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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7E3D it is the complementary color #1481C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7E3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7E3D shade: #F07E38, #FF904B, #FFA25E, #FFB471 and #FFC684

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7E3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7E3D shade: #EB7E3D, #DA6C2A, #C95A17, #B84804 and #A73600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7E3D shade: #EB7E3D, #EB4F3D and #EB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7E3D shade: #EB7E3D, #EBAD3D, #EBDC3D, #CBEB3D and #9CEB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7E3D shade matches the following richer shades: #EB7E3D and #FC7A2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7E3D shade: #EB7E3D, #D9824E, #C88760, #B78B71 and #A58F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7E3D shade: #EB3D5A, #EB4E3D, #EB7D3D, #EBAB3D and #EBD93D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7E3D shade: #C15514, #E66518, #EB7E3D, #EF9762 and #F2B088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7E3D shade: #EB7E3D, #88EB3D and #3D43EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7E3D shade: #EB7E3D, #3DEB7D and #7D3DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7E3D shade: #EB7E3D, #88EB3D, #3DABEB and #9F3DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7E3D shade: #EB7E3D, #54EB3D, #3DABEB and #D43DEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

Complementary color

CMYK 90 / 34 / 0 / 24

HEX #1481C2

RGB 20 129 194

HSL 202.41, 0.81%, 0.42%

LAB 51.55, -4.68, -41.76

 

CMYK 0 / 48 / 77 / 6

HEX #F07E38

RGB 240 126 56

HSL 22.83, 0.86%, 0.58%

LAB 64.75, 39.05, 55.71

 

CMYK 0 / 44 / 71 / 0

HEX #FF904B

RGB 255 144 75

HSL 23, 1%, 0.65%

LAB 70.67, 36.61, 53.7

 

CMYK 0 / 36 / 63 / 0

HEX #FFA25E

RGB 255 162 94

HSL 25.34, 1%, 0.68%

LAB 74.77, 28.38, 49.06

 

CMYK 0 / 29 / 56 / 0

HEX #FFB471

RGB 255 180 113

HSL 28.31, 1%, 0.72%

LAB 79.1, 20.31, 44.73

 

CMYK 0 / 22 / 48 / 0

HEX #FFC684

RGB 255 198 132

HSL 32.2, 1%, 0.76%

LAB 83.61, 12.52, 40.74

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 0 / 50 / 81 / 15

HEX #DA6C2A

RGB 218 108 42

HSL 22.5, 0.7%, 0.51%

LAB 57.84, 39.04, 54.1

 

CMYK 0 / 55 / 89 / 21

HEX #C95A17

RGB 201 90 23

HSL 22.58, 0.79%, 0.44%

LAB 51.6, 40.91, 55.09

 

CMYK 0 / 61 / 98 / 28

HEX #B84804

RGB 184 72 4

HSL 22.67, 0.96%, 0.37%

LAB 45.41, 42.81, 54.8

 

CMYK 0 / 68 / 100 / 35

HEX #A73600

RGB 167 54 0

HSL 19.4, 1%, 0.33%

LAB 39.33, 44.61, 51.07

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 0 / 66 / 74 / 8

HEX #EB4F3D

RGB 235 79 61

HSL 6.21, 0.81%, 0.58%

LAB 55.68, 59.07, 43.57

 

CMYK 0 / 74 / 74 / 8

HEX #EB3D3D

RGB 235 61 61

HSL 0, 0.81%, 0.58%

LAB 53.32, 65.56, 40.97

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 0 / 26 / 74 / 8

HEX #EBAD3D

RGB 235 173 61

HSL 38.62, 0.81%, 0.58%

LAB 74.75, 12.58, 63.27

 

CMYK 0 / 6 / 74 / 8

HEX #EBDC3D

RGB 235 220 61

HSL 54.83, 0.81%, 0.58%

LAB 86.6, -11.65, 74.59

 

CMYK 14 / 0 / 74 / 8

HEX #CBEB3D

RGB 203 235 61

HSL 71.03, 0.81%, 0.58%

LAB 88.18, -31.96, 75.22

 

CMYK 34 / 0 / 74 / 8

HEX #9CEB3D

RGB 156 235 61

HSL 87.24, 0.81%, 0.58%

LAB 85.41, -49.58, 71.6

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 0 / 52 / 83 / 1

HEX #FC7A2C

RGB 252 122 44

HSL 22.5, 0.97%, 0.58%

LAB 65.59, 45.27, 62.14

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 0 / 40 / 64 / 15

HEX #D9824E

RGB 217 130 78

HSL 22.45, 0.65%, 0.58%

LAB 62.73, 28.89, 41.92

 

