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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7EEC it is the complementary color #148113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7EEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7EEC shade: #F07EE7, #FF90FA, #FFA2FF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7EEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7EEC shade: #EB7EEC, #DA6CD9, #C95AC6, #B848B3 and #A736A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7EEC shade: #EB7EEC, #EC7ECF, #EC7EB2, #EC7E94 and #EC7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7EEC shade: #EB7EEC, #CD7EEC, #B07EEC, #927EEC and #7E7EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7EEC shade matches the following richer shades: #EB7EEC and #F772F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7EEC shade: #EB7EEC, #DF8AE0, #D396D4, #C8A2C8 and #BCAEBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7EEC shade: #B07EEC, #CD7EEC, #EA7EEC, #EC7ED0 and #EC7EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7EEC shade: #DF37E1, #E55AE6, #EB7EEC, #F0A2F1 and #F6C6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7EEC shade: #EB7EEC, #EC927E and #7EECBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7EEC shade: #EB7EEC, #ECEA7E and #7EECEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7EEC shade: #EB7EEC, #EC927E, #80EC7E and #7ED8EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7EEC shade: #EB7EEC, #ECB37E, #80EC7E and #7EB7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

Complementary color

CMYK 84 / 0 / 85 / 49

HEX #148113

RGB 20 129 19

HSL 119.45, 0.74%, 0.29%

LAB 46.84, -49.42, 46.31

 

CMYK 0 / 48 / 4 / 6

HEX #F07EE7

RGB 240 126 231

HSL 304.74, 0.79%, 0.72%

LAB 68.91, 57.68, -34.17

 

CMYK 0 / 44 / 2 / 0

HEX #FF90FA

RGB 255 144 250

HSL 302.7, 1%, 0.78%

LAB 74.89, 56.43, -35.15

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 50 / 0 / 15

HEX #DA6CD9

RGB 218 108 217

HSL 300.55, 0.6%, 0.64%

LAB 62.2, 57.75, -37.03

 

CMYK 0 / 55 / 1 / 21

HEX #C95AC6

RGB 201 90 198

HSL 301.62, 0.51%, 0.57%

LAB 55.89, 58.25, -36.31

 

CMYK 0 / 61 / 3 / 28

HEX #B848B3

RGB 184 72 179

HSL 302.68, 0.44%, 0.5%

LAB 49.59, 58.54, -35.38

 

CMYK 0 / 68 / 4 / 35

HEX #A736A0

RGB 167 54 160

HSL 303.72, 0.51%, 0.43%

LAB 43.35, 58.46, -34.15

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 47 / 12 / 7

HEX #EC7ECF

RGB 236 126 207

HSL 315.82, 0.74%, 0.71%

LAB 67.47, 52.57, -23.1

 

CMYK 0 / 47 / 25 / 7

HEX #EC7EB2

RGB 236 126 178

HSL 331.64, 0.74%, 0.71%

LAB 66.5, 48.28, -8.29

 

CMYK 0 / 47 / 37 / 7

HEX #EC7E94

RGB 236 126 148

HSL 348, 0.74%, 0.71%

LAB 65.67, 44.5, 7.48

 

CMYK 0 / 47 / 47 / 7

HEX #EC7E7E

RGB 236 126 126

HSL 0, 0.74%, 0.71%

LAB 65.17, 42.18, 19.24

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 13 / 47 / 0 / 7

HEX #CD7EEC

RGB 205 126 236

HSL 283.09, 0.74%, 0.71%

LAB 64.93, 48.73, -43.46

 

CMYK 25 / 47 / 0 / 7

HEX #B07EEC

RGB 176 126 236

HSL 267.27, 0.74%, 0.71%

LAB 61.83, 40.78, -48.54

 

CMYK 38 / 47 / 0 / 7

HEX #927EEC

RGB 146 126 236

HSL 250.91, 0.74%, 0.71%

LAB 59.06, 32.99, -53.12

 

CMYK 47 / 47 / 0 / 7

HEX #7E7EEC

RGB 126 126 236

HSL 240, 0.74%, 0.71%

LAB 57.48, 28.22, -55.73

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 54 / 0 / 3

HEX #F772F8

RGB 247 114 248

HSL 299.55, 0.91%, 0.71%

LAB 68.45, 68.03, -44.17

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 38 / 0 / 12

HEX #DF8AE0

RGB 223 138 224

HSL 299.3, 0.58%, 0.71%

LAB 68.93, 45.4, -30.44

 

