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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5E23 it is the complementary color #14A1DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5E23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5E23 shade: #F05E1E, #FF7031, #FF8244, #FF9457 and #FFA66A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5E23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5E23 shade: #EB5E23, #DA4C10, #C93A00, #B82800 and #A71600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5E23 shade: #EB5E24, #EB2924 and #EB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5E23 shade: #EB5E24, #EB9424, #EBCA24, #D6EB24 and #A0EB24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5E23 shade matches the following richer shades: #EB5E24 and #FE5610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5E23 shade: #EB5E24, #D76637, #C46E4A, #B0765E and #9D7E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5E23 shade: #EB2455, #EB2724, #EB5C24, #EB9124 and #EBC624

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5E23 shade: #AC3E10, #D24C13, #EB5E24, #EE7A49 and #F2966F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5E23 shade: #EB5E23, #8AEB24 and #243BEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5E23 shade: #EB5E23, #24EB5C and #5C24EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5E23 shade: #EB5E23, #8AEB24, #24B2EB and #8424EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5E23 shade: #EB5E23, #4FEB24, #24B2EB and #C024EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 85 / 8

HEX #EB5E23

RGB 235 94 35

HSL 17.7, 0.83%, 0.53%

LAB 57.84, 51.91, 57.98

 

Complementary color

CMYK 91 / 27 / 0 / 14

HEX #14A1DC

RGB 20 161 220

HSL 197.7, 0.83%, 0.47%

LAB 62.34, -13.31, -39.4

 

CMYK 0 / 61 / 88 / 6

HEX #F05E1E

RGB 240 94 30

HSL 18.29, 0.88%, 0.53%

LAB 58.63, 53.57, 60.82

 

CMYK 0 / 56 / 81 / 0

HEX #FF7031

RGB 255 112 49

HSL 18.35, 1%, 0.6%

LAB 64.22, 51.27, 59.03

 

CMYK 0 / 49 / 73 / 0

HEX #FF8244

RGB 255 130 68

HSL 19.89, 1%, 0.63%

LAB 67.76, 43.32, 53.92

 

CMYK 0 / 42 / 66 / 0

HEX #FF9457

RGB 255 148 87

HSL 21.79, 1%, 0.67%

LAB 71.64, 35.2, 48.93

 

CMYK 0 / 35 / 58 / 0

HEX #FFA66A

RGB 255 166 106

HSL 24.16, 1%, 0.71%

LAB 75.81, 27.1, 44.27

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E23

RGB 235 94 35

HSL 17.7, 0.83%, 0.53%

LAB 57.84, 51.91, 57.98

 

CMYK 0 / 65 / 93 / 15

HEX #DA4C10

RGB 218 76 16

HSL 17.82, 0.86%, 0.46%

LAB 51.96, 53.4, 58.81

 

CMYK 0 / 71 / 100 / 21

HEX #C93A00

RGB 201 58 0

HSL 17.31, 1%, 0.39%

LAB 46.24, 54.65, 58

 

CMYK 0 / 78 / 100 / 28

HEX #B82800

RGB 184 40 0

HSL 13.04, 1%, 0.36%

LAB 40.75, 55.38, 53.61

 

CMYK 0 / 87 / 100 / 35

HEX #A71600

RGB 167 22 0

HSL 7.9, 1%, 0.33%

LAB 35.58, 55.05, 49.3

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E24

RGB 235 94 36

HSL 17.49, 0.83%, 0.53%

LAB 57.84, 51.93, 57.58

 

CMYK 0 / 83 / 85 / 8

HEX #EB2924

RGB 235 41 36

HSL 1.51, 0.83%, 0.53%

LAB 51.12, 70.32, 51.87

 

CMYK 0 / 85 / 85 / 8

HEX #EB2424

RGB 235 36 36

HSL 0, 0.83%, 0.53%

LAB 50.75, 71.4, 51.55

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E24

RGB 235 94 36

HSL 17.49, 0.83%, 0.53%

LAB 57.84, 51.93, 57.58

 

CMYK 0 / 37 / 85 / 8

HEX #EB9424

RGB 235 148 36

HSL 33.77, 0.83%, 0.53%

LAB 68.73, 24.97, 66.69

 

CMYK 0 / 14 / 85 / 8

HEX #EBCA24

RGB 235 202 36

HSL 50.05, 0.83%, 0.53%

LAB 81.85, -3.37, 77.53

 

CMYK 9 / 0 / 85 / 8

HEX #D6EB24

RGB 214 235 36

HSL 66.33, 0.83%, 0.53%

LAB 88.85, -28.42, 82.6

 

CMYK 32 / 0 / 85 / 8

HEX #A0EB24

RGB 160 235 36

HSL 82.61, 0.83%, 0.53%

LAB 85.51, -49.24, 78.45

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E24

RGB 235 94 36

HSL 17.49, 0.83%, 0.53%

LAB 57.84, 51.93, 57.58

 

CMYK 0 / 66 / 94 / 0

HEX #FE5610

RGB 254 86 16

HSL 17.65, 0.99%, 0.53%

LAB 59.67, 61.47, 66.79

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E24

RGB 235 94 36

HSL 17.49, 0.83%, 0.53%

LAB 57.84, 51.93, 57.58

 

