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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB78713F it is the complementary color #14878E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB78713F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB78713F shade: #F0786C3F, #FF8A7F3F, #FF9C923F, #FFAEA53F and #FFC0B83F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB78713F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB78713F shade: #EB78713F, #DA665E3F, #C9544B3F, #B842383F and #A730253F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB78713F shade: #EB7770 and #EB7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB78713F shade: #EB7770, #EB9870, #EBB970, #EBDA70 and #DAEB70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB78713F shade matches the following richer shades: #EB7770 and #F86C63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB78713F shade: #EB7770, #DD837D, #D08F8B, #C39A98 and #B6A6A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB78713F shade: #EB70AB, #EB708B, #EB7670, #EB9770 and #EBB870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB78713F shade: #E03328, #E5554C, #EB7770, #F09A94 and #F5BCB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB78713F shade: #EB7871, #CCEB70 and #709BEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB78713F shade: #EB7871, #70EB76 and #7670EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB78713F shade: #EB7871, #CCEB70, #70E4EB and #8F70EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB78713F shade: #EB7871, #A7EB70, #70E4EB and #B470EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 13 / 2

HEX #EB78713F

RGBA 235 120 113 0.25

HSLA 3.44, 0.75%, 0.68%, 0.25

LABA 63.58, 43.65, 24.4, 0.25

 

Complementary color

CMYK 21 / 1 / 0 / 11

HEX #14878E3F

RGBA 20 135 142 0.25

HSLA 183.44, 0.75%, 0.32%, 0.25

LABA 51.19, -26.58, -12.27, 0.25

 

CMYK 0 / 13 / 14 / 1

HEX #F0786C3F

RGBA 240 120 108 0.25

HSLA 5.45, 0.81%, 0.68%, 0.25

LABA 64.19, 45.07, 28.15, 0.25

 

CMYK 0 / 11 / 13 / 0

HEX #FF8A7F3F

RGBA 255 138 127 0.25

HSLA 5.16, 1%, 0.75%, 0.25

LABA 70.15, 43.17, 25.86, 0.25

 

CMYK 0 / 10 / 11 / 0

HEX #FF9C923F

RGBA 255 156 146 0.25

HSLA 5.5, 1%, 0.79%, 0.25

LABA 74.26, 35.81, 20.99, 0.25

 

CMYK 0 / 8 / 9 / 0

HEX #FFAEA53F

RGBA 255 174 165 0.25

HSLA 6, 1%, 0.82%, 0.25

LABA 78.61, 28.55, 16.68, 0.25

 

CMYK 0 / 6 / 7 / 0

HEX #FFC0B83F

RGBA 255 192 184 0.25

HSLA 6.76, 1%, 0.86%, 0.25

LABA 83.14, 21.5, 12.84, 0.25

 

CMYK 0 / 12 / 13 / 2

HEX #EB78713F

RGBA 235 120 113 0.25

HSLA 3.44, 0.75%, 0.68%, 0.25

LABA 63.58, 43.65, 24.4, 0.25

 

CMYK 0 / 13 / 14 / 4

HEX #DA665E3F

RGBA 218 102 94 0.25

HSLA 3.87, 0.63%, 0.61%, 0.25

LABA 57.29, 44.82, 26.44, 0.25

 

CMYK 0 / 15 / 16 / 5

HEX #C9544B3F

RGBA 201 84 75 0.25

HSLA 4.29, 0.54%, 0.54%, 0.25

LABA 51, 45.99, 28.81, 0.25

 

CMYK 0 / 16 / 17 / 7

HEX #B842383F

RGBA 184 66 56 0.25

HSLA 4.69, 0.53%, 0.47%, 0.25

LABA 44.76, 47.07, 31.58, 0.25

 

CMYK 0 / 18 / 19 / 9

HEX #A730253F

RGBA 167 48 37 0.25

HSLA 5.08, 0.64%, 0.4%, 0.25

LABA 38.66, 47.9, 34.81, 0.25

 

CMYK 0 / 49 / 52 / 8

HEX #EB7770

RGB 235 119 112

HSL 3.41, 0.75%, 0.68%

LAB 63.36, 44.06, 24.68

 

CMYK 0 / 52 / 52 / 8

HEX #EB7070

RGB 235 112 112

HSL 0, 0.75%, 0.68%

LAB 62.02, 47.5, 22.87

 

CMYK 0 / 49 / 52 / 8

HEX #EB7770

RGB 235 119 112

HSL 3.41, 0.75%, 0.68%

LAB 63.36, 44.06, 24.68

 

CMYK 0 / 35 / 52 / 8

HEX #EB9870

RGB 235 152 112

HSL 19.51, 0.75%, 0.68%

LAB 70.38, 27, 33.84

 

CMYK 0 / 21 / 52 / 8

HEX #EBB970

RGB 235 185 112

HSL 35.61, 0.75%, 0.68%

LAB 78.19, 9.5, 43.65

 

CMYK 0 / 7 / 52 / 8

HEX #EBDA70

RGB 235 218 112

HSL 51.71, 0.75%, 0.68%

LAB 86.49, -7.54, 53.65

 

CMYK 7 / 0 / 52 / 8

HEX #DAEB70

RGB 218 235 112

HSL 68.29, 0.75%, 0.68%

LAB 89.62, -22.7, 56.99

 

CMYK 0 / 49 / 52 / 8

HEX #EB7770

RGB 235 119 112

HSL 3.41, 0.75%, 0.68%

LAB 63.36, 44.06, 24.68

 

CMYK 0 / 56 / 60 / 3

HEX #F86C63

RGB 248 108 99

HSL 3.62, 0.91%, 0.68%

LAB 63, 52.99, 31.86

 

