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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB77AB it is the complementary color #148854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB77AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB77AB shade: #F077A6, #FF89B9, #FF9BCC, #FFADDF and #FFBFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB77AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB77AB shade: #EB77AB, #DA6598, #C95385, #B84172 and #A72F5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB77AB shade: #EA75AA, #EA758A and #EA7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB77AB shade: #EA75AA, #EA75C9, #EA75E9, #CC75EA and #AD75EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB77AB shade matches the following richer shades: #EA75AA and #F769A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB77AB shade: #EA75AA, #DE82AB, #D18FAD, #C49CAE and #B7A9AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB77AB shade: #EA75E8, #EA75C9, #EA75AA, #EA758B and #EA7F75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB77AB shade: #E02E7D, #E55294, #EA75AA, #F099C0 and #F5BDD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB77AB shade: #EB77AB, #EACD75 and #75D9EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB77AB shade: #EB77AB, #AAEA75 and #75AAEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB77AB shade: #EB77AB, #EACD75, #75EAB6 and #7593EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB77AB shade: #EB77AB, #E5EA75, #75EAB6 and #7B75EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 8

HEX #EB77AB

RGB 235 119 171

HSL 333.1, 0.74%, 0.69%

LAB 64.8, 50.47, -6.86

 

Complementary color

CMYK 85 / 0 / 38 / 47

HEX #148854

RGB 20 136 84

HSL 153.1, 0.74%, 0.31%

LAB 49.97, -43, 19.55

 

CMYK 0 / 50 / 31 / 6

HEX #F077A6

RGB 240 119 166

HSL 336.69, 0.8%, 0.7%

LAB 65.34, 51.46, -3.16

 

CMYK 0 / 46 / 27 / 0

HEX #FF89B9

RGB 255 137 185

HSL 335.59, 1%, 0.77%

LAB 71.32, 50.01, -4.8

 

CMYK 0 / 39 / 20 / 0

HEX #FF9BCC

RGB 255 155 204

HSL 330.6, 1%, 0.8%

LAB 75.49, 43.57, -9.12

 

CMYK 0 / 32 / 13 / 0

HEX #FFADDF

RGB 255 173 223

HSL 323.41, 1%, 0.84%

LAB 79.88, 37.17, -12.91

 

CMYK 0 / 25 / 5 / 0

HEX #FFBFF2

RGB 255 191 242

HSL 312.19, 1%, 0.87%

LAB 84.45, 30.9, -16.26

 

CMYK 0 / 49 / 27 / 8

HEX #EB77AB

RGB 235 119 171

HSL 333.1, 0.74%, 0.69%

LAB 64.8, 50.47, -6.86

 

CMYK 0 / 54 / 30 / 15

HEX #DA6598

RGB 218 101 152

HSL 333.85, 0.61%, 0.63%

LAB 58.49, 51.21, -5.57

 

CMYK 0 / 59 / 34 / 21

HEX #C95385

RGB 201 83 133

HSL 334.58, 0.52%, 0.56%

LAB 52.17, 51.86, -4.03

 

CMYK 0 / 65 / 38 / 28

HEX #B84172

RGB 184 65 114

HSL 335.29, 0.48%, 0.49%

LAB 45.89, 52.29, -2.14

 

CMYK 0 / 72 / 43 / 35

HEX #A72F5F

RGB 167 47 95

HSL 336, 0.56%, 0.42%

LAB 39.71, 52.34, 0.26

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AA

RGB 234 117 170

HSL 332.82, 0.74%, 0.69%

LAB 64.26, 50.99, -7.12

 

CMYK 0 / 50 / 41 / 8

HEX #EA758A

RGB 234 117 138

HSL 349.23, 0.74%, 0.69%

LAB 63.38, 47.18, 9.89

 

CMYK 0 / 50 / 50 / 8

HEX #EA7575

RGB 234 117 117

HSL 0, 0.74%, 0.69%

LAB 62.93, 45.13, 21.23

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AA

RGB 234 117 170

HSL 332.82, 0.74%, 0.69%

LAB 64.26, 50.99, -7.12

 

CMYK 0 / 50 / 14 / 8

HEX #EA75C9

RGB 234 117 201

HSL 316.92, 0.74%, 0.69%

LAB 65.3, 55.41, -23.08

 

CMYK 0 / 50 / 0 / 8

HEX #EA75E9

RGB 234 117 233

HSL 300.51, 0.74%, 0.69%

LAB 66.59, 60.65, -38.93

 

CMYK 13 / 50 / 0 / 8

HEX #CC75EA

RGB 204 117 234

HSL 284.62, 0.74%, 0.69%

LAB 62.93, 52.68, -45.5

 

CMYK 26 / 50 / 0 / 8

HEX #AD75EA

RGB 173 117 234

HSL 268.72, 0.74%, 0.69%

LAB 59.48, 44.44, -51.18

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AA

RGB 234 117 170

HSL 332.82, 0.74%, 0.69%

LAB 64.26, 50.99, -7.12

 

CMYK 0 / 57 / 32 / 3

HEX #F769A9

RGB 247 105 169

HSL 332.96, 0.9%, 0.69%

LAB 63.95, 60.54, -6.8

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AA

RGB 234 117 170

HSL 332.82, 0.74%, 0.69%

LAB 64.26, 50.99, -7.12

 

