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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB63E4 it is the complementary color #149C1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB63E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB63E4 shade: #F063DF, #FF75F2, #FF87FF, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB63E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB63E4 shade: #EB63E4, #DA51D1, #C93FBE, #B82DAB and #A71B98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB63E4 shade: #EA61E3, #EA61BE, #EA6199, #EA6174 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB63E4 shade: #EA61E3, #CC61EA, #A761EA, #8261EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB63E4 shade matches the following richer shades: #EA61E3 and #F953F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB63E4 shade: #EA61E3, #DC6FD6, #CE7EC9, #BF8CBD and #B19BB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB63E4 shade: #A861EA, #CD61EA, #EA61E4, #EA61BF and #EA619A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB63E4 shade: #DC1DD2, #E63DDD, #EA61E3, #EF86EA and #F4AAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB63E4 shade: #EB63E4, #EA8361 and #61EABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB63E4 shade: #EB63E4, #E4EA61 and #61E4EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB63E4 shade: #EB63E4, #EA8361, #61EA68 and #61C8EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB63E4 shade: #EB63E4, #EAAD61, #61EA68 and #619FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 3 / 8

HEX #EB63E4

RGB 235 99 228

HSL 303.09, 0.77%, 0.65%

LAB 63.5, 68.17, -40.99

 

Complementary color

CMYK 87 / 0 / 83 / 39

HEX #149C1B

RGB 20 156 27

HSL 123.09, 0.77%, 0.35%

LAB 56.09, -57.33, 52.59

 

CMYK 0 / 59 / 7 / 6

HEX #F063DF

RGB 240 99 223

HSL 307.23, 0.82%, 0.66%

LAB 63.98, 68.65, -37.39

 

CMYK 0 / 54 / 5 / 0

HEX #FF75F2

RGB 255 117 242

HSL 305.65, 1%, 0.73%

LAB 69.75, 67.79, -38.77

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 58 / 3 / 8

HEX #EB63E4

RGB 235 99 228

HSL 303.09, 0.77%, 0.65%

LAB 63.5, 68.17, -40.99

 

CMYK 0 / 63 / 4 / 15

HEX #DA51D1

RGB 218 81 209

HSL 303.94, 0.65%, 0.59%

LAB 57.46, 68.29, -39.95

 

CMYK 0 / 69 / 5 / 21

HEX #C93FBE

RGB 201 63 190

HSL 304.78, 0.56%, 0.52%

LAB 51.49, 68.04, -38.63

 

CMYK 0 / 76 / 7 / 28

HEX #B82DAB

RGB 184 45 171

HSL 305.61, 0.61%, 0.45%

LAB 45.64, 67.21, -36.89

 

CMYK 0 / 84 / 9 / 35

HEX #A71B98

RGB 167 27 152

HSL 306.43, 0.72%, 0.38%

LAB 40.03, 65.49, -34.58

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E3

RGB 234 97 227

HSL 303.07, 0.77%, 0.65%

LAB 63, 68.61, -41.22

 

CMYK 0 / 59 / 19 / 8

HEX #EA61BE

RGB 234 97 190

HSL 319.27, 0.77%, 0.65%

LAB 61.45, 62.97, -22.76

 

CMYK 0 / 59 / 35 / 8

HEX #EA6199

RGB 234 97 153

HSL 335.47, 0.77%, 0.65%

LAB 60.2, 58.23, -3.36

 

CMYK 0 / 59 / 50 / 8

HEX #EA6174

RGB 234 97 116

HSL 351.68, 0.77%, 0.65%

LAB 59.25, 54.52, 16.8

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E3

RGB 234 97 227

HSL 303.07, 0.77%, 0.65%

LAB 63, 68.61, -41.22

 

CMYK 13 / 59 / 0 / 8

HEX #CC61EA

RGB 204 97 234

HSL 286.86, 0.77%, 0.65%

LAB 59.28, 62.41, -51.28

 

CMYK 29 / 59 / 0 / 8

HEX #A761EA

RGB 167 97 234

HSL 270.66, 0.77%, 0.65%

LAB 54.77, 53.56, -58.74

 

CMYK 44 / 59 / 0 / 8

HEX #8261EA

RGB 130 97 234

HSL 254.45, 0.77%, 0.65%

LAB 50.96, 45.37, -65.07

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E3

RGB 234 97 227

HSL 303.07, 0.77%, 0.65%

LAB 63, 68.61, -41.22

 

CMYK 0 / 67 / 4 / 2

HEX #F953F0

RGB 249 83 240

HSL 303.25, 0.93%, 0.65%

LAB 63.85, 79.64, -46.97

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E3

RGB 234 97 227

HSL 303.07, 0.77%, 0.65%

LAB 63, 68.61, -41.22

 

CMYK 0 / 50 / 3 / 14

HEX #DC6FD6

RGB 220 111 214

HSL 303.3, 0.61%, 0.65%

LAB 62.88, 56.34, -34.28

 

CMYK 0 / 39 / 2 / 19

HEX #CE7EC9

RGB 206 126 201

HSL 303.75, 0.45%, 0.65%

LAB 63.56, 42.27, -26.06

 

