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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6C13 it is the complementary color #1493EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6C13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6C13 shade: #F06C0E, #FF7E21, #FF9034, #FFA247 and #FFB45A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6C13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6C13 shade: #EB6C13, #DA5A00, #C94800, #B83600 and #A72400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6C13 shade: #EB6C13, #EB3113 and #EB1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6C13 shade: #EB6C13, #EBA613, #EBE113, #BBEB13 and #81EB13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6C13 shade matches the following richer shades: #EB6C13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6C13 shade: #EB6C13, #D77027, #C2733C, #AD7751 and #997A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6C13 shade: #EB1330, #EB3013, #EB6913, #EBA313 and #EBDD13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6C13 shade: #9F490C, #C55A10, #EB6C13, #EE8439 and #F29B5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6C13 shade: #EB6C13, #69EB13 and #1313EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6C13 shade: #EB6C13, #13EB69 and #6913EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6C13 shade: #EB6C13, #69EB13, #1395EB and #9513EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6C13 shade: #EB6C13, #28EB13, #1395EB and #D613EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

Complementary color

CMYK 92 / 38 / 0 / 7

HEX #1493EC

RGB 20 147 236

HSL 204.72, 0.85%, 0.5%

LAB 59.04, 0.55, -53.48

 

CMYK 0 / 55 / 94 / 6

HEX #F06C0E

RGB 240 108 14

HSL 24.96, 0.89%, 0.5%

LAB 61.03, 46.92, 66.96

 

CMYK 0 / 51 / 87 / 0

HEX #FF7E21

RGB 255 126 33

HSL 25.14, 1%, 0.56%

LAB 66.74, 44.2, 67.14

 

CMYK 0 / 44 / 80 / 0

HEX #FF9034

RGB 255 144 52

HSL 27.19, 1%, 0.6%

LAB 70.49, 35.69, 63.59

 

CMYK 0 / 36 / 72 / 0

HEX #FFA247

RGB 255 162 71

HSL 29.67, 1%, 0.64%

LAB 74.54, 27.13, 59.62

 

CMYK 0 / 29 / 65 / 0

HEX #FFB45A

RGB 255 180 90

HSL 32.73, 1%, 0.68%

LAB 78.83, 18.73, 55.63

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 0 / 59 / 100 / 15

HEX #DA5A00

RGB 218 90 0

HSL 24.77, 1%, 0.43%

LAB 54.26, 47.05, 63.75

 

CMYK 0 / 64 / 100 / 21

HEX #C94800

RGB 201 72 0

HSL 21.49, 1%, 0.39%

LAB 48.33, 48.98, 59.03

 

CMYK 0 / 71 / 100 / 28

HEX #B83600

RGB 184 54 0

HSL 17.61, 1%, 0.36%

LAB 42.5, 50.51, 54.41

 

CMYK 0 / 78 / 100 / 35

HEX #A72400

RGB 167 36 0

HSL 12.93, 1%, 0.33%

LAB 36.89, 51.34, 49.92

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 0 / 79 / 92 / 8

HEX #EB3113

RGB 235 49 19

HSL 8.33, 0.85%, 0.5%

LAB 51.73, 68.06, 59.27

 

CMYK 0 / 92 / 92 / 8

HEX #EB1313

RGB 235 19 19

HSL 0, 0.85%, 0.5%

LAB 49.71, 73.83, 58

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 0 / 29 / 92 / 8

HEX #EBA613

RGB 235 166 19

HSL 40.83, 0.85%, 0.5%

LAB 72.88, 15.11, 74.02

 

CMYK 0 / 4 / 92 / 8

HEX #EBE113

RGB 235 225 19

HSL 57.22, 0.85%, 0.5%

LAB 87.76, -15.22, 85.19

 

CMYK 20 / 0 / 92 / 8

HEX #BBEB13

RGB 187 235 19

HSL 73.33, 0.85%, 0.5%

LAB 87.01, -39.53, 83.12

 

CMYK 45 / 0 / 92 / 8

HEX #81EB13

RGB 129 235 19

HSL 89.44, 0.85%, 0.5%

LAB 84.03, -60.02, 79.48

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 0 / 48 / 82 / 16

HEX #D77027

RGB 215 112 39

HSL 24.89, 0.69%, 0.5%

LAB 58.21, 35.71, 55.52

 

CMYK 0 / 41 / 69 / 24

HEX #C2733C

RGB 194 115 60

HSL 24.63, 0.53%, 0.5%

LAB 56.14, 26.39, 42.84

 

