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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB55F8 it is the complementary color #14AA07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB55F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB55F8 shade: #F055F3, #FF67FF, #FF79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB55F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB55F8 shade: #EB55F8, #DA43E5, #C931D2, #B81FBF and #A70DAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB55F8 shade: #EB54F8, #F854D9, #F854AC, #F85480 and #F85454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB55F8 shade: #EB54F8, #BE54F8, #9254F8, #6654F8 and #5454F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB55F8 shade matches the following richer shades: #EB54F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB55F8 shade: #EB54F8, #DF62E9, #D271DB, #C67FCD and #BA8DBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB55F8 shade: #9354F8, #BE54F8, #EA54F8, #F854DA and #F854AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB55F8 shade: #DD0AEF, #E62CF6, #EB54F8, #EF7BFA and #F4A3FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB55F8 shade: #EB55F8, #F86754 and #54F8A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB55F8 shade: #EB55F8, #F8EA54 and #54F8EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB55F8 shade: #EB55F8, #F86754, #61F854 and #54E5F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB55F8 shade: #EB55F8, #F89854, #61F854 and #54B3F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 66 / 0 / 3

HEX #EB55F8

RGB 235 85 248

HSL 295.21, 0.92%, 0.65%

LAB 62.45, 77.11, -53.75

 

Complementary color

CMYK 88 / 0 / 96 / 33

HEX #14AA07

RGB 20 170 7

HSL 115.21, 0.92%, 0.35%

LAB 60.71, -62.23, 60.6

 

CMYK 1 / 65 / 0 / 5

HEX #F055F3

RGB 240 85 243

HSL 298.86, 0.87%, 0.64%

LAB 62.92, 77.39, -50.19

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 5 / 66 / 0 / 3

HEX #EB55F8

RGB 235 85 248

HSL 295.21, 0.92%, 0.65%

LAB 62.45, 77.11, -53.75

 

CMYK 5 / 71 / 0 / 10

HEX #DA43E5

RGB 218 67 229

HSL 295.93, 0.76%, 0.58%

LAB 56.66, 76.69, -52.52

 

CMYK 4 / 77 / 0 / 18

HEX #C931D2

RGB 201 49 210

HSL 296.65, 0.64%, 0.51%

LAB 51, 75.7, -50.92

 

CMYK 4 / 84 / 0 / 25

HEX #B81FBF

RGB 184 31 191

HSL 297.38, 0.72%, 0.44%

LAB 45.54, 73.88, -48.82

 

CMYK 3 / 92 / 0 / 33

HEX #A70DAC

RGB 167 13 172

HSL 298.11, 0.86%, 0.36%

LAB 40.38, 70.92, -46.04

 

CMYK 5 / 66 / 0 / 3

HEX #EB54F8

RGB 235 84 248

HSL 295.24, 0.92%, 0.65%

LAB 62.32, 77.48, -53.96

 

CMYK 0 / 66 / 13 / 3

HEX #F854D9

RGB 248 84 217

HSL 311.34, 0.92%, 0.65%

LAB 62.77, 75.64, -35.84

 

CMYK 0 / 66 / 31 / 3

HEX #F854AC

RGB 248 84 172

HSL 327.8, 0.92%, 0.65%

LAB 61.02, 69.81, -12.88

 

CMYK 0 / 66 / 48 / 3

HEX #F85480

RGB 248 84 128

HSL 343.9, 0.92%, 0.65%

LAB 59.76, 65.39, 10.84

 

CMYK 0 / 66 / 66 / 3

HEX #F85454

RGB 248 84 84

HSL 0, 0.92%, 0.65%

LAB 58.92, 62.35, 35.19

 

CMYK 5 / 66 / 0 / 3

HEX #EB54F8

RGB 235 84 248

HSL 295.24, 0.92%, 0.65%

LAB 62.32, 77.48, -53.96

 

CMYK 23 / 66 / 0 / 3

HEX #BE54F8

RGB 190 84 248

HSL 278.78, 0.92%, 0.65%

LAB 56.15, 67.86, -64.18

 

CMYK 41 / 66 / 0 / 3

HEX #9254F8

RGB 146 84 248

HSL 262.68, 0.92%, 0.65%

LAB 50.95, 59.12, -72.84

 

CMYK 59 / 66 / 0 / 3

HEX #6654F8

RGB 102 84 248

HSL 246.59, 0.92%, 0.65%

LAB 46.9, 51.76, -79.62

 

CMYK 66 / 66 / 0 / 3

HEX #5454F8

RGB 84 84 248

HSL 240, 0.92%, 0.65%

LAB 45.64, 49.33, -81.74

 

CMYK 5 / 66 / 0 / 3

HEX #EB54F8

RGB 235 84 248

HSL 295.24, 0.92%, 0.65%

LAB 62.32, 77.48, -53.96

 

CMYK 5 / 66 / 0 / 3

HEX #EB54F8

RGB 235 84 248

HSL 295.24, 0.92%, 0.65%

LAB 62.32, 77.48, -53.96

 

CMYK 4 / 58 / 0 / 9

HEX #DF62E9

RGB 223 98 233

HSL 295.56, 0.75%, 0.65%

LAB 61.92, 66.44, -46.38

 

CMYK 4 / 48 / 0 / 14

HEX #D271DB

RGB 210 113 219

HSL 294.91, 0.6%, 0.65%

LAB 62.19, 53.44, -38.25

 

