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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB74EB it is the complementary color #148B14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB74EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB74EB shade: #F074E6, #FF86F9, #FF98FF, #FFAAFF and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB74EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB74EB shade: #EB74EB, #DA62D8, #C950C5, #B83EB2 and #A72C9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB74EB shade: #EB74EB, #EB74CB, #EB74AB, #EB748B and #EB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB74EB shade: #EB74EB, #CB74EB, #AB74EB, #8B74EB and #7474EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB74EB shade matches the following richer shades: #EB74EB and #F867F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB74EB shade: #EB74EB, #DE81DE, #D18ED1, #C49BC4 and #B8A7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB74EB shade: #AB74EB, #CB74EB, #EB74EB, #EB74CB and #EB74AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB74EB shade: #E02CE0, #E650E6, #EB74EB, #F098F0 and #F5BCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB74EB shade: #EB74EB, #EB8C74 and #74EBBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB74EB shade: #EB74EB, #EBEB74 and #74EBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB74EB shade: #EB74EB, #EB8C74, #74EB74 and #74D3EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB74EB shade: #EB74EB, #EBAF74, #74EB74 and #74AFEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

Complementary color

CMYK 86 / 0 / 86 / 45

HEX #148B14

RGB 20 139 20

HSL 120, 0.75%, 0.31%

LAB 50.29, -52.51, 49.19

 

CMYK 0 / 52 / 4 / 6

HEX #F074E6

RGB 240 116 230

HSL 304.84, 0.81%, 0.7%

LAB 67.07, 62.24, -36.47

 

CMYK 0 / 47 / 2 / 0

HEX #FF86F9

RGB 255 134 249

HSL 302.98, 1%, 0.76%

LAB 72.99, 61.11, -37.55

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 55 / 1 / 15

HEX #DA62D8

RGB 218 98 216

HSL 301, 0.62%, 0.62%

LAB 60.43, 62.22, -39.25

 

CMYK 0 / 60 / 2 / 21

HEX #C950C5

RGB 201 80 197

HSL 301.98, 0.53%, 0.55%

LAB 54.22, 62.51, -38.35

 

CMYK 0 / 66 / 3 / 28

HEX #B83EB2

RGB 184 62 178

HSL 302.95, 0.5%, 0.48%

LAB 48.07, 62.46, -37.19

 

CMYK 0 / 74 / 5 / 35

HEX #A72C9F

RGB 167 44 159

HSL 303.9, 0.58%, 0.41%

LAB 42.03, 61.87, -35.63

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 51 / 14 / 8

HEX #EB74CB

RGB 235 116 203

HSL 316.13, 0.75%, 0.69%

LAB 65.33, 56.5, -24.15

 

CMYK 0 / 51 / 27 / 8

HEX #EB74AB

RGB 235 116 171

HSL 332.27, 0.75%, 0.69%

LAB 64.24, 51.93, -7.7

 

CMYK 0 / 51 / 41 / 8

HEX #EB748B

RGB 235 116 139

HSL 348.4, 0.75%, 0.69%

LAB 63.36, 48.12, 9.3

 

CMYK 0 / 51 / 51 / 8

HEX #EB7474

RGB 235 116 116

HSL 0, 0.75%, 0.69%

LAB 62.86, 45.89, 21.73

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 14 / 51 / 0 / 8

HEX #CB74EB

RGB 203 116 235

HSL 283.87, 0.75%, 0.69%

LAB 62.66, 53.12, -46.48

 

CMYK 27 / 51 / 0 / 8

HEX #AB74EB

RGB 171 116 235

HSL 267.73, 0.75%, 0.69%

LAB 59.11, 44.71, -52.34

 

CMYK 41 / 51 / 0 / 8

HEX #8B74EB

RGB 139 116 235

HSL 251.6, 0.75%, 0.69%

LAB 56.07, 36.8, -57.37

 

CMYK 51 / 51 / 0 / 8

HEX #7474EB

RGB 116 116 235

HSL 240, 0.75%, 0.69%

LAB 54.24, 31.68, -60.4

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 58 / 0 / 3

HEX #F867F8

RGB 248 103 248

HSL 300, 0.91%, 0.69%

LAB 66.85, 73, -46.68

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 42 / 0 / 13

HEX #DE81DE

RGB 222 129 222

HSL 300, 0.58%, 0.69%

LAB 66.9, 49.38, -32.47

 

