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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7AB9 it is the complementary color #148546. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7AB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7AB9 shade: #F07AB4, #FF8CC7, #FF9EDA, #FFB0ED and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7AB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7AB9 shade: #EB7AB9, #DA68A6, #C95693, #B84480 and #A7326D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7AB9 shade: #EB7AB9, #EB7A9A, #EB7A7C and #EB7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7AB9 shade: #EB7AB9, #EB7AD8, #E07AEB, #C27AEB and #A37AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7AB9 shade matches the following richer shades: #EB7AB9 and #F76EBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7AB9 shade: #EB7AB9, #DF86B8, #D293B6, #C69FB5 and #BAABB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7AB9 shade: #E07AEB, #EB7AD8, #EB7ABA, #EB7A9C and #EB7A7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7AB9 shade: #E03293, #E656A6, #EB7AB9, #F09ECC and #F6C2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7AB9 shade: #EB7AB9, #EBC27A and #7AE7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7AB9 shade: #EB7AB9, #BAEB7A and #7ABAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7AB9 shade: #EB7AB9, #EBC27A, #7AEBAB and #7AA3EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7AB9 shade: #EB7AB9, #EBE47A, #7AEBAB and #7A81EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

Complementary color

CMYK 85 / 0 / 47 / 48

HEX #148546

RGB 20 133 70

HSL 146.55, 0.74%, 0.3%

LAB 48.72, -44.65, 25.67

 

CMYK 0 / 49 / 25 / 6

HEX #F07AB4

RGB 240 122 180

HSL 330.51, 0.8%, 0.71%

LAB 66.32, 51.82, -9.63

 

CMYK 0 / 45 / 22 / 0

HEX #FF8CC7

RGB 255 140 199

HSL 329.22, 1%, 0.77%

LAB 72.32, 50.42, -11.09

 

CMYK 0 / 38 / 15 / 0

HEX #FF9EDA

RGB 255 158 218

HSL 322.89, 1%, 0.81%

LAB 76.54, 44.14, -15.2

 

CMYK 0 / 31 / 7 / 0

HEX #FFB0ED

RGB 255 176 237

HSL 313.67, 1%, 0.85%

LAB 80.97, 37.91, -18.82

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 52 / 24 / 15

HEX #DA68A6

RGB 218 104 166

HSL 327.37, 0.61%, 0.63%

LAB 59.49, 51.63, -12.18

 

CMYK 0 / 57 / 27 / 21

HEX #C95693

RGB 201 86 147

HSL 328.17, 0.52%, 0.56%

LAB 53.15, 52.25, -10.88

 

CMYK 0 / 63 / 30 / 28

HEX #B84480

RGB 184 68 128

HSL 328.97, 0.46%, 0.49%

LAB 46.82, 52.67, -9.28

 

CMYK 0 / 70 / 35 / 35

HEX #A7326D

RGB 167 50 109

HSL 329.74, 0.54%, 0.43%

LAB 40.57, 52.73, -7.25

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 48 / 34 / 8

HEX #EB7A9A

RGB 235 122 154

HSL 343.01, 0.74%, 0.7%

LAB 64.89, 46.85, 2.94

 

CMYK 0 / 48 / 47 / 8

HEX #EB7A7C

RGB 235 122 124

HSL 358.94, 0.74%, 0.7%

LAB 64.19, 43.64, 19.01

 

CMYK 0 / 48 / 48 / 8

HEX #EB7A7A

RGB 235 122 122

HSL 0, 0.74%, 0.7%

LAB 64.15, 43.45, 20.09

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 48 / 8 / 8

HEX #EB7AD8

RGB 235 122 216

HSL 310.09, 0.74%, 0.7%

LAB 66.93, 55.67, -28.97

 

CMYK 5 / 48 / 0 / 8

HEX #E07AEB

RGB 224 122 235

HSL 294.16, 0.74%, 0.7%

LAB 66.34, 55.84, -40.53

 

CMYK 17 / 48 / 0 / 8

HEX #C27AEB

RGB 194 122 235

HSL 278.23, 0.74%, 0.7%

LAB 62.83, 47.59, -46.28

 

CMYK 31 / 48 / 0 / 8

HEX #A37AEB

RGB 163 122 235

HSL 261.77, 0.74%, 0.7%

LAB 59.62, 39.33, -51.58

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 55 / 25 / 3

HEX #F76EBA

RGB 247 110 186

HSL 326.72, 0.9%, 0.7%

LAB 65.33, 60.44, -14.4

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 40 / 17 / 13

HEX #DF86B8

RGB 223 134 184

HSL 326.29, 0.58%, 0.7%

LAB 66.67, 40.74, -11.58

 

