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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5CEC it is the complementary color #14A313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5CEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5CEC shade: #F05CE7, #FF6EFA, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5CEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5CEC shade: #EB5CEC, #DA4AD9, #C938C6, #B826B3 and #A714A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5CEC shade: #EA5AEB, #EB5AC5, #EB5A9E, #EB5A77 and #EB5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5CEC shade: #EA5AEB, #C35AEB, #9C5AEB, #755AEB and #5A5AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5CEC shade matches the following richer shades: #EA5AEB and #F94BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5CEC shade: #EA5AEB, #DC69DC, #CD78CE, #BE87BF and #B096B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5CEC shade: #9B5AEB, #C25AEB, #E95AEB, #EB5AC7 and #EB5AA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5CEC shade: #D819DA, #E635E7, #EA5AEB, #EF7FF0 and #F3A4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5CEC shade: #EB5CEC, #EB755A and #5AEBAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5CEC shade: #EB5CEC, #EBE95A and #5AEBE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5CEC shade: #EB5CEC, #EB755A, #5DEB5A and #5AD1EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5CEC shade: #EB5CEC, #EBA05A, #5DEB5A and #5AA5EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 0 / 7

HEX #EB5CEC

RGB 235 92 236

HSL 299.58, 0.79%, 0.64%

LAB 62.82, 72.39, -46.51

 

Complementary color

CMYK 88 / 0 / 88 / 36

HEX #14A313

RGB 20 163 19

HSL 119.58, 0.79%, 0.36%

LAB 58.41, -59.82, 56.67

 

CMYK 0 / 62 / 4 / 6

HEX #F05CE7

RGB 240 92 231

HSL 303.65, 0.83%, 0.65%

LAB 63.3, 72.78, -42.92

 

CMYK 0 / 57 / 2 / 0

HEX #FF6EFA

RGB 255 110 250

HSL 302.07, 1%, 0.72%

LAB 68.98, 72.12, -44.36

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 61 / 0 / 7

HEX #EB5CEC

RGB 235 92 236

HSL 299.58, 0.79%, 0.64%

LAB 62.82, 72.39, -46.51

 

CMYK 0 / 66 / 0 / 15

HEX #DA4AD9

RGB 218 74 217

HSL 300.42, 0.66%, 0.57%

LAB 56.89, 72.27, -45.38

 

CMYK 0 / 72 / 1 / 21

HEX #C938C6

RGB 201 56 198

HSL 301.24, 0.57%, 0.5%

LAB 51.06, 71.67, -43.92

 

CMYK 0 / 79 / 3 / 28

HEX #B826B3

RGB 184 38 179

HSL 302.05, 0.66%, 0.44%

LAB 45.4, 70.38, -42

 

CMYK 0 / 88 / 4 / 35

HEX #A714A0

RGB 167 20 160

HSL 302.86, 0.79%, 0.37%

LAB 40, 68.05, -39.45

 

CMYK 0 / 62 / 0 / 8

HEX #EA5AEB

RGB 234 90 235

HSL 299.59, 0.78%, 0.64%

LAB 62.34, 72.79, -46.72

 

CMYK 0 / 62 / 16 / 8

HEX #EB5AC5

RGB 235 90 197

HSL 315.72, 0.78%, 0.64%

LAB 60.79, 67.18, -27.75

 

CMYK 0 / 62 / 33 / 8

HEX #EB5A9E

RGB 235 90 158

HSL 331.86, 0.78%, 0.64%

LAB 59.38, 62.13, -7.45

 

CMYK 0 / 62 / 49 / 8

HEX #EB5A77

RGB 235 90 119

HSL 348, 0.78%, 0.64%

LAB 58.33, 58.17, 13.79

 

CMYK 0 / 62 / 62 / 8

HEX #EB5A5A

RGB 235 90 90

HSL 0, 0.78%, 0.64%

LAB 57.76, 56.01, 29.87

 

CMYK 0 / 62 / 0 / 8

HEX #EA5AEB

RGB 234 90 235

HSL 299.59, 0.78%, 0.64%

LAB 62.34, 72.79, -46.72

 

CMYK 17 / 62 / 0 / 8

HEX #C35AEB

RGB 195 90 235

HSL 283.45, 0.78%, 0.64%

LAB 56.99, 63.66, -55.55

 

CMYK 34 / 62 / 0 / 8

HEX #9C5AEB

RGB 156 90 235

HSL 267.31, 0.78%, 0.64%

LAB 52.26, 54.91, -63.4

 

CMYK 50 / 62 / 0 / 8

HEX #755AEB

RGB 117 90 235

HSL 251.17, 0.78%, 0.64%

LAB 48.38, 47.04, -69.87

 

CMYK 62 / 62 / 0 / 8

HEX #5A5AEB

RGB 90 90 235

HSL 240, 0.78%, 0.64%

LAB 46.29, 42.49, -73.36

 

CMYK 0 / 62 / 0 / 8

HEX #EA5AEB

RGB 234 90 235

HSL 299.59, 0.78%, 0.64%

LAB 62.34, 72.79, -46.72

 

CMYK 0 / 70 / 0 / 2

HEX #F94BFA

RGB 249 75 250

HSL 299.66, 0.95%, 0.64%

LAB 63.4, 83.87, -53.22

 

CMYK 0 / 62 / 0 / 8

HEX #EA5AEB

RGB 234 90 235

HSL 299.59, 0.78%, 0.64%

LAB 62.34, 72.79, -46.72

 

CMYK 0 / 52 / 0 / 14

HEX #DC69DC

RGB 220 105 220

HSL 300, 0.62%, 0.64%

LAB 62.07, 60.23, -38.9

 

