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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5BA6 it is the complementary color #14A459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5BA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5BA6 shade: #F05BA1, #FF6DB4, #FF7FC7, #FF91DA and #FFA3ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5BA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5BA6 shade: #EB5BA6, #DA4993, #C93780, #B8256D and #A7135A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5BA6 shade: #EB5CA6, #EB5C80 and #EB5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5BA6 shade: #EB5CA6, #EB5CCD, #E25CEB, #BC5CEB and #955CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5BA6 shade matches the following richer shades: #EB5CA6 and #FA4DA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5BA6 shade: #EB5CA6, #DC6AA6, #CD79A5, #BE88A4 and #AF97A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5BA6 shade: #E15CEB, #EB5CCE, #EB5CA8, #EB5C82 and #EB5C5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5BA6 shade: #D91B7E, #E63792, #EB5CA6, #EF80BA and #F4A5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5BA6 shade: #EB5BA6, #EBBB5C and #5CE1EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5BA6 shade: #EB5BA6, #A8EB5C and #5CA8EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5BA6 shade: #EB5BA6, #EBBB5C, #5CEB9E and #5C8BEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5BA6 shade: #EB5BA6, #EBE65C, #5CEB9E and #5C60EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 29 / 8

HEX #EB5BA6

RGB 235 91 166

HSL 328.75, 0.78%, 0.64%

LAB 59.8, 62.66, -11.47

 

Complementary color

CMYK 88 / 0 / 46 / 36

HEX #14A459

RGB 20 164 89

HSL 148.75, 0.78%, 0.36%

LAB 59.36, -52.45, 29.15

 

CMYK 0 / 62 / 33 / 6

HEX #F05BA1

RGB 240 91 161

HSL 331.81, 0.83%, 0.65%

LAB 60.41, 63.52, -7.58

 

CMYK 0 / 57 / 29 / 0

HEX #FF6DB4

RGB 255 109 180

HSL 330.82, 1%, 0.71%

LAB 66.13, 62.51, -9.69

 

CMYK 0 / 50 / 22 / 0

HEX #FF7FC7

RGB 255 127 199

HSL 326.25, 1%, 0.75%

LAB 69.87, 56.73, -14.77

 

CMYK 0 / 43 / 15 / 0

HEX #FF91DA

RGB 255 145 218

HSL 320.18, 1%, 0.78%

LAB 73.92, 50.72, -19.17

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3ED

RGB 255 163 237

HSL 311.74, 1%, 0.82%

LAB 78.21, 44.65, -23.01

 

CMYK 0 / 61 / 29 / 8

HEX #EB5BA6

RGB 235 91 166

HSL 328.75, 0.78%, 0.64%

LAB 59.8, 62.66, -11.47

 

CMYK 0 / 67 / 33 / 15

HEX #DA4993

RGB 218 73 147

HSL 329.38, 0.66%, 0.57%

LAB 53.79, 62.82, -9.64

 

CMYK 0 / 73 / 36 / 21

HEX #C93780

RGB 201 55 128

HSL 330, 0.57%, 0.5%

LAB 47.89, 62.57, -7.38

 

CMYK 0 / 80 / 41 / 28

HEX #B8256D

RGB 184 37 109

HSL 330.61, 0.67%, 0.43%

LAB 42.18, 61.65, -4.52

 

CMYK 0 / 89 / 46 / 35

HEX #A7135A

RGB 167 19 90

HSL 331.22, 0.8%, 0.36%

LAB 36.78, 59.71, -0.84

 

CMYK 0 / 61 / 29 / 8

HEX #EB5CA6

RGB 235 92 166

HSL 328.95, 0.78%, 0.64%

LAB 59.95, 62.24, -11.24

 

CMYK 0 / 61 / 46 / 8

HEX #EB5C80

RGB 235 92 128

HSL 344.9, 0.78%, 0.64%

LAB 58.86, 58.13, 9.27

 

CMYK 0 / 61 / 61 / 8

HEX #EB5C5C

RGB 235 92 92

HSL 0, 0.78%, 0.64%

LAB 58.12, 55.27, 29.18

 

CMYK 0 / 61 / 29 / 8

HEX #EB5CA6

RGB 235 92 166

HSL 328.95, 0.78%, 0.64%

LAB 59.95, 62.24, -11.24

 

CMYK 0 / 61 / 13 / 8

HEX #EB5CCD

RGB 235 92 205

HSL 312.59, 0.78%, 0.64%

LAB 61.42, 67.52, -31.32

 

CMYK 4 / 61 / 0 / 8

HEX #E25CEB

RGB 226 92 235

HSL 296.22, 0.78%, 0.64%

LAB 61.5, 70.08, -48.13

 

CMYK 20 / 61 / 0 / 8

HEX #BC5CEB

RGB 188 92 235

HSL 280.28, 0.78%, 0.64%

LAB 56.43, 61.12, -56.5

 

CMYK 37 / 61 / 0 / 8

HEX #955CEB

RGB 149 92 235

HSL 263.92, 0.78%, 0.64%

LAB 51.88, 52.37, -64.04

 

CMYK 0 / 61 / 29 / 8

HEX #EB5CA6

RGB 235 92 166

HSL 328.95, 0.78%, 0.64%

LAB 59.95, 62.24, -11.24

 

CMYK 0 / 69 / 33 / 2

HEX #FA4DA7

RGB 250 77 167

HSL 328.79, 0.95%, 0.64%

LAB 60.27, 72.32, -11.1

 

CMYK 0 / 61 / 29 / 8

HEX #EB5CA6

RGB 235 92 166

HSL 328.95, 0.78%, 0.64%

LAB 59.95, 62.24, -11.24

 

