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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8056 it is the complementary color #147FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8056 shade: #F08051, #FF9264, #FFA477, #FFB68A and #FFC89D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8056 shade: #EB8056, #DA6E43, #C95C30, #B84A1D and #A7380A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8056 shade: #EB8056, #EB5856 and #EB5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8056 shade: #EB8056, #EBA856, #EBD156, #DEEB56 and #B5EB56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8056 shade matches the following richer shades: #EB8056 and #FA7947

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8056 shade: #EB8056, #DC8765, #CD8D75, #BD9484 and #AE9B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8056 shade: #EB567E, #EB5656, #EB7E56, #EBA656 and #EBCD56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8056 shade: #D64E19, #E76431, #EB8056, #F09C7B and #F4B8A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8056 shade: #EB8056, #A6EB56 and #566AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8056 shade: #EB8056, #56EB7E and #7E56EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8056 shade: #EB8056, #A6EB56, #56C3EB and #9C56EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8056 shade: #EB8056, #79EB56, #56C3EB and #C856EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

Complementary color

CMYK 88 / 25 / 0 / 34

HEX #147FA9

RGB 20 127 169

HSL 196.91, 0.79%, 0.37%

LAB 49.73, -12.87, -30.22

 

CMYK 0 / 47 / 66 / 6

HEX #F08051

RGB 240 128 81

HSL 17.74, 0.84%, 0.63%

LAB 65.4, 39.23, 44.26

 

CMYK 0 / 43 / 61 / 0

HEX #FF9264

RGB 255 146 100

HSL 17.81, 1%, 0.7%

LAB 71.38, 37.03, 41.97

 

CMYK 0 / 36 / 53 / 0

HEX #FFA477

RGB 255 164 119

HSL 19.85, 1%, 0.73%

LAB 75.54, 29.15, 37.2

 

CMYK 0 / 29 / 46 / 0

HEX #FFB68A

RGB 255 182 138

HSL 22.56, 1%, 0.77%

LAB 79.93, 21.45, 32.89

 

CMYK 0 / 22 / 38 / 0

HEX #FFC89D

RGB 255 200 157

HSL 26.33, 1%, 0.81%

LAB 84.49, 14.02, 28.99

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 0 / 50 / 69 / 15

HEX #DA6E43

RGB 218 110 67

HSL 17.09, 0.67%, 0.56%

LAB 58.47, 39.08, 42.77

 

CMYK 0 / 54 / 76 / 21

HEX #C95C30

RGB 201 92 48

HSL 17.25, 0.61%, 0.49%

LAB 52.16, 40.67, 44.89

 

CMYK 0 / 60 / 84 / 28

HEX #B84A1D

RGB 184 74 29

HSL 17.42, 0.73%, 0.42%

LAB 45.88, 42.31, 46.89

 

CMYK 0 / 66 / 94 / 35

HEX #A7380A

RGB 167 56 10

HSL 17.58, 0.89%, 0.35%

LAB 39.69, 43.89, 48.01

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 0 / 63 / 63 / 8

HEX #EB5856

RGB 235 88 86

HSL 0.81, 0.79%, 0.63%

LAB 57.38, 56.62, 31.67

 

CMYK 0 / 63 / 63 / 8

HEX #EB5656

RGB 235 86 86

HSL 0, 0.79%, 0.63%

LAB 57.07, 57.46, 31.28

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 0 / 29 / 63 / 8

HEX #EBA856

RGB 235 168 86

HSL 33.02, 0.79%, 0.63%

LAB 73.77, 16.56, 51.21

 

CMYK 0 / 11 / 63 / 8

HEX #EBD156

RGB 235 209 86

HSL 49.53, 0.79%, 0.63%

LAB 83.93, -4.84, 62.43

 

CMYK 6 / 0 / 63 / 8

HEX #DEEB56

RGB 222 235 86

HSL 65.23, 0.79%, 0.63%

LAB 89.68, -23.03, 68.22

 

CMYK 23 / 0 / 63 / 8

HEX #B5EB56

RGB 181 235 86

HSL 81.74, 0.79%, 0.63%

LAB 86.95, -38.95, 64.5

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 0 / 52 / 72 / 2

HEX #FA7947

RGB 250 121 71

HSL 16.76, 0.95%, 0.63%

LAB 65.32, 45.98, 49.63

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 0 / 39 / 54 / 14

HEX #DC8765

RGB 220 135 101

HSL 17.14, 0.63%, 0.63%

LAB 64.55, 29.14, 31.95

 

