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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6C4FBF it is the complementary color #1493B0BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6C4FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6C4FBF shade: #F06C4ABF, #FF7E5DBF, #FF9070BF, #FFA283BF and #FFB496BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6C4FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6C4FBF shade: #EB6C4FBF, #DA5A3CBF, #C94829BF, #B83616BF and #A72403BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6C4FBF shade: #EC6D51 and #EC5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6C4FBF shade: #EC6D51, #EC9751, #ECC151, #ECEB51 and #C3EC51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6C4FBF shade matches the following richer shades: #EC6D51 and #FB6441

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6C4FBF shade: #EC6D51, #DC7760, #CC8170, #BD8B80 and #AD958F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6C4FBF shade: #EC5187, #EC515D, #EC6D51, #EC9651 and #ECC051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6C4FBF shade: #D23A17, #E74E2B, #EC6D51, #F08C76 and #F4AB9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6C4FBF shade: #EB6C4F, #B0EC51 and #5172EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6C4FBF shade: #EB6C4F, #51EC6D and #6D51EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6C4FBF shade: #EB6C4F, #B0EC51, #51CFEC and #8C51EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6C4FBF shade: #EB6C4F, #82EC51, #51CFEC and #BB51EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 50 / 6

HEX #EB6C4FBF

RGBA 235 108 79 0.75

HSLA 11.15, 0.8%, 0.62%, 0.75

LABA 60.74, 47.13, 39.66, 0.75

 

Complementary color

CMYK 66 / 12 / 0 / 23

HEX #1493B0BF

RGBA 20 147 176 0.75

HSLA 191.15, 0.8%, 0.38%, 0.75

LABA 56.24, -21.3, -24.16, 0.75

 

CMYK 0 / 41 / 52 / 4

HEX #F06C4ABF

RGBA 240 108 74 0.75

HSLA 12.29, 0.85%, 0.62%, 0.75

LABA 61.43, 48.68, 43.34, 0.75

 

CMYK 0 / 38 / 48 / 0

HEX #FF7E5DBF

RGBA 255 126 93 0.75

HSLA 12.22, 1%, 0.68%, 0.75

LABA 67.26, 46.58, 40.66, 0.75

 

CMYK 0 / 33 / 42 / 0

HEX #FF9070BF

RGBA 255 144 112 0.75

HSLA 13.43, 1%, 0.72%, 0.75

LABA 71.13, 38.91, 35.31, 0.75

 

CMYK 0 / 27 / 36 / 0

HEX #FFA283BF

RGBA 255 162 131 0.75

HSLA 15, 1%, 0.76%, 0.75

LABA 75.29, 31.24, 30.5, 0.75

 

CMYK 0 / 22 / 31 / 0

HEX #FFB496BF

RGBA 255 180 150 0.75

HSLA 17.14, 1%, 0.79%, 0.75

LABA 79.67, 23.72, 26.2, 0.75

 

CMYK 0 / 41 / 50 / 6

HEX #EB6C4FBF

RGBA 235 108 79 0.75

HSLA 11.15, 0.8%, 0.62%, 0.75

LABA 60.74, 47.13, 39.66, 0.75

 

CMYK 0 / 44 / 54 / 11

HEX #DA5A3CBF

RGBA 218 90 60 0.75

HSLA 11.39, 0.68%, 0.55%, 0.75

LABA 54.6, 48.48, 42.11, 0.75

 

CMYK 0 / 48 / 60 / 16

HEX #C94829BF

RGBA 201 72 41 0.75

HSLA 11.63, 0.66%, 0.47%, 0.75

LABA 48.53, 49.76, 44.73, 0.75

 

CMYK 0 / 53 / 66 / 21

HEX #B83616BF

RGBA 184 54 22 0.75

HSLA 11.85, 0.79%, 0.4%, 0.75

LABA 42.59, 50.83, 47.15, 0.75

 

