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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB63BB it is the complementary color #149C44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB63BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB63BB shade: #F063B6, #FF75C9, #FF87DC, #FF99EF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB63BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB63BB shade: #EB63BB, #DA51A8, #C93F95, #B82D82 and #A71B6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB63BB shade: #EA61B9, #EA6194, #EA616F and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB63BB shade: #EA61B9, #EA61DF, #D061EA, #AB61EA and #8661EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB63BB shade matches the following richer shades: #EA61B9 and #F852BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB63BB shade: #EA61B9, #DC6FB5, #CD7DB1, #BF8CAD and #B09AA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB63BB shade: #D161EA, #EA61DF, #EA61BA, #EA6195 and #EA6171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB63BB shade: #DC1C98, #E53CA9, #EA61B9, #EF85C9 and #F3AAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB63BB shade: #EB63BB, #EAAC61 and #61EAE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB63BB shade: #EB63BB, #BAEA61 and #61BAEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB63BB shade: #EB63BB, #EAAC61, #61EA91 and #619EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB63BB shade: #EB63BB, #EAD561, #61EA91 and #6175EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 20 / 8

HEX #EB63BB

RGB 235 99 187

HSL 321.18, 0.77%, 0.65%

LAB 61.8, 61.96, -20.49

 

Complementary color

CMYK 87 / 0 / 56 / 39

HEX #149C44

RGB 20 156 68

HSL 141.18, 0.77%, 0.35%

LAB 56.43, -53.13, 36.26

 

CMYK 0 / 59 / 24 / 6

HEX #F063B6

RGB 240 99 182

HSL 324.68, 0.82%, 0.66%

LAB 62.36, 62.72, -16.72

 

CMYK 0 / 54 / 21 / 0

HEX #FF75C9

RGB 255 117 201

HSL 323.48, 1%, 0.73%

LAB 68.17, 61.66, -18.46

 

CMYK 0 / 47 / 14 / 0

HEX #FF87DC

RGB 255 135 220

HSL 317.5, 1%, 0.76%

LAB 72.06, 55.95, -23.09

 

CMYK 0 / 40 / 6 / 0

HEX #FF99EF

RGB 255 153 239

HSL 309.41, 1%, 0.8%

LAB 76.24, 50.08, -27.1

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 58 / 20 / 8

HEX #EB63BB

RGB 235 99 187

HSL 321.18, 0.77%, 0.65%

LAB 61.8, 61.96, -20.49

 

CMYK 0 / 63 / 23 / 15

HEX #DA51A8

RGB 218 81 168

HSL 321.9, 0.65%, 0.59%

LAB 55.7, 62.24, -19.08

 

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

CMYK 0 / 76 / 29 / 28

HEX #B82D82

RGB 184 45 130

HSL 323.31, 0.61%, 0.45%

LAB 43.77, 61.6, -15.11

 

CMYK 0 / 84 / 34 / 35

HEX #A71B6F

RGB 167 27 111

HSL 324, 0.72%, 0.38%

LAB 38.11, 60.15, -12.22

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B9

RGB 234 97 185

HSL 321.46, 0.77%, 0.65%

LAB 61.26, 62.27, -20.19

 

CMYK 0 / 59 / 37 / 8

HEX #EA6194

RGB 234 97 148

HSL 337.66, 0.77%, 0.65%

LAB 60.05, 57.67, -0.68

 

CMYK 0 / 59 / 53 / 8

HEX #EA616F

RGB 234 97 111

HSL 353.87, 0.77%, 0.65%

LAB 59.15, 54.1, 19.55

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B9

RGB 234 97 185

HSL 321.46, 0.77%, 0.65%

LAB 61.26, 62.27, -20.19

 

CMYK 0 / 59 / 5 / 8

HEX #EA61DF

RGB 234 97 223

HSL 304.82, 0.77%, 0.65%

LAB 62.82, 67.96, -39.27

 

CMYK 11 / 59 / 0 / 8

HEX #D061EA

RGB 208 97 234

HSL 288.61, 0.77%, 0.65%

LAB 59.8, 63.38, -50.42

 

CMYK 27 / 59 / 0 / 8

HEX #AB61EA

RGB 171 97 234

HSL 272.41, 0.77%, 0.65%

LAB 55.22, 54.5, -57.98

 

CMYK 43 / 59 / 0 / 8

HEX #8661EA

RGB 134 97 234

HSL 256.2, 0.77%, 0.65%

LAB 51.33, 46.21, -64.45

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B9

RGB 234 97 185

HSL 321.46, 0.77%, 0.65%

LAB 61.26, 62.27, -20.19

 

CMYK 0 / 67 / 23 / 3

HEX #F852BE

RGB 248 82 190

HSL 320.96, 0.92%, 0.65%

LAB 61.4, 72.73, -22.64

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B9

RGB 234 97 185

HSL 321.46, 0.77%, 0.65%

LAB 61.26, 62.27, -20.19

 

CMYK 0 / 50 / 18 / 14

HEX #DC6FB5

RGB 220 111 181

HSL 321.47, 0.61%, 0.65%

LAB 61.59, 51.02, -17.59

 

CMYK 0 / 39 / 14 / 20

HEX #CD7DB1

RGB 205 125 177

HSL 321, 0.44%, 0.65%

LAB 62.36, 38.34, -14.33

 

