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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6AF6 it is the complementary color #149509. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6AF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6AF6 shade: #F06AF1, #FF7CFF, #FF8EFF, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6AF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6AF6 shade: #EB6AF6, #DA58E3, #C946D0, #B834BD and #A722AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6AF6 shade: #EB6AF6, #F66ADB, #F66AB5, #F66A90 and #F66A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6AF6 shade: #EB6AF6, #C56AF6, #9F6AF6, #796AF6 and #6A6AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6AF6 shade matches the following richer shades: #EB6AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6AF6 shade: #EB6AF6, #E076EA, #D683DD, #CB90D0 and #C09DC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6AF6 shade: #A06AF6, #C56AF6, #EB6AF6, #F66ADD and #F66AB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6AF6 shade: #E11CF2, #E643F4, #EB6AF6, #F091F9 and #F6B8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6AF6 shade: #EB6AF6, #F67A6A and #6AF6B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6AF6 shade: #EB6AF6, #F6EB6A and #6AF6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6AF6 shade: #EB6AF6, #F67A6A, #75F66A and #6AE6F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6AF6 shade: #EB6AF6, #F6A46A, #75F66A and #6ABCF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

Complementary color

CMYK 87 / 0 / 94 / 42

HEX #149509

RGB 20 149 9

HSL 115.29, 0.89%, 0.31%

LAB 53.67, -56, 54.44

 

CMYK 0 / 56 / 0 / 5

HEX #F06AF1

RGB 240 106 241

HSL 299.56, 0.83%, 0.68%

LAB 65.89, 68.58, -44.4

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 4 / 61 / 0 / 11

HEX #DA58E3

RGB 218 88 227

HSL 296.12, 0.71%, 0.62%

LAB 59.37, 68.45, -47.09

 

CMYK 3 / 66 / 0 / 18

HEX #C946D0

RGB 201 70 208

HSL 296.96, 0.59%, 0.55%

LAB 53.33, 68.4, -46.06

 

CMYK 3 / 72 / 0 / 26

HEX #B834BD

RGB 184 52 189

HSL 297.81, 0.57%, 0.47%

LAB 47.39, 67.87, -44.7

 

CMYK 2 / 80 / 0 / 33

HEX #A722AA

RGB 167 34 170

HSL 298.68, 0.67%, 0.4%

LAB 41.63, 66.59, -42.85

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 0 / 57 / 11 / 4

HEX #F66ADB

RGB 246 106 219

HSL 311.57, 0.89%, 0.69%

LAB 65.76, 66.62, -32.33

 

CMYK 0 / 57 / 26 / 4

HEX #F66AB5

RGB 246 106 181

HSL 327.86, 0.89%, 0.69%

LAB 64.35, 61.28, -13.06

 

CMYK 0 / 57 / 41 / 4

HEX #F66A90

RGB 246 106 144

HSL 343.71, 0.89%, 0.69%

LAB 63.27, 57.02, 6.53

 

CMYK 0 / 57 / 57 / 4

HEX #F66A6A

RGB 246 106 106

HSL 0, 0.89%, 0.69%

LAB 62.46, 53.7, 27.17

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 20 / 57 / 0 / 4

HEX #C56AF6

RGB 197 106 246

HSL 279, 0.89%, 0.69%

LAB 60.63, 58.85, -55.84

 

CMYK 35 / 57 / 0 / 4

HEX #9F6AF6

RGB 159 106 246

HSL 262.71, 0.89%, 0.69%

LAB 56.42, 49.9, -62.82

 

CMYK 51 / 57 / 0 / 4

HEX #796AF6

RGB 121 106 246

HSL 246.43, 0.89%, 0.69%

LAB 52.98, 41.87, -68.55

 

CMYK 57 / 57 / 0 / 4

HEX #6A6AF6

RGB 106 106 246

HSL 240, 0.89%, 0.69%

LAB 51.87, 39.1, -70.4

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 4 / 50 / 0 / 8

HEX #E076EA

RGB 224 118 234

HSL 294.83, 0.73%, 0.69%

LAB 65.55, 57.62, -41.21

 

CMYK 3 / 41 / 0 / 13

HEX #D683DD

RGB 214 131 221

HSL 295.33, 0.57%, 0.69%

LAB 66.33, 45.78, -32.88

 

