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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5AC9 it is the complementary color #14A536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5AC9 shade: #F05AC4, #FF6CD7, #FF7EEA, #FF90FD and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5AC9 shade: #EB5AC9, #DA48B6, #C936A3, #B82490 and #A7127D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5AC9 shade: #EA5BC9, #EA5BA2, #EA5B7B and #EA5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5AC9 shade: #EA5BC9, #E55BEA, #BF5BEA, #985BEA and #715BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5AC9 shade matches the following richer shades: #EA5BC9 and #F94CD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5AC9 shade: #EA5BC9, #DB6AC1, #CD79B9, #BE88B1 and #AF97A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5AC9 shade: #BF5BEA, #E65BEA, #EA5BC9, #EA5BA3 and #EA5B7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5AC9 shade: #D91AAC, #E636BD, #EA5BC9, #EF80D5 and #F3A5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5AC9 shade: #EB5AC9, #EA995B and #5BEAD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5AC9 shade: #EB5AC9, #C9EA5B and #5BC9EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5AC9 shade: #EB5AC9, #EA995B, #5BEA7D and #5BACEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5AC9 shade: #EB5AC9, #EAC45B, #5BEA7D and #5B81EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 14 / 8

HEX #EB5AC9

RGB 235 90 201

HSL 314.07, 0.78%, 0.64%

LAB 60.95, 67.76, -29.77

 

Complementary color

CMYK 88 / 0 / 67 / 35

HEX #14A536

RGB 20 165 54

HSL 134.07, 0.78%, 0.36%

LAB 59.27, -57.85, 46

 

CMYK 0 / 63 / 18 / 6

HEX #F05AC4

RGB 240 90 196

HSL 317.6, 0.83%, 0.65%

LAB 61.5, 68.37, -26.01

 

CMYK 0 / 58 / 16 / 0

HEX #FF6CD7

RGB 255 108 215

HSL 316.33, 1%, 0.71%

LAB 67.2, 67.6, -27.77

 

CMYK 0 / 51 / 8 / 0

HEX #FF7EEA

RGB 255 126 234

HSL 309.77, 1%, 0.75%

LAB 70.96, 62.41, -32.5

 

CMYK 0 / 44 / 1 / 0

HEX #FF90FD

RGB 255 144 253

HSL 301.08, 1%, 0.78%

LAB 75.01, 56.95, -36.59

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 62 / 14 / 8

HEX #EB5AC9

RGB 235 90 201

HSL 314.07, 0.78%, 0.64%

LAB 60.95, 67.76, -29.77

 

CMYK 0 / 67 / 17 / 15

HEX #DA48B6

RGB 218 72 182

HSL 314.79, 0.66%, 0.57%

LAB 54.99, 67.69, -28.32

 

CMYK 0 / 73 / 19 / 21

HEX #C936A3

RGB 201 54 163

HSL 315.51, 0.58%, 0.5%

LAB 49.13, 67.16, -26.49

 

CMYK 0 / 80 / 22 / 28

HEX #B82490

RGB 184 36 144

HSL 316.22, 0.67%, 0.43%

LAB 43.46, 65.92, -24.13

 

CMYK 0 / 89 / 25 / 35

HEX #A7127D

RGB 167 18 125

HSL 316.91, 0.81%, 0.36%

LAB 38.07, 63.6, -21.05

 

CMYK 0 / 61 / 14 / 8

HEX #EA5BC9

RGB 234 91 201

HSL 313.85, 0.77%, 0.64%

LAB 60.95, 67.08, -29.78

 

CMYK 0 / 61 / 31 / 8

HEX #EA5BA2

RGB 234 91 162

HSL 330.21, 0.77%, 0.64%

LAB 59.51, 61.88, -9.6

 

CMYK 0 / 61 / 47 / 8

HEX #EA5B7B

RGB 234 91 123

HSL 346.57, 0.77%, 0.64%

LAB 58.42, 57.78, 11.55

 

CMYK 0 / 61 / 61 / 8

HEX #EA5B5B

RGB 234 91 91

HSL 0, 0.77%, 0.64%

LAB 57.78, 55.3, 29.29

 

CMYK 0 / 61 / 14 / 8

HEX #EA5BC9

RGB 234 91 201

HSL 313.85, 0.77%, 0.64%

LAB 60.95, 67.08, -29.78

 

CMYK 2 / 61 / 0 / 8

HEX #E55BEA

RGB 229 91 234

HSL 297.9, 0.77%, 0.64%

LAB 61.72, 71.03, -47.19

 

CMYK 18 / 61 / 0 / 8

HEX #BF5BEA

RGB 191 91 234

HSL 281.96, 0.77%, 0.64%

LAB 56.58, 62.08, -55.67

 

CMYK 35 / 61 / 0 / 8

HEX #985BEA

RGB 152 91 234

HSL 265.59, 0.77%, 0.64%

LAB 51.95, 53.29, -63.36

 

CMYK 52 / 61 / 0 / 8

HEX #715BEA

RGB 113 91 234

HSL 249.23, 0.77%, 0.64%

LAB 48.18, 45.45, -69.65

 

CMYK 0 / 61 / 14 / 8

HEX #EA5BC9

RGB 234 91 201

HSL 313.85, 0.77%, 0.64%

LAB 60.95, 67.08, -29.78

 

CMYK 0 / 69 / 16 / 2

HEX #F94CD1

RGB 249 76 209

HSL 313.87, 0.94%, 0.64%

LAB 61.58, 77.57, -33.16

 

CMYK 0 / 61 / 14 / 8

HEX #EA5BC9

RGB 234 91 201

HSL 313.85, 0.77%, 0.64%

LAB 60.95, 67.08, -29.78

 

