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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5A3EBF it is the complementary color #14A5C1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5A3EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5A3EBF shade: #F05A39BF, #FF6C4CBF, #FF7E5FBF, #FF9072BF and #FFA285BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5A3EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5A3EBF shade: #EB5A3EBF, #DA482BBF, #C93618BF, #B82405BF and #A71200BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5A3EBF shade: #EB593D and #EB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5A3EBF shade: #EB593D, #EB883D, #EBB73D, #EBE63D and #C1EB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5A3EBF shade matches the following richer shades: #EB593D and #FC4E2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5A3EBF shade: #EB593D, #D9654E, #C87160, #B77C71 and #A58882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5A3EBF shade: #EB3D80, #EB3D51, #EB573D, #EB853D and #EBB43D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5A3EBF shade: #C13014, #E63A18, #EB593D, #EF7962 and #F29988

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5A3EBF shade: #EB5A3E, #AEEB3D and #3D69EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5A3EBF shade: #EB5A3E, #3DEB57 and #573DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5A3EBF shade: #EB5A3E, #AEEB3D, #3DD1EB and #7A3DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5A3EBF shade: #EB5A3E, #7AEB3D, #3DD1EB and #AE3DEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 55 / 6

HEX #EB5A3EBF

RGBA 235 90 62 0.75

HSLA 9.71, 0.81%, 0.58%, 0.75

LABA 57.39, 54.54, 44.91, 0.75

 

Complementary color

CMYK 67 / 11 / 0 / 18

HEX #14A5C1BF

RGBA 20 165 193 0.75

HSLA 189.71, 0.81%, 0.42%, 0.75

LABA 62.43, -24.83, -24.24, 0.75

 

CMYK 0 / 47 / 57 / 4

HEX #F05A39BF

RGBA 240 90 57 0.75

HSLA 10.82, 0.86%, 0.58%, 0.75

LABA 58.16, 56.05, 48.56, 0.75

 

CMYK 0 / 43 / 53 / 0

HEX #FF6C4CBF

RGBA 255 108 76 0.75

HSLA 10.73, 1%, 0.65%, 0.75

LABA 63.76, 54.12, 45.55, 0.75

 

CMYK 0 / 38 / 47 / 0

HEX #FF7E5FBF

RGBA 255 126 95 0.75

HSLA 11.63, 1%, 0.69%, 0.75

LABA 67.28, 46.7, 39.63, 0.75

 

CMYK 0 / 33 / 41 / 0

HEX #FF9072BF

RGBA 255 144 114 0.75

HSLA 12.77, 1%, 0.72%, 0.75

LABA 71.16, 39.06, 34.27, 0.75

 

CMYK 0 / 27 / 36 / 0

HEX #FFA285BF

RGBA 255 162 133 0.75

HSLA 14.26, 1%, 0.76%, 0.75

LABA 75.32, 31.42, 29.47, 0.75

 

CMYK 0 / 46 / 55 / 6

HEX #EB5A3EBF

RGBA 235 90 62 0.75

HSLA 9.71, 0.81%, 0.58%, 0.75

LABA 57.39, 54.54, 44.91, 0.75

 

CMYK 0 / 50 / 60 / 11

HEX #DA482BBF

RGBA 218 72 43 0.75

HSLA 9.94, 0.7%, 0.51%, 0.75

LABA 51.51, 55.62, 47.66, 0.75

 

CMYK 0 / 55 / 66 / 16

HEX #C93618BF

RGBA 201 54 24 0.75

HSLA 10.17, 0.79%, 0.44%, 0.75

LABA 45.8, 56.4, 50.2, 0.75

 

CMYK 0 / 60 / 73 / 21

HEX #B82405BF

RGBA 184 36 5 0.75

HSLA 10.39, 0.95%, 0.37%, 0.75

LABA 40.35, 56.6, 51.68, 0.75

 

