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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6FF7 it is the complementary color #149008. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6FF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6FF7 shade: #F06FF2, #FF81FF, #FF93FF, #FFA5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6FF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6FF7 shade: #EB6FF7, #DA5DE4, #C94BD1, #B839BE and #A727AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6FF7 shade: #EB6EF7, #F76EDE, #F76EB9, #F76E94 and #F76E70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6FF7 shade: #EB6EF7, #C66EF7, #A16EF7, #7C6EF7 and #6E6EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6FF7 shade matches the following richer shades: #EB6EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6FF7 shade: #EB6EF7, #E07BEA, #D687DE, #CC94D1 and #C2A0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6FF7 shade: #A06EF7, #C56EF7, #E96EF7, #F76EE0 and #F76EBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6FF7 shade: #E020F2, #E547F4, #EB6EF7, #F095F9 and #F6BCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6FF7 shade: #EB6FF7, #F77C6E and #6EF7B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6FF7 shade: #EB6FF7, #F7E96E and #6EF7E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6FF7 shade: #EB6FF7, #F77C6E, #7CF76E and #6EE9F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6FF7 shade: #EB6FF7, #F7A56E, #7CF76E and #6EC0F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 55 / 0 / 3

HEX #EB6FF7

RGB 235 111 247

HSL 294.71, 0.89%, 0.7%

LAB 66.33, 66.14, -47.07

 

Complementary color

CMYK 86 / 0 / 94 / 44

HEX #149008

RGB 20 144 8

HSL 114.71, 0.89%, 0.3%

LAB 51.96, -54.53, 53.18

 

CMYK 1 / 54 / 0 / 5

HEX #F06FF2

RGB 240 111 242

HSL 299.08, 0.83%, 0.69%

LAB 66.75, 66.54, -43.6

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 5 / 55 / 0 / 3

HEX #EB6FF7

RGB 235 111 247

HSL 294.71, 0.89%, 0.7%

LAB 66.33, 66.14, -47.07

 

CMYK 4 / 59 / 0 / 11

HEX #DA5DE4

RGB 218 93 228

HSL 295.56, 0.71%, 0.63%

LAB 60.19, 66.51, -46.36

 

CMYK 4 / 64 / 0 / 18

HEX #C94BD1

RGB 201 75 209

HSL 296.42, 0.59%, 0.56%

LAB 54.08, 66.62, -45.44

 

CMYK 3 / 70 / 0 / 25

HEX #B839BE

RGB 184 57 190

HSL 297.29, 0.54%, 0.48%

LAB 48.05, 66.33, -44.23

 

CMYK 2 / 77 / 0 / 33

HEX #A727AB

RGB 167 39 171

HSL 298.18, 0.63%, 0.41%

LAB 42.16, 65.37, -42.59

 

CMYK 5 / 55 / 0 / 3

HEX #EB6EF7

RGB 235 110 247

HSL 294.74, 0.9%, 0.7%

LAB 66.16, 66.59, -47.33

 

CMYK 0 / 55 / 10 / 3

HEX #F76EDE

RGB 247 110 222

HSL 310.95, 0.9%, 0.7%

LAB 66.67, 65.59, -32.57

 

CMYK 0 / 55 / 25 / 3

HEX #F76EB9

RGB 247 110 185

HSL 327.15, 0.9%, 0.7%

LAB 65.3, 60.3, -13.89

 

CMYK 0 / 55 / 40 / 3

HEX #F76E94

RGB 247 110 148

HSL 343.36, 0.9%, 0.7%

LAB 64.21, 55.93, 5.6

 

CMYK 0 / 55 / 55 / 3

HEX #F76E70

RGB 247 110 112

HSL 359.12, 0.9%, 0.7%

LAB 63.42, 52.65, 25.07

 

CMYK 5 / 55 / 0 / 3

HEX #EB6EF7

RGB 235 110 247

HSL 294.74, 0.9%, 0.7%

LAB 66.16, 66.59, -47.33

 

CMYK 20 / 55 / 0 / 3

HEX #C66EF7

RGB 198 110 247

HSL 278.54, 0.9%, 0.7%

LAB 61.54, 57.33, -54.94

 

CMYK 35 / 55 / 0 / 3

HEX #A16EF7

RGB 161 110 247

HSL 262.34, 0.9%, 0.7%

LAB 57.51, 48.45, -61.62

 

CMYK 50 / 55 / 0 / 3

HEX #7C6EF7

RGB 124 110 247

HSL 246.13, 0.9%, 0.7%

LAB 54.19, 40.44, -67.14

 

CMYK 55 / 55 / 0 / 3

HEX #6E6EF7

RGB 110 110 247

HSL 240, 0.9%, 0.7%

LAB 53.15, 37.76, -68.87

 

CMYK 5 / 55 / 0 / 3

HEX #EB6EF7

RGB 235 110 247

HSL 294.74, 0.9%, 0.7%

LAB 66.16, 66.59, -47.33

 

CMYK 5 / 55 / 0 / 3

HEX #EB6EF7

RGB 235 110 247

HSL 294.74, 0.9%, 0.7%

LAB 66.16, 66.59, -47.33

 

CMYK 4 / 47 / 0 / 8

HEX #E07BEA

RGB 224 123 234

HSL 294.59, 0.73%, 0.7%

LAB 66.48, 55.16, -39.75

 

