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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB664C it is the complementary color #1499B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB664C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB664C shade: #F06647, #FF785A, #FF8A6D, #FF9C80 and #FFAE93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB664C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB664C shade: #EB664C, #DA5439, #C94226, #B83013 and #A71E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB664C shade: #EB664C and #EB4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB664C shade: #EB664C, #EB914C, #EBBC4C, #EBE74C and #C5EB4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB664C shade matches the following richer shades: #EB664C and #FB5B3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB664C shade: #EB664C, #DB715C, #CB7C6C, #BB867C and #AB918C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB664C shade: #EB4C89, #EB4C5F, #EB644C, #EB8E4C and #EBB94C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB664C shade: #CE3517, #E74627, #EB664C, #EF8671 and #F3A596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB664C shade: #EB664C, #B3EB4C and #4C74EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB664C shade: #EB664C, #4CEB64 and #644CEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB664C shade: #EB664C, #B3EB4C, #4CD3EB and #844CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB664C shade: #EB664C, #84EB4C, #4CD3EB and #B34CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

Complementary color

CMYK 89 / 15 / 0 / 30

HEX #1499B3

RGB 20 153 179

HSL 189.81, 0.8%, 0.39%

LAB 58.21, -23.4, -22.83

 

CMYK 0 / 58 / 70 / 6

HEX #F06647

RGB 240 102 71

HSL 11.01, 0.85%, 0.61%

LAB 60.32, 51.33, 43.66

 

CMYK 0 / 53 / 65 / 0

HEX #FF785A

RGB 255 120 90

HSL 10.91, 1%, 0.68%

LAB 66.08, 49.29, 40.85

 

CMYK 0 / 46 / 57 / 0

HEX #FF8A6D

RGB 255 138 109

HSL 11.92, 1%, 0.71%

LAB 69.85, 41.72, 35.3

 

CMYK 0 / 39 / 50 / 0

HEX #FF9C80

RGB 255 156 128

HSL 13.23, 1%, 0.75%

LAB 73.93, 34.08, 30.32

 

CMYK 0 / 32 / 42 / 0

HEX #FFAE93

RGB 255 174 147

HSL 15, 1%, 0.79%

LAB 78.25, 26.54, 25.88

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 0 / 61 / 74 / 15

HEX #DA5439

RGB 218 84 57

HSL 10.06, 0.69%, 0.54%

LAB 53.54, 51.06, 42.54

 

CMYK 0 / 67 / 81 / 21

HEX #C94226

RGB 201 66 38

HSL 10.31, 0.68%, 0.47%

LAB 47.56, 52.19, 45.29

 

CMYK 0 / 74 / 90 / 28

HEX #B83013

RGB 184 48 19

HSL 10.55, 0.81%, 0.4%

LAB 41.77, 52.99, 47.76

 

CMYK 0 / 82 / 100 / 35

HEX #A71E00

RGB 167 30 0

HSL 10.78, 1%, 0.33%

LAB 36.26, 53.1, 49.64

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 0 / 68 / 68 / 8

HEX #EB4C4C

RGB 235 76 76

HSL 0, 0.8%, 0.61%

LAB 55.43, 60.92, 34.98

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 0 / 38 / 68 / 8

HEX #EB914C

RGB 235 145 76

HSL 26.04, 0.8%, 0.61%

LAB 68.34, 28.15, 49.93

 

CMYK 0 / 20 / 68 / 8

HEX #EBBC4C

RGB 235 188 76

HSL 42.26, 0.8%, 0.61%

LAB 78.55, 5.42, 60.96

 

CMYK 0 / 2 / 68 / 8

HEX #EBE74C

RGB 235 231 76

HSL 58.49, 0.8%, 0.61%

LAB 89.55, -16.39, 72.22

 

CMYK 16 / 0 / 68 / 8

HEX #C5EB4C

RGB 197 235 76

HSL 74.34, 0.8%, 0.61%

LAB 87.88, -33.53, 69.64

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 0 / 64 / 76 / 2

HEX #FB5B3C

RGB 251 91 60

HSL 9.74, 0.96%, 0.61%

LAB 60.17, 59.45, 49.7

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 0 / 48 / 58 / 14

HEX #DB715C

RGB 219 113 92

HSL 9.92, 0.64%, 0.61%

LAB 59.56, 39.54, 30.54

 

CMYK 0 / 39 / 47 / 20

HEX #CB7C6C

RGB 203 124 108

HSL 10.11, 0.48%, 0.61%

LAB 60.06, 28.95, 21.77

 

