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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB68F8 it is the complementary color #149707. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB68F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB68F8 shade: #F068F3, #FF7AFF, #FF8CFF, #FF9EFF and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB68F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB68F8 shade: #EB68F8, #DA56E5, #C944D2, #B832BF and #A720AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB68F8 shade: #EB68F8, #F868DE, #F868B7, #F86890 and #F8686A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB68F8 shade: #EB68F8, #C468F8, #9D68F8, #7668F8 and #6868F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB68F8 shade matches the following richer shades: #EB68F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB68F8 shade: #EB68F8, #E075EB, #D682DE, #CB8ED2 and #C19BC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB68F8 shade: #9D68F8, #C368F8, #E968F8, #F868E0 and #F868BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB68F8 shade: #E019F4, #E641F6, #EB68F8, #F08FFA and #F5B7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB68F8 shade: #EB68F8, #F87668 and #68F8B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB68F8 shade: #EB68F8, #F8E968 and #68F8E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB68F8 shade: #EB68F8, #F87668, #76F868 and #68E9F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB68F8 shade: #EB68F8, #F8A268, #76F868 and #68BEF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

Complementary color

CMYK 87 / 0 / 95 / 41

HEX #149707

RGB 20 151 7

HSL 114.58, 0.91%, 0.31%

LAB 54.34, -56.66, 55.33

 

CMYK 1 / 57 / 0 / 5

HEX #F068F3

RGB 240 104 243

HSL 298.71, 0.85%, 0.68%

LAB 65.67, 69.78, -45.86

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 5 / 62 / 0 / 10

HEX #DA56E5

RGB 218 86 229

HSL 295.38, 0.73%, 0.62%

LAB 59.18, 69.62, -48.52

 

CMYK 4 / 68 / 0 / 18

HEX #C944D2

RGB 201 68 210

HSL 296.2, 0.61%, 0.55%

LAB 53.17, 69.49, -47.46

 

CMYK 4 / 74 / 0 / 25

HEX #B832BF

RGB 184 50 191

HSL 297.02, 0.59%, 0.47%

LAB 47.28, 68.85, -46.04

 

CMYK 3 / 81 / 0 / 33

HEX #A720AC

RGB 167 32 172

HSL 297.86, 0.69%, 0.4%

LAB 41.57, 67.42, -44.13

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 0 / 58 / 10 / 3

HEX #F868DE

RGB 248 104 222

HSL 310.83, 0.91%, 0.69%

LAB 65.85, 68.46, -33.84

 

CMYK 0 / 58 / 26 / 3

HEX #F868B7

RGB 248 104 183

HSL 327.08, 0.91%, 0.69%

LAB 64.38, 63, -14.12

 

CMYK 0 / 58 / 42 / 3

HEX #F86890

RGB 248 104 144

HSL 343.33, 0.91%, 0.69%

LAB 63.24, 58.55, 6.51

 

CMYK 0 / 58 / 57 / 3

HEX #F8686A

RGB 248 104 106

HSL 359.17, 0.91%, 0.69%

LAB 62.42, 55.29, 27.18

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 21 / 58 / 0 / 3

HEX #C468F8

RGB 196 104 248

HSL 278.33, 0.91%, 0.69%

LAB 60.26, 60, -57.55

 

CMYK 37 / 58 / 0 / 3

HEX #9D68F8

RGB 157 104 248

HSL 262.08, 0.91%, 0.69%

LAB 55.93, 51.03, -64.73

 

CMYK 52 / 58 / 0 / 3

HEX #7668F8

RGB 118 104 248

HSL 245.83, 0.91%, 0.69%

LAB 52.43, 43.05, -70.56

 

CMYK 58 / 58 / 0 / 3

HEX #6868F8

RGB 104 104 248

HSL 240, 0.91%, 0.69%

LAB 51.41, 40.57, -72.27

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 5 / 50 / 0 / 8

HEX #E075EB

RGB 224 117 235

HSL 294.41, 0.75%, 0.69%

LAB 65.41, 58.28, -41.99

 

CMYK 4 / 41 / 0 / 13

HEX #D682DE

RGB 214 130 222

HSL 294.78, 0.58%, 0.69%

LAB 66.16, 46.49, -33.69

 

