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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB530C it is the complementary color #14ACF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB530C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB530C shade: #F05307, #FF651A, #FF772D, #FF8940 and #FF9B53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB530C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB530C shade: #EB530C, #DA4100, #C92F00, #B81D00 and #A70B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB530C shade: #E9520C, #E9170C and #E90C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB530C shade: #E9520C, #E98E0C, #E9C90C, #CDE90C and #91E90C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB530C shade matches the following richer shades: #E9520C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB530C shade: #E9520C, #D55A20, #C16134, #AD6848 and #996F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB530C shade: #E90C3C, #E9170C, #E9520C, #E98D0C and #E9C80C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB530C shade: #9A3708, #C1440A, #E9520C, #F46A2A and #F68651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB530C shade: #EB530C, #77E90C and #0C1FE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB530C shade: #EB530C, #0CE952 and #520CE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB530C shade: #EB530C, #77E90C, #0CA3E9 and #7E0CE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB530C shade: #EB530C, #35E90C, #0CA3E9 and #C00CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 95 / 8

HEX #EB530C

RGB 235 83 12

HSL 19.1, 0.9%, 0.48%

LAB 55.96, 56.28, 63.78

 

Complementary color

CMYK 92 / 29 / 0 / 5

HEX #14ACF3

RGB 20 172 243

HSL 199.1, 0.9%, 0.52%

LAB 66.62, -11.12, -45.34

 

CMYK 0 / 65 / 97 / 6

HEX #F05307

RGB 240 83 7

HSL 19.57, 0.94%, 0.48%

LAB 56.81, 57.93, 65.7

 

CMYK 0 / 60 / 90 / 0

HEX #FF651A

RGB 255 101 26

HSL 19.65, 1%, 0.55%

LAB 62.2, 55.7, 65.88

 

CMYK 0 / 53 / 82 / 0

HEX #FF772D

RGB 255 119 45

HSL 21.14, 1%, 0.59%

LAB 65.47, 47.87, 61.81

 

CMYK 0 / 46 / 75 / 0

HEX #FF8940

RGB 255 137 64

HSL 22.93, 1%, 0.63%

LAB 69.13, 39.67, 57.19

 

CMYK 0 / 39 / 67 / 0

HEX #FF9B53

RGB 255 155 83

HSL 25.12, 1%, 0.66%

LAB 73.11, 31.37, 52.55

 

CMYK 0 / 65 / 95 / 8

HEX #EB530C

RGB 235 83 12

HSL 19.1, 0.9%, 0.48%

LAB 55.96, 56.28, 63.78

 

CMYK 0 / 70 / 100 / 15

HEX #DA4100

RGB 218 65 0

HSL 17.89, 1%, 0.43%

LAB 50.32, 57.59, 61.72

 

CMYK 0 / 77 / 100 / 21

HEX #C92F00

RGB 201 47 0

HSL 14.03, 1%, 0.39%

LAB 44.87, 58.42, 57.37

 

CMYK 0 / 84 / 100 / 28

HEX #B81D00

RGB 184 29 0

HSL 9.46, 1%, 0.36%

LAB 39.7, 58.34, 53.17

 

CMYK 0 / 93 / 100 / 35

HEX #A70B00

RGB 167 11 0

HSL 3.95, 1%, 0.33%

LAB 34.91, 56.95, 48.96

 

CMYK 0 / 65 / 95 / 9

HEX #E9520C

RGB 233 82 12

HSL 19, 0.9%, 0.48%

LAB 55.47, 56.01, 63.3

 

CMYK 0 / 90 / 95 / 9

HEX #E9170C

RGB 233 23 12

HSL 2.99, 0.9%, 0.48%

LAB 49.45, 72.74, 59.86

 

CMYK 0 / 95 / 95 / 9

HEX #E90C0C

RGB 233 12 12

HSL 0, 0.9%, 0.48%

LAB 49.02, 73.97, 59.64

 

CMYK 0 / 65 / 95 / 9

HEX #E9520C

RGB 233 82 12

HSL 19, 0.9%, 0.48%

LAB 55.47, 56.01, 63.3

 

CMYK 0 / 39 / 95 / 9

HEX #E98E0C

RGB 233 142 12

HSL 35.29, 0.9%, 0.48%

LAB 67.05, 26.89, 70.87

 

CMYK 0 / 14 / 95 / 9

HEX #E9C90C

RGB 233 201 12

HSL 51.31, 0.9%, 0.48%

LAB 81.36, -4.12, 81.11

 

CMYK 12 / 0 / 95 / 9

HEX #CDE90C

RGB 205 233 12

HSL 67.6, 0.9%, 0.48%

LAB 87.62, -31.56, 84.84

 

CMYK 38 / 0 / 95 / 9

HEX #91E90C

RGB 145 233 12

HSL 83.89, 0.9%, 0.48%

LAB 84.13, -54.18, 80.61

 

CMYK 0 / 65 / 95 / 9

HEX #E9520C

RGB 233 82 12

HSL 19, 0.9%, 0.48%

LAB 55.47, 56.01, 63.3

 

CMYK 0 / 65 / 95 / 9

HEX #E9520C

RGB 233 82 12

HSL 19, 0.9%, 0.48%

LAB 55.47, 56.01, 63.3

 

CMYK 0 / 58 / 85 / 16

HEX #D55A20

RGB 213 90 32

HSL 19.23, 0.74%, 0.48%

LAB 53.56, 45.66, 54.14

 

