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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB65CF it is the complementary color #149A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB65CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB65CF shade: #F065CA, #FF77DD, #FF89F0, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB65CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB65CF shade: #EB65CF, #DA53BC, #C941A9, #B82F96 and #A71D83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB65CF shade: #EB66CF, #EB66AB, #EB6687 and #EB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB65CF shade: #EB66CF, #E366EB, #BF66EB, #9B66EB and #7766EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB65CF shade matches the following richer shades: #EB66CF and #F958D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB65CF shade: #EB66CF, #DD74C7, #CF82BF, #C190B7 and #B39EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB65CF shade: #BF66EB, #E266EB, #EB66D0, #EB66AD and #EB6689

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB65CF shade: #E11DB8, #E641C4, #EB66CF, #F08ADB and #F5AFE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB65CF shade: #EB65CF, #EB9B66 and #66EBD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB65CF shade: #EB65CF, #D0EB66 and #66D0EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB65CF shade: #EB65CF, #EB9B66, #66EB80 and #66B6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB65CF shade: #EB65CF, #EBC366, #66EB80 and #668EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 12 / 8

HEX #EB65CF

RGB 235 101 207

HSL 312.54, 0.77%, 0.66%

LAB 62.91, 63.99, -30.14

 

Complementary color

CMYK 87 / 0 / 69 / 40

HEX #149A30

RGB 20 154 48

HSL 132.54, 0.77%, 0.34%

LAB 55.56, -55, 44.51

 

CMYK 0 / 58 / 16 / 6

HEX #F065CA

RGB 240 101 202

HSL 316.4, 0.82%, 0.67%

LAB 63.42, 64.62, -26.46

 

CMYK 0 / 53 / 13 / 0

HEX #FF77DD

RGB 255 119 221

HSL 315, 1%, 0.73%

LAB 69.24, 63.62, -27.97

 

CMYK 0 / 46 / 6 / 0

HEX #FF89F0

RGB 255 137 240

HSL 307.63, 1%, 0.77%

LAB 73.18, 58.16, -32.35

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 57 / 12 / 8

HEX #EB65CF

RGB 235 101 207

HSL 312.54, 0.77%, 0.66%

LAB 62.91, 63.99, -30.14

 

CMYK 0 / 62 / 14 / 15

HEX #DA53BC

RGB 218 83 188

HSL 313.33, 0.65%, 0.59%

LAB 56.8, 64.24, -28.96

 

CMYK 0 / 68 / 16 / 21

HEX #C941A9

RGB 201 65 169

HSL 314.12, 0.56%, 0.52%

LAB 50.76, 64.15, -27.5

 

CMYK 0 / 74 / 18 / 28

HEX #B82F96

RGB 184 47 150

HSL 314.89, 0.59%, 0.45%

LAB 44.84, 63.54, -25.62

 

CMYK 0 / 83 / 22 / 35

HEX #A71D83

RGB 167 29 131

HSL 315.65, 0.7%, 0.38%

LAB 39.13, 62.1, -23.13

 

CMYK 0 / 57 / 12 / 8

HEX #EB66CF

RGB 235 102 207

HSL 312.63, 0.77%, 0.66%

LAB 63.07, 63.55, -29.88

 

CMYK 0 / 57 / 27 / 8

HEX #EB66AB

RGB 235 102 171

HSL 328.87, 0.77%, 0.66%

LAB 61.74, 58.49, -11.42

 

CMYK 0 / 57 / 43 / 8

HEX #EB6687

RGB 235 102 135

HSL 345.11, 0.77%, 0.66%

LAB 60.71, 54.35, 7.83

 

CMYK 0 / 57 / 57 / 8

HEX #EB6666

RGB 235 102 102

HSL 0, 0.77%, 0.66%

LAB 60, 51.46, 25.9

 

CMYK 0 / 57 / 12 / 8

HEX #EB66CF

RGB 235 102 207

HSL 312.63, 0.77%, 0.66%

LAB 63.07, 63.55, -29.88

 

CMYK 3 / 57 / 0 / 8

HEX #E366EB

RGB 227 102 235

HSL 296.39, 0.77%, 0.66%

LAB 63.2, 66.03, -45.43

 

CMYK 19 / 57 / 0 / 8

HEX #BF66EB

RGB 191 102 235

HSL 280.15, 0.77%, 0.66%

LAB 58.58, 57.03, -53.04

 

CMYK 34 / 57 / 0 / 8

HEX #9B66EB

RGB 155 102 235

HSL 263.91, 0.77%, 0.66%

LAB 54.52, 48.39, -59.77

 

CMYK 49 / 57 / 0 / 8

HEX #7766EB

RGB 119 102 235

HSL 247.67, 0.77%, 0.66%

LAB 51.18, 40.55, -65.32

 

CMYK 0 / 57 / 12 / 8

HEX #EB66CF

RGB 235 102 207

HSL 312.63, 0.77%, 0.66%

LAB 63.07, 63.55, -29.88

 

CMYK 0 / 65 / 14 / 2

HEX #F958D7

RGB 249 88 215

HSL 312.67, 0.93%, 0.66%

LAB 63.36, 74.12, -33.77

 

CMYK 0 / 57 / 12 / 8

HEX #EB66CF

RGB 235 102 207

HSL 312.63, 0.77%, 0.66%

LAB 63.07, 63.55, -29.88

 

CMYK 0 / 48 / 10 / 13

HEX #DD74C7

RGB 221 116 199

HSL 312.57, 0.61%, 0.66%

LAB 63.33, 51.67, -25.13

 