CMYK 0 / 53 / 74 / 16

HEX #D76637

RGB 215 102 55

HSL 17.63, 0.67%, 0.53%

LAB 56.31, 41.37, 46.41

 

CMYK 0 / 44 / 62 / 23

HEX #C46E4A

RGB 196 110 74

HSL 17.7, 0.51%, 0.53%

LAB 55.46, 30.79, 34.72

 

CMYK 0 / 33 / 47 / 31

HEX #B0765E

RGB 176 118 94

HSL 17.56, 0.34%, 0.53%

LAB 55.07, 19.92, 22.47

 

CMYK 0 / 20 / 28 / 38

HEX #9D7E71

RGB 157 126 113

HSL 17.73, 0.18%, 0.53%

LAB 55.36, 9.95, 11.6

 

CMYK 0 / 85 / 64 / 8

HEX #EB2455

RGB 235 36 85

HSL 345.23, 0.83%, 0.53%

LAB 51.36, 73.2, 24.57

 

CMYK 0 / 83 / 85 / 8

HEX #EB2724

RGB 235 39 36

HSL 0.9, 0.83%, 0.53%

LAB 50.97, 70.77, 51.74

 

CMYK 0 / 61 / 85 / 8

HEX #EB5C24

RGB 235 92 36

HSL 16.88, 0.83%, 0.53%

LAB 57.51, 52.82, 57.3

 

CMYK 0 / 38 / 85 / 8

HEX #EB9124

RGB 235 145 36

HSL 32.86, 0.83%, 0.53%

LAB 68.05, 26.56, 66.13

 

CMYK 0 / 16 / 85 / 8

HEX #EBC624

RGB 235 198 36

HSL 48.84, 0.83%, 0.53%

LAB 80.84, -1.32, 76.69

 

CMYK 0 / 64 / 91 / 33

HEX #AC3E10

RGB 172 62 16

HSL 17.69, 0.83%, 0.37%

LAB 41.62, 43.13, 47.8

 

CMYK 0 / 64 / 91 / 18

HEX #D24C13

RGB 210 76 19

HSL 17.91, 0.83%, 0.45%

LAB 50.59, 50.66, 56.32

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E24

RGB 235 94 36

HSL 17.49, 0.83%, 0.53%

LAB 57.84, 51.93, 57.58

 

CMYK 0 / 49 / 69 / 7

HEX #EE7A49

RGB 238 122 73

HSL 17.82, 0.83%, 0.61%

LAB 63.82, 41.05, 46.48

 

CMYK 0 / 38 / 54 / 5

HEX #F2966F

RGB 242 150 111

HSL 17.86, 0.83%, 0.69%

LAB 70.76, 30.72, 35.03

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E23

RGB 235 94 35

HSL 17.7, 0.83%, 0.53%

LAB 57.84, 51.91, 57.98

 

CMYK 41 / 0 / 85 / 8

HEX #8AEB24

RGB 138 235 36

HSL 89.25, 0.83%, 0.53%

LAB 84.46, -56.73, 77.13

 

CMYK 85 / 75 / 0 / 8

HEX #243BEB

RGB 36 59 235

HSL 233.07, 0.83%, 0.53%

LAB 36.93, 55.13, -88.85

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E23

RGB 235 94 35

HSL 17.7, 0.83%, 0.53%

LAB 57.84, 51.91, 57.98

 

CMYK 85 / 0 / 61 / 8

HEX #24EB5C

RGB 36 235 92

HSL 136.88, 0.83%, 0.53%

LAB 82.14, -73.87, 55.32

 

CMYK 61 / 85 / 0 / 8

HEX #5C24EB

RGB 92 36 235

HSL 256.88, 0.83%, 0.53%

LAB 37, 69.17, -88.63

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E23

RGB 235 94 35

HSL 17.7, 0.83%, 0.53%

LAB 57.84, 51.91, 57.98

 

CMYK 41 / 0 / 85 / 8

HEX #8AEB24

RGB 138 235 36

HSL 89.25, 0.83%, 0.53%

LAB 84.46, -56.73, 77.13

 

CMYK 85 / 24 / 0 / 8

HEX #24B2EB

RGB 36 178 235

HSL 197.19, 0.83%, 0.53%

LAB 68.18, -16.3, -38.52

 

CMYK 44 / 85 / 0 / 8

HEX #8424EB

RGB 132 36 235

HSL 268.94, 0.83%, 0.53%

LAB 41.48, 73.22, -81.08

 

CMYK 0 / 60 / 85 / 8

HEX #EB5E23

RGB 235 94 35

HSL 17.7, 0.83%, 0.53%

LAB 57.84, 51.91, 57.98

 

CMYK 66 / 0 / 85 / 8

HEX #4FEB24

RGB 79 235 36

HSL 107.04, 0.83%, 0.53%

LAB 82.49, -72.21, 74.64

 

CMYK 85 / 24 / 0 / 8

HEX #24B2EB

RGB 36 178 235

HSL 197.19, 0.83%, 0.53%

LAB 68.18, -16.3, -38.52

 

CMYK 18 / 85 / 0 / 8

HEX #C024EB

RGB 192 36 235

HSL 287.04, 0.83%, 0.53%

LAB 50.06, 81.55, -66.72

 

Description

Color code: HEX #EB5E23 | qconv.com Color code: HEX #EB5E23 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 94 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 94 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 85 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 85% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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