CMYK 0 / 27 / 1 / 25

HEX #BF8CBD

RGB 191 140 189

HSL 302.35, 0.28%, 0.65%

LAB 64.57, 27.57, -17.92

 

CMYK 0 / 12 / 1 / 31

HEX #B19BB0

RGB 177 155 176

HSL 302.73, 0.12%, 0.65%

LAB 66.46, 11.9, -7.92

 

CMYK 28 / 59 / 0 / 8

HEX #A861EA

RGB 168 97 234

HSL 271.09, 0.77%, 0.65%

LAB 54.88, 53.8, -58.55

 

CMYK 12 / 59 / 0 / 8

HEX #CD61EA

RGB 205 97 234

HSL 287.3, 0.77%, 0.65%

LAB 59.41, 62.65, -51.07

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E4

RGB 234 97 228

HSL 302.63, 0.77%, 0.65%

LAB 63.05, 68.77, -41.71

 

CMYK 0 / 59 / 18 / 8

HEX #EA61BF

RGB 234 97 191

HSL 318.83, 0.77%, 0.65%

LAB 61.48, 63.11, -23.27

 

CMYK 0 / 59 / 34 / 8

HEX #EA619A

RGB 234 97 154

HSL 335.04, 0.77%, 0.65%

LAB 60.23, 58.34, -3.9

 

CMYK 0 / 87 / 5 / 14

HEX #DC1DD2

RGB 220 29 210

HSL 303.14, 0.77%, 0.49%

LAB 52.67, 83.59, -48.07

 

CMYK 0 / 73 / 4 / 10

HEX #E63DDD

RGB 230 61 221

HSL 303.2, 0.77%, 0.57%

LAB 57.44, 79.8, -46.65

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E3

RGB 234 97 227

HSL 303.07, 0.77%, 0.65%

LAB 63, 68.61, -41.22

 

CMYK 0 / 44 / 2 / 6

HEX #EF86EA

RGB 239 134 234

HSL 302.86, 0.77%, 0.73%

LAB 70.41, 53.98, -33.5

 

CMYK 0 / 30 / 2 / 4

HEX #F4AAF0

RGB 244 170 240

HSL 303.24, 0.77%, 0.81%

LAB 78.62, 38.05, -24.11

 

CMYK 0 / 58 / 3 / 8

HEX #EB63E4

RGB 235 99 228

HSL 303.09, 0.77%, 0.65%

LAB 63.5, 68.17, -40.99

 

CMYK 0 / 44 / 59 / 8

HEX #EA8361

RGB 234 131 97

HSL 14.89, 0.77%, 0.65%

LAB 65.43, 36.41, 35.61

 

CMYK 59 / 0 / 21 / 8

HEX #61EABA

RGB 97 234 186

HSL 158.98, 0.77%, 0.65%

LAB 84.45, -48.49, 12.27

 

CMYK 0 / 58 / 3 / 8

HEX #EB63E4

RGB 235 99 228

HSL 303.09, 0.77%, 0.65%

LAB 63.5, 68.17, -40.99

 

CMYK 3 / 0 / 59 / 8

HEX #E4EA61

RGB 228 234 97

HSL 62.63, 0.77%, 0.65%

LAB 89.95, -19.42, 64.14

 

CMYK 59 / 3 / 0 / 8

HEX #61E4EA

RGB 97 228 234

HSL 182.63, 0.77%, 0.65%

LAB 83.95, -33.96, -13.75

 

CMYK 0 / 58 / 3 / 8

HEX #EB63E4

RGB 235 99 228

HSL 303.09, 0.77%, 0.65%

LAB 63.5, 68.17, -40.99

 

CMYK 0 / 44 / 59 / 8

HEX #EA8361

RGB 234 131 97

HSL 14.89, 0.77%, 0.65%

LAB 65.43, 36.41, 35.61

 

CMYK 59 / 0 / 56 / 8

HEX #61EA68

RGB 97 234 104

HSL 123.07, 0.77%, 0.65%

LAB 83.12, -62.64, 51.45

 

CMYK 59 / 15 / 0 / 8

HEX #61C8EA

RGB 97 200 234

HSL 194.89, 0.77%, 0.65%

LAB 75.94, -20.25, -25.87

 

CMYK 0 / 58 / 3 / 8

HEX #EB63E4

RGB 235 99 228

HSL 303.09, 0.77%, 0.65%

LAB 63.5, 68.17, -40.99

 

CMYK 0 / 26 / 59 / 8

HEX #EAAD61

RGB 234 173 97

HSL 33.28, 0.77%, 0.65%

LAB 74.98, 14.24, 47.23

 

CMYK 59 / 0 / 56 / 8

HEX #61EA68

RGB 97 234 104

HSL 123.07, 0.77%, 0.65%

LAB 83.12, -62.64, 51.45

 

CMYK 59 / 32 / 0 / 8

HEX #619FEA

RGB 97 159 234

HSL 212.85, 0.77%, 0.65%

LAB 64.39, 1.99, -43.79

 

Description

Color code: HEX #EB63E4 | qconv.com Color code: HEX #EB63E4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 99 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 99 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 3 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 3% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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