CMYK 0 / 27 / 9 / 25

HEX #BF8CAD

RGB 191 140 173

HSL 321.18, 0.28%, 0.65%

LAB 64.04, 24.66, -9.7

 

CMYK 0 / 13 / 5 / 31

HEX #B09AA8

RGB 176 154 168

HSL 321.82, 0.12%, 0.65%

LAB 65.88, 10.59, -4.31

 

CMYK 11 / 59 / 0 / 8

HEX #D161EA

RGB 209 97 234

HSL 289.05, 0.77%, 0.65%

LAB 59.93, 63.63, -50.2

 

CMYK 0 / 59 / 5 / 8

HEX #EA61DF

RGB 234 97 223

HSL 304.82, 0.77%, 0.65%

LAB 62.82, 67.96, -39.27

 

CMYK 0 / 59 / 21 / 8

HEX #EA61BA

RGB 234 97 186

HSL 321.02, 0.77%, 0.65%

LAB 61.3, 62.41, -20.71

 

CMYK 0 / 59 / 36 / 8

HEX #EA6195

RGB 234 97 149

HSL 337.23, 0.77%, 0.65%

LAB 60.08, 57.78, -1.22

 

CMYK 0 / 59 / 52 / 8

HEX #EA6171

RGB 234 97 113

HSL 352.99, 0.77%, 0.65%

LAB 59.19, 54.27, 18.45

 

CMYK 0 / 87 / 31 / 14

HEX #DC1C98

RGB 220 28 152

HSL 321.25, 0.77%, 0.49%

LAB 49.87, 76.47, -18.51

 

CMYK 0 / 74 / 26 / 10

HEX #E53CA9

RGB 229 60 169

HSL 321.3, 0.76%, 0.57%

LAB 54.82, 72.82, -20.85

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B9

RGB 234 97 185

HSL 321.46, 0.77%, 0.65%

LAB 61.26, 62.27, -20.19

 

CMYK 0 / 44 / 16 / 6

HEX #EF85C9

RGB 239 133 201

HSL 321.51, 0.77%, 0.73%

LAB 69, 49.08, -17.4

 

CMYK 0 / 30 / 11 / 5

HEX #F3AAD9

RGB 243 170 217

HSL 321.37, 0.75%, 0.81%

LAB 77.76, 33.77, -12.96

 

CMYK 0 / 58 / 20 / 8

HEX #EB63BB

RGB 235 99 187

HSL 321.18, 0.77%, 0.65%

LAB 61.8, 61.96, -20.49

 

CMYK 0 / 26 / 59 / 8

HEX #EAAC61

RGB 234 172 97

HSL 32.85, 0.77%, 0.65%

LAB 74.74, 14.77, 46.95

 

CMYK 59 / 0 / 3 / 8

HEX #61EAE3

RGB 97 234 227

HSL 176.93, 0.77%, 0.65%

LAB 85.47, -38.6, -7.79

 

CMYK 0 / 58 / 20 / 8

HEX #EB63BB

RGB 235 99 187

HSL 321.18, 0.77%, 0.65%

LAB 61.8, 61.96, -20.49

 

CMYK 21 / 0 / 59 / 8

HEX #BAEA61

RGB 186 234 97

HSL 81.02, 0.77%, 0.65%

LAB 87.07, -35.77, 60.14

 

CMYK 59 / 21 / 0 / 8

HEX #61BAEA

RGB 97 186 234

HSL 201.02, 0.77%, 0.65%

LAB 71.96, -12.94, -31.98

 

CMYK 0 / 58 / 20 / 8

HEX #EB63BB

RGB 235 99 187

HSL 321.18, 0.77%, 0.65%

LAB 61.8, 61.96, -20.49

 

CMYK 0 / 26 / 59 / 8

HEX #EAAC61

RGB 234 172 97

HSL 32.85, 0.77%, 0.65%

LAB 74.74, 14.77, 46.95

 

CMYK 59 / 0 / 38 / 8

HEX #61EA91

RGB 97 234 145

HSL 141.02, 0.77%, 0.65%

LAB 83.67, -56.6, 32.34

 

CMYK 59 / 32 / 0 / 8

HEX #619EEA

RGB 97 158 234

HSL 213.28, 0.77%, 0.65%

LAB 64.11, 2.57, -44.22

 

CMYK 0 / 58 / 20 / 8

HEX #EB63BB

RGB 235 99 187

HSL 321.18, 0.77%, 0.65%

LAB 61.8, 61.96, -20.49

 

CMYK 0 / 9 / 59 / 8

HEX #EAD561

RGB 234 213 97

HSL 50.8, 0.77%, 0.65%

LAB 84.97, -6.57, 58.75

 

CMYK 59 / 0 / 38 / 8

HEX #61EA91

RGB 97 234 145

HSL 141.02, 0.77%, 0.65%

LAB 83.67, -56.6, 32.34

 

CMYK 59 / 50 / 0 / 8

HEX #6175EA

RGB 97 117 234

HSL 231.24, 0.77%, 0.65%

LAB 53.17, 27.01, -61.63

 

Description

Color code: HEX #EB63BB | qconv.com Color code: HEX #EB63BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 99 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 99 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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