CMYK 0 / 67 / 75 / 26

HEX #A71200BF

RGBA 167 18 0 0.75

HSLA 6.47, 1%, 0.33%, 0.75

LABA 35.3, 55.84, 49.16, 0.75

 

CMYK 0 / 62 / 74 / 8

HEX #EB593D

RGB 235 89 61

HSL 9.66, 0.81%, 0.58%

LAB 57.22, 54.93, 45.25

 

CMYK 0 / 74 / 74 / 8

HEX #EB3D3D

RGB 235 61 61

HSL 0, 0.81%, 0.58%

LAB 53.32, 65.56, 40.97

 

CMYK 0 / 62 / 74 / 8

HEX #EB593D

RGB 235 89 61

HSL 9.66, 0.81%, 0.58%

LAB 57.22, 54.93, 45.25

 

CMYK 0 / 42 / 74 / 8

HEX #EB883D

RGB 235 136 61

HSL 25.86, 0.81%, 0.58%

LAB 66.22, 32.13, 54.72

 

CMYK 0 / 22 / 74 / 8

HEX #EBB73D

RGB 235 183 61

HSL 42.07, 0.81%, 0.58%

LAB 77.2, 7.31, 65.65

 

CMYK 0 / 2 / 74 / 8

HEX #EBE63D

RGB 235 230 61

HSL 58.28, 0.81%, 0.58%

LAB 89.2, -16.58, 77.02

 

CMYK 18 / 0 / 74 / 8

HEX #C1EB3D

RGB 193 235 61

HSL 74.48, 0.81%, 0.58%

LAB 87.53, -35.89, 74.37

 

CMYK 0 / 62 / 74 / 8

HEX #EB593D

RGB 235 89 61

HSL 9.66, 0.81%, 0.58%

LAB 57.22, 54.93, 45.25

 

CMYK 0 / 69 / 83 / 1

HEX #FC4E2C

RGB 252 78 44

HSL 9.81, 0.97%, 0.58%

LAB 58.35, 64.34, 55.71

 

CMYK 0 / 62 / 74 / 8

HEX #EB593D

RGB 235 89 61

HSL 9.66, 0.81%, 0.58%

LAB 57.22, 54.93, 45.25

 

CMYK 0 / 53 / 64 / 15

HEX #D9654E

RGB 217 101 78

HSL 9.93, 0.65%, 0.58%

LAB 56.69, 43.83, 34.7

 

CMYK 0 / 44 / 52 / 22

HEX #C87160

RGB 200 113 96

HSL 9.81, 0.49%, 0.58%

LAB 57.01, 32.54, 24.45

 

CMYK 0 / 32 / 38 / 28

HEX #B77C71

RGB 183 124 113

HSL 9.43, 0.33%, 0.58%

LAB 57.73, 21.57, 15.33

 

CMYK 0 / 18 / 21 / 35

HEX #A58882

RGB 165 136 130

HSL 10.29, 0.16%, 0.58%

LAB 59.18, 10.04, 7.35

 

CMYK 0 / 74 / 46 / 8

HEX #EB3D80

RGB 235 61 128

HSL 336.9, 0.81%, 0.58%

LAB 54.61, 69.78, 3.2

 

CMYK 0 / 74 / 66 / 8

HEX #EB3D51

RGB 235 61 81

HSL 353.1, 0.81%, 0.58%

LAB 53.59, 66.47, 29.81

 

CMYK 0 / 63 / 74 / 8

HEX #EB573D

RGB 235 87 61

HSL 8.97, 0.81%, 0.58%

LAB 56.9, 55.78, 44.9

 

CMYK 0 / 43 / 74 / 8

HEX #EB853D

RGB 235 133 61

HSL 24.83, 0.81%, 0.58%

LAB 65.57, 33.69, 54.06

 

CMYK 0 / 23 / 74 / 8

HEX #EBB43D

RGB 235 180 61

HSL 41.03, 0.81%, 0.58%

LAB 76.46, 8.88, 64.93

 