CMYK 0 / 59 / 74 / 26

HEX #A72403BF

RGBA 167 36 3 0.75

HSLA 12.07, 0.96%, 0.33%, 0.75

LABA 36.9, 51.38, 48.74, 0.75

 

CMYK 0 / 54 / 66 / 7

HEX #EC6D51

RGB 236 109 81

HSL 10.84, 0.8%, 0.62%

LAB 61.1, 47.13, 39.05

 

CMYK 0 / 66 / 66 / 7

HEX #EC5151

RGB 236 81 81

HSL 0, 0.8%, 0.62%

LAB 56.4, 59.55, 33.34

 

CMYK 0 / 54 / 66 / 7

HEX #EC6D51

RGB 236 109 81

HSL 10.84, 0.8%, 0.62%

LAB 61.1, 47.13, 39.05

 

CMYK 0 / 36 / 66 / 7

HEX #EC9751

RGB 236 151 81

HSL 27.1, 0.8%, 0.62%

LAB 69.87, 25.68, 49.24

 

CMYK 0 / 18 / 66 / 7

HEX #ECC151

RGB 236 193 81

HSL 43.35, 0.8%, 0.62%

LAB 79.94, 3.51, 60.32

 

CMYK 0 / 0 / 66 / 7

HEX #ECEB51

RGB 236 235 81

HSL 59.61, 0.8%, 0.62%

LAB 90.71, -17.67, 71.55

 

CMYK 17 / 0 / 66 / 7

HEX #C3EC51

RGB 195 236 81

HSL 75.87, 0.8%, 0.62%

LAB 88.06, -34.45, 67.9

 

CMYK 0 / 54 / 66 / 7

HEX #EC6D51

RGB 236 109 81

HSL 10.84, 0.8%, 0.62%

LAB 61.1, 47.13, 39.05

 

CMYK 0 / 60 / 74 / 2

HEX #FB6441

RGB 251 100 65

HSL 11.29, 0.96%, 0.62%

LAB 61.66, 55.81, 48.74

 

CMYK 0 / 54 / 66 / 7

HEX #EC6D51

RGB 236 109 81

HSL 10.84, 0.8%, 0.62%

LAB 61.1, 47.13, 39.05

 

CMYK 0 / 46 / 56 / 14

HEX #DC7760

RGB 220 119 96

HSL 11.13, 0.64%, 0.62%

LAB 61, 37.14, 30.17

 

CMYK 0 / 37 / 45 / 20

HEX #CC8170

RGB 204 129 112

HSL 11.09, 0.47%, 0.62%

LAB 61.4, 27.05, 21.33

 

CMYK 0 / 26 / 32 / 26

HEX #BD8B80

RGB 189 139 128

HSL 10.82, 0.32%, 0.62%

LAB 62.37, 17.52, 13.35

 

CMYK 0 / 14 / 17 / 32

HEX #AD958F

RGB 173 149 143

HSL 12, 0.15%, 0.62%

LAB 63.64, 7.92, 6.46

 

CMYK 0 / 66 / 43 / 7

HEX #EC5187

RGB 236 81 135

HSL 339.1, 0.8%, 0.62%

LAB 57.53, 63.63, 3.29

 

CMYK 0 / 66 / 61 / 7

HEX #EC515D

RGB 236 81 93

HSL 355.35, 0.8%, 0.62%

LAB 56.59, 60.26, 26.67

 

CMYK 0 / 54 / 66 / 7

HEX #EC6D51

RGB 236 109 81

HSL 10.84, 0.8%, 0.62%

LAB 61.1, 47.13, 39.05

 

CMYK 0 / 36 / 66 / 7

HEX #EC9651

RGB 236 150 81

HSL 26.71, 0.8%, 0.62%

LAB 69.64, 26.2, 48.98

 

CMYK 0 / 19 / 66 / 7

HEX #ECC051

RGB 236 192 81

HSL 42.97, 0.8%, 0.62%

LAB 79.69, 4.03, 60.05

 

