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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB66FE it is the complementary color #149901. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB66FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB66FE shade: #F066F9, #FF78FF, #FF8AFF, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB66FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB66FE shade: #EB66FE, #DA54EB, #C942D8, #B830C5 and #A71EB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB66FE shade: #EB66FE, #FE66E8, #FE66BF, #FE6696 and #FE666D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB66FE shade: #EB66FE, #C266FE, #9966FE, #7066FE and #6666FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB66FE shade matches the following richer shades: #EB66FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB66FE shade: #EB66FE, #E273F1, #D87FE5, #CF8BD9 and #C698CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB66FE shade: #9966FE, #C166FE, #EA66FE, #FE66EA and #FE66C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB66FE shade: #E014FD, #E53DFE, #EB66FE, #F08FFE and #F5B8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB66FE shade: #EB66FE, #FE7066 and #66FEAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB66FE shade: #EB66FE, #FEEA66 and #66FEEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB66FE shade: #EB66FE, #FE7066, #7AFE66 and #66F4FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB66FE shade: #EB66FE, #FE9E66, #7AFE66 and #66C6FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

Complementary color

CMYK 87 / 0 / 99 / 40

HEX #149901

RGB 20 153 1

HSL 112.5, 0.99%, 0.3%

LAB 55, -57.43, 56.84

 

CMYK 4 / 59 / 0 / 2

HEX #F066F9

RGB 240 102 249

HSL 296.33, 0.92%, 0.69%

LAB 65.65, 71.65, -49.2

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 7 / 64 / 0 / 8

HEX #DA54EB

RGB 218 84 235

HSL 293.25, 0.79%, 0.63%

LAB 59.2, 71.47, -51.84

 

CMYK 7 / 69 / 0 / 15

HEX #C942D8

RGB 201 66 216

HSL 294, 0.66%, 0.55%

LAB 53.25, 71.25, -50.76

 

CMYK 7 / 76 / 0 / 23

HEX #B830C5

RGB 184 48 197

HSL 294.77, 0.61%, 0.48%

LAB 47.41, 70.49, -49.32

 

CMYK 6 / 83 / 0 / 30

HEX #A71EB2

RGB 167 30 178

HSL 295.54, 0.71%, 0.41%

LAB 41.78, 68.88, -47.36

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 0 / 60 / 9 / 0

HEX #FE66E8

RGB 254 102 232

HSL 308.68, 0.99%, 0.7%

LAB 66.82, 72.37, -37.82

 

CMYK 0 / 60 / 25 / 0

HEX #FE66BF

RGB 254 102 191

HSL 324.87, 0.99%, 0.7%

LAB 65.23, 66.61, -17.3

 

CMYK 0 / 60 / 41 / 0

HEX #FE6696

RGB 254 102 150

HSL 341.05, 0.99%, 0.7%

LAB 63.98, 61.91, 4.25

 

CMYK 0 / 60 / 57 / 0

HEX #FE666D

RGB 254 102 109

HSL 357.24, 0.99%, 0.7%

LAB 63.08, 58.39, 26.51

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 24 / 60 / 0 / 0

HEX #C266FE

RGB 194 102 254

HSL 276.32, 0.99%, 0.7%

LAB 60, 61.77, -61.29

 

CMYK 40 / 60 / 0 / 0

HEX #9966FE

RGB 153 102 254

HSL 260.13, 0.99%, 0.7%

LAB 55.51, 52.77, -68.75

 

CMYK 56 / 60 / 0 / 0

HEX #7066FE

RGB 112 102 254

HSL 243.95, 0.99%, 0.7%

LAB 51.95, 44.95, -74.68

 

CMYK 60 / 60 / 0 / 0

HEX #6666FE

RGB 102 102 254

HSL 240, 0.99%, 0.7%

LAB 51.25, 43.31, -75.86

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 6 / 52 / 0 / 5

HEX #E273F1

RGB 226 115 241

HSL 292.86, 0.82%, 0.7%

LAB 65.58, 60.88, -45.02

 

CMYK 6 / 45 / 0 / 10

HEX #D87FE5

RGB 216 127 229

HSL 292.35, 0.66%, 0.7%

LAB 66.09, 49.95, -37.68

 

CMYK 5 / 36 / 0 / 15

HEX #CF8BD9

RGB 207 139 217

HSL 292.31, 0.51%, 0.7%

LAB 67.08, 38.64, -29.56

 