CMYK 0 / 75 / 90 / 24

HEX #C13014

RGB 193 48 20

HSL 9.71, 0.81%, 0.42%

LAB 43.51, 55.86, 49.43

 

CMYK 0 / 75 / 90 / 10

HEX #E63A18

RGB 230 58 24

HSL 9.9, 0.81%, 0.5%

LAB 51.74, 64.03, 57.07

 

CMYK 0 / 62 / 74 / 8

HEX #EB593D

RGB 235 89 61

HSL 9.66, 0.81%, 0.58%

LAB 57.22, 54.93, 45.25

 

CMYK 0 / 49 / 59 / 6

HEX #EF7962

RGB 239 121 98

HSL 9.79, 0.82%, 0.66%

LAB 64.09, 43.45, 33.53

 

CMYK 0 / 37 / 44 / 5

HEX #F29988

RGB 242 153 136

HSL 9.62, 0.8%, 0.74%

LAB 71.85, 31.46, 22.92

 

CMYK 0 / 62 / 74 / 8

HEX #EB5A3E

RGB 235 90 62

HSL 9.71, 0.81%, 0.58%

LAB 57.39, 54.54, 44.91

 

CMYK 26 / 0 / 74 / 8

HEX #AEEB3D

RGB 174 235 61

HSL 81.03, 0.81%, 0.58%

LAB 86.38, -43.11, 72.87

 

CMYK 74 / 55 / 0 / 8

HEX #3D69EB

RGB 61 105 235

HSL 224.83, 0.81%, 0.58%

LAB 48.38, 29.37, -70.03

 

CMYK 0 / 62 / 74 / 8

HEX #EB5A3E

RGB 235 90 62

HSL 9.71, 0.81%, 0.58%

LAB 57.39, 54.54, 44.91

 

CMYK 74 / 0 / 63 / 8

HEX #3DEB57

RGB 61 235 87

HSL 128.97, 0.81%, 0.58%

LAB 82.43, -71.6, 57.84

 

CMYK 63 / 74 / 0 / 8

HEX #573DEB

RGB 87 61 235

HSL 248.97, 0.81%, 0.58%

LAB 40.18, 58.14, -83.38

 

CMYK 0 / 62 / 74 / 8

HEX #EB5A3E

RGB 235 90 62

HSL 9.71, 0.81%, 0.58%

LAB 57.39, 54.54, 44.91

 

CMYK 26 / 0 / 74 / 8

HEX #AEEB3D

RGB 174 235 61

HSL 81.03, 0.81%, 0.58%

LAB 86.38, -43.11, 72.87

 

CMYK 74 / 11 / 0 / 8

HEX #3DD1EB

RGB 61 209 235

HSL 188.97, 0.81%, 0.58%

LAB 77.63, -29.77, -23.91

 

CMYK 48 / 74 / 0 / 8

HEX #7A3DEB

RGB 122 61 235

HSL 261.03, 0.81%, 0.58%

LAB 43.47, 62.7, -77.86

 

CMYK 0 / 62 / 74 / 8

HEX #EB5A3E

RGB 235 90 62

HSL 9.71, 0.81%, 0.58%

LAB 57.39, 54.54, 44.91

 

CMYK 48 / 0 / 74 / 8

HEX #7AEB3D

RGB 122 235 61

HSL 98.97, 0.81%, 0.58%

LAB 83.91, -60.45, 69.62

 

CMYK 74 / 11 / 0 / 8

HEX #3DD1EB

RGB 61 209 235

HSL 188.97, 0.81%, 0.58%

LAB 77.63, -29.77, -23.91

 

CMYK 26 / 74 / 0 / 8

HEX #AE3DEB

RGB 174 61 235

HSL 278.97, 0.81%, 0.58%

LAB 49.9, 71.3, -67.11

 

Description

Color code: HEX #EB5A3EBF | qconv.com Color code: HEX #EB5A3EBF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 90 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 90 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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