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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB699E it is the complementary color #149661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB699E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB699E shade: #F06999, #FF7BAC, #FF8DBF, #FF9FD2 and #FFB1E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB699E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB699E shade: #EB699E, #DA578B, #C94578, #B83365 and #A72152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB699E shade: #EA6A9F, #EA6A7C and #EA6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB699E shade: #EA6A9F, #EA6AC1, #EA6AE4, #CF6AEA and #AC6AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB699E shade matches the following richer shades: #EA6A9F and #F85D9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB699E shade: #EA6A9F, #DD78A1, #CF86A4, #C193A6 and #B4A1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB699E shade: #EA6AE4, #EA6AC2, #EA6AA0, #EA6A7E and #EA796A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB699E shade: #E0226F, #E54687, #EA6A9F, #EF8FB6 and #F4B3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB699E shade: #EB699E, #EACF6A and #6AD3EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB699E shade: #EB699E, #A0EA6A and #6AA0EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB699E shade: #EB699E, #EACF6A, #6AEAB5 and #6A86EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB699E shade: #EB699E, #E0EA6A, #6AEAB5 and #756AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 33 / 8

HEX #EB699E

RGB 235 105 158

HSL 335.54, 0.76%, 0.67%

LAB 61.86, 55.51, -3.79

 

Complementary color

CMYK 87 / 0 / 35 / 41

HEX #149661

RGB 20 150 97

HSL 155.54, 0.76%, 0.33%

LAB 54.89, -45.64, 18.91

 

CMYK 0 / 56 / 36 / 6

HEX #F06999

RGB 240 105 153

HSL 338.67, 0.82%, 0.68%

LAB 62.45, 56.51, 0.04

 

CMYK 0 / 52 / 33 / 0

HEX #FF7BAC

RGB 255 123 172

HSL 337.73, 1%, 0.74%

LAB 68.32, 55.15, -1.93

 

CMYK 0 / 45 / 25 / 0

HEX #FF8DBF

RGB 255 141 191

HSL 333.68, 1%, 0.78%

LAB 72.28, 48.82, -6.72

 

CMYK 0 / 38 / 18 / 0

HEX #FF9FD2

RGB 255 159 210

HSL 328.13, 1%, 0.81%

LAB 76.5, 42.41, -10.9

 

CMYK 0 / 31 / 10 / 0

HEX #FFB1E5

RGB 255 177 229

HSL 320, 1%, 0.85%

LAB 80.94, 36.06, -14.56

 

CMYK 0 / 55 / 33 / 8

HEX #EB699E

RGB 235 105 158

HSL 335.54, 0.76%, 0.67%

LAB 61.86, 55.51, -3.79

 

CMYK 0 / 60 / 36 / 15

HEX #DA578B

RGB 218 87 139

HSL 336.18, 0.64%, 0.6%

LAB 55.67, 56.1, -2.13

 

CMYK 0 / 66 / 40 / 21

HEX #C94578

RGB 201 69 120

HSL 336.82, 0.55%, 0.53%

LAB 49.53, 56.47, -0.11

 

CMYK 0 / 72 / 45 / 28

HEX #B83365

RGB 184 51 101

HSL 337.44, 0.57%, 0.46%

LAB 43.5, 56.45, 2.4

 

CMYK 0 / 80 / 51 / 35

HEX #A72152

RGB 167 33 82

HSL 338.06, 0.67%, 0.39%

LAB 37.68, 55.75, 5.61

 

CMYK 0 / 55 / 32 / 8

HEX #EA6A9F

RGB 234 106 159

HSL 335.16, 0.75%, 0.67%

LAB 61.92, 54.85, -4.29

 

CMYK 0 / 55 / 47 / 8

HEX #EA6A7C

RGB 234 106 124

HSL 351.56, 0.75%, 0.67%

LAB 61.01, 51.09, 14.59

 

CMYK 0 / 55 / 55 / 8

HEX #EA6A6A

RGB 234 106 106

HSL 0, 0.75%, 0.67%

LAB 60.64, 49.54, 24.43

 

CMYK 0 / 55 / 32 / 8

HEX #EA6A9F

RGB 234 106 159

HSL 335.16, 0.75%, 0.67%

LAB 61.92, 54.85, -4.29

 

CMYK 0 / 55 / 18 / 8

HEX #EA6AC1

RGB 234 106 193

HSL 319.22, 0.75%, 0.67%

LAB 63.05, 59.38, -22.01

 

CMYK 0 / 55 / 3 / 8

HEX #EA6AE4

RGB 234 106 228

HSL 302.81, 0.75%, 0.67%

LAB 64.49, 64.86, -39.46

 

CMYK 12 / 55 / 0 / 8

HEX #CF6AEA

RGB 207 106 234

HSL 287.34, 0.75%, 0.67%

LAB 61.23, 58.92, -48.16

 

CMYK 26 / 55 / 0 / 8

HEX #AC6AEA

RGB 172 106 234

HSL 270.94, 0.75%, 0.67%

LAB 57.09, 50.08, -54.99

 

CMYK 0 / 55 / 32 / 8

HEX #EA6A9F

RGB 234 106 159

HSL 335.16, 0.75%, 0.67%

LAB 61.92, 54.85, -4.29

 

CMYK 0 / 63 / 37 / 3

HEX #F85D9C

RGB 248 93 156

HSL 335.61, 0.92%, 0.67%

LAB 61.81, 64.49, -2.47

 

CMYK 0 / 55 / 32 / 8

HEX #EA6A9F

RGB 234 106 159

HSL 335.16, 0.75%, 0.67%

LAB 61.92, 54.85, -4.29

 

