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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5A6EBF it is the complementary color #14A591BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5A6EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5A6EBF shade: #F05A69BF, #FF6C7CBF, #FF7E8FBF, #FF90A2BF and #FFA2B5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5A6EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5A6EBF shade: #EB5A6EBF, #DA485BBF, #C93648BF, #B82435BF and #A71222BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5A6EBF shade: #EB5C6F and #EB5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5A6EBF shade: #EB5C6F, #EB5C96, #EB5CBD, #EB5CE3 and #CC5CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5A6EBF shade matches the following richer shades: #EB5C6F and #FA4D65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5A6EBF shade: #EB5C6F, #DC6A7A, #CD7985, #BE8890 and #AF979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5A6EBF shade: #EB5CBD, #EB5C97, #EB5C71, #EB6C5C and #EB925C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5A6EBF shade: #D91B35, #E6374F, #EB5C6F, #EF8090 and #F4A5B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5A6EBF shade: #EB5A6E, #E4EB5C and #5CAAEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5A6EBF shade: #EB5A6E, #71EB5C and #5C71EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5A6EBF shade: #EB5A6E, #E4EB5C, #5CEBD5 and #635CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5A6EBF shade: #EB5A6E, #B9EB5C, #5CEBD5 and #8E5CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 40 / 6

HEX #EB5A6EBF

RGBA 235 90 110 0.75

HSLA 351.72, 0.78%, 0.64%, 0.75

LABA 58.13, 57.43, 18.78, 0.75

 

Complementary color

CMYK 66 / 0 / 9 / 26

HEX #14A591BF

RGBA 20 165 145 0.75

HSLA 171.72, 0.78%, 0.36%, 0.75

LABA 60.87, -39.74, 0.39, 0.75

 

CMYK 0 / 47 / 42 / 4

HEX #F05A69BF

RGBA 240 90 105 0.75

HSLA 354, 0.83%, 0.65%, 0.75

LABA 58.84, 58.67, 22.78, 0.75

 

CMYK 0 / 43 / 39 / 0

HEX #FF6C7CBF

RGBA 255 108 124 0.75

HSLA 353.47, 1%, 0.71%, 0.75

LABA 64.52, 57.22, 19.92, 0.75

 

CMYK 0 / 38 / 33 / 0

HEX #FF7E8FBF

RGBA 255 126 143 0.75

HSLA 352.09, 1%, 0.75%, 0.75

LABA 68.14, 50.56, 14.18, 0.75

 

CMYK 0 / 33 / 27 / 0

HEX #FF90A2BF

RGBA 255 144 162 0.75

HSLA 350.27, 1%, 0.78%, 0.75

LABA 72.1, 43.69, 9.15, 0.75

 

CMYK 0 / 27 / 22 / 0

HEX #FFA2B5BF

RGBA 255 162 181 0.75

HSLA 347.74, 1%, 0.82%, 0.75

LABA 76.34, 36.79, 4.74, 0.75

 

CMYK 0 / 46 / 40 / 6

HEX #EB5A6EBF

RGBA 235 90 110 0.75

HSLA 351.72, 0.78%, 0.64%, 0.75

LABA 58.13, 57.43, 18.78, 0.75

 

CMYK 0 / 50 / 44 / 11

HEX #DA485BBF

RGBA 218 72 91 0.75

HSLA 352.19, 0.66%, 0.57%, 0.75

LABA 52.17, 58.01, 21.46, 0.75

 

CMYK 0 / 55 / 48 / 16

HEX #C93648BF

RGBA 201 54 72 0.75

HSLA 352.65, 0.58%, 0.5%, 0.75

LABA 46.34, 58.23, 24.69, 0.75

 

CMYK 0 / 60 / 53 / 21

HEX #B82435BF

RGBA 184 36 53 0.75

HSLA 353.11, 0.67%, 0.43%, 0.75

LABA 40.75, 57.85, 28.6, 0.75

 