CMYK 2 / 31 / 0 / 18

HEX #CB90D0

RGB 203 144 208

HSL 295.31, 0.41%, 0.69%

LAB 67.42, 32.94, -24.07

 

CMYK 2 / 19 / 0 / 24

HEX #C09DC3

RGB 192 157 195

HSL 295.26, 0.24%, 0.69%

LAB 68.94, 19.63, -14.65

 

CMYK 35 / 57 / 0 / 4

HEX #A06AF6

RGB 160 106 246

HSL 263.14, 0.89%, 0.69%

LAB 56.52, 50.13, -62.66

 

CMYK 20 / 57 / 0 / 4

HEX #C56AF6

RGB 197 106 246

HSL 279, 0.89%, 0.69%

LAB 60.63, 58.85, -55.84

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 0 / 57 / 10 / 4

HEX #F66ADD

RGB 246 106 221

HSL 310.71, 0.89%, 0.69%

LAB 65.84, 66.92, -33.31

 

CMYK 0 / 57 / 26 / 4

HEX #F66AB7

RGB 246 106 183

HSL 327, 0.89%, 0.69%

LAB 64.42, 61.54, -14.09

 

CMYK 7 / 88 / 0 / 5

HEX #E11CF2

RGB 225 28 242

HSL 295.23, 0.89%, 0.53%

LAB 55.33, 89.32, -61.89

 

CMYK 6 / 73 / 0 / 4

HEX #E643F4

RGB 230 67 244

HSL 295.25, 0.89%, 0.61%

LAB 59.31, 81.59, -56.57

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 4 / 42 / 0 / 2

HEX #F091F9

RGB 240 145 249

HSL 294.81, 0.9%, 0.77%

LAB 73.3, 51.42, -37.22

 

CMYK 2 / 27 / 0 / 2

HEX #F6B8FB

RGB 246 184 251

HSL 295.52, 0.89%, 0.85%

LAB 82.29, 33.3, -24.41

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 0 / 50 / 57 / 4

HEX #F67A6A

RGB 246 122 106

HSL 6.86, 0.89%, 0.69%

LAB 65.4, 46.11, 30.99

 

CMYK 57 / 0 / 28 / 4

HEX #6AF6B2

RGB 106 246 178

HSL 150.86, 0.89%, 0.69%

LAB 88.06, -53.33, 21.52

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 0 / 4 / 57 / 4

HEX #F6EB6A

RGB 246 235 106

HSL 55.29, 0.89%, 0.69%

LAB 91.71, -12.04, 62.62

 

CMYK 57 / 0 / 4 / 4

HEX #6AF6EB

RGB 106 246 235

HSL 175.29, 0.89%, 0.69%

LAB 89.38, -40.38, -6.16

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 0 / 50 / 57 / 4

HEX #F67A6A

RGB 246 122 106

HSL 6.86, 0.89%, 0.69%

LAB 65.4, 46.11, 30.99

 

CMYK 52 / 0 / 57 / 4

HEX #75F66A

RGB 117 246 106

HSL 115.29, 0.89%, 0.69%

LAB 87.36, -61.98, 55.69

 

CMYK 57 / 7 / 0 / 4

HEX #6AE6F6

RGB 106 230 246

HSL 186.86, 0.89%, 0.69%

LAB 85.16, -30.04, -18.24

 

CMYK 4 / 57 / 0 / 4

HEX #EB6AF6

RGB 235 106 246

HSL 295.29, 0.89%, 0.69%

LAB 65.45, 68.19, -47.89

 

CMYK 0 / 33 / 57 / 4

HEX #F6A46A

RGB 246 164 106

HSL 24.86, 0.89%, 0.69%

LAB 74.31, 24.56, 42.2

 

CMYK 52 / 0 / 57 / 4

HEX #75F66A

RGB 117 246 106

HSL 115.29, 0.89%, 0.69%

LAB 87.36, -61.98, 55.69

 

CMYK 57 / 24 / 0 / 4

HEX #6ABCF6

RGB 106 188 246

HSL 204.86, 0.89%, 0.69%

LAB 73.34, -8.65, -36.31

 

Description

Color code: HEX #EB6AF6 | qconv.com Color code: HEX #EB6AF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 106 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 106 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 57 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 57% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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