CMYK 0 / 46 / 27 / 13

HEX #DD78A1

RGB 221 120 161

HSL 335.64, 0.6%, 0.67%

LAB 62.83, 43.98, -4.3

 

CMYK 0 / 35 / 21 / 19

HEX #CF86A4

RGB 207 134 164

HSL 335.34, 0.43%, 0.67%

LAB 64.16, 32.16, -4.24

 

CMYK 0 / 24 / 14 / 24

HEX #C193A6

RGB 193 147 166

HSL 335.22, 0.27%, 0.67%

LAB 65.72, 20.3, -3.24

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 0 / 55 / 3 / 8

HEX #EA6AE4

RGB 234 106 228

HSL 302.81, 0.75%, 0.67%

LAB 64.49, 64.86, -39.46

 

CMYK 0 / 55 / 17 / 8

HEX #EA6AC2

RGB 234 106 194

HSL 318.75, 0.75%, 0.67%

LAB 63.09, 59.53, -22.52

 

CMYK 0 / 55 / 32 / 8

HEX #EA6AA0

RGB 234 106 160

HSL 334.69, 0.75%, 0.67%

LAB 61.95, 54.97, -4.82

 

CMYK 0 / 55 / 46 / 8

HEX #EA6A7E

RGB 234 106 126

HSL 350.63, 0.75%, 0.67%

LAB 61.05, 51.28, 13.5

 

CMYK 0 / 48 / 55 / 8

HEX #EA796A

RGB 234 121 106

HSL 7.03, 0.75%, 0.67%

LAB 63.51, 42.2, 28.22

 

CMYK 0 / 85 / 50 / 12

HEX #E0226F

RGB 224 34 111

HSL 335.68, 0.75%, 0.51%

LAB 49.66, 72.53, 6.07

 

CMYK 0 / 69 / 41 / 10

HEX #E54687

RGB 229 70 135

HSL 335.47, 0.75%, 0.59%

LAB 54.85, 65.75, -0.75

 

CMYK 0 / 55 / 32 / 8

HEX #EA6A9F

RGB 234 106 159

HSL 335.16, 0.75%, 0.67%

LAB 61.92, 54.85, -4.29

 

CMYK 0 / 40 / 24 / 6

HEX #EF8FB6

RGB 239 143 182

HSL 335.63, 0.75%, 0.75%

LAB 70.44, 41.19, -4.66

 

CMYK 0 / 27 / 16 / 4

HEX #F4B3CE

RGB 244 179 206

HSL 335.08, 0.75%, 0.83%

LAB 79.57, 27.58, -4.3

 

CMYK 0 / 55 / 33 / 8

HEX #EB699E

RGB 235 105 158

HSL 335.54, 0.76%, 0.67%

LAB 61.86, 55.51, -3.79

 

CMYK 0 / 12 / 55 / 8

HEX #EACF6A

RGB 234 207 106

HSL 47.34, 0.75%, 0.67%

LAB 83.53, -2.84, 52.96

 

CMYK 55 / 10 / 0 / 8

HEX #6AD3EA

RGB 106 211 234

HSL 190.78, 0.75%, 0.67%

LAB 79.38, -24.08, -20.6

 

CMYK 0 / 55 / 33 / 8

HEX #EB699E

RGB 235 105 158

HSL 335.54, 0.76%, 0.67%

LAB 61.86, 55.51, -3.79

 

CMYK 32 / 0 / 55 / 8

HEX #A0EA6A

RGB 160 234 106

HSL 94.69, 0.75%, 0.67%

LAB 85.69, -44.26, 54.2

 

CMYK 55 / 32 / 0 / 8

HEX #6AA0EA

RGB 106 160 234

HSL 214.69, 0.75%, 0.67%

LAB 65.08, 3.24, -42.67

 

CMYK 0 / 55 / 33 / 8

HEX #EB699E

RGB 235 105 158

HSL 335.54, 0.76%, 0.67%

LAB 61.86, 55.51, -3.79

 

CMYK 0 / 12 / 55 / 8

HEX #EACF6A

RGB 234 207 106

HSL 47.34, 0.75%, 0.67%

LAB 83.53, -2.84, 52.96

 

CMYK 55 / 0 / 23 / 8

HEX #6AEAB5

RGB 106 234 181

HSL 155.16, 0.75%, 0.67%

LAB 84.61, -47.74, 15.15

 

CMYK 55 / 43 / 0 / 8

HEX #6A86EA

RGB 106 134 234

HSL 226.88, 0.75%, 0.67%

LAB 58.09, 18.49, -53.72

 

CMYK 0 / 55 / 33 / 8

HEX #EB699E

RGB 235 105 158

HSL 335.54, 0.76%, 0.67%

LAB 61.86, 55.51, -3.79

 

CMYK 4 / 0 / 55 / 8

HEX #E0EA6A

RGB 224 234 106

HSL 64.69, 0.75%, 0.67%

LAB 89.74, -20.35, 59.92

 

CMYK 55 / 0 / 23 / 8

HEX #6AEAB5

RGB 106 234 181

HSL 155.16, 0.75%, 0.67%

LAB 84.61, -47.74, 15.15

 

CMYK 50 / 55 / 0 / 8

HEX #756AEA

RGB 117 106 234

HSL 245.16, 0.75%, 0.67%

LAB 51.87, 37.51, -63.65

 

Description

Color code: HEX #EB699E | qconv.com Color code: HEX #EB699E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 105 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 105 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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