CMYK 3 / 38 / 0 / 20

HEX #C67FCD

RGB 198 127 205

HSL 294.62, 0.44%, 0.65%

LAB 63, 39.99, -29.24

 

CMYK 2 / 26 / 0 / 25

HEX #BA8DBE

RGB 186 141 190

HSL 295.1, 0.27%, 0.65%

LAB 64.33, 25.52, -18.9

 

CMYK 41 / 66 / 0 / 3

HEX #9354F8

RGB 147 84 248

HSL 263.05, 0.92%, 0.65%

LAB 51.06, 59.31, -72.66

 

CMYK 23 / 66 / 0 / 3

HEX #BE54F8

RGB 190 84 248

HSL 278.78, 0.92%, 0.65%

LAB 56.15, 67.86, -64.18

 

CMYK 6 / 66 / 0 / 3

HEX #EA54F8

RGB 234 84 248

HSL 294.88, 0.92%, 0.65%

LAB 62.18, 77.26, -54.2

 

CMYK 0 / 66 / 12 / 3

HEX #F854DA

RGB 248 84 218

HSL 310.98, 0.92%, 0.65%

LAB 62.81, 75.79, -36.33

 

CMYK 0 / 66 / 30 / 3

HEX #F854AE

RGB 248 84 174

HSL 327.07, 0.92%, 0.65%

LAB 61.09, 70.04, -13.93

 

CMYK 8 / 96 / 0 / 6

HEX #DD0AEF

RGB 221 10 239

HSL 295.28, 0.92%, 0.49%

LAB 53.84, 90.14, -62.64

 

CMYK 7 / 82 / 0 / 4

HEX #E62CF6

RGB 230 44 246

HSL 295.25, 0.92%, 0.57%

LAB 57.35, 87.94, -60.84

 

CMYK 5 / 66 / 0 / 3

HEX #EB54F8

RGB 235 84 248

HSL 295.24, 0.92%, 0.65%

LAB 62.32, 77.48, -53.96

 

CMYK 4 / 51 / 0 / 2

HEX #EF7BFA

RGB 239 123 250

HSL 294.8, 0.93%, 0.73%

LAB 69.05, 62.15, -44.39

 

CMYK 3 / 35 / 0 / 2

HEX #F4A3FB

RGB 244 163 251

HSL 295.23, 0.92%, 0.81%

LAB 77.51, 43.71, -31.74

 

CMYK 5 / 66 / 0 / 3

HEX #EB55F8

RGB 235 85 248

HSL 295.21, 0.92%, 0.65%

LAB 62.45, 77.11, -53.75

 

CMYK 0 / 58 / 66 / 3

HEX #F86754

RGB 248 103 84

HSL 6.95, 0.92%, 0.65%

LAB 61.91, 54.35, 38.83

 

CMYK 66 / 0 / 32 / 3

HEX #54F8A8

RGB 84 248 168

HSL 150.73, 0.92%, 0.65%

LAB 87.89, -60.18, 26.3

 

CMYK 5 / 66 / 0 / 3

HEX #EB55F8

RGB 235 85 248

HSL 295.21, 0.92%, 0.65%

LAB 62.45, 77.11, -53.75

 

CMYK 0 / 6 / 66 / 3

HEX #F8EA54

RGB 248 234 84

HSL 54.88, 0.92%, 0.65%

LAB 91.43, -12.12, 71.45

 

CMYK 66 / 0 / 6 / 3

HEX #54F8EA

RGB 84 248 234

HSL 174.88, 0.92%, 0.65%

LAB 89.37, -45.06, -5.72

 

CMYK 5 / 66 / 0 / 3

HEX #EB55F8

RGB 235 85 248

HSL 295.21, 0.92%, 0.65%

LAB 62.45, 77.11, -53.75

 

CMYK 0 / 58 / 66 / 3

HEX #F86754

RGB 248 103 84

HSL 6.95, 0.92%, 0.65%

LAB 61.91, 54.35, 38.83

 

CMYK 61 / 0 / 66 / 3

HEX #61F854

RGB 97 248 84

HSL 115.24, 0.92%, 0.65%

LAB 87.15, -69.62, 64.45

 

CMYK 66 / 8 / 0 / 3

HEX #54E5F8

RGB 84 229 248

HSL 186.95, 0.92%, 0.65%

LAB 84.33, -32.58, -20.6

 

CMYK 5 / 66 / 0 / 3

HEX #EB55F8

RGB 235 85 248

HSL 295.21, 0.92%, 0.65%

LAB 62.45, 77.11, -53.75

 

CMYK 0 / 39 / 66 / 3

HEX #F89854

RGB 248 152 84

HSL 24.88, 0.92%, 0.65%

LAB 71.59, 30.18, 50.12

 

CMYK 61 / 0 / 66 / 3

HEX #61F854

RGB 97 248 84

HSL 115.24, 0.92%, 0.65%

LAB 87.15, -69.62, 64.45

 

CMYK 66 / 28 / 0 / 3

HEX #54B3F8

RGB 84 179 248

HSL 205.24, 0.92%, 0.65%

LAB 70.11, -6.99, -42.49

 

Description

Color code: HEX #EB55F8 | qconv.com Color code: HEX #EB55F8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 85 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 85 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 66 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 66% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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