CMYK 0 / 31 / 53 / 32

HEX #AD7751

RGB 173 119 81

HSL 24.78, 0.36%, 0.5%

LAB 54.73, 16.82, 29.3

 

CMYK 0 / 20 / 34 / 40

HEX #997A65

RGB 153 122 101

HSL 24.23, 0.2%, 0.5%

LAB 53.63, 8.91, 16.07

 

CMYK 0 / 92 / 80 / 8

HEX #EB1330

RGB 235 19 48

HSL 351.94, 0.85%, 0.5%

LAB 49.91, 74.39, 44.53

 

CMYK 0 / 80 / 92 / 8

HEX #EB3013

RGB 235 48 19

HSL 8.06, 0.85%, 0.5%

LAB 51.64, 68.33, 59.21

 

CMYK 0 / 55 / 92 / 8

HEX #EB6913

RGB 235 105 19

HSL 23.89, 0.85%, 0.5%

LAB 59.72, 46.53, 64.59

 

CMYK 0 / 31 / 92 / 8

HEX #EBA313

RGB 235 163 19

HSL 40, 0.85%, 0.5%

LAB 72.16, 16.7, 73.49

 

CMYK 0 / 6 / 92 / 8

HEX #EBDD13

RGB 235 221 19

HSL 56.11, 0.85%, 0.5%

LAB 86.71, -13.25, 84.39

 

CMYK 0 / 54 / 92 / 38

HEX #9F490C

RGB 159 73 12

HSL 24.9, 0.86%, 0.34%

LAB 41.47, 32.58, 48.02

 

CMYK 0 / 54 / 92 / 23

HEX #C55A10

RGB 197 90 16

HSL 24.53, 0.85%, 0.42%

LAB 50.94, 39.22, 56.47

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 0 / 45 / 76 / 7

HEX #EE8439

RGB 238 132 57

HSL 24.86, 0.84%, 0.58%

LAB 65.73, 35.24, 56.15

 

CMYK 0 / 36 / 61 / 5

HEX #F29B5F

RGB 242 155 95

HSL 24.49, 0.85%, 0.66%

LAB 71.65, 26.89, 44.5

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 55 / 0 / 92 / 8

HEX #69EB13

RGB 105 235 19

HSL 96.11, 0.85%, 0.5%

LAB 83.16, -66.83, 78.4

 

CMYK 92 / 92 / 0 / 8

HEX #1313EB

RGB 19 19 235

HSL 240, 0.85%, 0.5%

LAB 30.88, 71.07, -98.92

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 92 / 0 / 55 / 8

HEX #13EB69

RGB 19 235 105

HSL 143.89, 0.85%, 0.5%

LAB 82.15, -73.33, 49.52

 

CMYK 55 / 92 / 0 / 8

HEX #6913EB

RGB 105 19 235

HSL 263.89, 0.85%, 0.5%

LAB 36.87, 74.65, -88.8

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 55 / 0 / 92 / 8

HEX #69EB13

RGB 105 235 19

HSL 96.11, 0.85%, 0.5%

LAB 83.16, -66.83, 78.4

 

CMYK 92 / 37 / 0 / 8

HEX #1395EB

RGB 19 149 235

HSL 203.89, 0.85%, 0.5%

LAB 59.55, -1.04, -52.11

 

CMYK 37 / 92 / 0 / 8

HEX #9513EB

RGB 149 19 235

HSL 276.11, 0.85%, 0.5%

LAB 42.54, 78.86, -79.25

 

CMYK 0 / 54 / 92 / 8

HEX #EB6C13

RGB 235 108 19

HSL 24.72, 0.85%, 0.5%

LAB 60.28, 45.09, 64.98

 

CMYK 83 / 0 / 92 / 8

HEX #28EB13

RGB 40 235 19

HSL 114.17, 0.85%, 0.5%

LAB 81.79, -78.45, 76.71

 

CMYK 92 / 37 / 0 / 8

HEX #1395EB

RGB 19 149 235

HSL 203.89, 0.85%, 0.5%

LAB 59.55, -1.04, -52.11

 

CMYK 9 / 92 / 0 / 8

HEX #D613EB

RGB 214 19 235

HSL 294.17, 0.85%, 0.5%

LAB 52.69, 87.66, -62.3

 

Description

Color code: HEX #EB6C13 | qconv.com Color code: HEX #EB6C13 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 108 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 108 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 92 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 92% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Gianluca Teti – Web ...
Link: http://www.gianlucateti.com

20% - BURGER KING® España
Link: http://www.burgerking.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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