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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5501 it is the complementary color #14AAFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5501. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5501 shade: #F05500, #FF670F, #FF7922, #FF8B35 and #FF9D48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5501. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5501 shade: #EB5501, #DA4300, #C93100, #B81F00 and #A70D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5501 shade: #E95501, #E91601 and #E90101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5501 shade: #E95501, #E99301, #E9D201, #C2E901 and #84E901

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5501 shade matches the following richer shades: #E95501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5501 shade: #E95501, #D65A14, #C35F27, #B0653A and #9E6A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5501 shade: #E9012C, #E91501, #E95201, #E99001 and #E9CE01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5501 shade: #973701, #C04601, #E95501, #FE6916 and #FE843F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5501 shade: #EB5501, #6AE901 and #010DE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5501 shade: #EB5501, #01E952 and #5201E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5501 shade: #EB5501, #6AE901, #0198E9 and #8101E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5501 shade: #EB5501, #24E901, #0198E9 and #C701E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 100 / 8

HEX #EB5501

RGB 235 85 1

HSL 21.54, 0.99%, 0.46%

LAB 56.25, 55.35, 66.14

 

Complementary color

CMYK 92 / 33 / 0 / 0

HEX #14AAFE

RGB 20 170 254

HSL 201.54, 0.99%, 0.54%

LAB 66.56, -6.04, -51.42

 

CMYK 0 / 65 / 100 / 6

HEX #F05500

RGB 240 85 0

HSL 21.25, 1%, 0.47%

LAB 57.1, 57.05, 67.25

 

CMYK 0 / 60 / 94 / 0

HEX #FF670F

RGB 255 103 15

HSL 22, 1%, 0.53%

LAB 62.5, 54.69, 68.86

 

CMYK 0 / 53 / 87 / 0

HEX #FF7922

RGB 255 121 34

HSL 23.62, 1%, 0.57%

LAB 65.79, 46.65, 66.07

 

CMYK 0 / 45 / 79 / 0

HEX #FF8B35

RGB 255 139 53

HSL 25.54, 1%, 0.6%

LAB 69.46, 38.26, 62.23

 

CMYK 0 / 38 / 72 / 0

HEX #FF9D48

RGB 255 157 72

HSL 27.87, 1%, 0.64%

LAB 73.44, 29.78, 58.03

 

CMYK 0 / 64 / 100 / 8

HEX #EB5501

RGB 235 85 1

HSL 21.54, 0.99%, 0.46%

LAB 56.25, 55.35, 66.14

 

CMYK 0 / 69 / 100 / 15

HEX #DA4300

RGB 218 67 0

HSL 18.44, 1%, 0.43%

LAB 50.59, 56.84, 61.85

 

CMYK 0 / 76 / 100 / 21

HEX #C93100

RGB 201 49 0

HSL 14.63, 1%, 0.39%

LAB 45.1, 57.78, 57.47

 

CMYK 0 / 83 / 100 / 28

HEX #B81F00

RGB 184 31 0

HSL 10.11, 1%, 0.36%

LAB 39.87, 57.86, 53.24

 

CMYK 0 / 92 / 100 / 35

HEX #A70D00

RGB 167 13 0

HSL 4.67, 1%, 0.33%

LAB 35.01, 56.67, 49.01

 

CMYK 0 / 64 / 100 / 9

HEX #E95501

RGB 233 85 1

HSL 21.72, 0.99%, 0.46%

LAB 55.91, 54.66, 65.77

 

CMYK 0 / 91 / 100 / 9

HEX #E91601

RGB 233 22 1

HSL 5.43, 0.99%, 0.46%

LAB 49.37, 72.79, 62.75

 

CMYK 0 / 100 / 100 / 9

HEX #E90101

RGB 233 1 1

HSL 0, 0.99%, 0.46%

LAB 48.69, 74.75, 62.5

 

CMYK 0 / 64 / 100 / 9

HEX #E95501

RGB 233 85 1

HSL 21.72, 0.99%, 0.46%

LAB 55.91, 54.66, 65.77

 

CMYK 0 / 37 / 100 / 9

HEX #E99301

RGB 233 147 1

HSL 37.76, 0.99%, 0.46%

LAB 68.16, 24.15, 73.11

 

CMYK 0 / 10 / 100 / 9

HEX #E9D201

RGB 233 210 1

HSL 54.05, 0.99%, 0.46%

LAB 83.66, -8.78, 83.8

 

CMYK 17 / 0 / 100 / 9

HEX #C2E901

RGB 194 233 1

HSL 70.09, 0.99%, 0.46%

LAB 86.87, -36.08, 84.84

 

CMYK 43 / 0 / 100 / 9

HEX #84E901

RGB 132 233 1

HSL 86.12, 0.99%, 0.46%

LAB 83.54, -58.59, 80.83

 

CMYK 0 / 64 / 100 / 9

HEX #E95501

RGB 233 85 1

HSL 21.72, 0.99%, 0.46%

LAB 55.91, 54.66, 65.77

 

CMYK 0 / 64 / 100 / 9

HEX #E95501

RGB 233 85 1

HSL 21.72, 0.99%, 0.46%

LAB 55.91, 54.66, 65.77

 

CMYK 0 / 58 / 91 / 16

HEX #D65A14

RGB 214 90 20

HSL 21.65, 0.83%, 0.46%

LAB 53.66, 45.79, 58.51

 