CMYK 3 / 32 / 0 / 18

HEX #CB8ED2

RGB 203 142 210

HSL 293.82, 0.43%, 0.69%

LAB 67.05, 34.41, -25.76

 

CMYK 2 / 21 / 0 / 23

HEX #C19BC5

RGB 193 155 197

HSL 294.29, 0.27%, 0.69%

LAB 68.61, 21.46, -16.25

 

CMYK 37 / 58 / 0 / 3

HEX #9D68F8

RGB 157 104 248

HSL 262.08, 0.91%, 0.69%

LAB 55.93, 51.03, -64.73

 

CMYK 21 / 58 / 0 / 3

HEX #C368F8

RGB 195 104 248

HSL 277.92, 0.91%, 0.69%

LAB 60.14, 59.76, -57.75

 

CMYK 6 / 58 / 0 / 3

HEX #E968F8

RGB 233 104 248

HSL 293.75, 0.91%, 0.69%

LAB 64.96, 68.93, -49.79

 

CMYK 0 / 58 / 10 / 3

HEX #F868E0

RGB 248 104 224

HSL 310, 0.91%, 0.69%

LAB 65.93, 68.77, -34.82

 

CMYK 0 / 58 / 25 / 3

HEX #F868BA

RGB 248 104 186

HSL 325.83, 0.91%, 0.69%

LAB 64.49, 63.39, -15.67

 

CMYK 8 / 90 / 0 / 4

HEX #E019F4

RGB 224 25 244

HSL 294.52, 0.91%, 0.53%

LAB 55.15, 89.88, -63.3

 

CMYK 7 / 74 / 0 / 4

HEX #E641F6

RGB 230 65 246

HSL 294.7, 0.91%, 0.61%

LAB 59.21, 82.53, -57.85

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 4 / 43 / 0 / 2

HEX #F08FFA

RGB 240 143 250

HSL 294.39, 0.91%, 0.77%

LAB 72.94, 52.62, -38.32

 

CMYK 3 / 27 / 0 / 1

HEX #F5B7FC

RGB 245 183 252

HSL 293.91, 0.92%, 0.85%

LAB 82.01, 33.7, -25.39

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 0 / 52 / 58 / 3

HEX #F87668

RGB 248 118 104

HSL 5.83, 0.91%, 0.69%

LAB 64.89, 48.63, 31.5

 

CMYK 58 / 0 / 29 / 3

HEX #68F8B0

RGB 104 248 176

HSL 150, 0.91%, 0.69%

LAB 88.55, -54.94, 23.21

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 0 / 6 / 58 / 3

HEX #F8E968

RGB 248 233 104

HSL 53.75, 0.91%, 0.69%

LAB 91.34, -10.39, 63.12

 

CMYK 58 / 0 / 6 / 3

HEX #68F8E9

RGB 104 248 233

HSL 173.75, 0.91%, 0.69%

LAB 89.84, -42.14, -4.45

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 0 / 52 / 58 / 3

HEX #F87668

RGB 248 118 104

HSL 5.83, 0.91%, 0.69%

LAB 64.89, 48.63, 31.5

 

CMYK 52 / 0 / 58 / 3

HEX #76F868

RGB 118 248 104

HSL 114.17, 0.91%, 0.69%

LAB 87.96, -62.68, 57.27

 

CMYK 58 / 6 / 0 / 3

HEX #68E9F8

RGB 104 233 248

HSL 186.25, 0.91%, 0.69%

LAB 86.01, -31.29, -18.02

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F8

RGB 235 104 248

HSL 294.58, 0.91%, 0.69%

LAB 65.23, 69.42, -49.35

 

CMYK 0 / 35 / 58 / 3

HEX #F8A268

RGB 248 162 104

HSL 24.17, 0.91%, 0.69%

LAB 74.06, 26.26, 42.97

 

CMYK 52 / 0 / 58 / 3

HEX #76F868

RGB 118 248 104

HSL 114.17, 0.91%, 0.69%

LAB 87.96, -62.68, 57.27

 

CMYK 58 / 23 / 0 / 3

HEX #68BEF8

RGB 104 190 248

HSL 204.17, 0.91%, 0.69%

LAB 73.9, -9.5, -36.53

 

Description

Color code: HEX #EB68F8 | qconv.com Color code: HEX #EB68F8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 104 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 104 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 58 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 58% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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