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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5CF5 it is the complementary color #14A30A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5CF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5CF5 shade: #F05CF0, #FF6EFF, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5CF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5CF5 shade: #EB5CF5, #DA4AE2, #C938CF, #B826BC and #A714A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5CF5 shade: #EB5CF5, #F55CD5, #F55CAC, #F55C83 and #F55C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5CF5 shade: #EB5CF5, #C15CF5, #985CF5, #6F5CF5 and #5C5CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5CF5 shade matches the following richer shades: #EB5CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5CF5 shade: #EB5CF5, #DE6AE7, #D278D9, #C686CB and #BA94BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5CF5 shade: #995CF5, #C25CF5, #EA5CF5, #F55CD6 and #F55CAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5CF5 shade: #E00FEF, #E635F2, #EB5CF5, #EF83F7 and #F4AAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5CF5 shade: #EB5CF5, #F5705C and #5CF5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5CF5 shade: #EB5CF5, #F5EA5C and #5CF5EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5CF5 shade: #EB5CF5, #F5705C, #66F55C and #5CE0F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5CF5 shade: #EB5CF5, #F59E5C, #66F55C and #5CB2F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

Complementary color

CMYK 88 / 0 / 94 / 36

HEX #14A30A

RGB 20 163 10

HSL 116.08, 0.88%, 0.34%

LAB 58.38, -60.12, 58.25

 

CMYK 0 / 62 / 0 / 6

HEX #F05CF0

RGB 240 92 240

HSL 300, 0.83%, 0.65%

LAB 63.73, 74.23, -47.25

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 4 / 67 / 0 / 11

HEX #DA4AE2

RGB 218 74 226

HSL 296.84, 0.72%, 0.59%

LAB 57.36, 73.75, -49.72

 

CMYK 3 / 73 / 0 / 19

HEX #C938CF

RGB 201 56 207

HSL 297.62, 0.61%, 0.52%

LAB 51.55, 73.12, -48.32

 

CMYK 2 / 80 / 0 / 26

HEX #B826BC

RGB 184 38 188

HSL 298.4, 0.66%, 0.44%

LAB 45.92, 71.79, -46.46

 

CMYK 1 / 88 / 0 / 34

HEX #A714A9

RGB 167 20 169

HSL 299.19, 0.79%, 0.37%

LAB 40.54, 69.43, -43.99

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 0 / 62 / 13 / 4

HEX #F55CD5

RGB 245 92 213

HSL 312.55, 0.88%, 0.66%

LAB 63.24, 71.28, -32.89

 

CMYK 0 / 62 / 30 / 4

HEX #F55CAC

RGB 245 92 172

HSL 328.63, 0.88%, 0.66%

LAB 61.69, 65.84, -11.92

 

CMYK 0 / 62 / 47 / 4

HEX #F55C83

RGB 245 92 131

HSL 344.71, 0.88%, 0.66%

LAB 60.52, 61.53, 10.1

 

CMYK 0 / 62 / 62 / 4

HEX #F55C5C

RGB 245 92 92

HSL 0, 0.88%, 0.66%

LAB 59.74, 58.59, 31.58

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 21 / 62 / 0 / 4

HEX #C15CF5

RGB 193 92 245

HSL 279.61, 0.88%, 0.66%

LAB 57.64, 64.33, -60.1

 

CMYK 38 / 62 / 0 / 4

HEX #985CF5

RGB 152 92 245

HSL 263.53, 0.88%, 0.66%

LAB 52.86, 55.5, -68.04

 

CMYK 55 / 62 / 0 / 4

HEX #6F5CF5

RGB 111 92 245

HSL 247.45, 0.88%, 0.66%

LAB 49.04, 47.79, -74.42

 

CMYK 62 / 62 / 0 / 4

HEX #5C5CF5

RGB 92 92 245

HSL 240, 0.88%, 0.66%

LAB 47.65, 44.81, -76.74

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 4 / 54 / 0 / 9

HEX #DE6AE7

RGB 222 106 231

HSL 295.68, 0.72%, 0.66%

LAB 63.02, 62.23, -43.54

 

CMYK 3 / 45 / 0 / 15

HEX #D278D9

RGB 210 120 217

HSL 295.67, 0.56%, 0.66%

LAB 63.46, 49.54, -35.15

 

