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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB840E it is the complementary color #147BF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB840E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB840E shade: #F08409, #FF961C, #FFA82F, #FFBA42 and #FFCC55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB840E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB840E shade: #EB840E, #DA7200, #C96000, #B84E00 and #A73C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB840E shade: #EC840D, #EC480D and #EC0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB840E shade: #EC840D, #ECC00D, #DBEC0D, #9FEC0D and #63EC0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB840E shade matches the following richer shades: #EC840D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB840E shade: #EC840D, #D78321, #C38136, #AF804A and #9B7F5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB840E shade: #EC0D0D, #EC490D, #EC840D, #ECBF0D and #DDEC0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB840E shade: #9E5809, #C56E0B, #EC840D, #F29830 and #F5AB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB840E shade: #EB840E, #49EC0D and #2B0DEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB840E shade: #EB840E, #0DEC84 and #840DEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB840E shade: #EB840E, #49EC0D, #0D75EC and #B00DEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB840E shade: #EB840E, #0DEC15, #0D75EC and #EC0DE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 94 / 8

HEX #EB840E

RGB 235 132 14

HSL 32.04, 0.89%, 0.49%

LAB 65.12, 32.97, 69.35

 

Complementary color

CMYK 92 / 49 / 0 / 5

HEX #147BF1

RGB 20 123 241

HSL 212.04, 0.89%, 0.51%

LAB 52.58, 17.09, -66.62

 

CMYK 0 / 45 / 96 / 6

HEX #F08409

RGB 240 132 9

HSL 31.95, 0.93%, 0.49%

LAB 65.79, 34.95, 70.89

 

CMYK 0 / 41 / 89 / 0

HEX #FF961C

RGB 255 150 28

HSL 32.25, 1%, 0.55%

LAB 71.66, 32.02, 72.3

 

CMYK 0 / 34 / 82 / 0

HEX #FFA82F

RGB 255 168 47

HSL 34.9, 1%, 0.59%

LAB 75.74, 23.11, 70.1

 

CMYK 0 / 27 / 74 / 0

HEX #FFBA42

RGB 255 186 66

HSL 38.1, 1%, 0.63%

LAB 80.05, 14.39, 67.22

 

CMYK 0 / 20 / 67 / 0

HEX #FFCC55

RGB 255 204 85

HSL 42, 1%, 0.67%

LAB 84.54, 5.98, 64.06

 

CMYK 0 / 44 / 94 / 8

HEX #EB840E

RGB 235 132 14

HSL 32.04, 0.89%, 0.49%

LAB 65.12, 32.97, 69.35

 

CMYK 0 / 48 / 100 / 15

HEX #DA7200

RGB 218 114 0

HSL 31.38, 1%, 0.43%

LAB 58.92, 35.22, 66.45

 

CMYK 0 / 52 / 100 / 21

HEX #C96000

RGB 201 96 0

HSL 28.66, 1%, 0.39%

LAB 52.71, 37.59, 61.46

 

CMYK 0 / 58 / 100 / 28

HEX #B84E00

RGB 184 78 0

HSL 25.43, 1%, 0.36%

LAB 46.5, 39.88, 56.49

 

CMYK 0 / 64 / 100 / 35

HEX #A73C00

RGB 167 60 0

HSL 21.56, 1%, 0.33%

LAB 40.32, 41.96, 51.58

 

CMYK 0 / 44 / 94 / 7

HEX #EC840D

RGB 236 132 13

HSL 32.02, 0.9%, 0.49%

LAB 65.25, 33.37, 69.67

 

CMYK 0 / 69 / 94 / 7

HEX #EC480D

RGB 236 72 13

HSL 15.87, 0.9%, 0.49%

LAB 54.55, 60.93, 62.79

 

CMYK 0 / 94 / 94 / 7

HEX #EC0D0D

RGB 236 13 13

HSL 0, 0.9%, 0.49%

LAB 49.68, 74.64, 60.04

 

CMYK 0 / 44 / 94 / 7

HEX #EC840D

RGB 236 132 13

HSL 32.02, 0.9%, 0.49%

LAB 65.25, 33.37, 69.67

 

CMYK 0 / 19 / 94 / 7

HEX #ECC00D

RGB 236 192 13

HSL 48.16, 0.9%, 0.49%

LAB 79.36, 1.82, 79.67

 

CMYK 7 / 0 / 94 / 7

HEX #DBEC0D

RGB 219 236 13

HSL 64.57, 0.9%, 0.49%

LAB 89.43, -27.24, 86.56

 

CMYK 33 / 0 / 94 / 7

HEX #9FEC0D

RGB 159 236 13

HSL 80.72, 0.9%, 0.49%

LAB 85.7, -50.51, 82.06

 

CMYK 58 / 0 / 94 / 7

HEX #63EC0D

RGB 99 236 13

HSL 96.86, 0.9%, 0.49%

LAB 83.27, -68.78, 79.09

 

CMYK 0 / 44 / 94 / 7

HEX #EC840D

RGB 236 132 13

HSL 32.02, 0.9%, 0.49%

LAB 65.25, 33.37, 69.67

 

CMYK 0 / 44 / 94 / 7

HEX #EC840D

RGB 236 132 13

HSL 32.02, 0.9%, 0.49%

LAB 65.25, 33.37, 69.67

 

CMYK 0 / 39 / 85 / 16

HEX #D78321

RGB 215 131 33

HSL 32.31, 0.73%, 0.49%

LAB 62.33, 25.52, 61.29

 

