX #D88841

RGB 216 136 65

HSL 28.21, 0.66%, 0.55%

LAB 63.83, 24.51, 49.6

 

CMYK 0 / 30 / 58 / 23

HEX #C58953

RGB 197 137 83

HSL 28.42, 0.5%, 0.55%

LAB 61.99, 17.16, 37.83

 

CMYK 0 / 23 / 43 / 30

HEX #B38A66

RGB 179 138 102

HSL 28.05, 0.34%, 0.55%

LAB 60.53, 10.84, 25.26

 

CMYK 0 / 13 / 25 / 37

HEX #A08B78

RGB 160 139 120

HSL 28.5, 0.17%, 0.55%

LAB 59.25, 4.83, 13.08

 

CMYK 0 / 80 / 75 / 8

HEX #EA2E3B

RGB 234 46 59

HSL 355.85, 0.82%, 0.55%

LAB 51.57, 69.51, 40.09

 

CMYK 0 / 64 / 80 / 8

HEX #EA542E

RGB 234 84 46

HSL 12.13, 0.82%, 0.55%

LAB 56.12, 56.18, 51.59

 

CMYK 0 / 43 / 80 / 8

HEX #EA862E

RGB 234 134 46

HSL 28.09, 0.82%, 0.55%

LAB 65.55, 32.2, 60.37

 

CMYK 0 / 21 / 80 / 8

HEX #EAB82E

RGB 234 184 46

HSL 44.04, 0.82%, 0.55%

LAB 77.26, 5.8, 70.87

 

CMYK 0 / 0 / 80 / 8

HEX #EAEA2E

RGB 234 234 46

HSL 60, 0.82%, 0.55%

LAB 90.11, -19.46, 82.02

 

CMYK 0 / 47 / 90 / 29

HEX #B45F12

RGB 180 95 18

HSL 28.52, 0.82%, 0.39%

LAB 49.41, 29.73, 53.61

 

CMYK 0 / 48 / 90 / 15

HEX #DA7216

RGB 218 114 22

HSL 28.16, 0.82%, 0.47%

LAB 58.97, 35.48, 62.11

 

CMYK 0 / 42 / 80 / 8

HEX #EA872E

RGB 234 135 46

HSL 28.4, 0.82%, 0.55%

LAB 65.76, 31.68, 60.57

 

CMYK 0 / 34 / 65 / 7

HEX #EE9D54

RGB 238 157 84

HSL 28.44, 0.82%, 0.63%

LAB 71.51, 23.5, 49.7

 

CMYK 0 / 26 / 50 / 5

HEX #F2B279

RGB 242 178 121

HSL 28.26, 0.82%, 0.71%

LAB 77.34, 16.81, 38.15

 

CMYK 0 / 42 / 80 / 8

HEX #EB882F

RGB 235 136 47

HSL 28.4, 0.82%, 0.55%

LAB 66.12, 31.6, 60.56

 

CMYK 53 / 0 / 80 / 8

HEX #6DEA2E

RGB 109 234 46

HSL 99.89, 0.82%, 0.55%

LAB 83.07, -64.52, 73.09

 

CMYK 75 / 80 / 0 / 8

HEX #3B2EEA

RGB 59 46 234

HSL 244.15, 0.82%, 0.55%

LAB 35.64, 62.56, -90.38

 

CMYK 0 / 42 / 80 / 8

HEX #EB882F

RGB 235 136 47

HSL 28.4, 0.82%, 0.55%

LAB 66.12, 31.6, 60.56

 

CMYK 80 / 0 / 43 / 8

HEX #2EEA86

RGB 46 234 134

HSL 148.09, 0.82%, 0.55%

LAB 82.46, -66.51, 36.07

 

CMYK 43 / 80 / 0 / 8

HEX #862EEA

RGB 134 46 234

HSL 268.09, 0.82%, 0.55%

LAB 42.71, 70.1, -78.49

 

CMYK 0 / 42 / 80 / 8

HEX #EB882F

RGB 235 136 47

HSL 28.4, 0.82%, 0.55%

LAB 66.12, 31.6, 60.56

 

CMYK 53 / 0 / 80 / 8

HEX #6DEA2E

RGB 109 234 46

HSL 99.89, 0.82%, 0.55%

LAB 83.07, -64.52, 73.09

 

CMYK 80 / 37 / 0 / 8

HEX #2E93EA

RGB 46 147 234

HSL 207.77, 0.82%, 0.55%

LAB 59.33, 1.57, -51.88

 

CMYK 26 / 80 / 0 / 8

HEX #AC2EEA

RGB 172 46 234

HSL 280.21, 0.82%, 0.55%

LAB 47.84, 75.71, -69.9

 

CMYK 0 / 42 / 80 / 8

HEX #EB882F

RGB 235 136 47

HSL 28.4, 0.82%, 0.55%

LAB 66.12, 31.6, 60.56

 

CMYK 78 / 0 / 80 / 8

HEX #34EA2E

RGB 52 234 46

HSL 118.09, 0.82%, 0.55%

LAB 81.71, -75.79, 71.35

 

CMYK 80 / 37 / 0 / 8

HEX #2E93EA

RGB 46 147 234

HSL 207.77, 0.82%, 0.55%

LAB 59.33, 1.57, -51.88

 

CMYK 3 / 80 / 0 / 8

HEX #E42EEA

RGB 228 46 234

HSL 298.09, 0.82%, 0.55%

LAB 56.47, 85.29, -55.54

 

Description

Color code: HEX #EB882F | qconv.com Color code: HEX #EB882F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 136 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 136 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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