CMYK 0 / 72 / 89 / 18

HEX #D23A17

RGB 210 58 23

HSL 11.23, 0.8%, 0.46%

LAB 47.99, 57.83, 53.02

 

CMYK 0 / 66 / 81 / 9

HEX #E74E2B

RGB 231 78 43

HSL 11.17, 0.8%, 0.54%

LAB 54.67, 57.54, 51.46

 

CMYK 0 / 54 / 66 / 7

HEX #EC6D51

RGB 236 109 81

HSL 10.84, 0.8%, 0.62%

LAB 61.1, 47.13, 39.05

 

CMYK 0 / 42 / 51 / 6

HEX #F08C76

RGB 240 140 118

HSL 10.82, 0.8%, 0.7%

LAB 68.45, 35.76, 28.2

 

CMYK 0 / 30 / 36 / 4

HEX #F4AB9B

RGB 244 171 155

HSL 10.79, 0.8%, 0.78%

LAB 76.51, 24.82, 19

 

CMYK 0 / 54 / 66 / 8

HEX #EB6C4F

RGB 235 108 79

HSL 11.15, 0.8%, 0.62%

LAB 60.74, 47.13, 39.66

 

CMYK 25 / 0 / 66 / 7

HEX #B0EC51

RGB 176 236 81

HSL 83.23, 0.8%, 0.62%

LAB 86.91, -41.59, 66.34

 

CMYK 66 / 52 / 0 / 7

HEX #5172EC

RGB 81 114 236

HSL 227.23, 0.8%, 0.62%

LAB 51.66, 26.81, -65.23

 

CMYK 0 / 54 / 66 / 8

HEX #EB6C4F

RGB 235 108 79

HSL 11.15, 0.8%, 0.62%

LAB 60.74, 47.13, 39.66

 

CMYK 66 / 0 / 54 / 7

HEX #51EC6D

RGB 81 236 109

HSL 130.84, 0.8%, 0.62%

LAB 83.36, -66.02, 49.35

 

CMYK 54 / 66 / 0 / 7

HEX #6D51EC

RGB 109 81 236

HSL 250.84, 0.8%, 0.62%

LAB 45.9, 50.94, -74.5

 

CMYK 0 / 54 / 66 / 8

HEX #EB6C4F

RGB 235 108 79

HSL 11.15, 0.8%, 0.62%

LAB 60.74, 47.13, 39.66

 

CMYK 25 / 0 / 66 / 7

HEX #B0EC51

RGB 176 236 81

HSL 83.23, 0.8%, 0.62%

LAB 86.91, -41.59, 66.34

 

CMYK 66 / 12 / 0 / 7

HEX #51CFEC

RGB 81 207 236

HSL 191.23, 0.8%, 0.62%

LAB 77.54, -25.86, -24.55

 

CMYK 41 / 66 / 0 / 7

HEX #8C51EC

RGB 140 81 236

HSL 262.84, 0.8%, 0.62%

LAB 48.9, 56.45, -69.48

 

CMYK 0 / 54 / 66 / 8

HEX #EB6C4F

RGB 235 108 79

HSL 11.15, 0.8%, 0.62%

LAB 60.74, 47.13, 39.66

 

CMYK 45 / 0 / 66 / 7

HEX #82EC51

RGB 130 236 81

HSL 101.03, 0.8%, 0.62%

LAB 84.65, -57.03, 63.27

 

CMYK 66 / 12 / 0 / 7

HEX #51CFEC

RGB 81 207 236

HSL 191.23, 0.8%, 0.62%

LAB 77.54, -25.86, -24.55

 

CMYK 21 / 66 / 0 / 7

HEX #BB51EC

RGB 187 81 236

HSL 281.03, 0.8%, 0.62%

LAB 54.56, 66.06, -60.06

 

Description

Color code: HEX #EB6C4FBF | qconv.com Color code: HEX #EB6C4FBF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 108 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 108 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 50 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 50% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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