CMYK 0 / 31 / 43 / 20

HEX #CD8D75

RGB 205 141 117

HSL 16.36, 0.47%, 0.63%

LAB 64.41, 21.45, 22.61

 

CMYK 0 / 22 / 30 / 26

HEX #BD9484

RGB 189 148 132

HSL 16.84, 0.3%, 0.63%

LAB 64.7, 13.07, 14.35

 

CMYK 0 / 11 / 16 / 32

HEX #AE9B93

RGB 174 155 147

HSL 17.78, 0.14%, 0.63%

LAB 65.4, 5.63, 6.73

 

CMYK 0 / 63 / 46 / 8

HEX #EB567E

RGB 235 86 126

HSL 343.89, 0.79%, 0.63%

LAB 57.87, 60.47, 9.04

 

CMYK 0 / 63 / 63 / 8

HEX #EB5656

RGB 235 86 86

HSL 0, 0.79%, 0.63%

LAB 57.07, 57.46, 31.28

 

CMYK 0 / 46 / 63 / 8

HEX #EB7E56

RGB 235 126 86

HSL 16.11, 0.79%, 0.63%

LAB 64.37, 38.62, 40.25

 

CMYK 0 / 29 / 63 / 8

HEX #EBA656

RGB 235 166 86

HSL 32.21, 0.79%, 0.63%

LAB 73.29, 17.62, 50.67

 

CMYK 0 / 13 / 63 / 8

HEX #EBCD56

RGB 235 205 86

HSL 47.92, 0.79%, 0.63%

LAB 82.91, -2.8, 61.33

 

CMYK 0 / 64 / 88 / 16

HEX #D64E19

RGB 214 78 25

HSL 16.83, 0.79%, 0.47%

LAB 51.63, 51.31, 55.33

 

CMYK 0 / 57 / 79 / 9

HEX #E76431

RGB 231 100 49

HSL 16.81, 0.79%, 0.55%

LAB 58.34, 48.11, 52.15

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 0 / 35 / 49 / 6

HEX #F09C7B

RGB 240 156 123

HSL 16.92, 0.8%, 0.71%

LAB 72.05, 27.83, 30.21

 

CMYK 0 / 25 / 34 / 4

HEX #F4B8A0

RGB 244 184 160

HSL 17.14, 0.79%, 0.79%

LAB 79.64, 18.55, 20.63

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 29 / 0 / 63 / 8

HEX #A6EB56

RGB 166 235 86

HSL 87.79, 0.79%, 0.63%

LAB 86.1, -44.4, 63.34

 

CMYK 63 / 55 / 0 / 8

HEX #566AEB

RGB 86 106 235

HSL 231.95, 0.79%, 0.63%

LAB 49.84, 32.18, -67.6

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 63 / 0 / 46 / 8

HEX #56EB7E

RGB 86 235 126

HSL 136.11, 0.79%, 0.63%

LAB 83.39, -62.3, 41.35

 

CMYK 46 / 63 / 0 / 8

HEX #7E56EB

RGB 126 86 235

HSL 256.11, 0.79%, 0.63%

LAB 48.37, 50.92, -69.84

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 29 / 0 / 63 / 8

HEX #A6EB56

RGB 166 235 86

HSL 87.79, 0.79%, 0.63%

LAB 86.1, -44.4, 63.34

 

CMYK 63 / 17 / 0 / 8

HEX #56C3EB

RGB 86 195 235

HSL 196.11, 0.79%, 0.63%

LAB 74.19, -19.3, -29.12

 

CMYK 34 / 63 / 0 / 8

HEX #9C56EB

RGB 156 86 235

HSL 268.19, 0.79%, 0.63%

LAB 51.52, 56.92, -64.59

 

CMYK 0 / 46 / 63 / 8

HEX #EB8056

RGB 235 128 86

HSL 16.91, 0.79%, 0.63%

LAB 64.78, 37.59, 40.74

 

CMYK 49 / 0 / 63 / 8

HEX #79EB56

RGB 121 235 86

HSL 105.91, 0.79%, 0.63%

LAB 84.05, -58.82, 60.5

 

CMYK 63 / 17 / 0 / 8

HEX #56C3EB

RGB 86 195 235

HSL 196.11, 0.79%, 0.63%

LAB 74.19, -19.3, -29.12

 

CMYK 15 / 63 / 0 / 8

HEX #C856EB

RGB 200 86 235

HSL 285.91, 0.79%, 0.63%

LAB 57.01, 66.57, -55.48

 

Description

Color code: HEX #EB8056 | qconv.com Color code: HEX #EB8056 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 128 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 128 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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