CMYK 0 / 32 / 0 / 18

HEX #D18ED1

RGB 209 142 209

HSL 300, 0.42%, 0.69%

LAB 67.65, 36.14, -24.22

 

CMYK 0 / 21 / 0 / 23

HEX #C49BC4

RGB 196 155 196

HSL 300, 0.26%, 0.69%

LAB 68.87, 22.29, -15.28

 

CMYK 0 / 9 / 0 / 28

HEX #B8A7B8

RGB 184 167 184

HSL 300, 0.11%, 0.69%

LAB 70.38, 9.24, -6.49

 

CMYK 27 / 51 / 0 / 8

HEX #AB74EB

RGB 171 116 235

HSL 267.73, 0.75%, 0.69%

LAB 59.11, 44.71, -52.34

 

CMYK 14 / 51 / 0 / 8

HEX #CB74EB

RGB 203 116 235

HSL 283.87, 0.75%, 0.69%

LAB 62.66, 53.12, -46.48

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 51 / 14 / 8

HEX #EB74CB

RGB 235 116 203

HSL 316.13, 0.75%, 0.69%

LAB 65.33, 56.5, -24.15

 

CMYK 0 / 51 / 27 / 8

HEX #EB74AB

RGB 235 116 171

HSL 332.27, 0.75%, 0.69%

LAB 64.24, 51.93, -7.7

 

CMYK 0 / 80 / 0 / 12

HEX #E02CE0

RGB 224 44 224

HSL 300, 0.74%, 0.53%

LAB 55.1, 83.49, -52.12

 

CMYK 0 / 65 / 0 / 10

HEX #E650E6

RGB 230 80 230

HSL 300, 0.75%, 0.61%

LAB 60.14, 74.88, -47.45

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 37 / 0 / 6

HEX #F098F0

RGB 240 152 240

HSL 300, 0.75%, 0.77%

LAB 74.36, 46.2, -30.67

 

CMYK 0 / 23 / 0 / 4

HEX #F5BCF5

RGB 245 188 245

HSL 300, 0.74%, 0.85%

LAB 82.9, 29.76, -20.29

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 40 / 51 / 8

HEX #EB8C74

RGB 235 140 116

HSL 12.1, 0.75%, 0.69%

LAB 67.78, 33.67, 28.3

 

CMYK 51 / 0 / 20 / 8

HEX #74EBBB

RGB 116 235 187

HSL 155.8, 0.75%, 0.69%

LAB 85.36, -44.68, 13.13

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 0 / 51 / 8

HEX #EBEB74

RGB 235 235 116

HSL 60, 0.75%, 0.69%

LAB 90.93, -15.67, 57.03

 

CMYK 51 / 0 / 0 / 8

HEX #74EBEB

RGB 116 235 235

HSL 180, 0.75%, 0.69%

LAB 86.57, -33.41, -10.3

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 40 / 51 / 8

HEX #EB8C74

RGB 235 140 116

HSL 12.1, 0.75%, 0.69%

LAB 67.78, 33.67, 28.3

 

CMYK 51 / 0 / 51 / 8

HEX #74EB74

RGB 116 235 116

HSL 120, 0.75%, 0.69%

LAB 84.17, -56.87, 47.3

 

CMYK 51 / 10 / 0 / 8

HEX #74D3EB

RGB 116 211 235

HSL 192.1, 0.75%, 0.69%

LAB 79.78, -21.75, -20.49

 

CMYK 0 / 51 / 0 / 8

HEX #EB74EB

RGB 235 116 235

HSL 300, 0.75%, 0.69%

LAB 66.64, 61.73, -39.97

 

CMYK 0 / 26 / 51 / 8

HEX #EBAF74

RGB 235 175 116

HSL 29.75, 0.75%, 0.69%

LAB 75.81, 15.13, 38.65

 

CMYK 51 / 0 / 51 / 8

HEX #74EB74

RGB 116 235 116

HSL 120, 0.75%, 0.69%

LAB 84.17, -56.87, 47.3

 

CMYK 51 / 26 / 0 / 8

HEX #74AFEB

RGB 116 175 235

HSL 210.25, 0.75%, 0.69%

LAB 69.73, -2.73, -35.91

 

Description

Color code: HEX #EB74EB | qconv.com Color code: HEX #EB74EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 116 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 116 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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