CMYK 0 / 52 / 12 / 14

HEX #DB6AC1

RGB 219 106 193

HSL 313.81, 0.61%, 0.64%

LAB 60.97, 54.99, -25.37

 

CMYK 0 / 41 / 10 / 20

HEX #CD79B9

RGB 205 121 185

HSL 314.29, 0.46%, 0.64%

LAB 61.79, 41.79, -19.74

 

CMYK 0 / 28 / 7 / 25

HEX #BE88B1

RGB 190 136 177

HSL 314.44, 0.29%, 0.64%

LAB 63.12, 27.23, -13.35

 

CMYK 0 / 14 / 3 / 31

HEX #AF97A9

RGB 175 151 169

HSL 315, 0.13%, 0.64%

LAB 65.05, 12.09, -6.11

 

CMYK 18 / 61 / 0 / 8

HEX #BF5BEA

RGB 191 91 234

HSL 281.96, 0.77%, 0.64%

LAB 56.58, 62.08, -55.67

 

CMYK 2 / 61 / 0 / 8

HEX #E65BEA

RGB 230 91 234

HSL 298.32, 0.77%, 0.64%

LAB 61.87, 71.27, -46.95

 

CMYK 0 / 61 / 14 / 8

HEX #EA5BC9

RGB 234 91 201

HSL 313.85, 0.77%, 0.64%

LAB 60.95, 67.08, -29.78

 

CMYK 0 / 61 / 30 / 8

HEX #EA5BA3

RGB 234 91 163

HSL 329.79, 0.77%, 0.64%

LAB 59.54, 62, -10.13

 

CMYK 0 / 61 / 47 / 8

HEX #EA5B7D

RGB 234 91 125

HSL 345.73, 0.77%, 0.64%

LAB 58.47, 57.96, 10.45

 

CMYK 0 / 88 / 21 / 15

HEX #D91AAC

RGB 217 26 172

HSL 314.14, 0.79%, 0.48%

LAB 50.06, 78.46, -30.14

 

CMYK 0 / 77 / 18 / 10

HEX #E636BD

RGB 230 54 189

HSL 313.98, 0.78%, 0.56%

LAB 55.21, 77.3, -31.87

 

CMYK 0 / 61 / 14 / 8

HEX #EA5BC9

RGB 234 91 201

HSL 313.85, 0.77%, 0.64%

LAB 60.95, 67.08, -29.78

 

CMYK 0 / 46 / 11 / 6

HEX #EF80D5

RGB 239 128 213

HSL 314.05, 0.78%, 0.72%

LAB 68.46, 53.45, -24.91

 

CMYK 0 / 32 / 7 / 5

HEX #F3A5E1

RGB 243 165 225

HSL 313.85, 0.76%, 0.8%

LAB 76.92, 37.74, -18.58

 

CMYK 0 / 62 / 14 / 8

HEX #EB5AC9

RGB 235 90 201

HSL 314.07, 0.78%, 0.64%

LAB 60.95, 67.76, -29.77

 

CMYK 0 / 35 / 61 / 8

HEX #EA995B

RGB 234 153 91

HSL 26.01, 0.77%, 0.64%

LAB 70.2, 24.44, 44.57

 

CMYK 61 / 0 / 10 / 8

HEX #5BEAD2

RGB 91 234 210

HSL 169.93, 0.77%, 0.64%

LAB 84.85, -43.96, 0.24

 

CMYK 0 / 62 / 14 / 8

HEX #EB5AC9

RGB 235 90 201

HSL 314.07, 0.78%, 0.64%

LAB 60.95, 67.76, -29.77

 

CMYK 14 / 0 / 61 / 8

HEX #C9EA5B

RGB 201 234 91

HSL 73.85, 0.77%, 0.64%

LAB 87.98, -30.52, 63.94

 

CMYK 61 / 14 / 0 / 8

HEX #5BC9EA

RGB 91 201 234

HSL 193.85, 0.77%, 0.64%

LAB 76.03, -21.83, -25.75

 

CMYK 0 / 62 / 14 / 8

HEX #EB5AC9

RGB 235 90 201

HSL 314.07, 0.78%, 0.64%

LAB 60.95, 67.76, -29.77

 

CMYK 0 / 35 / 61 / 8

HEX #EA995B

RGB 234 153 91

HSL 26.01, 0.77%, 0.64%

LAB 70.2, 24.44, 44.57

 

CMYK 61 / 0 / 47 / 8

HEX #5BEA7D

RGB 91 234 125

HSL 134.27, 0.77%, 0.64%

LAB 83.21, -61.09, 41.63

 

CMYK 61 / 26 / 0 / 8

HEX #5BACEA

RGB 91 172 234

HSL 206.01, 0.77%, 0.64%

LAB 67.78, -6.45, -38.5

 

CMYK 0 / 62 / 14 / 8

HEX #EB5AC9

RGB 235 90 201

HSL 314.07, 0.78%, 0.64%

LAB 60.95, 67.76, -29.77

 

CMYK 0 / 16 / 61 / 8

HEX #EAC45B

RGB 234 196 91

HSL 44.06, 0.77%, 0.64%

LAB 80.59, 1.74, 56.54

 

CMYK 61 / 0 / 47 / 8

HEX #5BEA7D

RGB 91 234 125

HSL 134.27, 0.77%, 0.64%

LAB 83.21, -61.09, 41.63

 

CMYK 61 / 45 / 0 / 8

HEX #5B81EA

RGB 91 129 234

HSL 224.06, 0.77%, 0.64%

LAB 55.95, 18.61, -57.18

 

Description

Color code: HEX #EB5AC9 | qconv.com Color code: HEX #EB5AC9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 90 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 90 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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