CMYK 0 / 49 / 52 / 8

HEX #EB7770

RGB 235 119 112

HSL 3.41, 0.75%, 0.68%

LAB 63.36, 44.06, 24.68

 

CMYK 0 / 41 / 43 / 13

HEX #DD837D

RGB 221 131 125

HSL 3.75, 0.59%, 0.68%

LAB 64.23, 33.92, 18.2

 

CMYK 0 / 31 / 33 / 18

HEX #D08F8B

RGB 208 143 139

HSL 3.48, 0.42%, 0.68%

LAB 65.69, 24.14, 12.11

 

CMYK 0 / 21 / 22 / 24

HEX #C39A98

RGB 195 154 152

HSL 2.79, 0.26%, 0.68%

LAB 67.26, 14.96, 6.88

 

CMYK 0 / 9 / 9 / 29

HEX #B6A6A5

RGB 182 166 165

HSL 3.53, 0.1%, 0.68%

LAB 69.42, 5.61, 2.61

 

CMYK 0 / 52 / 27 / 8

HEX #EB70AB

RGB 235 112 171

HSL 331.22, 0.75%, 0.68%

LAB 63.5, 53.85, -8.8

 

CMYK 0 / 52 / 41 / 8

HEX #EB708B

RGB 235 112 139

HSL 346.83, 0.75%, 0.68%

LAB 62.6, 50.06, 8.23

 

CMYK 0 / 50 / 52 / 8

HEX #EB7670

RGB 235 118 112

HSL 2.93, 0.75%, 0.68%

LAB 63.17, 44.56, 24.41

 

CMYK 0 / 36 / 52 / 8

HEX #EB9770

RGB 235 151 112

HSL 19.02, 0.75%, 0.68%

LAB 70.15, 27.53, 33.55

 

CMYK 0 / 22 / 52 / 8

HEX #EBB870

RGB 235 184 112

HSL 35.12, 0.75%, 0.68%

LAB 77.94, 10.03, 43.35

 

CMYK 0 / 77 / 82 / 12

HEX #E03328

RGB 224 51 40

HSL 3.59, 0.75%, 0.52%

LAB 49.94, 64.72, 48.04

 

CMYK 0 / 63 / 67 / 10

HEX #E5554C

RGB 229 85 76

HSL 3.53, 0.75%, 0.6%

LAB 55.76, 55.32, 35.13

 

CMYK 0 / 49 / 52 / 8

HEX #EB7770

RGB 235 119 112

HSL 3.41, 0.75%, 0.68%

LAB 63.36, 44.06, 24.68

 

CMYK 0 / 36 / 38 / 6

HEX #F09A94

RGB 240 154 148

HSL 3.91, 0.75%, 0.76%

LAB 72.08, 31.47, 16.6

 

CMYK 0 / 23 / 25 / 4

HEX #F5BCB8

RGB 245 188 184

HSL 3.93, 0.75%, 0.84%

LAB 81.2, 19.93, 9.95

 

CMYK 0 / 49 / 52 / 8

HEX #EB7871

RGB 235 120 113

HSL 3.44, 0.75%, 0.68%

LAB 63.58, 43.65, 24.4

 

CMYK 13 / 0 / 52 / 8

HEX #CCEB70

RGB 204 235 112

HSL 75.12, 0.75%, 0.68%

LAB 88.65, -28.11, 55.61

 

CMYK 52 / 34 / 0 / 8

HEX #709BEB

RGB 112 155 235

HSL 219.02, 0.75%, 0.68%

LAB 64.07, 7.71, -44.79

 

CMYK 0 / 49 / 52 / 8

HEX #EB7871

RGB 235 120 113

HSL 3.44, 0.75%, 0.68%

LAB 63.58, 43.65, 24.4

 

CMYK 52 / 0 / 50 / 8

HEX #70EB76

RGB 112 235 118

HSL 122.93, 0.75%, 0.68%

LAB 84.05, -57.64, 46.18

 

CMYK 50 / 52 / 0 / 8

HEX #7670EB

RGB 118 112 235

HSL 242.93, 0.75%, 0.68%

LAB 53.43, 34.47, -61.7

 

CMYK 0 / 49 / 52 / 8

HEX #EB7871

RGB 235 120 113

HSL 3.44, 0.75%, 0.68%

LAB 63.58, 43.65, 24.4

 

CMYK 13 / 0 / 52 / 8

HEX #CCEB70

RGB 204 235 112

HSL 75.12, 0.75%, 0.68%

LAB 88.65, -28.11, 55.61

 

CMYK 52 / 3 / 0 / 8

HEX #70E4EB

RGB 112 228 235

HSL 183.41, 0.75%, 0.68%

LAB 84.45, -30.9, -13.48

 

CMYK 39 / 52 / 0 / 8

HEX #8F70EB

RGB 143 112 235

HSL 255.12, 0.75%, 0.68%

LAB 55.51, 40.03, -58.25

 

CMYK 0 / 49 / 52 / 8

HEX #EB7871

RGB 235 120 113

HSL 3.44, 0.75%, 0.68%

LAB 63.58, 43.65, 24.4

 

CMYK 29 / 0 / 52 / 8

HEX #A7EB70

RGB 167 235 112

HSL 93.17, 0.75%, 0.68%

LAB 86.41, -41.66, 52.4

 

CMYK 52 / 3 / 0 / 8

HEX #70E4EB

RGB 112 228 235

HSL 183.41, 0.75%, 0.68%

LAB 84.45, -30.9, -13.48

 

CMYK 23 / 52 / 0 / 8

HEX #B470EB

RGB 180 112 235

HSL 273.17, 0.75%, 0.68%

LAB 59.24, 49.16, -52.07

 

Description

Color code: HEX #EB78713F | qconv.com Color code: HEX #EB78713F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 120 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 120 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 13 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 13% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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