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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5FEC it is the complementary color #14A013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5FEC shade: #F05FE7, #FF71FA, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5FEC shade: #EB5FEC, #DA4DD9, #C93BC6, #B829B3 and #A717A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5FEC shade: #EB5FEC, #EC5FC7, #EC5FA1, #EC5F7B and #EC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5FEC shade: #EB5FEC, #C55FEC, #9F5FEC, #795FEC and #5F5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5FEC shade matches the following richer shades: #EB5FEC and #F950FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5FEC shade: #EB5FEC, #DD6DDD, #CE7CCF, #C08AC0 and #B299B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5FEC shade: #9E5FEC, #C45FEC, #E95FEC, #EC5FC9 and #EC5FA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5FEC shade: #DD1ADE, #E63AE7, #EB5FEC, #EF84F0 and #F4A9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5FEC shade: #EB5FEC, #EC795F and #5FECB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5FEC shade: #EB5FEC, #ECE95F and #5FECE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5FEC shade: #EB5FEC, #EC795F, #61EC5F and #5FD2EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5FEC shade: #EB5FEC, #ECA35F, #61EC5F and #5FA8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

Complementary color

CMYK 88 / 0 / 88 / 37

HEX #14A013

RGB 20 160 19

HSL 119.57, 0.79%, 0.35%

LAB 57.4, -58.93, 55.79

 

CMYK 0 / 60 / 4 / 6

HEX #F05FE7

RGB 240 95 231

HSL 303.72, 0.83%, 0.66%

LAB 63.74, 71.57, -42.24

 

CMYK 0 / 56 / 2 / 0

HEX #FF71FA

RGB 255 113 250

HSL 302.11, 1%, 0.72%

LAB 69.45, 70.84, -43.62

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 65 / 0 / 15

HEX #DA4DD9

RGB 218 77 217

HSL 300.43, 0.66%, 0.58%

LAB 57.29, 71.14, -44.75

 

CMYK 0 / 71 / 1 / 21

HEX #C93BC6

RGB 201 59 198

HSL 301.27, 0.57%, 0.51%

LAB 51.41, 70.69, -43.37

 

CMYK 0 / 78 / 3 / 28

HEX #B829B3

RGB 184 41 179

HSL 302.1, 0.64%, 0.44%

LAB 45.68, 69.58, -41.57

 

CMYK 0 / 86 / 4 / 35

HEX #A717A0

RGB 167 23 160

HSL 302.92, 0.76%, 0.37%

LAB 40.19, 67.5, -39.15

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 60 / 16 / 7

HEX #EC5FC7

RGB 236 95 199

HSL 315.74, 0.79%, 0.65%

LAB 61.78, 65.66, -27.35

 

CMYK 0 / 60 / 32 / 7

HEX #EC5FA1

RGB 236 95 161

HSL 331.91, 0.79%, 0.65%

LAB 60.42, 60.65, -7.63

 

CMYK 0 / 60 / 48 / 7

HEX #EC5F7B

RGB 236 95 123

HSL 348.09, 0.79%, 0.65%

LAB 59.39, 56.68, 12.96

 

CMYK 0 / 60 / 60 / 7

HEX #EC5F5F

RGB 236 95 95

HSL 0, 0.79%, 0.65%

LAB 58.83, 54.48, 28.41

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 17 / 60 / 0 / 7

HEX #C55FEC

RGB 197 95 236

HSL 283.4, 0.79%, 0.65%

LAB 58.14, 62.04, -54.26

 

CMYK 33 / 60 / 0 / 7

HEX #9F5FEC

RGB 159 95 236

HSL 267.23, 0.79%, 0.65%

LAB 53.61, 53.24, -61.76

 

CMYK 49 / 60 / 0 / 7

HEX #795FEC

RGB 121 95 236

HSL 251.06, 0.79%, 0.65%

LAB 49.86, 45.26, -68

 

CMYK 60 / 60 / 0 / 7

HEX #5F5FEC

RGB 95 95 236

HSL 240, 0.79%, 0.65%

LAB 47.85, 40.62, -71.37

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 68 / 0 / 2

HEX #F950FA

RGB 249 80 250

HSL 299.65, 0.94%, 0.65%

LAB 63.98, 82.23, -52.3

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 51 / 0 / 13

HEX #DD6DDD

RGB 221 109 221

HSL 300, 0.62%, 0.65%

LAB 62.95, 58.79, -38.07

 