CMYK 3 / 25 / 0 / 20

HEX #C698CC

RGB 198 152 204

HSL 293.08, 0.34%, 0.7%

LAB 68.62, 26.14, -20.07

 

CMYK 40 / 60 / 0 / 0

HEX #9966FE

RGB 153 102 254

HSL 260.13, 0.99%, 0.7%

LAB 55.51, 52.77, -68.75

 

CMYK 24 / 60 / 0 / 0

HEX #C166FE

RGB 193 102 254

HSL 275.92, 0.99%, 0.7%

LAB 59.89, 61.54, -61.49

 

CMYK 8 / 60 / 0 / 0

HEX #EA66FE

RGB 234 102 254

HSL 292.11, 0.99%, 0.7%

LAB 65.08, 71.1, -52.89

 

CMYK 0 / 60 / 8 / 0

HEX #FE66EA

RGB 254 102 234

HSL 307.89, 0.99%, 0.7%

LAB 66.91, 72.67, -38.79

 

CMYK 0 / 60 / 24 / 0

HEX #FE66C1

RGB 254 102 193

HSL 324.08, 0.99%, 0.7%

LAB 65.3, 66.87, -18.32

 

CMYK 11 / 92 / 0 / 1

HEX #E014FD

RGB 224 20 253

HSL 292.53, 0.98%, 0.54%

LAB 55.52, 91.87, -67.72

 

CMYK 10 / 76 / 0 / 0

HEX #E53DFE

RGB 229 61 254

HSL 292.23, 0.99%, 0.62%

LAB 59.11, 84.83, -62.45

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 6 / 44 / 0 / 0

HEX #F08FFE

RGB 240 143 254

HSL 292.43, 0.98%, 0.78%

LAB 73.11, 53.36, -40.23

 

CMYK 4 / 28 / 0 / 0

HEX #F5B8FE

RGB 245 184 254

HSL 292.29, 0.97%, 0.86%

LAB 82.3, 33.54, -26.01

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 0 / 56 / 60 / 0

HEX #FE7066

RGB 254 112 102

HSL 3.95, 0.99%, 0.7%

LAB 64.66, 53.43, 32.5

 

CMYK 60 / 0 / 32 / 0

HEX #66FEAD

RGB 102 254 173

HSL 148.03, 0.99%, 0.7%

LAB 90.2, -58.29, 26.97

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 0 / 8 / 60 / 0

HEX #FEEA66

RGB 254 234 102

HSL 52.11, 0.99%, 0.7%

LAB 92.08, -8.59, 64.94

 

CMYK 60 / 0 / 8 / 0

HEX #66FEEA

RGB 102 254 234

HSL 172.11, 0.99%, 0.7%

LAB 91.53, -44.88, -2.5

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 0 / 56 / 60 / 0

HEX #FE7066

RGB 254 112 102

HSL 3.95, 0.99%, 0.7%

LAB 64.66, 53.43, 32.5

 

CMYK 52 / 0 / 60 / 0

HEX #7AFE66

RGB 122 254 102

HSL 112.11, 0.99%, 0.7%

LAB 89.85, -64.07, 60.33

 

CMYK 60 / 4 / 0 / 0

HEX #66F4FE

RGB 102 244 254

HSL 183.95, 0.99%, 0.7%

LAB 89.24, -35.17, -16.29

 

CMYK 7 / 60 / 0 / 0

HEX #EB66FE

RGB 235 102 254

HSL 292.5, 0.99%, 0.7%

LAB 65.22, 71.33, -52.67

 

CMYK 0 / 38 / 60 / 0

HEX #FE9E66

RGB 254 158 102

HSL 22.11, 0.99%, 0.7%

LAB 73.86, 30.59, 43.92

 

CMYK 52 / 0 / 60 / 0

HEX #7AFE66

RGB 122 254 102

HSL 112.11, 0.99%, 0.7%

LAB 89.85, -64.07, 60.33

 

CMYK 60 / 22 / 0 / 0

HEX #66C6FE

RGB 102 198 254

HSL 202.11, 0.99%, 0.7%

LAB 76.3, -12.32, -36.05

 

Description

Color code: HEX #EB66FE | qconv.com Color code: HEX #EB66FE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 102 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 102 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 60 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 60% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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