CMYK 0 / 50 / 73 / 24

HEX #C16134

RGB 193 97 52

HSL 19.15, 0.58%, 0.48%

LAB 51.99, 35.17, 42.33

 

CMYK 0 / 40 / 58 / 32

HEX #AD6848

RGB 173 104 72

HSL 19.01, 0.41%, 0.48%

LAB 50.98, 24.45, 29.62

 

CMYK 0 / 27 / 41 / 40

HEX #996F5B

RGB 153 111 91

HSL 19.35, 0.25%, 0.48%

LAB 50.57, 13.95, 17.69

 

CMYK 0 / 95 / 74 / 9

HEX #E90C3C

RGB 233 12 60

HSL 346.97, 0.9%, 0.48%

LAB 49.39, 74.99, 37.01

 

CMYK 0 / 90 / 95 / 9

HEX #E9170C

RGB 233 23 12

HSL 2.99, 0.9%, 0.48%

LAB 49.45, 72.74, 59.86

 

CMYK 0 / 65 / 95 / 9

HEX #E9520C

RGB 233 82 12

HSL 19, 0.9%, 0.48%

LAB 55.47, 56.01, 63.3

 

CMYK 0 / 39 / 95 / 9

HEX #E98D0C

RGB 233 141 12

HSL 35.02, 0.9%, 0.48%

LAB 66.82, 27.42, 70.72

 

CMYK 0 / 14 / 95 / 9

HEX #E9C80C

RGB 233 200 12

HSL 51.04, 0.9%, 0.48%

LAB 81.1, -3.61, 80.93

 

CMYK 0 / 64 / 95 / 40

HEX #9A3708

RGB 154 55 8

HSL 19.32, 0.9%, 0.32%

LAB 37.15, 39.51, 45.81

 

CMYK 0 / 65 / 95 / 24

HEX #C1440A

RGB 193 68 10

HSL 19.02, 0.9%, 0.4%

LAB 46.3, 47.98, 54.59

 

CMYK 0 / 65 / 95 / 9

HEX #E9520C

RGB 233 82 12

HSL 19, 0.9%, 0.48%

LAB 55.47, 56.01, 63.3

 

CMYK 0 / 57 / 83 / 4

HEX #F46A2A

RGB 244 106 42

HSL 19.01, 0.9%, 0.56%

LAB 61.4, 49.85, 58.79

 

CMYK 0 / 46 / 67 / 4

HEX #F68651

RGB 246 134 81

HSL 19.27, 0.9%, 0.64%

LAB 67.45, 38.5, 46.84

 

CMYK 0 / 65 / 95 / 8

HEX #EB530C

RGB 235 83 12

HSL 19.1, 0.9%, 0.48%

LAB 55.96, 56.28, 63.78

 

CMYK 49 / 0 / 95 / 9

HEX #77E90C

RGB 119 233 12

HSL 90.95, 0.9%, 0.48%

LAB 83.03, -62.4, 79.27

 

CMYK 95 / 87 / 0 / 9

HEX #0C1FE9

RGB 12 31 233

HSL 234.84, 0.9%, 0.48%

LAB 31.67, 66.8, -96.47

 

CMYK 0 / 65 / 95 / 8

HEX #EB530C

RGB 235 83 12

HSL 19.1, 0.9%, 0.48%

LAB 55.96, 56.28, 63.78

 

CMYK 95 / 0 / 65 / 9

HEX #0CE952

RGB 12 233 82

HSL 139, 0.9%, 0.48%

LAB 81.27, -75.8, 58.48

 

CMYK 65 / 95 / 0 / 9

HEX #520CE9

RGB 82 12 233

HSL 259, 0.9%, 0.48%

LAB 33.86, 73.92, -92.73

 

CMYK 0 / 65 / 95 / 8

HEX #EB530C

RGB 235 83 12

HSL 19.1, 0.9%, 0.48%

LAB 55.96, 56.28, 63.78

 

CMYK 49 / 0 / 95 / 9

HEX #77E90C

RGB 119 233 12

HSL 90.95, 0.9%, 0.48%

LAB 83.03, -62.4, 79.27

 

CMYK 95 / 30 / 0 / 9

HEX #0CA3E9

RGB 12 163 233

HSL 199, 0.9%, 0.48%

LAB 63.47, -10.03, -44.81

 

CMYK 46 / 95 / 0 / 9

HEX #7E0CE9

RGB 126 12 233

HSL 270.95, 0.9%, 0.48%

LAB 38.87, 77.07, -84.28

 

CMYK 0 / 65 / 95 / 8

HEX #EB530C

RGB 235 83 12

HSL 19.1, 0.9%, 0.48%

LAB 55.96, 56.28, 63.78

 

CMYK 77 / 0 / 95 / 9

HEX #35E90C

RGB 53 233 12

HSL 108.87, 0.9%, 0.48%

LAB 81.33, -76.54, 77.17

 

CMYK 95 / 30 / 0 / 9

HEX #0CA3E9

RGB 12 163 233

HSL 199, 0.9%, 0.48%

LAB 63.47, -10.03, -44.81

 

CMYK 18 / 95 / 0 / 9

HEX #C00CE9

RGB 192 12 233

HSL 288.87, 0.9%, 0.48%

LAB 48.7, 84.8, -67.79

 

Description

Color code: HEX #EB530C | qconv.com Color code: HEX #EB530C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 83 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 83 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 95 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 95% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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