CMYK 0 / 40 / 0 / 19

HEX #CE7CCF

RGB 206 124 207

HSL 299.28, 0.46%, 0.65%

LAB 63.38, 44.42, -29.71

 

CMYK 0 / 28 / 0 / 25

HEX #C08AC0

RGB 192 138 192

HSL 300, 0.3%, 0.65%

LAB 64.31, 29.58, -19.98

 

CMYK 0 / 14 / 0 / 30

HEX #B299B2

RGB 178 153 178

HSL 300, 0.14%, 0.65%

LAB 66.11, 13.75, -9.56

 

CMYK 33 / 60 / 0 / 7

HEX #9E5FEC

RGB 158 95 236

HSL 266.81, 0.79%, 0.65%

LAB 53.5, 53.02, -61.95

 

CMYK 17 / 60 / 0 / 7

HEX #C45FEC

RGB 196 95 236

HSL 282.98, 0.79%, 0.65%

LAB 58.01, 61.8, -54.47

 

CMYK 1 / 60 / 0 / 7

HEX #E95FEC

RGB 233 95 236

HSL 298.72, 0.79%, 0.65%

LAB 62.98, 70.69, -46.28

 

CMYK 0 / 60 / 15 / 7

HEX #EC5FC9

RGB 236 95 201

HSL 314.89, 0.79%, 0.65%

LAB 61.86, 65.95, -28.36

 

CMYK 0 / 60 / 31 / 7

HEX #EC5FA3

RGB 236 95 163

HSL 331.06, 0.79%, 0.65%

LAB 60.48, 60.88, -8.69

 

CMYK 0 / 88 / 0 / 13

HEX #DD1ADE

RGB 221 26 222

HSL 299.69, 0.79%, 0.49%

LAB 53.37, 85.94, -53.79

 

CMYK 0 / 75 / 0 / 9

HEX #E63AE7

RGB 230 58 231

HSL 299.65, 0.78%, 0.57%

LAB 57.67, 82.18, -51.92

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 45 / 0 / 6

HEX #EF84F0

RGB 239 132 240

HSL 299.44, 0.78%, 0.73%

LAB 70.28, 56.02, -37

 

CMYK 0 / 31 / 0 / 4

HEX #F4A9F4

RGB 244 169 244

HSL 300, 0.77%, 0.81%

LAB 78.54, 39.29, -26.39

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 49 / 60 / 7

HEX #EC795F

RGB 236 121 95

HSL 11.06, 0.79%, 0.65%

LAB 63.62, 42.12, 34.5

 

CMYK 60 / 0 / 25 / 7

HEX #5FECB1

RGB 95 236 177

HSL 154.89, 0.79%, 0.65%

LAB 84.79, -51.65, 17.44

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 1 / 60 / 7

HEX #ECE95F

RGB 236 233 95

HSL 58.72, 0.79%, 0.65%

LAB 90.29, -15.85, 65.53

 

CMYK 60 / 0 / 1 / 7

HEX #5FECE9

RGB 95 236 233

HSL 178.72, 0.79%, 0.65%

LAB 86.16, -38.28, -9.93

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 49 / 60 / 7

HEX #EC795F

RGB 236 121 95

HSL 11.06, 0.79%, 0.65%

LAB 63.62, 42.12, 34.5

 

CMYK 59 / 0 / 60 / 7

HEX #61EC5F

RGB 97 236 95

HSL 119.15, 0.79%, 0.65%

LAB 83.63, -64.39, 56.03

 

CMYK 60 / 11 / 0 / 7

HEX #5FD2EC

RGB 95 210 236

HSL 191.06, 0.79%, 0.65%

LAB 78.8, -25.06, -22.59

 

CMYK 0 / 60 / 0 / 7

HEX #EB5FEC

RGB 235 95 236

HSL 299.57, 0.79%, 0.65%

LAB 63.26, 71.17, -45.82

 

CMYK 0 / 31 / 60 / 7

HEX #ECA35F

RGB 236 163 95

HSL 28.94, 0.79%, 0.65%

LAB 72.8, 20.23, 45.69

 

CMYK 59 / 0 / 60 / 7

HEX #61EC5F

RGB 97 236 95

HSL 119.15, 0.79%, 0.65%

LAB 83.63, -64.39, 56.03

 

CMYK 60 / 29 / 0 / 7

HEX #5FA8EC

RGB 95 168 236

HSL 208.94, 0.79%, 0.65%

LAB 66.9, -2.85, -40.95

 

Description

Color code: HEX #EB5FEC | qconv.com Color code: HEX #EB5FEC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 95 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 95 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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