CMYK 0 / 34 / 72 / 24

HEX #C38136

RGB 195 129 54

HSL 31.91, 0.57%, 0.49%

LAB 59.5, 18.83, 49.38

 

CMYK 0 / 27 / 58 / 31

HEX #AF804A

RGB 175 128 74

HSL 32.08, 0.41%, 0.49%

LAB 57.12, 12.02, 36.11

 

CMYK 0 / 18 / 39 / 39

HEX #9B7F5E

RGB 155 127 94

HSL 32.46, 0.24%, 0.49%

LAB 55.03, 6, 21.99

 

CMYK 0 / 94 / 94 / 7

HEX #EC0D0D

RGB 236 13 13

HSL 0, 0.9%, 0.49%

LAB 49.68, 74.64, 60.04

 

CMYK 0 / 69 / 94 / 7

HEX #EC490D

RGB 236 73 13

HSL 16.14, 0.9%, 0.49%

LAB 54.69, 60.56, 62.87

 

CMYK 0 / 44 / 94 / 7

HEX #EC840D

RGB 236 132 13

HSL 32.02, 0.9%, 0.49%

LAB 65.25, 33.37, 69.67

 

CMYK 0 / 19 / 94 / 7

HEX #ECBF0D

RGB 236 191 13

HSL 47.89, 0.9%, 0.49%

LAB 79.11, 2.34, 79.49

 

CMYK 6 / 0 / 94 / 7

HEX #DDEC0D

RGB 221 236 13

HSL 64.04, 0.9%, 0.49%

LAB 89.58, -26.42, 86.74

 

CMYK 0 / 44 / 94 / 38

HEX #9E5809

RGB 158 88 9

HSL 31.81, 0.89%, 0.33%

LAB 44.62, 23.93, 51.02

 

CMYK 0 / 44 / 94 / 23

HEX #C56E0B

RGB 197 110 11

HSL 31.94, 0.89%, 0.41%

LAB 55.12, 28.74, 60.55

 

CMYK 0 / 44 / 94 / 7

HEX #EC840D

RGB 236 132 13

HSL 32.02, 0.9%, 0.49%

LAB 65.25, 33.37, 69.67

 

CMYK 0 / 37 / 80 / 5

HEX #F29830

RGB 242 152 48

HSL 32.16, 0.88%, 0.57%

LAB 70.56, 26.13, 64.55

 

CMYK 0 / 30 / 64 / 4

HEX #F5AB57

RGB 245 171 87

HSL 31.9, 0.89%, 0.65%

LAB 75.59, 19.17, 53.1

 

CMYK 0 / 44 / 94 / 8

HEX #EB840E

RGB 235 132 14

HSL 32.04, 0.89%, 0.49%

LAB 65.12, 32.97, 69.35

 

CMYK 69 / 0 / 94 / 7

HEX #49EC0D

RGB 73 236 13

HSL 103.86, 0.9%, 0.49%

LAB 82.61, -74.29, 78.28

 

CMYK 82 / 94 / 0 / 7

HEX #2B0DEC

RGB 43 13 236

HSL 248.07, 0.9%, 0.49%

LAB 31.48, 73.02, -98.47

 

CMYK 0 / 44 / 94 / 8

HEX #EB840E

RGB 235 132 14

HSL 32.04, 0.89%, 0.49%

LAB 65.12, 32.97, 69.35

 

CMYK 94 / 0 / 44 / 7

HEX #0DEC84

RGB 13 236 132

HSL 152.02, 0.9%, 0.49%

LAB 82.78, -69.69, 37.42

 

CMYK 44 / 94 / 0 / 7

HEX #840DEC

RGB 132 13 236

HSL 272.02, 0.9%, 0.49%

LAB 40, 78.13, -84.09

 

CMYK 0 / 44 / 94 / 8

HEX #EB840E

RGB 235 132 14

HSL 32.04, 0.89%, 0.49%

LAB 65.12, 32.97, 69.35

 

CMYK 69 / 0 / 94 / 7

HEX #49EC0D

RGB 73 236 13

HSL 103.86, 0.9%, 0.49%

LAB 82.61, -74.29, 78.28

 

CMYK 94 / 50 / 0 / 7

HEX #0D75EC

RGB 13 117 236

HSL 212.02, 0.9%, 0.49%

LAB 50.53, 18.68, -67.15

 

CMYK 25 / 94 / 0 / 7

HEX #B00DEC

RGB 176 13 236

HSL 283.86, 0.9%, 0.49%

LAB 46.41, 83.08, -73.33

 

CMYK 0 / 44 / 94 / 8

HEX #EB840E

RGB 235 132 14

HSL 32.04, 0.89%, 0.49%

LAB 65.12, 32.97, 69.35

 

CMYK 94 / 0 / 91 / 7

HEX #0DEC15

RGB 13 236 21

HSL 122.15, 0.9%, 0.49%

LAB 81.91, -80.47, 76.46

 

CMYK 94 / 50 / 0 / 7

HEX #0D75EC

RGB 13 117 236

HSL 212.02, 0.9%, 0.49%

LAB 50.53, 18.68, -67.15

 

CMYK 0 / 94 / 3 / 7

HEX #EC0DE4

RGB 236 13 228

HSL 302.15, 0.9%, 0.49%

LAB 55.81, 90.69, -53.14

 

Description

Color code: HEX #EB840E | qconv.com Color code: HEX #EB840E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 132 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 132 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 94 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 94% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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