CMYK 0 / 41 / 23 / 13

HEX #DE82AB

RGB 222 130 171

HSL 333.26, 0.58%, 0.69%

LAB 65.31, 40.56, -6.3

 

CMYK 0 / 32 / 17 / 18

HEX #D18FAD

RGB 209 143 173

HSL 332.73, 0.42%, 0.69%

LAB 66.69, 29.39, -5.55

 

CMYK 0 / 20 / 11 / 23

HEX #C49CAE

RGB 196 156 174

HSL 333, 0.25%, 0.69%

LAB 68.44, 17.77, -3.68

 

CMYK 0 / 8 / 4 / 28

HEX #B7A9AF

RGB 183 169 175

HSL 334.29, 0.09%, 0.69%

LAB 70.55, 6.11, -1.27

 

CMYK 0 / 50 / 1 / 8

HEX #EA75E8

RGB 234 117 232

HSL 301.03, 0.74%, 0.69%

LAB 66.55, 60.47, -38.45

 

CMYK 0 / 50 / 14 / 8

HEX #EA75C9

RGB 234 117 201

HSL 316.92, 0.74%, 0.69%

LAB 65.3, 55.41, -23.08

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AA

RGB 234 117 170

HSL 332.82, 0.74%, 0.69%

LAB 64.26, 50.99, -7.12

 

CMYK 0 / 50 / 41 / 8

HEX #EA758B

RGB 234 117 139

HSL 348.72, 0.74%, 0.69%

LAB 63.41, 47.29, 9.35

 

CMYK 0 / 46 / 50 / 8

HEX #EA7F75

RGB 234 127 117

HSL 5.13, 0.74%, 0.69%

LAB 64.93, 40.1, 23.93

 

CMYK 0 / 79 / 44 / 12

HEX #E02E7D

RGB 224 46 125

HSL 333.37, 0.74%, 0.53%

LAB 51.02, 70.95, -0.48

 

CMYK 0 / 64 / 35 / 10

HEX #E55294

RGB 229 82 148

HSL 333.06, 0.74%, 0.61%

LAB 56.91, 62.52, -5.39

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AA

RGB 234 117 170

HSL 332.82, 0.74%, 0.69%

LAB 64.26, 50.99, -7.12

 

CMYK 0 / 36 / 20 / 6

HEX #F099C0

RGB 240 153 192

HSL 333.1, 0.74%, 0.77%

LAB 72.97, 37.78, -6.45

 

CMYK 0 / 23 / 13 / 4

HEX #F5BDD6

RGB 245 189 214

HSL 333.21, 0.74%, 0.85%

LAB 82.2, 23.91, -4.73

 

CMYK 0 / 49 / 27 / 8

HEX #EB77AB

RGB 235 119 171

HSL 333.1, 0.74%, 0.69%

LAB 64.8, 50.47, -6.86

 

CMYK 0 / 12 / 50 / 8

HEX #EACD75

RGB 234 205 117

HSL 45.13, 0.74%, 0.69%

LAB 83.15, -0.9, 47.22

 

CMYK 50 / 7 / 0 / 8

HEX #75D9EA

RGB 117 217 234

HSL 188.72, 0.74%, 0.69%

LAB 81.48, -24.8, -17.39

 

CMYK 0 / 49 / 27 / 8

HEX #EB77AB

RGB 235 119 171

HSL 333.1, 0.74%, 0.69%

LAB 64.8, 50.47, -6.86

 

CMYK 27 / 0 / 50 / 8

HEX #AAEA75

RGB 170 234 117

HSL 92.82, 0.74%, 0.69%

LAB 86.34, -39.64, 50.05

 

CMYK 50 / 27 / 0 / 8

HEX #75AAEA

RGB 117 170 234

HSL 212.82, 0.74%, 0.69%

LAB 68.37, -0.01, -37.49

 

CMYK 0 / 49 / 27 / 8

HEX #EB77AB

RGB 235 119 171

HSL 333.1, 0.74%, 0.69%

LAB 64.8, 50.47, -6.86

 

CMYK 0 / 12 / 50 / 8

HEX #EACD75

RGB 234 205 117

HSL 45.13, 0.74%, 0.69%

LAB 83.15, -0.9, 47.22

 

CMYK 50 / 0 / 22 / 8

HEX #75EAB6

RGB 117 234 182

HSL 153.33, 0.74%, 0.69%

LAB 85, -45.06, 15.23

 

CMYK 50 / 37 / 0 / 8

HEX #7593EA

RGB 117 147 234

HSL 224.62, 0.74%, 0.69%

LAB 62.16, 13.18, -47.22

 

CMYK 0 / 49 / 27 / 8

HEX #EB77AB

RGB 235 119 171

HSL 333.1, 0.74%, 0.69%

LAB 64.8, 50.47, -6.86

 

CMYK 2 / 0 / 50 / 8

HEX #E5EA75

RGB 229 234 117

HSL 62.56, 0.74%, 0.69%

LAB 90.22, -17.47, 55.62

 

CMYK 50 / 0 / 22 / 8

HEX #75EAB6

RGB 117 234 182

HSL 153.33, 0.74%, 0.69%

LAB 85, -45.06, 15.23

 

CMYK 47 / 50 / 0 / 8

HEX #7B75EA

RGB 123 117 234

HSL 243.08, 0.74%, 0.69%

LAB 54.94, 32.29, -58.69

 

Description

Color code: HEX #EB77AB | qconv.com Color code: HEX #EB77AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 119 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 119 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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