CMYK 0 / 51 / 80 / 24

HEX #C35F27

RGB 195 95 39

HSL 21.54, 0.67%, 0.46%

LAB 51.76, 36.46, 48.48

 

CMYK 0 / 43 / 67 / 31

HEX #B0653A

RGB 176 101 58

HSL 21.86, 0.5%, 0.46%

LAB 50.5, 26.37, 36.85

 

CMYK 0 / 33 / 51 / 38

HEX #9E6A4D

RGB 158 106 77

HSL 21.48, 0.34%, 0.46%

LAB 49.63, 17.41, 24.67

 

CMYK 0 / 100 / 81 / 9

HEX #E9012C

RGB 233 1 44

HSL 348.88, 0.99%, 0.46%

LAB 48.92, 75.36, 45.61

 

CMYK 0 / 91 / 100 / 9

HEX #E91501

RGB 233 21 1

HSL 5.17, 0.99%, 0.46%

LAB 49.33, 72.92, 62.74

 

CMYK 0 / 65 / 100 / 9

HEX #E95201

RGB 233 82 1

HSL 20.95, 0.99%, 0.46%

LAB 55.44, 55.91, 65.53

 

CMYK 0 / 38 / 100 / 9

HEX #E99001

RGB 233 144 1

HSL 36.98, 0.99%, 0.46%

LAB 67.48, 25.73, 72.67

 

CMYK 0 / 12 / 100 / 9

HEX #E9CE01

RGB 233 206 1

HSL 53.02, 0.99%, 0.46%

LAB 82.63, -6.76, 83.06

 

CMYK 0 / 64 / 99 / 41

HEX #973701

RGB 151 55 1

HSL 21.6, 0.99%, 0.3%

LAB 36.58, 38.25, 47.67

 

CMYK 0 / 64 / 99 / 25

HEX #C04601

RGB 192 70 1

HSL 21.68, 0.99%, 0.38%

LAB 46.43, 46.64, 56.92

 

CMYK 0 / 64 / 100 / 9

HEX #E95501

RGB 233 85 1

HSL 21.72, 0.99%, 0.46%

LAB 55.91, 54.66, 65.77

 

CMYK 0 / 59 / 91 / 0

HEX #FE6916

RGB 254 105 22

HSL 21.47, 0.99%, 0.54%

LAB 62.7, 53.52, 67.27

 

CMYK 0 / 48 / 75 / 0

HEX #FE843F

RGB 254 132 63

HSL 21.68, 0.99%, 0.62%

LAB 67.97, 41.74, 56.42

 

CMYK 0 / 64 / 100 / 8

HEX #EB5501

RGB 235 85 1

HSL 21.54, 0.99%, 0.46%

LAB 56.25, 55.35, 66.14

 

CMYK 55 / 0 / 100 / 9

HEX #6AE901

RGB 106 233 1

HSL 92.84, 0.99%, 0.46%

LAB 82.56, -66.16, 79.64

 

CMYK 100 / 94 / 0 / 9

HEX #010DE9

RGB 1 13 233

HSL 236.9, 0.99%, 0.46%

LAB 29.86, 71.73, -99.51

 

CMYK 0 / 64 / 100 / 8

HEX #EB5501

RGB 235 85 1

HSL 21.54, 0.99%, 0.46%

LAB 56.25, 55.35, 66.14

 

CMYK 100 / 0 / 65 / 9

HEX #01E952

RGB 1 233 82

HSL 140.95, 0.99%, 0.46%

LAB 81.23, -76.14, 58.42

 

CMYK 65 / 100 / 0 / 9

HEX #5201E9

RGB 82 1 233

HSL 260.95, 0.99%, 0.46%

LAB 33.35, 75.48, -93.58

 

CMYK 0 / 64 / 100 / 8

HEX #EB5501

RGB 235 85 1

HSL 21.54, 0.99%, 0.46%

LAB 56.25, 55.35, 66.14

 

CMYK 55 / 0 / 100 / 9

HEX #6AE901

RGB 106 233 1

HSL 92.84, 0.99%, 0.46%

LAB 82.56, -66.16, 79.64

 

CMYK 100 / 35 / 0 / 9

HEX #0198E9

RGB 1 152 233

HSL 200.95, 0.99%, 0.46%

LAB 60.2, -4.09, -49.98

 

CMYK 45 / 100 / 0 / 9

HEX #8101E9

RGB 129 1 233

HSL 273.1, 0.99%, 0.46%

LAB 38.85, 78.6, -84.29

 

CMYK 0 / 64 / 100 / 8

HEX #EB5501

RGB 235 85 1

HSL 21.54, 0.99%, 0.46%

LAB 56.25, 55.35, 66.14

 

CMYK 85 / 0 / 100 / 9

HEX #24E901

RGB 36 233 1

HSL 110.95, 0.99%, 0.46%

LAB 81.1, -78.59, 77.86

 

CMYK 100 / 35 / 0 / 9

HEX #0198E9

RGB 1 152 233

HSL 200.95, 0.99%, 0.46%

LAB 60.2, -4.09, -49.98

 

CMYK 15 / 100 / 0 / 9

HEX #C701E9

RGB 199 1 233

HSL 291.21, 0.99%, 0.46%

LAB 49.55, 86.66, -66.36

 

Description

Color code: HEX #EB5501 | qconv.com Color code: HEX #EB5501 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 85 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 85 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 100 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 100% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - http://www51...
Link: http://www51.atwiki.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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