CMYK 0 / 30 / 13 / 18

HEX #D293B6

RGB 210 147 182

HSL 326.67, 0.41%, 0.7%

LAB 67.98, 29.02, -8.66

 

CMYK 0 / 20 / 9 / 22

HEX #C69FB5

RGB 198 159 181

HSL 326.15, 0.25%, 0.7%

LAB 69.57, 18.04, -5.88

 

CMYK 0 / 8 / 4 / 27

HEX #BAABB3

RGB 186 171 179

HSL 328, 0.1%, 0.7%

LAB 71.43, 6.82, -2.15

 

CMYK 5 / 48 / 0 / 8

HEX #E07AEB

RGB 224 122 235

HSL 294.16, 0.74%, 0.7%

LAB 66.34, 55.84, -40.53

 

CMYK 0 / 48 / 8 / 8

HEX #EB7AD8

RGB 235 122 216

HSL 310.09, 0.74%, 0.7%

LAB 66.93, 55.67, -28.97

 

CMYK 0 / 48 / 21 / 8

HEX #EB7ABA

RGB 235 122 186

HSL 326.02, 0.74%, 0.7%

LAB 65.85, 51.06, -13.79

 

CMYK 0 / 48 / 34 / 8

HEX #EB7A9C

RGB 235 122 156

HSL 341.95, 0.74%, 0.7%

LAB 64.95, 47.09, 1.88

 

CMYK 0 / 48 / 46 / 8

HEX #EB7A7E

RGB 235 122 126

HSL 357.88, 0.74%, 0.7%

LAB 64.23, 43.83, 17.93

 

CMYK 0 / 78 / 34 / 12

HEX #E03293

RGB 224 50 147

HSL 326.55, 0.74%, 0.54%

LAB 52.1, 72.02, -12.07

 

CMYK 0 / 63 / 28 / 10

HEX #E656A6

RGB 230 86 166

HSL 326.67, 0.74%, 0.62%

LAB 58.26, 63.3, -13.86

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 34 / 15 / 6

HEX #F09ECC

RGB 240 158 204

HSL 326.34, 0.73%, 0.78%

LAB 74.41, 36.99, -10.92

 

CMYK 0 / 21 / 9 / 4

HEX #F6C2DF

RGB 246 194 223

HSL 326.54, 0.74%, 0.86%

LAB 83.71, 23.09, -7.31

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 17 / 48 / 8

HEX #EBC27A

RGB 235 194 122

HSL 38.23, 0.74%, 0.7%

LAB 80.54, 5.67, 41.53

 

CMYK 48 / 2 / 0 / 8

HEX #7AE7EB

RGB 122 231 235

HSL 182.12, 0.74%, 0.7%

LAB 85.65, -30.26, -11.65

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 21 / 0 / 48 / 8

HEX #BAEB7A

RGB 186 235 122

HSL 86.02, 0.74%, 0.7%

LAB 87.61, -33.84, 49.45

 

CMYK 48 / 21 / 0 / 8

HEX #7ABAEB

RGB 122 186 235

HSL 206.02, 0.74%, 0.7%

LAB 73.06, -7.38, -30.75

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 17 / 48 / 8

HEX #EBC27A

RGB 235 194 122

HSL 38.23, 0.74%, 0.7%

LAB 80.54, 5.67, 41.53

 

CMYK 48 / 0 / 27 / 8

HEX #7AEBAB

RGB 122 235 171

HSL 146.02, 0.74%, 0.7%

LAB 85.25, -46.47, 21.31

 

CMYK 48 / 31 / 0 / 8

HEX #7AA3EB

RGB 122 163 235

HSL 218.23, 0.74%, 0.7%

LAB 66.77, 5.39, -40.51

 

CMYK 0 / 48 / 21 / 8

HEX #EB7AB9

RGB 235 122 185

HSL 326.55, 0.74%, 0.7%

LAB 65.81, 50.92, -13.28

 

CMYK 0 / 3 / 48 / 8

HEX #EBE47A

RGB 235 228 122

HSL 56.28, 0.74%, 0.7%

LAB 89.18, -11.7, 52.16

 

CMYK 48 / 0 / 27 / 8

HEX #7AEBAB

RGB 122 235 171

HSL 146.02, 0.74%, 0.7%

LAB 85.25, -46.47, 21.31

 

CMYK 48 / 45 / 0 / 8

HEX #7A81EB

RGB 122 129 235

HSL 236.28, 0.74%, 0.7%

LAB 57.88, 25.24, -54.55

 

Description

Color code: HEX #EB7AB9 | qconv.com Color code: HEX #EB7AB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 122 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 122 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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