CMYK 0 / 67 / 60 / 26

HEX #A71222BF

RGBA 167 18 34 0.75

HSLA 353.56, 0.81%, 0.36%, 0.75

LABA 35.53, 56.5, 33.24, 0.75

 

CMYK 0 / 61 / 53 / 8

HEX #EB5C6F

RGB 235 92 111

HSL 352.03, 0.78%, 0.64%

LAB 58.48, 56.65, 18.66

 

CMYK 0 / 61 / 61 / 8

HEX #EB5C5C

RGB 235 92 92

HSL 0, 0.78%, 0.64%

LAB 58.12, 55.27, 29.18

 

CMYK 0 / 61 / 53 / 8

HEX #EB5C6F

RGB 235 92 111

HSL 352.03, 0.78%, 0.64%

LAB 58.48, 56.65, 18.66

 

CMYK 0 / 61 / 36 / 8

HEX #EB5C96

RGB 235 92 150

HSL 335.66, 0.78%, 0.64%

LAB 59.45, 60.37, -2.7

 

CMYK 0 / 61 / 20 / 8

HEX #EB5CBD

RGB 235 92 189

HSL 319.3, 0.78%, 0.64%

LAB 60.77, 65.23, -23.21

 

CMYK 0 / 61 / 3 / 8

HEX #EB5CE3

RGB 235 92 227

HSL 303.36, 0.78%, 0.64%

LAB 62.39, 70.92, -42.17

 

CMYK 13 / 61 / 0 / 8

HEX #CC5CEB

RGB 204 92 235

HSL 286.99, 0.78%, 0.64%

LAB 58.5, 64.86, -53.07

 

CMYK 0 / 61 / 53 / 8

HEX #EB5C6F

RGB 235 92 111

HSL 352.03, 0.78%, 0.64%

LAB 58.48, 56.65, 18.66

 

CMYK 0 / 69 / 60 / 2

HEX #FA4D65

RGB 250 77 101

HSL 351.68, 0.95%, 0.64%

LAB 58.58, 66.59, 25.06

 

CMYK 0 / 61 / 53 / 8

HEX #EB5C6F

RGB 235 92 111

HSL 352.03, 0.78%, 0.64%

LAB 58.48, 56.65, 18.66

 

CMYK 0 / 52 / 45 / 14

HEX #DC6A7A

RGB 220 106 122

HSL 351.58, 0.62%, 0.64%

LAB 58.91, 46.05, 12.51

 

CMYK 0 / 41 / 35 / 20

HEX #CD7985

RGB 205 121 133

HSL 351.43, 0.46%, 0.64%

LAB 60.2, 34.14, 7.7

 

CMYK 0 / 28 / 24 / 25

HEX #BE8890

RGB 190 136 144

HSL 351.11, 0.29%, 0.64%

LAB 62.14, 21.81, 3.96

 

CMYK 0 / 14 / 12 / 31

HEX #AF979A

RGB 175 151 154

HSL 352.5, 0.13%, 0.64%

LAB 64.63, 9.4, 1.71

 

CMYK 0 / 61 / 20 / 8

HEX #EB5CBD

RGB 235 92 189

HSL 319.3, 0.78%, 0.64%

LAB 60.77, 65.23, -23.21

 

CMYK 0 / 61 / 36 / 8

HEX #EB5C97

RGB 235 92 151

HSL 335.24, 0.78%, 0.64%

LAB 59.48, 60.48, -3.24

 

CMYK 0 / 61 / 52 / 8

HEX #EB5C71

RGB 235 92 113

HSL 351.19, 0.78%, 0.64%

LAB 58.52, 56.81, 17.55

 

CMYK 0 / 54 / 61 / 8

HEX #EB6C5C

RGB 235 108 92

HSL 6.71, 0.78%, 0.64%

LAB 60.92, 47.93, 32.74

 

CMYK 0 / 38 / 61 / 8

HEX #EB925C

RGB 235 146 92

HSL 22.66, 0.78%, 0.64%

LAB 68.75, 28.62, 42.36

 