CMYK 2 / 34 / 0 / 20

HEX #C686CB

RGB 198 134 203

HSL 295.65, 0.4%, 0.66%

LAB 64.46, 35.82, -25.88

 

CMYK 1 / 21 / 0 / 26

HEX #BA94BC

RGB 186 148 188

HSL 297, 0.23%, 0.66%

LAB 65.94, 21.23, -15.33

 

CMYK 38 / 62 / 0 / 4

HEX #995CF5

RGB 153 92 245

HSL 263.92, 0.88%, 0.66%

LAB 52.97, 55.71, -67.86

 

CMYK 21 / 62 / 0 / 4

HEX #C25CF5

RGB 194 92 245

HSL 280, 0.88%, 0.66%

LAB 57.77, 64.55, -59.89

 

CMYK 4 / 62 / 0 / 4

HEX #EA5CF5

RGB 234 92 245

HSL 295.69, 0.88%, 0.66%

LAB 63.13, 73.67, -51.03

 

CMYK 0 / 62 / 13 / 4

HEX #F55CD6

RGB 245 92 214

HSL 312.16, 0.88%, 0.66%

LAB 63.28, 71.43, -33.39

 

CMYK 0 / 62 / 29 / 4

HEX #F55CAD

RGB 245 92 173

HSL 328.24, 0.88%, 0.66%

LAB 61.73, 65.96, -12.45

 

CMYK 6 / 94 / 0 / 6

HEX #E00FEF

RGB 224 15 239

HSL 295.98, 0.88%, 0.5%

LAB 54.47, 90.2, -61.59

 

CMYK 5 / 78 / 0 / 5

HEX #E635F2

RGB 230 53 242

HSL 296.19, 0.88%, 0.58%

LAB 57.83, 85.22, -57.83

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 3 / 47 / 0 / 3

HEX #EF83F7

RGB 239 131 247

HSL 295.86, 0.88%, 0.74%

LAB 70.38, 57.76, -40.67

 

CMYK 2 / 32 / 0 / 2

HEX #F4AAFA

RGB 244 170 250

HSL 295.5, 0.89%, 0.82%

LAB 78.97, 39.86, -28.96

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 0 / 54 / 62 / 4

HEX #F5705C

RGB 245 112 92

HSL 7.84, 0.88%, 0.66%

LAB 63.16, 49.61, 35.85

 

CMYK 62 / 0 / 29 / 4

HEX #5CF5AD

RGB 92 245 173

HSL 151.76, 0.88%, 0.66%

LAB 87.29, -56.65, 22.95

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 0 / 4 / 62 / 4

HEX #F5EA5C

RGB 245 234 92

HSL 55.69, 0.88%, 0.66%

LAB 91.25, -12.88, 68.01

 

CMYK 62 / 0 / 4 / 4

HEX #5CF5EA

RGB 92 245 234

HSL 175.69, 0.88%, 0.66%

LAB 88.7, -42.55, -6.7

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 0 / 54 / 62 / 4

HEX #F5705C

RGB 245 112 92

HSL 7.84, 0.88%, 0.66%

LAB 63.16, 49.61, 35.85

 

CMYK 58 / 0 / 62 / 4

HEX #66F55C

RGB 102 245 92

HSL 116.08, 0.88%, 0.66%

LAB 86.46, -66.73, 60.52

 

CMYK 62 / 9 / 0 / 4

HEX #5CE0F5

RGB 92 224 245

HSL 188.24, 0.88%, 0.66%

LAB 83.01, -29.84, -21

 

CMYK 4 / 62 / 0 / 4

HEX #EB5CF5

RGB 235 92 245

HSL 296.08, 0.88%, 0.66%

LAB 63.27, 73.9, -50.8

 

CMYK 0 / 36 / 62 / 4

HEX #F59E5C

RGB 245 158 92

HSL 25.88, 0.88%, 0.66%

LAB 72.65, 26.33, 47.29

 

CMYK 58 / 0 / 62 / 4

HEX #66F55C

RGB 102 245 92

HSL 116.08, 0.88%, 0.66%

LAB 86.46, -66.73, 60.52

 

CMYK 62 / 27 / 0 / 4

HEX #5CB2F5

RGB 92 178 245

HSL 206.27, 0.88%, 0.66%

LAB 69.97, -6.09, -41.06

 

Description

Color code: HEX #EB5CF5 | qconv.com Color code: HEX #EB5CF5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 92 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 92 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 62 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 62% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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