CMYK 0 / 52 / 25 / 14

HEX #DC6AA6

RGB 220 106 166

HSL 328.42, 0.62%, 0.64%

LAB 60.14, 51.3, -11.18

 

CMYK 0 / 41 / 20 / 20

HEX #CD79A5

RGB 205 121 165

HSL 328.57, 0.46%, 0.64%

LAB 61.11, 38.57, -9.36

 

CMYK 0 / 28 / 14 / 25

HEX #BE88A4

RGB 190 136 164

HSL 328.89, 0.29%, 0.64%

LAB 62.71, 24.98, -6.6

 

CMYK 0 / 14 / 6 / 31

HEX #AF97A4

RGB 175 151 164

HSL 327.5, 0.13%, 0.64%

LAB 64.9, 11.17, -3.51

 

CMYK 4 / 61 / 0 / 8

HEX #E15CEB

RGB 225 92 235

HSL 295.8, 0.78%, 0.64%

LAB 61.36, 69.84, -48.36

 

CMYK 0 / 61 / 12 / 8

HEX #EB5CCE

RGB 235 92 206

HSL 312.17, 0.78%, 0.64%

LAB 61.46, 67.67, -31.82

 

CMYK 0 / 61 / 29 / 8

HEX #EB5CA8

RGB 235 92 168

HSL 328.11, 0.78%, 0.64%

LAB 60.02, 62.48, -12.29

 

CMYK 0 / 61 / 45 / 8

HEX #EB5C82

RGB 235 92 130

HSL 344.06, 0.78%, 0.64%

LAB 58.91, 58.31, 8.18

 

CMYK 0 / 61 / 61 / 8

HEX #EB5C5C

RGB 235 92 92

HSL 0, 0.78%, 0.64%

LAB 58.12, 55.27, 29.18

 

CMYK 0 / 88 / 42 / 15

HEX #D91B7E

RGB 217 27 126

HSL 328.74, 0.78%, 0.48%

LAB 48.31, 73.4, -5.22

 

CMYK 0 / 76 / 37 / 10

HEX #E63792

RGB 230 55 146

HSL 328.8, 0.78%, 0.56%

LAB 53.63, 72, -9.07

 

CMYK 0 / 61 / 29 / 8

HEX #EB5CA6

RGB 235 92 166

HSL 328.95, 0.78%, 0.64%

LAB 59.95, 62.24, -11.24

 

CMYK 0 / 46 / 22 / 6

HEX #EF80BA

RGB 239 128 186

HSL 328.65, 0.78%, 0.72%

LAB 67.53, 49.38, -11.22

 

CMYK 0 / 32 / 16 / 4

HEX #F4A5CE

RGB 244 165 206

HSL 328.86, 0.78%, 0.8%

LAB 76.44, 34.98, -8.94

 

CMYK 0 / 61 / 29 / 8

HEX #EB5BA6

RGB 235 91 166

HSL 328.75, 0.78%, 0.64%

LAB 59.8, 62.66, -11.47

 

CMYK 0 / 20 / 61 / 8

HEX #EBBB5C

RGB 235 187 92

HSL 39.86, 0.78%, 0.64%

LAB 78.45, 6.92, 53.69

 

CMYK 61 / 4 / 0 / 8

HEX #5CE1EB

RGB 92 225 235

HSL 184.2, 0.78%, 0.64%

LAB 82.98, -33.12, -15.75

 

CMYK 0 / 61 / 29 / 8

HEX #EB5BA6

RGB 235 91 166

HSL 328.75, 0.78%, 0.64%

LAB 59.8, 62.66, -11.47

 

CMYK 29 / 0 / 61 / 8

HEX #A8EB5C

RGB 168 235 92

HSL 88.11, 0.78%, 0.64%

LAB 86.26, -43.2, 61.07

 

CMYK 61 / 29 / 0 / 8

HEX #5CA8EB

RGB 92 168 235

HSL 208.11, 0.78%, 0.64%

LAB 66.73, -3.73, -40.67

 

CMYK 0 / 61 / 29 / 8

HEX #EB5BA6

RGB 235 91 166

HSL 328.75, 0.78%, 0.64%

LAB 59.8, 62.66, -11.47

 

CMYK 0 / 20 / 61 / 8

HEX #EBBB5C

RGB 235 187 92

HSL 39.86, 0.78%, 0.64%

LAB 78.45, 6.92, 53.69

 

CMYK 61 / 0 / 33 / 8

HEX #5CEB9E

RGB 92 235 158

HSL 147.69, 0.78%, 0.64%

LAB 84.05, -55.64, 26.21

 

CMYK 61 / 41 / 0 / 8

HEX #5C8BEB

RGB 92 139 235

HSL 220.28, 0.78%, 0.64%

LAB 58.73, 13.1, -53.3

 

CMYK 0 / 61 / 29 / 8

HEX #EB5BA6

RGB 235 91 166

HSL 328.75, 0.78%, 0.64%

LAB 59.8, 62.66, -11.47

 

CMYK 0 / 2 / 61 / 8

HEX #EBE65C

RGB 235 230 92

HSL 57.9, 0.78%, 0.64%

LAB 89.41, -14.98, 65.8

 

CMYK 61 / 0 / 33 / 8

HEX #5CEB9E

RGB 92 235 158

HSL 147.69, 0.78%, 0.64%

LAB 84.05, -55.64, 26.21

 

CMYK 61 / 59 / 0 / 8

HEX #5C60EB

RGB 92 96 235

HSL 238.32, 0.78%, 0.64%

LAB 47.8, 39.22, -70.89

 

Description

Color code: HEX #EB5BA6 | qconv.com Color code: HEX #EB5BA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 91 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 91 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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