CMYK 0 / 37 / 8 / 19

HEX #CF82BF

RGB 207 130 191

HSL 312.47, 0.45%, 0.66%

LAB 64.15, 38.7, -19.51

 

CMYK 0 / 25 / 5 / 24

HEX #C190B7

RGB 193 144 183

HSL 312.24, 0.28%, 0.66%

LAB 65.52, 24.92, -13.1

 

CMYK 0 / 12 / 3 / 30

HEX #B39EAE

RGB 179 158 174

HSL 314.29, 0.12%, 0.66%

LAB 67.35, 10.56, -5.47

 

CMYK 19 / 57 / 0 / 8

HEX #BF66EB

RGB 191 102 235

HSL 280.15, 0.77%, 0.66%

LAB 58.58, 57.03, -53.04

 

CMYK 4 / 57 / 0 / 8

HEX #E266EB

RGB 226 102 235

HSL 295.94, 0.77%, 0.66%

LAB 63.07, 65.78, -45.65

 

CMYK 0 / 57 / 11 / 8

HEX #EB66D0

RGB 235 102 208

HSL 312.18, 0.77%, 0.66%

LAB 63.11, 63.7, -30.38

 

CMYK 0 / 57 / 26 / 8

HEX #EB66AD

RGB 235 102 173

HSL 327.97, 0.77%, 0.66%

LAB 61.81, 58.74, -12.47

 

CMYK 0 / 57 / 42 / 8

HEX #EB6689

RGB 235 102 137

HSL 344.21, 0.77%, 0.66%

LAB 60.76, 54.56, 6.74

 

CMYK 0 / 87 / 18 / 12

HEX #E11DB8

RGB 225 29 184

HSL 312.55, 0.77%, 0.5%

LAB 52.23, 81.06, -33.69

 

CMYK 0 / 72 / 15 / 10

HEX #E641C4

RGB 230 65 196

HSL 312.36, 0.77%, 0.58%

LAB 56.67, 74.97, -33.62

 

CMYK 0 / 57 / 12 / 8

HEX #EB66CF

RGB 235 102 207

HSL 312.63, 0.77%, 0.66%

LAB 63.07, 63.55, -29.88

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADB

RGB 240 138 219

HSL 312.35, 0.77%, 0.74%

LAB 70.74, 49.74, -24.72

 

CMYK 0 / 29 / 6 / 4

HEX #F5AFE6

RGB 245 175 230

HSL 312.86, 0.78%, 0.82%

LAB 79.49, 33.98, -17.38

 

CMYK 0 / 57 / 12 / 8

HEX #EB65CF

RGB 235 101 207

HSL 312.54, 0.77%, 0.66%

LAB 62.91, 63.99, -30.14

 

CMYK 0 / 34 / 57 / 8

HEX #EB9B66

RGB 235 155 102

HSL 23.91, 0.77%, 0.66%

LAB 70.92, 24.59, 39.8

 

CMYK 57 / 0 / 11 / 8

HEX #66EBD0

RGB 102 235 208

HSL 167.82, 0.77%, 0.66%

LAB 85.4, -42.88, 2.12

 

CMYK 0 / 57 / 12 / 8

HEX #EB65CF

RGB 235 101 207

HSL 312.54, 0.77%, 0.66%

LAB 62.91, 63.99, -30.14

 

CMYK 11 / 0 / 57 / 8

HEX #D0EB66

RGB 208 235 102

HSL 72.18, 0.77%, 0.66%

LAB 88.82, -27.43, 60.34

 

CMYK 57 / 11 / 0 / 8

HEX #66D0EB

RGB 102 208 235

HSL 192.18, 0.77%, 0.66%

LAB 78.42, -23.07, -22.6

 

CMYK 0 / 57 / 12 / 8

HEX #EB65CF

RGB 235 101 207

HSL 312.54, 0.77%, 0.66%

LAB 62.91, 63.99, -30.14

 

CMYK 0 / 34 / 57 / 8

HEX #EB9B66

RGB 235 155 102

HSL 23.91, 0.77%, 0.66%

LAB 70.92, 24.59, 39.8

 

CMYK 57 / 0 / 46 / 8

HEX #66EB80

RGB 102 235 128

HSL 131.73, 0.77%, 0.66%

LAB 83.86, -58.63, 41.06

 

CMYK 57 / 23 / 0 / 8

HEX #66B6EB

RGB 102 182 235

HSL 203.91, 0.77%, 0.66%

LAB 71.06, -9.52, -33.9

 

CMYK 0 / 57 / 12 / 8

HEX #EB65CF

RGB 235 101 207

HSL 312.54, 0.77%, 0.66%

LAB 62.91, 63.99, -30.14

 

CMYK 0 / 17 / 57 / 8

HEX #EBC366

RGB 235 195 102

HSL 41.95, 0.77%, 0.66%

LAB 80.54, 3.46, 51.39

 

CMYK 57 / 0 / 46 / 8

HEX #66EB80

RGB 102 235 128

HSL 131.73, 0.77%, 0.66%

LAB 83.86, -58.63, 41.06

 

CMYK 57 / 40 / 0 / 8

HEX #668EEB

RGB 102 142 235

HSL 221.95, 0.77%, 0.66%

LAB 60.04, 13.23, -51.19

 

Description

Color code: HEX #EB65CF | qconv.com Color code: HEX #EB65CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 101 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 101 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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