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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6B68 it is the complementary color #149497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6B68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EB6B68: #F06B63, #FF7D76, #FF8F89, #FFA19C and #FFB3AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6B68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EB6B68: #EB6B68, #DA5955, #C94742, #B8352F and #A7231C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

Complementary color

CMYK 87 / 2 / 0 / 41

HEX #149497

RGB 20 148 151

HSL 181.37, 0.77%, 0.34%

LAB 55.65, -30.1, -10.76

 

CMYK 0 / 55 / 59 / 6

HEX #F06B63

RGB 240 107 99

HSL 3.4, 0.82%, 0.66%

LAB 61.6, 50.66, 29.84

 

CMYK 0 / 51 / 54 / 0

HEX #FF7D76

RGB 255 125 118

HSL 3.07, 1%, 0.73%

LAB 67.45, 48.82, 27.25

 

CMYK 0 / 44 / 46 / 0

HEX #FF8F89

RGB 255 143 137

HSL 3.05, 1%, 0.77%

LAB 71.36, 41.57, 21.97

 

CMYK 0 / 37 / 39 / 0

HEX #FFA19C

RGB 255 161 156

HSL 3.03, 1%, 0.81%

LAB 75.54, 34.3, 17.3

 

CMYK 0 / 30 / 31 / 0

HEX #FFB3AF

RGB 255 179 175

HSL 3, 1%, 0.84%

LAB 79.95, 27.15, 13.17

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 0 / 59 / 61 / 15

HEX #DA5955

RGB 218 89 85

HSL 1.8, 0.64%, 0.59%

LAB 54.77, 50.34, 28.37

 

CMYK 0 / 65 / 67 / 21

HEX #C94742

RGB 201 71 66

HSL 2.22, 0.56%, 0.52%

LAB 48.66, 51.3, 31.14

 

CMYK 0 / 71 / 74 / 28

HEX #B8352F

RGB 184 53 47

HSL 2.63, 0.59%, 0.45%

LAB 42.68, 51.99, 34.4

 

CMYK 0 / 79 / 83 / 35

HEX #A7231C

RGB 167 35 28

HSL 3.02, 0.71%, 0.38%

LAB 36.93, 52.15, 38.06

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 0 / 46 / 57 / 8

HEX #EB7E65

RGB 235 126 101

HSL 11.19, 0.77%, 0.66%

LAB 64.58, 39.66, 32.39

 

CMYK 0 / 37 / 57 / 8

HEX #EB9465

RGB 235 148 101

HSL 21.04, 0.77%, 0.66%

LAB 69.31, 28.22, 38.35

 

CMYK 0 / 28 / 57 / 8

HEX #EBAA65

RGB 235 170 101

HSL 30.9, 0.77%, 0.66%

LAB 74.41, 16.54, 44.59

 

CMYK 0 / 18 / 57 / 8

HEX #EBC065

RGB 235 192 101

HSL 40.75, 0.77%, 0.66%

LAB 79.78, 4.95, 50.97

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 0 / 55 / 55 / 88

HEX #1F0E0E

RGB 31 14 14

HSL 0, 0.38%, 0.09%

LAB 5.75, 8.02, 2.82

 

CMYK 0 / 55 / 56 / 68

HEX #522524

RGB 82 37 36

HSL 1.3, 0.39%, 0.23%

LAB 21, 20.87, 10.49

 

CMYK 0 / 54 / 56 / 48

HEX #853D3B

RGB 133 61 59

HSL 1.62, 0.39%, 0.38%

LAB 35.28, 30.7, 16.01

 

CMYK 0 / 54 / 56 / 28

HEX #B85451

RGB 184 84 81

HSL 1.75, 0.42%, 0.52%

LAB 48.42, 40.21, 21.43

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 12 / 0 / 57 / 8

HEX #CEEB65

RGB 206 235 101

HSL 72.99, 0.77%, 0.66%

LAB 88.68, -28.28, 60.57

 

CMYK 57 / 35 / 0 / 8

HEX #6598EB

RGB 101 152 235

HSL 217.16, 0.77%, 0.66%

LAB 62.69, 7.15, -46.99

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 57 / 0 / 56 / 8

HEX #65EB67

RGB 101 235 103

HSL 120.9, 0.77%, 0.66%

LAB 83.53, -62.2, 52.41

 

CMYK 56 / 57 / 0 / 8

HEX #6765EB

RGB 103 101 235

HSL 240.9, 0.77%, 0.66%

LAB 49.72, 38.1, -67.74

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 12 / 0 / 57 / 8

HEX #CEEB65

RGB 206 235 101

HSL 72.99, 0.77%, 0.66%

LAB 88.68, -28.28, 60.57

 

CMYK 57 / 1 / 0 / 8

HEX #65E8EB

RGB 101 232 235

HSL 181.34, 0.77%, 0.66%

LAB 85.24, -34.86, -12.33

 

CMYK 45 / 57 / 0 / 8

HEX #8265EB

RGB 130 101 235

HSL 252.99, 0.77%, 0.66%

LAB 51.9, 43.39, -64.12

 

CMYK 0 / 54 / 56 / 8

HEX #EB6B68

RGB 235 107 104

HSL 1.37, 0.77%, 0.66%

LAB 60.94, 49.26, 25.99

 

CMYK 29 / 0 / 57 / 8

HEX #A6EB65

RGB 166 235 101

HSL 90.9, 0.77%, 0.66%

LAB 86.24, -43.11, 57.15

 

CMYK 57 / 1 / 0 / 8

HEX #65E8EB

RGB 101 232 235

HSL 181.34, 0.77%, 0.66%

LAB 85.24, -34.86, -12.33

 

CMYK 28 / 57 / 0 / 8

HEX #AA65EB

RGB 170 101 235

HSL 270.9, 0.77%, 0.66%

LAB 55.94, 52.44, -57.4

 

Description

Color code: HEX #EB6B68 | qconv.com Color code: HEX #EB6B68 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 107 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 107 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 56 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 56% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - BUD ON CREATION
Link: http://budoncreation.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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