CMYK 0 / 28 / 34 / 27

HEX #BB867C

RGB 187 134 124

HSL 9.52, 0.32%, 0.61%

LAB 60.84, 18.98, 13.45

 

CMYK 0 / 15 / 18 / 33

HEX #AB918C

RGB 171 145 140

HSL 9.68, 0.16%, 0.61%

LAB 62.34, 8.9, 6.26

 

CMYK 0 / 68 / 42 / 8

HEX #EB4C89

RGB 235 76 137

HSL 336.98, 0.8%, 0.61%

LAB 56.72, 65.45, 0.92

 

CMYK 0 / 68 / 60 / 8

HEX #EB4C5F

RGB 235 76 95

HSL 352.83, 0.8%, 0.61%

LAB 55.74, 62.03, 24.36

 

CMYK 0 / 57 / 68 / 8

HEX #EB644C

RGB 235 100 76

HSL 9.06, 0.8%, 0.61%

LAB 59.25, 50.73, 39.53

 

CMYK 0 / 40 / 68 / 8

HEX #EB8E4C

RGB 235 142 76

HSL 24.91, 0.8%, 0.61%

LAB 67.67, 29.73, 49.19

 

CMYK 0 / 21 / 68 / 8

HEX #EBB94C

RGB 235 185 76

HSL 41.13, 0.8%, 0.61%

LAB 77.81, 6.99, 60.18

 

CMYK 0 / 74 / 89 / 19

HEX #CE3517

RGB 206 53 23

HSL 9.84, 0.8%, 0.45%

LAB 46.62, 58.3, 51.65

 

CMYK 0 / 70 / 83 / 9

HEX #E74627

RGB 231 70 39

HSL 9.69, 0.8%, 0.53%

LAB 53.51, 60.51, 52.26

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 0 / 44 / 53 / 6

HEX #EF8671

RGB 239 134 113

HSL 10, 0.8%, 0.69%

LAB 66.97, 38.04, 28.98

 

CMYK 0 / 32 / 38 / 5

HEX #F3A596

RGB 243 165 150

HSL 9.68, 0.79%, 0.77%

LAB 74.93, 27.03, 19.51

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 24 / 0 / 68 / 8

HEX #B3EB4C

RGB 179 235 76

HSL 81.13, 0.8%, 0.61%

LAB 86.76, -40.38, 68.14

 

CMYK 68 / 51 / 0 / 8

HEX #4C74EB

RGB 76 116 235

HSL 224.91, 0.8%, 0.61%

LAB 51.87, 24.47, -64.35

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 68 / 0 / 57 / 8

HEX #4CEB64

RGB 76 235 100

HSL 129.06, 0.8%, 0.61%

LAB 82.85, -67.72, 52.79

 

CMYK 57 / 68 / 0 / 8

HEX #644CEB

RGB 100 76 235

HSL 249.06, 0.8%, 0.61%

LAB 44.06, 51.97, -76.98

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 24 / 0 / 68 / 8

HEX #B3EB4C

RGB 179 235 76

HSL 81.13, 0.8%, 0.61%

LAB 86.76, -40.38, 68.14

 

CMYK 68 / 10 / 0 / 8

HEX #4CD3EB

RGB 76 211 235

HSL 189.06, 0.8%, 0.61%

LAB 78.53, -28.85, -22.51

 

CMYK 44 / 68 / 0 / 8

HEX #844CEB

RGB 132 76 235

HSL 261.13, 0.8%, 0.61%

LAB 47.07, 57.22, -71.93

 

CMYK 0 / 57 / 68 / 8

HEX #EB664C

RGB 235 102 76

HSL 9.81, 0.8%, 0.61%

LAB 59.6, 49.8, 39.95

 

CMYK 44 / 0 / 68 / 8

HEX #84EB4C

RGB 132 235 76

HSL 98.87, 0.8%, 0.61%

LAB 84.4, -56.44, 64.96

 

CMYK 68 / 10 / 0 / 8

HEX #4CD3EB

RGB 76 211 235

HSL 189.06, 0.8%, 0.61%

LAB 78.53, -28.85, -22.51

 

CMYK 24 / 68 / 0 / 8

HEX #B34CEB

RGB 179 76 235

HSL 278.87, 0.8%, 0.61%

LAB 52.68, 66.32, -62.59

 

Description

Color code: HEX #EB664C | qconv.com Color code: HEX #EB664C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 102 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 102 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 68 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 68% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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