CMYK 0 / 88 / 76 / 15

HEX #D91B35

RGB 217 27 53

HSL 351.79, 0.78%, 0.48%

LAB 46.7, 68.84, 37.19

 

CMYK 0 / 76 / 66 / 10

HEX #E6374F

RGB 230 55 79

HSL 351.77, 0.78%, 0.56%

LAB 51.97, 66.79, 28.76

 

CMYK 0 / 61 / 53 / 8

HEX #EB5C6F

RGB 235 92 111

HSL 352.03, 0.78%, 0.64%

LAB 58.48, 56.65, 18.66

 

CMYK 0 / 46 / 40 / 6

HEX #EF8090

RGB 239 128 144

HSL 351.35, 0.78%, 0.72%

LAB 66.37, 44.1, 10.8

 

CMYK 0 / 32 / 28 / 4

HEX #F4A5B0

RGB 244 165 176

HSL 351.65, 0.78%, 0.8%

LAB 75.62, 30.62, 6.29

 

CMYK 0 / 62 / 53 / 8

HEX #EB5A6E

RGB 235 90 110

HSL 351.72, 0.78%, 0.64%

LAB 58.13, 57.43, 18.78

 

CMYK 3 / 0 / 61 / 8

HEX #E4EB5C

RGB 228 235 92

HSL 62.94, 0.78%, 0.64%

LAB 90.18, -20.24, 66.47

 

CMYK 61 / 28 / 0 / 8

HEX #5CAAEB

RGB 92 170 235

HSL 207.27, 0.78%, 0.64%

LAB 67.29, -4.84, -39.79

 

CMYK 0 / 62 / 53 / 8

HEX #EB5A6E

RGB 235 90 110

HSL 351.72, 0.78%, 0.64%

LAB 58.13, 57.43, 18.78

 

CMYK 52 / 0 / 61 / 8

HEX #71EB5C

RGB 113 235 92

HSL 111.19, 0.78%, 0.64%

LAB 83.81, -60.42, 57.65

 

CMYK 61 / 52 / 0 / 8

HEX #5C71EB

RGB 92 113 235

HSL 231.19, 0.78%, 0.64%

LAB 51.93, 28.89, -64.2

 

CMYK 0 / 62 / 53 / 8

HEX #EB5A6E

RGB 235 90 110

HSL 351.72, 0.78%, 0.64%

LAB 58.13, 57.43, 18.78

 

CMYK 3 / 0 / 61 / 8

HEX #E4EB5C

RGB 228 235 92

HSL 62.94, 0.78%, 0.64%

LAB 90.18, -20.24, 66.47

 

CMYK 61 / 0 / 9 / 8

HEX #5CEBD5

RGB 92 235 213

HSL 170.77, 0.78%, 0.64%

LAB 85.25, -43.48, -0.76

 

CMYK 58 / 61 / 0 / 8

HEX #635CEB

RGB 99 92 235

HSL 242.94, 0.78%, 0.64%

LAB 47.37, 42.73, -71.57

 

CMYK 0 / 62 / 53 / 8

HEX #EB5A6E

RGB 235 90 110

HSL 351.72, 0.78%, 0.64%

LAB 58.13, 57.43, 18.78

 

CMYK 21 / 0 / 61 / 8

HEX #B9EB5C

RGB 185 235 92

HSL 80.98, 0.78%, 0.64%

LAB 87.24, -37, 62.43

 

CMYK 61 / 0 / 9 / 8

HEX #5CEBD5

RGB 92 235 213

HSL 170.77, 0.78%, 0.64%

LAB 85.25, -43.48, -0.76

 

CMYK 40 / 61 / 0 / 8

HEX #8E5CEB

RGB 142 92 235

HSL 260.98, 0.78%, 0.64%

LAB 51.16, 50.88, -65.26

 

Description

Color code: HEX #EB5A6EBF | qconv.com Color code: HEX #EB5A6EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 90 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 90 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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