CMYK 4 / 39 / 0 / 13

HEX #D687DE

RGB 214 135 222

HSL 294.48, 0.57%, 0.7%

LAB 67.2, 43.87, -32.09

 

CMYK 2 / 29 / 0 / 18

HEX #CC94D1

RGB 204 148 209

HSL 295.08, 0.4%, 0.7%

LAB 68.48, 31.27, -23.01

 

CMYK 2 / 19 / 0 / 23

HEX #C2A0C5

RGB 194 160 197

HSL 295.14, 0.24%, 0.7%

LAB 69.92, 19.04, -14.26

 

CMYK 35 / 55 / 0 / 3

HEX #A06EF7

RGB 160 110 247

HSL 261.9, 0.9%, 0.7%

LAB 57.41, 48.22, -61.79

 

CMYK 20 / 55 / 0 / 3

HEX #C56EF7

RGB 197 110 247

HSL 278.1, 0.9%, 0.7%

LAB 61.43, 57.08, -55.13

 

CMYK 6 / 55 / 0 / 3

HEX #E96EF7

RGB 233 110 247

HSL 293.87, 0.9%, 0.7%

LAB 65.9, 66.08, -47.76

 

CMYK 0 / 55 / 9 / 3

HEX #F76EE0

RGB 247 110 224

HSL 310.07, 0.9%, 0.7%

LAB 66.75, 65.9, -33.56

 

CMYK 0 / 55 / 24 / 3

HEX #F76EBC

RGB 247 110 188

HSL 325.84, 0.9%, 0.7%

LAB 65.4, 60.7, -15.43

 

CMYK 7 / 87 / 0 / 5

HEX #E020F2

RGB 224 32 242

HSL 294.86, 0.89%, 0.54%

LAB 55.37, 88.55, -61.83

 

CMYK 6 / 71 / 0 / 4

HEX #E547F4

RGB 229 71 244

HSL 294.8, 0.89%, 0.62%

LAB 59.61, 80.1, -56.11

 

CMYK 5 / 55 / 0 / 3

HEX #EB6EF7

RGB 235 110 247

HSL 294.74, 0.9%, 0.7%

LAB 66.16, 66.59, -47.33

 

CMYK 4 / 40 / 0 / 2

HEX #F095F9

RGB 240 149 249

HSL 294.6, 0.89%, 0.78%

LAB 74.1, 49.38, -35.97

 

CMYK 2 / 25 / 0 / 2

HEX #F6BCFB

RGB 246 188 251

HSL 295.24, 0.89%, 0.86%

LAB 83.19, 31.18, -23.04

 

CMYK 5 / 55 / 0 / 3

HEX #EB6FF7

RGB 235 111 247

HSL 294.71, 0.89%, 0.7%

LAB 66.33, 66.14, -47.07

 

CMYK 0 / 50 / 55 / 3

HEX #F77C6E

RGB 247 124 110

HSL 6.13, 0.9%, 0.7%

LAB 65.99, 45.8, 29.57

 

CMYK 55 / 0 / 28 / 3

HEX #6EF7B3

RGB 110 247 179

HSL 150.22, 0.9%, 0.7%

LAB 88.49, -52.7, 21.62

 

CMYK 5 / 55 / 0 / 3

HEX #EB6FF7

RGB 235 111 247

HSL 294.71, 0.89%, 0.7%

LAB 66.33, 66.14, -47.07

 

CMYK 0 / 6 / 55 / 3

HEX #F7E96E

RGB 247 233 110

HSL 53.87, 0.9%, 0.7%

LAB 91.31, -10.36, 60.42

 

CMYK 55 / 0 / 6 / 3

HEX #6EF7E9

RGB 110 247 233

HSL 173.87, 0.9%, 0.7%

LAB 89.73, -40.6, -4.6

 

CMYK 5 / 55 / 0 / 3

HEX #EB6FF7

RGB 235 111 247

HSL 294.71, 0.89%, 0.7%

LAB 66.33, 66.14, -47.07

 

CMYK 0 / 50 / 55 / 3

HEX #F77C6E

RGB 247 124 110

HSL 6.13, 0.9%, 0.7%

LAB 65.99, 45.8, 29.57

 

CMYK 50 / 0 / 55 / 3

HEX #7CF76E

RGB 124 247 110

HSL 113.87, 0.9%, 0.7%

LAB 87.94, -60.08, 54.65

 

CMYK 55 / 6 / 0 / 3

HEX #6EE9F7

RGB 110 233 247

HSL 186.13, 0.9%, 0.7%

LAB 86.16, -30.47, -17.24

 

CMYK 5 / 55 / 0 / 3

HEX #EB6FF7

RGB 235 111 247

HSL 294.71, 0.89%, 0.7%

LAB 66.33, 66.14, -47.07

 

CMYK 0 / 33 / 55 / 3

HEX #F7A56E

RGB 247 165 110

HSL 24.09, 0.9%, 0.7%

LAB 74.71, 24.74, 40.65

 

CMYK 50 / 0 / 55 / 3

HEX #7CF76E

RGB 124 247 110

HSL 113.87, 0.9%, 0.7%

LAB 87.94, -60.08, 54.65

 

CMYK 55 / 22 / 0 / 3

HEX #6EC0F7

RGB 110 192 247

HSL 204.09, 0.9%, 0.7%

LAB 74.65, -9.71, -34.8

 

Description

Color code: HEX #EB6FF7 | qconv.com Color code: HEX #EB6FF7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 111 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 111 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 55 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 55% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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