CMYK 0 / 33 / 52 / 22

HEX #C88760

RGB 200 135 96

HSL 22.5, 0.49%, 0.58%

LAB 62.04, 20.61, 30.99

 

CMYK 0 / 24 / 38 / 28

HEX #B78B71

RGB 183 139 113

HSL 22.29, 0.33%, 0.58%

LAB 61.42, 13.21, 20.38

 

CMYK 0 / 13 / 21 / 35

HEX #A58F82

RGB 165 143 130

HSL 22.29, 0.16%, 0.58%

LAB 61.01, 6.1, 9.95

 

CMYK 0 / 74 / 62 / 8

HEX #EB3D5A

RGB 235 61 90

HSL 350, 0.81%, 0.58%

LAB 53.75, 66.98, 24.69

 

CMYK 0 / 67 / 74 / 8

HEX #EB4E3D

RGB 235 78 61

HSL 5.86, 0.81%, 0.58%

LAB 55.53, 59.46, 43.41

 

CMYK 0 / 47 / 74 / 8

HEX #EB7D3D

RGB 235 125 61

HSL 22.07, 0.81%, 0.58%

LAB 63.89, 37.8, 52.32

 

CMYK 0 / 27 / 74 / 8

HEX #EBAB3D

RGB 235 171 61

HSL 37.93, 0.81%, 0.58%

LAB 74.27, 13.63, 62.79

 

CMYK 0 / 8 / 74 / 8

HEX #EBD93D

RGB 235 217 61

HSL 53.79, 0.81%, 0.58%

LAB 85.82, -10.15, 73.86

 

CMYK 0 / 56 / 90 / 24

HEX #C15514

RGB 193 85 20

HSL 22.54, 0.81%, 0.42%

LAB 49.36, 40.21, 53.81

 

CMYK 0 / 56 / 90 / 10

HEX #E66518

RGB 230 101 24

HSL 22.43, 0.81%, 0.5%

LAB 58.22, 46.64, 61.78

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 0 / 37 / 59 / 6

HEX #EF9762

RGB 239 151 98

HSL 22.55, 0.82%, 0.66%

LAB 70.43, 28.01, 41.4

 

CMYK 0 / 27 / 44 / 5

HEX #F2B088

RGB 242 176 136

HSL 22.64, 0.8%, 0.74%

LAB 77.1, 19.31, 29.96

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 42 / 0 / 74 / 8

HEX #88EB3D

RGB 136 235 61

HSL 94.14, 0.81%, 0.58%

LAB 84.48, -56.21, 70.37

 

CMYK 74 / 71 / 0 / 8

HEX #3D43EB

RGB 61 67 235

HSL 237.93, 0.81%, 0.58%

LAB 39.59, 52.37, -84.42

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 74 / 0 / 47 / 8

HEX #3DEB7D

RGB 61 235 125

HSL 142.07, 0.81%, 0.58%

LAB 82.85, -66.58, 41.05

 

CMYK 47 / 74 / 0 / 8

HEX #7D3DEB

RGB 125 61 235

HSL 262.07, 0.81%, 0.58%

LAB 43.79, 63.15, -77.32

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 42 / 0 / 74 / 8

HEX #88EB3D

RGB 136 235 61

HSL 94.14, 0.81%, 0.58%

LAB 84.48, -56.21, 70.37

 

CMYK 74 / 27 / 0 / 8

HEX #3DABEB

RGB 61 171 235

HSL 202.07, 0.81%, 0.58%

LAB 66.61, -10.12, -40.94

 

CMYK 32 / 74 / 0 / 8

HEX #9F3DEB

RGB 159 61 235

HSL 273.79, 0.81%, 0.58%

LAB 47.89, 68.65, -70.46

 

CMYK 0 / 46 / 74 / 8

HEX #EB7E3D

RGB 235 126 61

HSL 22.41, 0.81%, 0.58%

LAB 64.1, 37.29, 52.53

 

CMYK 64 / 0 / 74 / 8

HEX #54EB3D

RGB 84 235 61

HSL 112.07, 0.81%, 0.58%

LAB 82.72, -69.87, 68.05

 

CMYK 74 / 27 / 0 / 8

HEX #3DABEB

RGB 61 171 235

HSL 202.07, 0.81%, 0.58%

LAB 66.61, -10.12, -40.94

 

CMYK 10 / 74 / 0 / 8

HEX #D43DEB

RGB 212 61 235

HSL 292.07, 0.81%, 0.58%

LAB 55.41, 78.43, -57.94

 

Description

Color code: HEX #EB7E3D | qconv.com Color code: HEX #EB7E3D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 126 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 126 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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