CMYK 0 / 29 / 0 / 17

HEX #D396D4

RGB 211 150 212

HSL 299.03, 0.42%, 0.71%

LAB 69.76, 33.02, -22.64

 

CMYK 0 / 19 / 0 / 22

HEX #C8A2C8

RGB 200 162 200

HSL 300, 0.26%, 0.71%

LAB 71.07, 20.55, -14.14

 

CMYK 0 / 7 / 0 / 26

HEX #BCAEBC

RGB 188 174 188

HSL 300, 0.09%, 0.71%

LAB 72.62, 7.56, -5.33

 

CMYK 25 / 47 / 0 / 7

HEX #B07EEC

RGB 176 126 236

HSL 267.27, 0.74%, 0.71%

LAB 61.83, 40.78, -48.54

 

CMYK 13 / 47 / 0 / 7

HEX #CD7EEC

RGB 205 126 236

HSL 283.09, 0.74%, 0.71%

LAB 64.93, 48.73, -43.46

 

CMYK 1 / 47 / 0 / 7

HEX #EA7EEC

RGB 234 126 236

HSL 298.91, 0.74%, 0.71%

LAB 68.37, 56.85, -37.83

 

CMYK 0 / 47 / 12 / 7

HEX #EC7ED0

RGB 236 126 208

HSL 315.27, 0.74%, 0.71%

LAB 67.51, 52.73, -23.61

 

CMYK 0 / 47 / 24 / 7

HEX #EC7EB3

RGB 236 126 179

HSL 331.09, 0.74%, 0.71%

LAB 66.53, 48.42, -8.81

 

CMYK 1 / 76 / 0 / 12

HEX #DF37E1

RGB 223 55 225

HSL 299.29, 0.74%, 0.55%

LAB 55.94, 80.71, -51.36

 

CMYK 0 / 61 / 0 / 10

HEX #E55AE6

RGB 229 90 230

HSL 299.57, 0.74%, 0.63%

LAB 61.38, 70.77, -45.5

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 33 / 0 / 5

HEX #F0A2F1

RGB 240 162 241

HSL 299.24, 0.74%, 0.79%

LAB 76.51, 41.17, -27.92

 

CMYK 0 / 20 / 0 / 3

HEX #F6C6F7

RGB 246 198 247

HSL 298.78, 0.75%, 0.87%

LAB 85.35, 25.16, -17.65

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 38 / 47 / 7

HEX #EC927E

RGB 236 146 126

HSL 10.91, 0.74%, 0.71%

LAB 69.4, 31.84, 24.97

 

CMYK 47 / 0 / 19 / 7

HEX #7EECBE

RGB 126 236 190

HSL 154.91, 0.74%, 0.71%

LAB 86.08, -42.11, 12.63

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 1 / 47 / 7

HEX #ECEA7E

RGB 236 234 126

HSL 58.91, 0.74%, 0.71%

LAB 90.86, -13.91, 52.31

 

CMYK 47 / 0 / 1 / 7

HEX #7EECEA

RGB 126 236 234

HSL 178.91, 0.74%, 0.71%

LAB 87.18, -32.02, -8.83

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 38 / 47 / 7

HEX #EC927E

RGB 236 146 126

HSL 10.91, 0.74%, 0.71%

LAB 69.4, 31.84, 24.97

 

CMYK 46 / 0 / 47 / 7

HEX #80EC7E

RGB 128 236 126

HSL 118.91, 0.74%, 0.71%

LAB 85.04, -52.69, 43.71

 

CMYK 47 / 8 / 0 / 7

HEX #7ED8EC

RGB 126 216 236

HSL 190.91, 0.74%, 0.71%

LAB 81.62, -21.78, -18.2

 

CMYK 0 / 47 / 0 / 7

HEX #EB7EEC

RGB 235 126 236

HSL 299.45, 0.74%, 0.71%

LAB 68.49, 57.13, -37.63

 

CMYK 0 / 24 / 47 / 7

HEX #ECB37E

RGB 236 179 126

HSL 28.91, 0.74%, 0.71%

LAB 77.03, 14.35, 35.02

 

CMYK 46 / 0 / 47 / 7

HEX #80EC7E

RGB 128 236 126

HSL 118.91, 0.74%, 0.71%

LAB 85.04, -52.69, 43.71

 

CMYK 47 / 22 / 0 / 7

HEX #7EB7EC

RGB 126 183 236

HSL 208.91, 0.74%, 0.71%

LAB 72.47, -4.53, -32.18

 

Description

Color code: HEX #EB7EEC | qconv.com Color code: HEX #EB7EEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 126 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 126 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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