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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6F40 it is the complementary color #1490BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6F40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6F40 shade: #F06F3B, #FF814E, #FF9361, #FFA574 and #FFB787

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6F40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6F40 shade: #EB6F40, #DA5D2D, #C94B1A, #B83907 and #A72700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6F40 shade: #EB7042, #EB4342 and #EB4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6F40 shade: #EB7042, #EB9E42, #EBCC42, #DDEB42 and #AFEB42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6F40 shade matches the following richer shades: #EB7042 and #FC6931

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6F40 shade: #EB7042, #DA7853, #C98064, #B88775 and #A78F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6F40 shade: #EB426F, #EB4242, #EB6F42, #EB9C42 and #EBC942

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6F40 shade: #C64515, #E7541C, #EB7042, #EF8C67 and #F3A98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6F40 shade: #EB6F40, #9CEB42 and #4258EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6F40 shade: #EB6F40, #42EB6F and #6F42EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6F40 shade: #EB6F40, #9CEB42, #42BEEB and #9142EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6F40 shade: #EB6F40, #69EB42, #42BEEB and #C442EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 73 / 8

HEX #EB6F40

RGB 235 111 64

HSL 16.49, 0.81%, 0.59%

LAB 61.13, 44.92, 47.95

 

Complementary color

CMYK 90 / 25 / 0 / 25

HEX #1490BF

RGB 20 144 191

HSL 196.49, 0.81%, 0.41%

LAB 55.94, -14.38, -33.14

 

CMYK 0 / 54 / 75 / 6

HEX #F06F3B

RGB 240 111 59

HSL 17.24, 0.86%, 0.59%

LAB 61.83, 46.58, 51.37

 

CMYK 0 / 49 / 69 / 0

HEX #FF814E

RGB 255 129 78

HSL 17.29, 1%, 0.65%

LAB 67.66, 44.28, 48.92

 

CMYK 0 / 42 / 62 / 0

HEX #FF9361

RGB 255 147 97

HSL 18.99, 1%, 0.69%

LAB 71.55, 36.32, 43.74

 

CMYK 0 / 35 / 55 / 0

HEX #FFA574

RGB 255 165 116

HSL 21.15, 1%, 0.73%

LAB 75.72, 28.39, 39

 

CMYK 0 / 28 / 47 / 0

HEX #FFB787

RGB 255 183 135

HSL 24, 1%, 0.76%

LAB 80.11, 20.64, 34.7

 

CMYK 0 / 53 / 73 / 8

HEX #EB6F40

RGB 235 111 64

HSL 16.49, 0.81%, 0.59%

LAB 61.13, 44.92, 47.95

 

CMYK 0 / 57 / 79 / 15

HEX #DA5D2D

RGB 218 93 45

HSL 16.65, 0.7%, 0.52%

LAB 54.99, 46.48, 50.06

 

CMYK 0 / 63 / 87 / 21

HEX #C94B1A

RGB 201 75 26

HSL 16.8, 0.77%, 0.45%

LAB 48.91, 48.03, 51.87

 

CMYK 0 / 69 / 96 / 28

HEX #B83907

RGB 184 57 7

HSL 16.95, 0.93%, 0.37%

LAB 42.96, 49.41, 52.52

 

CMYK 0 / 77 / 100 / 35

HEX #A72700

RGB 167 39 0

HSL 14.01, 1%, 0.33%

LAB 37.24, 50.36, 50.08

 

CMYK 0 / 52 / 72 / 8

HEX #EB7042

RGB 235 112 66

HSL 16.33, 0.81%, 0.59%

LAB 61.35, 44.52, 47.17

 

CMYK 0 / 71 / 72 / 8

HEX #EB4342

RGB 235 67 66

HSL 0.36, 0.81%, 0.59%

LAB 54.1, 63.75, 39.06

 

CMYK 0 / 72 / 72 / 8

HEX #EB4242

RGB 235 66 66

HSL 0, 0.81%, 0.59%

LAB 53.98, 64.09, 38.92

 

CMYK 0 / 52 / 72 / 8

HEX #EB7042

RGB 235 112 66

HSL 16.33, 0.81%, 0.59%

LAB 61.35, 44.52, 47.17

 

CMYK 0 / 33 / 72 / 8

HEX #EB9E42

RGB 235 158 66

HSL 32.66, 0.81%, 0.59%

LAB 71.22, 20.75, 57.64

 

CMYK 0 / 13 / 72 / 8

HEX #EBCC42

RGB 235 204 66

HSL 48.99, 0.81%, 0.59%

LAB 82.51, -3.36, 68.95

 

CMYK 6 / 0 / 72 / 8

HEX #DDEB42

RGB 221 235 66

HSL 64.97, 0.81%, 0.59%

LAB 89.48, -24.52, 75.28

 

CMYK 26 / 0 / 72 / 8

HEX #AFEB42

RGB 175 235 66

HSL 81.3, 0.81%, 0.59%

LAB 86.47, -42.47, 71.33

 

CMYK 0 / 52 / 72 / 8

HEX #EB7042

RGB 235 112 66

HSL 16.33, 0.81%, 0.59%

LAB 61.35, 44.52, 47.17

 

CMYK 0 / 58 / 81 / 1

HEX #FC6931

RGB 252 105 49

HSL 16.55, 0.97%, 0.59%

LAB 62.52, 53.38, 57.29

 

CMYK 0 / 52 / 72 / 8

HEX #EB7042

RGB 235 112 66

HSL 16.33, 0.81%, 0.59%

LAB 61.35, 44.52, 47.17

 