CMYK 0 / 42 / 0 / 19

HEX #CD78CE

RGB 205 120 206

HSL 299.3, 0.47%, 0.64%

LAB 62.4, 46.02, -30.68

 

CMYK 1 / 29 / 0 / 25

HEX #BE87BF

RGB 190 135 191

HSL 298.93, 0.3%, 0.64%

LAB 63.37, 30.38, -20.87

 

CMYK 0 / 15 / 0 / 31

HEX #B096B0

RGB 176 150 176

HSL 300, 0.14%, 0.64%

LAB 65.1, 14.34, -9.95

 

CMYK 34 / 62 / 0 / 8

HEX #9B5AEB

RGB 155 90 235

HSL 266.9, 0.78%, 0.64%

LAB 52.15, 54.69, -63.58

 

CMYK 17 / 62 / 0 / 8

HEX #C25AEB

RGB 194 90 235

HSL 283.03, 0.78%, 0.64%

LAB 56.86, 63.43, -55.77

 

CMYK 1 / 62 / 0 / 8

HEX #E95AEB

RGB 233 90 235

HSL 299.17, 0.78%, 0.64%

LAB 62.2, 72.55, -46.96

 

CMYK 0 / 62 / 15 / 8

HEX #EB5AC7

RGB 235 90 199

HSL 314.9, 0.78%, 0.64%

LAB 60.87, 67.47, -28.76

 

CMYK 0 / 62 / 32 / 8

HEX #EB5AA0

RGB 235 90 160

HSL 331.03, 0.78%, 0.64%

LAB 59.45, 62.36, -8.52

 

CMYK 1 / 89 / 0 / 15

HEX #D819DA

RGB 216 25 218

HSL 299.38, 0.79%, 0.48%

LAB 52.24, 84.65, -53.37

 

CMYK 0 / 77 / 0 / 9

HEX #E635E7

RGB 230 53 231

HSL 299.66, 0.79%, 0.56%

LAB 57.21, 83.52, -52.66

 

CMYK 0 / 62 / 0 / 8

HEX #EA5AEB

RGB 234 90 235

HSL 299.59, 0.78%, 0.64%

LAB 62.34, 72.79, -46.72

 

CMYK 0 / 47 / 0 / 6

HEX #EF7FF0

RGB 239 127 240

HSL 299.47, 0.79%, 0.72%

LAB 69.34, 58.46, -38.46

 

CMYK 0 / 33 / 0 / 4

HEX #F3A4F4

RGB 243 164 244

HSL 299.25, 0.78%, 0.8%

LAB 77.36, 41.6, -28.2

 

CMYK 0 / 61 / 0 / 7

HEX #EB5CEC

RGB 235 92 236

HSL 299.58, 0.79%, 0.64%

LAB 62.82, 72.39, -46.51

 

CMYK 0 / 50 / 62 / 8

HEX #EB755A

RGB 235 117 90

HSL 11.17, 0.78%, 0.64%

LAB 62.61, 43.4, 35.95

 

CMYK 62 / 0 / 26 / 8

HEX #5AEBAF

RGB 90 235 175

HSL 155.17, 0.78%, 0.64%

LAB 84.32, -52.6, 17.8

 

CMYK 0 / 61 / 0 / 7

HEX #EB5CEC

RGB 235 92 236

HSL 299.58, 0.79%, 0.64%

LAB 62.82, 72.39, -46.51

 

CMYK 0 / 1 / 62 / 8

HEX #EBE95A

RGB 235 233 90

HSL 59.17, 0.78%, 0.64%

LAB 90.17, -16.57, 67.44

 

CMYK 62 / 0 / 1 / 8

HEX #5AEBE9

RGB 90 235 233

HSL 179.17, 0.78%, 0.64%

LAB 85.74, -38.63, -10.56

 

CMYK 0 / 61 / 0 / 7

HEX #EB5CEC

RGB 235 92 236

HSL 299.58, 0.79%, 0.64%

LAB 62.82, 72.39, -46.51

 

CMYK 0 / 50 / 62 / 8

HEX #EB755A

RGB 235 117 90

HSL 11.17, 0.78%, 0.64%

LAB 62.61, 43.4, 35.95

 

CMYK 60 / 0 / 62 / 8

HEX #5DEB5A

RGB 93 235 90

HSL 118.76, 0.78%, 0.64%

LAB 83.17, -65.46, 57.61

 

CMYK 62 / 11 / 0 / 8

HEX #5AD1EB

RGB 90 209 235

HSL 190.76, 0.78%, 0.64%

LAB 78.33, -25.72, -22.78

 

CMYK 0 / 61 / 0 / 7

HEX #EB5CEC

RGB 235 92 236

HSL 299.58, 0.79%, 0.64%

LAB 62.82, 72.39, -46.51

 

CMYK 0 / 32 / 62 / 8

HEX #EBA05A

RGB 235 160 90

HSL 28.97, 0.78%, 0.64%

LAB 71.92, 21.07, 47.13

 

CMYK 60 / 0 / 62 / 8

HEX #5DEB5A

RGB 93 235 90

HSL 118.76, 0.78%, 0.64%

LAB 83.17, -65.46, 57.61

 

CMYK 62 / 30 / 0 / 8

HEX #5AA5EB

RGB 90 165 235

HSL 208.97, 0.78%, 0.64%

LAB 65.81, -2.4, -42.12

 

Description

Color code: HEX #EB5CEC | qconv.com Color code: HEX #EB5CEC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 92 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 92 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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