CMYK 0 / 45 / 62 / 15

HEX #DA7853

RGB 218 120 83

HSL 16.44, 0.65%, 0.59%

LAB 60.75, 34.9, 36.93

 

CMYK 0 / 36 / 50 / 21

HEX #C98064

RGB 201 128 100

HSL 16.63, 0.48%, 0.59%

LAB 60.58, 25.21, 26.91

 

CMYK 0 / 27 / 36 / 28

HEX #B88775

RGB 184 135 117

HSL 16.12, 0.32%, 0.59%

LAB 60.61, 16.33, 17.04

 

CMYK 0 / 14 / 20 / 35

HEX #A78F85

RGB 167 143 133

HSL 17.65, 0.16%, 0.59%

LAB 61.27, 7.35, 8.64

 

CMYK 0 / 72 / 53 / 8

HEX #EB426F

RGB 235 66 111

HSL 344.02, 0.81%, 0.59%

LAB 54.77, 66.76, 13.56

 

CMYK 0 / 72 / 72 / 8

HEX #EB4242

RGB 235 66 66

HSL 0, 0.81%, 0.59%

LAB 53.98, 64.09, 38.92

 

CMYK 0 / 53 / 72 / 8

HEX #EB6F42

RGB 235 111 66

HSL 15.98, 0.81%, 0.59%

LAB 61.15, 45.01, 46.96

 

CMYK 0 / 34 / 72 / 8

HEX #EB9C42

RGB 235 156 66

HSL 31.95, 0.81%, 0.59%

LAB 70.76, 21.81, 57.16

 

CMYK 0 / 14 / 72 / 8

HEX #EBC942

RGB 235 201 66

HSL 47.93, 0.81%, 0.59%

LAB 81.75, -1.82, 68.2

 

CMYK 0 / 65 / 89 / 22

HEX #C64515

RGB 198 69 21

HSL 16.27, 0.81%, 0.43%

LAB 47.39, 49.48, 52.35

 

CMYK 0 / 64 / 88 / 9

HEX #E7541C

RGB 231 84 28

HSL 16.55, 0.81%, 0.51%

LAB 55.5, 54.71, 58.47

 

CMYK 0 / 52 / 72 / 8

HEX #EB7042

RGB 235 112 66

HSL 16.33, 0.81%, 0.59%

LAB 61.35, 44.52, 47.17

 

CMYK 0 / 41 / 57 / 6

HEX #EF8C67

RGB 239 140 103

HSL 16.32, 0.81%, 0.67%

LAB 68.08, 34.14, 35.85

 

CMYK 0 / 30 / 42 / 5

HEX #F3A98C

RGB 243 169 140

HSL 16.89, 0.81%, 0.75%

LAB 75.65, 23.82, 25.91

 

CMYK 0 / 53 / 73 / 8

HEX #EB6F40

RGB 235 111 64

HSL 16.49, 0.81%, 0.59%

LAB 61.13, 44.92, 47.95

 

CMYK 34 / 0 / 72 / 8

HEX #9CEB42

RGB 156 235 66

HSL 88.05, 0.81%, 0.59%

LAB 85.44, -49.29, 69.97

 

CMYK 72 / 63 / 0 / 8

HEX #4258EB

RGB 66 88 235

HSL 232.19, 0.81%, 0.59%

LAB 44.43, 40.52, -76.46

 

CMYK 0 / 53 / 73 / 8

HEX #EB6F40

RGB 235 111 64

HSL 16.49, 0.81%, 0.59%

LAB 61.13, 44.92, 47.95

 

CMYK 72 / 0 / 53 / 8

HEX #42EB6F

RGB 66 235 111

HSL 135.98, 0.81%, 0.59%

LAB 82.77, -67.93, 47.63

 

CMYK 53 / 72 / 0 / 8

HEX #6F42EB

RGB 111 66 235

HSL 255.98, 0.81%, 0.59%

LAB 43.17, 58.76, -78.39

 

CMYK 0 / 53 / 73 / 8

HEX #EB6F40

RGB 235 111 64

HSL 16.49, 0.81%, 0.59%

LAB 61.13, 44.92, 47.95

 

CMYK 34 / 0 / 72 / 8

HEX #9CEB42

RGB 156 235 66

HSL 88.05, 0.81%, 0.59%

LAB 85.44, -49.29, 69.97

 

CMYK 72 / 19 / 0 / 8

HEX #42BEEB

RGB 66 190 235

HSL 195.98, 0.81%, 0.59%

LAB 72.22, -19.64, -32.21

 

CMYK 38 / 72 / 0 / 8

HEX #9142EB

RGB 145 66 235

HSL 268.05, 0.81%, 0.59%

LAB 46.86, 64.18, -72.21

 

CMYK 0 / 53 / 73 / 8

HEX #EB6F40

RGB 235 111 64

HSL 16.49, 0.81%, 0.59%

LAB 61.13, 44.92, 47.95

 

CMYK 55 / 0 / 72 / 8

HEX #69EB42

RGB 105 235 66

HSL 106.15, 0.81%, 0.59%

LAB 83.34, -64.72, 67.18

 

CMYK 72 / 19 / 0 / 8

HEX #42BEEB

RGB 66 190 235

HSL 195.98, 0.81%, 0.59%

LAB 72.22, -19.64, -32.21

 

CMYK 17 / 72 / 0 / 8

HEX #C442EB

RGB 196 66 235

HSL 286.15, 0.81%, 0.59%

LAB 53.63, 73.64, -60.92

 

Description

Color code: HEX #EB6F40 | qconv.com Color code: HEX #EB6F40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 111 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 111 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 73 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 73% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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